AF004 Envelopes and ADSR

[@etalex7074]

here 11 years later to say holy shit i knew nothing about audio and this is already so helpful only 7 videos in, thank you!

[@LoudnessWar]

Thanks - hope you're enjoying them!

[@germanvaz7526]

Really great video, can't believe it's free. Thank you, though I hoped to see more ASDR settings, it was really cool.

[@Barukh]

Awesome series, man! Thanks a lot! Very interesting to go through... I'm learning many things that I hope will enrich my understanding when it comes to producing/mixing music.

[@LoudnessWar]

Thank you very much! I used to teach music theory to high school students (age 16-17) and one of these days I plan to make videos for that, too. Meanwhile, there is a nice Creative Commons licensed website that is just "musictheory" and then dot net.

[@babi721]

What a great course and video... i'm having a good time while remembering and studying. Thanks a lot, greetings from Brasil.

[@syhusada1130]

Bookmarking this. Thanks.

[@LoudnessWar]

Thank you, everyone! I appreciate the comments.

[@egyfirst]

That is really amazing. you are more than perfect

[@Darro2017]

Great video. Thank You for the commitment. Best Regards, Darro 2017.

[@mrfauda1]

Another fine one from my guru. Thanks!

[@curtpiazza1688]

You have a great thing going! Thanx! 😊 🎉

[@bakerbaker4455]

Great videos, I'm sat here taking notes! :D I was wondering if you knew of any resources or videos that would help in learning music theory? Keep up the good work.

[@N3tCr44sh]

Thank you for this course! Which software did you use in the video?

[@dagamusik]

You're doing it great man!!!

[@LoudnessWar]

@Adrian5606 Thanks for watching!

[@alexbrothers6017]

Question - the sustain in an ASDR envelope sets the sustain level while the key press time sets the sustain time. What, then, sets the attack level?

[@LoudnessWar]

+Alex Brothers In traditional ADSR, the attack always goes up to 100% of whatever the instrument is set to. That specific volume might be a different level depending on what the synth is set to - and might also be different per note, if the instrument is touch-sensitive.

[@LoudnessWar]

@Robzsz Thank you! I am very glad it's helpful.

[@LoudnessWar]

@mrfauda1 Thanks for watching!

[@LeonvanBokhorst]

Excellent!

[@Creepzza]

Yer got yourself a subscriber! WIll watch all your vids :)

[@sebastianva5665]

hey Matt!! Im just a fan of ur utube channel Nd it's teaching me a lot... could you tell me what would be on the x and y axis of a timbre enveolpe..

[@LoudnessWar]

Hello Sebastian, usually the x axis would be time, and the y axis would be a filter cutoff. At least I think that's what I used in the example - it's been a long time :-) It would also be possible to plot other parameters over time as an envelope, like tremolo or vibrato speed, delay time, chorus width, mix between synth waveforms, or whatever. "Timbre envelope" is not exactly a standard term - I used it in the video to give another example of an envelope, and audio engineers would probably understand what you meant if you said it, but it's not something I've heard commonly.

[@sebastianva5665]

Matt Mayfield Music oh great Matt !! thank you..nw I have my doubt cleared... thanks for the reply...

[@tesiemarie8942]

The sounds my grandma’s refrigerator used to make at night.

[@rainiger1]

Now we know how ATARI made their video game sounds in the 80s!