Live Stream on X32 with Separate Mix on an AUX BUS | How To Setup Start To Finish

** NOTE **
Please make sure you save your scene on the console BEFORE you update firmware. Your current settings per channel will be cleared. You can reload your scene after update, but make sure to save your scene before updating.
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In this video I dive into setting up your live stream through an AUX BUS to get a designated mix for your Live Stream on your Behringer X32 console. This has benefits of a specific mix, but also effects, EQ, Compression and limiting can all be specified to your Live Stream. If you find this video helpful give a LIKE on the video and if you have any comments of questions leave them below.

[@AllamHouse]

*** NOTE *** Please make sure you save your scene on the console BEFORE you update firmware. Your current settings per channel will be cleared. You can reload your scene after update, but make sure to save your scene before updating.

[@thebarrylurveshow5530]

You explain all this stuff really clearly. You and Drew are all we need! 😂

[@AllamHouse]

Thanks, I appreciate the compliment of being routed with Drew. Let me know if you have any questions.

[@thebarrylurveshow5530]

You know, it's not the knowledge you give out, plenty can do that, but it's the way you impart the knowledge. So many people know their stuff but can hardly put 2 words together. You and Drew are masters at that. I use Cubase and Dom Segalas and Chris Selim are the masters of explaining that. Carry on.

[@rockystarland6051]

Hi the nail on the head! We just started going back to church, 3rd week coming up. Not every one likes the new “normal”, so they want use to continue placing the service online, but now we are trying to do streaming. New territory for us Neophytes. So far we’ve been using the mic on the camera, but it’s not the best sound. In the past we’ve tried to feed our house mix in to the camera, but they said the vocals were terrible, off pitch and too loud... Your explanation of having a separate mix for the streaming made sense. We’ll give it a try. Thanks Rocky Starland South Haven First Baptist Church, Michigan

[@AllamHouse]

Here is the solution I am using right now as we start back this week. It allows for only one sound engineer to mix, but you get a good mix for both the house and the stream. Check it out and see which one is the best option for you. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@FunkyHarp]

Thank you so much for this! Clearest explanation I've found on routing a BUS to the CARD. For some reason I can't get audio to flow back from the computer the board via USB. Can you point me toward an explanation of what could be wrong with my settings? Thanks again for your awesome videos! Aloha from Hawaii.

[@AllamHouse]

Mahalo. This video talks about getting channels to easily move from console to computer and back again. Let me know if you still have questions after watching this one. kzbin.info/www/bejne/pYHVkpqQlN1qg7M

[@jonathansinisterra5742]

OMG BRO THANK YOU SO MUCH!! I´m from Panamá and we have an x32 at church and your videos have been a HUGE blessing!!

[@AllamHouse]

Thanks for the encouragement.

[@sr80bassguy]

This is leaps and bounds definitely the way to go for houses of worship with this desk or similar. A little more work for the engineer but much more satisfying. Also another great example of why a real engineer needs to be hired as opposed to a volunteer who is not an engineer by trade.

[@AllamHouse]

Agreed. Here is another video that walks through a complete setup using an AUX Bus for your stream. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@barrylang20]

Hey for my live stream i have a mixbus created for my live stream which is mix 13 and on backim running xlr in to output 13 into irig then i use the send to faders to send everything ineed into mix 13 but when i turn up or turn down a mic in the live stream it interacts with the main house how do i stop that from happening

[@AllamHouse]

Make sure that the BUS is not being sent to the Main LR mix. If you are on the console, go to the BUS and select it. Then, go to the left of the screen and make sure the Stereo LR Bus button is not orange.

