AF023 Comb Filtering

[@karniboy6549]

AMAZING!!!! Finaly a proper video demonstrating this! thank you!

[@cMaXeJIJIo]

Unfrickin' believable. And a fantastic explanation, too.

[@ThierryLalinne]

Fascinating stuff! Thanks a lot for your crystal clear explanations, this is really useful. You know how to make complex subjects very simple and easy to grasp.

[@LoudnessWar]

That's a good point. Especially in the bass end - people sometimes worry that bass traps "remove" bass without realizing that the more you reduce bass reflections, the more reliable your room sound generally is. I'll probably come back around to that when I start dealing with more acoustic treatment type stuff.

[@Hexspa]

The frequencies combine constructively too, in the acoustic domain. 1/4, 3/4, and 5/4 wavelength distances produce reflections which combine with the direct signal to create nulls whereas 1/2, 1, and 2x wavelength distances create peaks. This is also true for the room's resonant modal frequencies - along those segments of the wavelength, you get either a low-pressure area or a high-pressure area.

[@CraftyOldGit]

Wonderful explanation, thanks. I found the graphs helpful and understood what's happening the first time I watched.

[@nersonangelo]

Thank you Matt God bless

[@itslogeyyy]

Properly explained video. Thanks!

[@krishna093]

Beautifully explained 👍🏻

[@sanderblom]

Very well explained!

[@dananas9131]

You sir, can truly explain well!

[@halifaxskater]

Really helpful! Thanks, Matt :)

[@hooligans]

Very useful info, thank you :) We want more lessons about sound theory :) By the way, where do I get these oscilloscope and FFT graphs? are these Logic Pro internal components?

[@ZeroesandOnes]

Best video I've seen on this

[@blueindigo1618]

first time seeing this, great explanation mannn

[@kontekruel]

I like it when your voice accidentaly going into unison with the sound from the synth at 2:32 :) tuvan shamanism style

[@barryl4717]

This is a great video! Are you using Csound to generate those graphs?

[@LoudnessWar]

Awesome! Thanks.

[@NATmusic27]

Hey, that was great!

[@Besteleben1]

Thanks for your help ;)

[@EtienneDechamps]

Great video, as always. I was expecting, however, some rant about how many people seem to overestimate the importance of loudspeakers compared to room acoustics. Your video explains quite briefly that comb filtering happens mostly in the acoustical domain; in my opinion you should really insist on it, because that's easily one of the most (if not THE most) important source of distortion in an audio system within a typical room, and few people know that. Just ask Ethan Winer…

[@Gnurklesquimp]

What if you detuned the delayed out of phase oscilator? i think this shoould sound good with a saw > square > sine hybrid

[@Gnurklesquimp]

ohh no wait, detuning would interfere with the phase

[@Gnurklesquimp]

KelvinsVids depending on how far apart the osc's are and how long the note is being played, there might still be room left for some detuning.

[@Zenthex]

seems like it, i'm not an engineer but i'm pretty sure that it's built on the same principle.

[@stevonn4]

Hi , please just asking if you could do a video that shows how to pan a kick. snare, hi hat or any other instrument like basses and synths , up and down , up left/right or down left/right , anywhere in the stereo image please can you help me ??

[@Hexspa]

Five years ago, have you figured this out? Up and down is frequency, left and right is pan, front to back is mostly volume. Limiting the bandwidth and detail plus making something mono and reverberant also pushes things back whereas making an element stereo, detailed, full-spectrum and more dry makes it appear closer.

[@overdosebalkony3953]

How can i do this with FL Studio?? Maybe a plugin similar to sample delay

[@forwardaudio]

Try this ;-): www.forward-audio.de/sampledelay/