Adding Chords that Aren't There to a Jazz Ballad (Part 3)

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Pianist and author Jeremy Siskind demonstrates how he would use devices like sidestepping, tonicization, diatonic circle of fifths, and planing to add chords to Irving Berlin's "Always."

[@Vaejovis357]

Thank you again. What an extraordinarily relevant and generous gift these videos are. Your Solo Piano book is the new gold standard, right up there with Tim Richards’ books , but at a much more advanced level.

[@747seanmichael]

another fantastic lesson! I noticed you have a pretty nice book collection behind you, might be cool to make a vid talking about some of your favorites! Thanks for all you do Jeremy!!!! P.S. perpetual motion etudes is incredible!!

[@JeremySiskind]

Thanks! That's one of my bookshelves...lol... I have a problem. 😂

[@marcopepe4046]

Hi Jeremy, these tips really make a difference to the usual harmony lessons. They sound like "open your mind" or maybe better "open your ears"! :D Many thanks.

[@JeremySiskind]

I’m so happy to hear that, Marco! Happy re-harming!

[@CharlesAustin]

Thanks for this great lesson.. eye opener .. Thanks again.. ‘sounds great ..!!

[@JeremySiskind]

Yay. Thanks, Charles!

[@gustav1296]

Love playing a Dominant7 with a maj 7 resolving a halvt step down to the dominant V, kinda What you do with the Ab7 before gm7 Eg. Db9addmaj7(like a Db7 Shell voicing with an upper structure major triad on the 5th Ab) Going to C7alt Going to fm6 or Fmmaj7 Quite common progression i know, but the Spicy addmaj7 is so good

[@JeremySiskind]

Nice! Thanks for sharing, Gustav!

[@brantgutierrez5580]

this is damn good thank you so much!

[@JeremySiskind]

Yay, I'm glad you like it, Brant!

[@chodaldomination]

Are these not verging more on dedicated reharmonisation than previous videos in this series?