[@joshsnodderly5276]

Hey, at my church have x32 and run usb cable from Board to laptop to run obs. Used run good but now audio on obs not picking up at all. And tried to record audio in audacity on laptop didn’t pick up the mic or instruments. Make sure route right do you have to route different for recording audio in obs or audacity

[@AllamHouse]

If your machine is a Mac then I would look towards the console for your routing. My guess is you are on a Windows machine and your console routing is probably correct. For the windows machine to recognize the console you need to go to Behringer's website and download/install the X-USB driver. I discuss where to find this in the first two minutes of this video kzbin.info/www/bejne/q5rNoWx9eZKaipI If you already have the driver installed you may need to address your security settings which I discuss for both Mac and Windows in this video kzbin.info/www/bejne/rXOrqX-En8iNsNE

[@ollitrop46]

Thanks for blessing so many Behringer X32 and Midas M32 users in the Worship environment. For the Stream Mix is also good to add a couple of audience mics to capture the congregation's reaction to their experience. We are serving our Lord in Puerto Rico and send our love to y'all.

[@AllamHouse]

Yes, room mics do make a big difference. We (unfortunately) don’t have the ability to place mics in our space since we setup/teardown every week. I wish I could do it, but for now I get to use the reverbs. This is a link to the series I’ve been doing about my existing livestream scene. kzbin.info/www/bejne/l57bh42HZ7OUfJY

[@joker71779]

Can you post tour channel settings especially drums. 😎

[@iglesiadecristobethel9014]

I really want to thank you from bottom of heart. You have fix most of my issue with two video i was having issue with sending out audio from X 32 Rack audio interface. so i switch over to my steinberg UR 22 MKII usb audio interface with XLR cable with one of the output of X32 rack. and with your video the x 32 audio interface is working thank you

[@BreakItYourself]

We're running almost this exact setup from Aux Bus to USB and broadcasting using OBS but we're having 1 issue; very low volume coming into OBS. Sure I can boost the volume in OBS but wanted to see if you had any thoughts on why my USB audio was so low and what I can do to fix that. I've had someone suggest to me to output my Aux Bus to a matrix then from matrix to USB to add volume. thoughts?

[@AllamHouse]

Here’s a video I did about low volume concerns. Check it out. kzbin.info/www/bejne/Y4PNgWZ_gKuZp68

[@thadirtyabbott33]

Hey there, I was wondering if you know or someone can chime in, how can you get the effects of the board into a daw? I can send every track into my studio one daw and visa versa back to the console track for track. I can even get the effects from the software on to the X32. Just not the other way.🤔

[@AllamHouse]

Assuming you are trying to get the onboard FX (reverbs or delays) recorded into your DAW you will need to think/do the following things. 1) keep in mind you only have 32 channels to send across USB. If you want to record an effect return it will be in stereo and take up 2 channels. This brings you down to 30 usable channels and so one per effect you want to record. 2) The easiest way (if you have two available outs to use) is go to Routing > Outs, set two outs (say 13/14) to be sourced by the Direct FX Out for your desired effect. Then set these outs in the user outs section so you can route them out your Card. I hope this helps and is not more confusing than the question.

[@thadirtyabbott33]

@@AllamHouse Thanks! I'm gonna try this out once I sit in front of the console, it'll make more sense then. Instead of just reading it. Thanks again....!

[@Caleb13ish]

Hi AllamHouse, I followed all the steps in the video. But it seems our overall volume, mainly for the mics is too quiet. Is there a way to change this other than messing with the gain for each channel? Our in room mix aounds great, it's just the live stream sound that is too quiet. I'm using an xlr out on OUT 6 and 7. This is tied to mixbus 9 and 10. Thanks!

[@AllamHouse]

This is a common issue that many run into. The short version is your amps are cranked up too much so you compensate with lower gain. Check this video here. kzbin.info/www/bejne/Y4PNgWZ_gKuZp68

[@Caleb13ish]

@@AllamHouse We finished our first livestream last week. And thank you for your assistance! Our volume is definitely boosted after adjusting the gain (still trying to find a compromise on this, since we get a higher level of feedback in the house). The stream audio, running 2 XLR to our atem hd studio, still sounds very raw. And for some reason when I apply effects to the stream mixbus, they don't seem to add much to the stream mix. Are there any changes I can make to have it sound less like a direct feed? I also noticed you said amps, should we have our xlr lines from the stage running into amps before reaching the X32? Right now they run direct to our X32. Apologies for so many questions, I'm my church's creative director. I'm a video person, audio is my weakness.

