Alban Berg - Lulu Suite [With score]

[@DamonJHK]

00:00 - I. Rondo (Andante & hymn) 14:50 - II. Ostinato (Allegro) 18:39 - III. Lied der Lulu [Lulu's song] (Comodo) 21:39 - IV. Variationen [Variations] (Moderato) 25:06 - V. Adagio (Sostenuto, lento, grave)

[@tjden777]

Lulu Lala

[@mattsadovnikoff1457]

Berg was a genius!! The best of the Viennese School by far, in my opinion. No one wrote such gut-wrenching, passionate and soaring lines of music in that era. I'm 73 yo and have been listening and studying the entire opera score since I was 15. Simply incredible music.

[@arielorthmann4061]

I have to disagree. In my opinion Webern's music is even more gut-wrenching and passionate than Berg's music, pieces such as the Konzert or the string quartet always make feel different than anything else

[@mrtchaikovsky]

@@arielorthmann4061 I agree. My personal order is Webern - Schönberg - Berg.

[@klanggemaldemusic8723]

That chord at 5:00 is incredible. So bone chilling!!!! Berg is my personal maestro from the second viennese school. This piece proves it. His music is all about letting the (tonal) music before him be an influence and combining it with the 12-tone techniques. When the expression demands it, tonality like chords and melodies are a valid option. It does not stop at counting notes and form. Super marvelous!

[@michaelkeane6744]

Saw ‘Lulu’ in Paris some years ago. It was the hit of the season. So lucky to see it.

[@topologyrob]

The alto sax and vibraphone give it a nice '30s mood.

[@TdF_101]

I don't know what 'sound' came first ... Berg or the movies but after his premature death you can tell many composers picked up on Berg's late style. Berg was also fond of movies. Who knows, had he lived longer what could have been.

[@Toddobvious]

🤣✌️

[@SCRIABINIST]

@@TdF_101 Imagine Berg writing 50s Hollywood scores

[@benjaminnylander1355]

ending is soooo good. Could listen to that on repeat for hours.

[@Racosz]

That chord at 31:16 is simply outstanding.

[@scullucs]

C'est murder!

[@sneddypie]

twelve tone chords are magnificent

[@paulamrod537]

After listening once again to Alban Berg's marvelous use of twelve tone we can ask ourselves why today this very style of Schoenberg's student seemed to be completely avoided after the 2nd WW. Why? He is refreshingly warm and consonant with amazing harmonies and many composers of twelve tone music missed the boat as was Arnold also very harmonic. I have suffered through 4 decades of Donaueschingen and Darmstadt and their supposed new music with a boundless intolerance for other directions. Berg is an example of truly wonderfully passionate music with deeply profound sentiments. This is musicological reality and in no fashion conservative as well as highly innovative. I have shown this piece exactly to my students for a better understanding how dodecaphonic music truly can resonante and travel under the skin instead of just tickling the brain.

[@Cardossian]

Yes, Berg is wonderful! How I wish he had lived longer, and created more!

[@grouchbugs]

Couldn't agree more. Chamber Concerto for 13 instruments I also find intriguingly entertaining. And the Violin Concerto is among the most beautiful pieces of the 20th C. I've seen both Wozzeck and Lulu at NYMet. Wozzeck riveting, Lulu a little stodgy; though the DVD with Patricia Petibon makes one's skin crawl.

[@scriabinismydog2439]

All great music is basically a result of balance between intellect and raw emotion. Berg was the best at that

[@paulamrod537]

@@scriabinismydog2439 By the way I have studied deeply Scriabin's Harmony and understand how to construct this amazing style. Are you aware of the Russian Avante Garde. Here is a link to a book about it. This is what occurred after Scriabin's untimely early death.

[@scriabinismydog2439]

@@paulamrod537 I'm extremely fascinated by post-Scriabin avantgarde! Roslavets, Feinberg Lyathoshinsky, Protopopov etc... I'd love to see your studies/analysis on Scriabin's harmonic language

[@victorgrauer5834]

This orchestral music is wonderful. Original, inventive, masterfully orchestrated. I must say I prefer this version, as the voices in the opera itself consist of a continuous and mostly routine recitative that, for me, gets in the way of the far more compelling orchestral "accompaniment."

[@gwenaelherve5675]

Quelle richesse, quelle vie... Comment Berg peut-il être aussi complet ? Comment peut-il avoir des talents aussi évidents en mélodie, en harmonie, en orchestration ? Ils ont écrit ça à plusieurs, ou quoi ?

[@gabrielsimony1625]

Cette profusion sonore autorise la question Quelle beauté Quel sens de la tragédie !

[@franckmousset4022]

Schoenberg était l'un des meilleurs professeurs de composition.

[@samuelcabellogonzalez7590]

Berg, Lulu Suite 1a. Andante - 00:05 1b. Hymne - 10:43 2. Ostinato - 14:50 3. Lied der Lulu - 18:39 4. Variationen - 21:39 5. Adagio - 25:06

[@blackbrownbeige55]

This opera is VERY SPECIAL to me. I absolutely LOVE this performance . I would have preferred Rene Fleming, Alessandra Marc or a Spinto Soprano with more heft. LULU and MARIE require vocal heft Auger sings as if Countess Geschwitz, a less demanding role. Berg was a GENIUS- Lulu is one of the 20th century's greatest modern theme operas

[@gabrielsimony1625]

Écoutons attentivement et la magie opère. Ainsi que la tragédie du monde moderne qui a sabré

[@karlpoppins]

24:37 sounds like Berg was making fun of Stravinsky's Petrushka.

[@stephenjablonsky1941]

Both Stravinsky and Berg used fragments of street music for different effects. Here it is grotesque and menacing, and fleeting.

[@МихаилСвердлов-и3я]

Psychedelic vibe

[@joshscores3360]

Next do Berg’s Wozzeck

[@tristanwilson5680]

Could you possibly upload Ernest Bloch's Nocturnes? They're fantastic pieces that deserve much more exposure.

[@DamonJHK]

Tristan Wilson If you send me the score, yes. I can’t find it anywhere...

[@stueystuey1962]

Kunda slid into this unawares via autoplay. Very nice.

[@kathyzeng5078]

Hovhaness music always reminds flute sound expose in orchestra.

[@sneddypie]

30:51

[@LimJoshua1]

any chance you could do Wojciech Kilar's Orawa ? i've been dying to read the score but i cant find it anywhere sadly :(

[@robertosolito1276]

un po' troppo convinto e oserei dire ottuso per i suoi tempi

[@johnryskamp7755]

How did Berg arrive at the source, or basic, row in Lulu?

[@lotuschan55]

알반 산의 곡을 잘 들어보겠소

[@CatkhosruShapurrjiFurabji]

Based

[@VG357537]

Такую музыку разбивать рекламами - нужно ох-еть!

[@gentle_goy23432]

В каком смысле?

[@muslit]

Twelve-tone tonality.

[@silviopastorini6]

Pieno 900

[@israfilrasuloff3813]

31:42

[@tjden777]

보체크

[@DamonJHK]

Pièce Concertante (...) 맨들어달라는 말씀이신가요 선생님..?

[@tjden777]

Damon J.H.K. 훌륭합니다

[@Khayyam-vg9fw]

kzbin.info/www/bejne/rZDJm3mGndd-oNk

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