Alexander Ullman; Schumann, Papillons Op. 2

[@felixdevilliers1]

Back again. The best interpretation I have heard. Ullman brings out all the tenderness, high spirits and humour.

[@eusebiusseo9809]

슈만 빠삐용 연주중 최고다 음악적인 느낌,소리의 색채,각각의 번호마다 다른 생각의 표현...오랜만에 좋은연주 감상한것 같아 기쁘다

[@hanrinahan575]

Beautiful❤ Best played on KZbin 😊 Thank you so much Young Classical Artists Trust!❤❤

[@CarlosLima-oe7wn]

Alexander imprime categoria na interpretação, dignificando esta obra singular de Schumann.

[@shaunli7001]

00:07 Introduzione - Moderato 00:18 1. 01:00 2. Prestissimo 01:24 3. 02:14 4. Presto 03:02 5. 04:16 6. 05:16 7. Semplice 06:18 8. 07:34 9. Prestissimo 08:17 10. Vivo 10:23 11. 13:22 12. Finale

[@laspiano765]

Bravo! Alexander Ullman, maravilhosa interpretação, é uma das peças favoritas eu gosto muito, obrigado por postar, brilhante apresentação . 06-11-2017-Sg. 17:43hs.-

[@sabonjo]

Gran músic! Molt sentit i coherència. Felicitats!

[@강명희-l8p]

Very very very very very gooooood!!!

[@stephenhunt8756]

Many parts of this scintillating performance rival the wonderful 'Richter in Italy' recording. Thankyou to Young Classical Artists Trust and more please.

[@marianne383]

One can envision the papillons...butterflies, and flowers of spring in Schumann's composition and the Ullman's performance.

[@sallybuxton8966]

Delightful! In such beautiful character!!!

[@AndrewStockley]

I think this is my favourite recording. He has such fun with it, and doesn't feel the need to rush.

[@felixdevilliers1]

A really, really good performance with character pieces shining in the light of eternity, humour and charm against destiny.

[@larryprimeau7738]

one of schumann's first compositions...may also be one of his best.

[@Kosmonautdolly]

Thank you for your ethereal rendition of a perfectly composed work.

[@eneidaschaefer2599]

Bravo ! Lindíssima a tua interpretação, parabéns ! UM abraço do Brasil

[@davidrogoff8812]

Fantastic!!!!

[@malenasheytanova9967]

Very good.

[@simonkarakulidi984]

Just good as hell

[@中嶋きよみ]

メリハリの効いたパピヨンでした。曲調から、息遣いがわかりました。

[@Koyopiano]

깔끔하다. 다시 연습하러 피아노 앞에 앉고 싶게 만드는 연주!

[@mariaceciliamaringonidecar904]

Wunderschoene Einspielung!!!

[@pianistsarahyklee-5069]

Bravo....!!!👏👏👏👏

[@가나다-z7k]

10:40

[@Darasimi69]

It supposed to be Robert Schumann (1810-1856)

[@phosphorosrfk]

didn't schumann die in 1856 rather than in 1893?

[@pianini704]

00:18

[@中嶋きよみ]

音楽は安物であってはならない。気高く、他の追随を赦さぬいものでなくてはならない。スキルを揚げていかなくては。私のスキルで弾ければ、他にも弾ける人がいる筈です。

[@eternalclassicsbrothers9636]

Great playing! I just uploaded this piece too :)

[@DagobertoEspinoza]

Schumann: 1811 - 1856

[@felixdevilliers1]

1810 -1856

[@DagobertoEspinoza]

@@felixdevilliers1 Exacto.

[@francoaragosta4285]

WOW! Yet ZNHER wonderfl new discovery in the piano world! Funny! Nrmally, I hate coparisins \, but I had just istened to Novaes, Perahia and Demus play this work in the past three days, and decided, though I enoyed Demus very much, that i still mujch preferred to hear Guiomar Novaes play Schumann, but THIS has produced a very close second in appeal to Mme Novaes. I only i were a bit mellower, and a tiny bit LESS virtuosic. I have always regarded Papillon more has HAUSMUSIK than as music for the COCERT stage. This is IEDER not OPERA. Needless to say I wish young Alexander Ullman a SLENDID JOYOUS career. I can't wait to hear more of his playing.

[@中嶋きよみ]

私は自伝は書かないかもしれない。コメントは書くつもりです。

[@Neuroneos]

The histrionics... this is Schumann not Chopin!

[@jacopogianesini4154]

...which had the time was 21, in love with the likes of Chopin (and Paganini), and dreamt of becoming a composer-virtuoso.

[@Kosmonautdolly]

I want you to apologize. 1 his as anyone"s response is based on the performers music interface/intercession and by which they immerse and are by the medium of music structures which endow them enabled such dynamic and current as music incarnate, and that is no matter if the sound is gentle roam across arpeggiating minors or comparing The perfect Papillion with a chopin nocturne.

[@中嶋きよみ]

4chのやり方は嫌いです。私の言葉ばかり盗んで、他人を飾り立てる。そんなやり方は誰も好みません。10chでAdoさんを歌い手だと紹介していたのも、私がカラヤン指揮の第九のコメントに、世界には凄い歌い手がいますね、と書いたのを言葉だけ盗んだのだと思っています。