Alfred Schnittke: Piano Sonata No.2 (1990)

Cover image: painting by Andrey Efi (artefi.com).
Alfred Schnittke (1934-1998): Piano Sonata No.2 (1990).
I. Moderato
II. Lento
III. Allegro moderato
Igor Tchetuev, pianoforte.
***
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[@notaire2]

Präzise und lyrische Interpretation dieser kompakten und fein komponierten Klaviersonate im perfekt analysierten Tempo mit schimmerndem Klang und effektiv kontrollierter Dynamik. Einfach wunderschön!

[@_H_2023]

First hearing, love it.

[@ChuchuSaltitante]

Masterpiece.

[@kuang-licheng402]

nice

[@sergebouchard6222]

Love Schnittke, but his piano sonatas?…

[@MrInterestingthings]

This painting has nothig to do with anything Schnittke ever made.Why the choice I wonder.Very few pure almost clownish bright colors in Schnittke .H e is full of indefinite shrieks and thoughtful rythms and it has its own personal joy in places ike the 1st cello concero.Whyare Europeans so much more attuned to the true emotional state of the last century.Americans are blinded by materialism and commercials and t.v. this is why we are so homicidal and realize churches have only a paltry thing to offer most . People People look up !

[@lethinafacex2031]

Guide us oh wise one!

[@montsemajanmartinez9824]

Unsure what this means. Please clarify.

[@montsemajanmartinez9824]

Jumping off a bridge is dangerous and unwise, especially as it has a strong tendency to lead directly to a severe curtailment in one's ability to work, earn, and save. This results in a precipitous drop in one's ability to participate in the economic sphere, and prevents one from full engagement in the crass materialism we all love so much. Bridge jumpers, for example, no longer have the ability to purchase garish colors and make paintings that (purportedly) do not harmonize with what is presumed to be the explicit intent of Alfred Schnittkes symphonia. Bridge jumpers should realize also that engaging in this practice will likely result in a permanent cessation of their ability to listen to Schnittke, or any other music, permanently. Thank you Thankyouverymuuch.

[@akemdam9824]

@@montsemajanmartinez9824 hahah great

[@aidanmays7825]

Cringe

[@gregorycolodub485]

Typical Schnittke. Contrasts, lyricism, dramatic crescendos, cluster chords, meaningful pauses...