Acid Funk Jam For【Bass】B Minor 110bpm No Bass BackingTrack

[@CoolGreenApple]

I've never had so much fun just playing one note before

[@MusicJamTracks]

So great to hear that. Stay tuned for the new video!!

[@bluesdawg8014]

Another great jam with chord changes. Having this with visual measures is totally awesome. I play guitar and bass. Great grooves every time much thanks Los Angeles

[@MusicJamTracks]

If you notice the meaning of B7, you can understand the goodness of this track more.👍👍👍

[@berniegovernder9176]

@@MusicJamTracks b

[@DeanUSAMale]

Bass-ically "Lowdown" by Boz Scaggs... nice!

[@MusicJamTracks]

Some people have similar faces in the world, and some songs have similar chord progressions.

[@SoulbassJr]

some of this jams are big inspiration ! thank you Music Jam Tracks ! ! !

[@MusicJamTracks]

Your musical sense is correct.👍👍

[@Tru-Luv-is-2-Giv]

I'm feeling it, thank you.

[@MusicJamTracks]

Funky grooves are the genre we are best at. Have fun and learn music!

[@sammydwalton7115]

I love your tracks man👍👌

[@MusicJamTracks]

Thank you man! Please do a lot of groove and practice. Listen as many times as you can😃✨

[@BWater-yq3jx]

Great track btw. 🙂👌

[@MusicJamTracks]

Funky grooves are the genre we are best at. Have fun and learn music!

[@deepakshakya7683]

Nice jam track..

[@MusicJamTracks]

You understand real music and bass.Perfect！

[@evianbidet3553]

Great groove, man! Thank you!

[@MusicJamTracks]

Thx man!You understand the true groove.

[@hasanatarkan1394]

perfect :)))

[@MusicJamTracks]

Thank you. Please practice and enjoy yourself.

[@ЮРИЙФИЛИППОВ-й6е]

Thanks!!! 👍👍👍👍👍

[@MusicJamTracks]

Thank you. Please enjoy. And listen as long as possible.

[@YKBass]

Love This!!

[@MusicJamTracks]

thanks!

[@ra6378]

getting a Michael brecker vibe out of the sax with this one. just absolutely loosing it on my G flats and Bs!

[@MusicJamTracks]

Please think that the orange part has a partial transposition.

[@phosphore7991]

Why Bm its Em by the way good track!

[@MusicJamTracks]

At first glance, this track looks like an E-minor, but the key is actually a b-minor. When playing ad lib, B minor pentatonic, D major pentatonic, and A mixolydian are cool.

[@phosphore7991]

@@MusicJamTracks ok i'll check ;) But A GM chord is goos too.Also usually the first chord is the first degree and also we have B7 for the dominant.

[@phosphore7991]

@@MusicJamTracks Checked yup they sound good but the tonality must be Em you can't be in Bm with a B7 it's a I IV V in Em A myxolidian can be risky on the B7 but sound lovely on the others degree. So i think it's F# dorian not A mixolydian and so we are in Em.

[@elektron2kim666]

@@phosphore7991 It's A in the click intro.

[@JayAyyWhy1231]

I for one hear B minor! (where the B7 is simply a secondary dominant turn-around to predominant Em). I also recognize that this tonal ambiguity may contribute to why the groove is so good and versatile.

[@MusicJamTracks]

I agree with you!

[@bassist789]

to think of the B7 as a secondary dominant in this case is silly. There are four main reasons why this track is undoubtedly in E minor (dorian). 1.) Progression starts in E and ends with B7 2.) The A/B chords you use throughout greatly weaken the sense of B being our tonic. This is a very suspended sound. Nothing "home" about it. 3.) Every single B chord is in a metrically weak spot of the progression (bars 2 and 4, for example), with E chords on the strong bars (1 and 3). This works the same way as it would with beats within a single bar. 4.) You used a b13 chord to transition back to E, which has arguably the most tension of any dominant chord. This only further implies an E tonic. This tune is in E dorian. The only way in which you are correct is that you can use the B minor scale to improvise over this, which, as we all know, is the same as the E dorian scale.

[@BWater-yq3jx]

Em pentatonic or E melodic minor - E F# G A B C# D# E Note chord spellings - Em = E G B A = A C# E B7= B D# F# A Im IV(7) V7 = melodic minor

[@markvandiest6949]

Love the track but how can you put adds half way into the groove

[@MusicJamTracks]

Remove the midroll little by little.

[@freshpansen6313]

Music Jam Tracks, I'm so sorry for all the ignorant comments thinking its in E minor 😂

[@MusicJamTracks]

Thanks FreshPansen 😁 The key to this track is b minor or D major. The key to this track is b minor or D major. There are several ways of thinking when playing a solo, but I mainly use A mixolydian.

[@bagengavrilov]

Это Ми дорийский и точка. Не надо чушь нести в коментах на эту тему.

[@luigi.zanini]

Emin

[@brunoraffo6726]

Sounds like E minor to me...

[@deecook8393]

Acid funk?

[@MusicJamTracks]

Yes!

[@bassist789]

E dorian, not B minor. How you gonna have a B dominant chord as the last chord of the progression and call it B minor???? lol

[@MusicJamTracks]

The key to this track is B minor.However, B7 in the 4th and 8th bars is a chord progression that regards the E minor in the next bar as a tonic.This is called a secondary dominant.Secondary dominants are often used to temporarily change keys.

[@bassist789]

Music Jam Tracks to think of the B7 as a secondary dominant in this case is silly. There are four main reasons why this track is undoubtedly in E minor (dorian). 1.) Progression starts in E and ends with B7 2.) The A/B chords you use throughout greatly weaken the sense of B being our tonic. This is a very suspended sound. Nothing "home" about it. 3.) Every single B chord is in a metrically weak spot of the progression (bars 2 and 4, for example), with E chords on the strong bars (1 and 3). This works the same way as it would with beats within a single bar. 4.) You used a b13 chord to transition back to E, which has arguably the most tension of any dominant chord. This only further implies an E tonic. This tune is in E dorian. The only way in which you are correct is that you can use the B minor scale to improvise over this, which, as we all know, is the same as the E dorian scale. EDIT: Clarity

[@rudybigboote3883]

Damn dude! I started this groove in rhythm mode and was not feeling it. Then I switched to a more melodic bass line playing in the key of Em and not really sticking to the chord changes and DAMN! Super fun groove!

[@MusicJamTracks]

Thanks for the great message. The point is B7 in measures 4 and 8. You can make a nice bass line with B P5. Do you understand?

[@rudybigboote3883]

Music Jam Tracks the only part I don’t understand is the end of the sentence. What do you mean “B P5”?

[@MusicJamTracks]

The official name is Harmonic Minor Perfect 5th Below. Abbreviated to HMP5 ↓. This HMP5 ↓ is a scale effective at the time of dominant 7th. In the case of B7, usable sounds are B, C, D #, E, F # G, A, B. Please play it.