No video

Act 2 Part 2 | NYU Screenwriting Professor on Why You Should Split Act 2 in Half

  Рет қаралды 8,871

H8URS

H8URS

Күн бұрын

Support H8URS on Patreon: bit.ly/2kqae0M
Screenwriter and NYU Professor Marilyn Horowitz sits down with H8URS to discuss her fool-proof method to screenplay structure.
Follow us:
Twitter: bit.ly/2jVwUG0
Instagram: bit.ly/2lTlovq
Facebook: bit.ly/2khFcIH

Пікірлер: 3
@Comedyschule
@Comedyschule 4 жыл бұрын
This is the best screenwriting channel on youtube. So glad I found this. I'm selftaught and learned from many Videos on YT. None of them are as your Videos. Thank you Professor
@danielburns1556
@danielburns1556 3 жыл бұрын
hi, I think I'm getting it, but confused about the who or what would your character die for question. is there another example or way we can discover what our character would die/change for? Let's say my character's inner journey is from scared to courageous. when/where in my story will I know what my character would be willing to die for in order to achieve the goal? I guess I need another way of lookin at or approaching this question because the way it's worded is nebulous to me. is there a moment in the story, such as the midpoint, where the answer becomes clear to me, the writer? is it the theme or transformation also known as the 'what would they die for' question? I feel like I don't have enough info to be able to determine this. maybe explain why it's important we writers should know what our character is willing to die for? and why it's important that our characters have this defined? I think harry potter wants to get the sorcerer's stone so that no evil force gets it, he's willing to put his life on the line to prevent harm to his new/true family, friends and home. He's willing to die for them, for the place and people he belongs to. and makes the effort to protect and defend them by getting the stone before Voldemort can. so, is what they're willing to die for revealed in act 2 part 2? or at the midpoint when they have their revelation/realization/reflection? what are some ways we writers can determine what our character will die for? where should we look as we're writing/planning? for us to change, it requires something that is that strong, something worth dying over? so for a scared person to change, they'd do so in order to save someone who they care for - meaning they'd risk their life/die - for someone - meaning they'd change, become courageous, in order to save them? so that type of character would die for someone they loved, aka have to change to from scared to courageous? If I have it correct, is it the midpoint where they realize this and therefore act 2 part 2 is more about them advancing through the plot with this new outlook - and therefore the obstacles attack/challenge this inner transformation more than the obstacles from act 2 part 1?
@cymbol73
@cymbol73 4 жыл бұрын
I've never heard it explained this way. Thank you for sharing.
Screenwriting Masterclass | The Mid Point Reversal (MPR)
36:25
The Story Department
Рет қаралды 11 М.
WHO CAN RUN FASTER?
00:23
Zhong
Рет қаралды 46 МЛН
SPONGEBOB POWER-UPS IN BRAWL STARS!!!
08:35
Brawl Stars
Рет қаралды 20 МЛН
Секрет фокусника! #shorts
00:15
Роман Magic
Рет қаралды 32 МЛН
Вы чего бл….🤣🤣🙏🏽🙏🏽🙏🏽
00:18
Agile Manifesto 4 Values +12 Principles
16:59
OPM RedPill - by Serkan Kaya
Рет қаралды 2
How to Write Great Scenes - 4 Elements Every Scene Should Have
26:13
Screenwriting Masterclass | Writing The Second Act
49:36
The Story Department
Рет қаралды 11 М.
You're Writing Themes Wrong
23:16
The Closer Look
Рет қаралды 374 М.
Pinch Points: Fixing Your Second Act
15:25
Tyler Mowery
Рет қаралды 49 М.
How to Build Your Story Structure
14:31
Film Riot
Рет қаралды 302 М.
The Ultimate Primer On Story Structure | 40+ Movies Analysed
35:30
Equipment for Living
Рет қаралды 8 М.
WHO CAN RUN FASTER?
00:23
Zhong
Рет қаралды 46 МЛН