ALEXA 65, DNA lenses, and SkyPanel lights on “A Boy Called Christmas”

Cinematographer Zac Nicholson BSC and 1st AC Tobias Eedy talk about working with ARRI Rental’s exclusive ALEXA 65 camera and Prime DNA lenses on “A Boy Called Christmas,” directed by Gil Kenan. The unique aesthetic of the 65 mm format and characterful optical performance of the DNAs allowed the filmmakers to create a unique look for this colorful festive film. Gaffer Jonny Franklin also discusses how ARRI SkyPanel LED lights helped the crew make rapid color changes in the studio and on location.
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