[@CentralUnitedChurch]

This is exactly what I was looking for. I just installed an M32R Live in to our church and was looking to set up a seperate mix for our live stream. I have the in house sounding great, now I need to get the live stream audio to the same level. Coming from an analogue board I was limited to one mix (the 2 AUX sends were already used for our monitor mixes) so once people started coming back in house I've been struggling with trying to get some sort of balance. With the new hardware and this channel I've learned a lot! Thank you!

[@AllamHouse]

That’s awesome. Thanks for the encouragement. The switch to digital will open up so many possibilities.

[@tennysontableau]

Yikes 10:00 "Outputs, User Output, Out2:Out05, Out Signal" Very confusing.

[@AllamHouse]

Yeah, it isn’t the easiest system to explain, but it’s the system we have to work with. I’m happy to assist further if you need more help. Many times it requires your specific setup to make everything concrete.

[@beyondtheveilworship2235]

Hello, came across this video and I am tracking until right at the very end. We use the outputs 1-16 to send to an aviom distributor so those are not available to send my bus to logic. Is there a different way we can route those to outputs?

[@AllamHouse]

If the goal is to send your broadcast mix (built on a stereo MixBUS pair) out the console across USB and into a streaming device then you can use the User OUTS section to build a custom setup which takes your broadcast mix out User OUT 1/2 and then go to Routing > Card and select "User OUT 1-8" to be matched with Card Outputs 1-8. This will take away any need of setting the mix into the Routing > Outs area that it sounds like are all taken up.

[@ransfordfearon8780]

Thanks for your great presentation. Do you know why I am getting my vocals are in the background when I connect my computer or cell phone to my Behringer x32 compact. The vocals should be up front. I generally plug my audio source into AUS 4 or AUX 5. Thanks

[@AllamHouse]

This raises a few additional questions, but the most important is what mix are you listening to exactly? House, monitor, broadcast?

[@davidfields2018]

Hello Dave. I was watching this but it doesn’t show me how to route the stream Mix bus out to Aux 5&6. Which video shows me how to route to Aux out?

[@AllamHouse]

Sorry, I don’t have an exact video yet for this, but was hoping the concept might be transferable. I’ll see if I can put something together this week.

[@michaelshannon3589]

One more question about OBS looking for Outputs 1 and 2. On my OBS, that works, but I also see on the aux mic dropdown menu in OBS (in addition to 1-2), (all BEHRINGER X USB) IN 7-8, IN 5-6, IN 3-4, and IN 1-8. Looks like in OBS you can now select additional outputs in addition to 1-2. Just a curiosity for me, but looks like the selection has been expanded.

[@AllamHouse]

Yes, the newer versions of OBS do offer more robust input options which could remove your need to do custom routing in the X32

[@michaelshannon3589]

I believe I found the "The first video in the series:" "How To Setup X32 USB Output For Live Stream | Basic Mirror of Main Output." Look right? Thanks again.

[@AllamHouse]

Yes, that is the correct video that I was discussing. It became a progression during the start of the covid era. Initially, people just needed a way to connect their audio to the stream. Then they realized it didn’t sound great so I started discussing AUX Bud and Matrix approaches. Honestly, this video here is the most common approach that I still use in my venue today since we only have one sound engineer to handle both FOH and Stream mixes. kzbin.info/www/bejne/pn7RkpyreJpoiLssi=g0PWIYbtG8pbXH7t

[@mujjlouis]

Hello how can i have a better sound from the mix bus.the sound seem to be a little bit low.thanks for your video.

[@AllamHouse]

This is usually (90% of the time) based on the gain structure on each channel. Check out this video that discusses gain settings and should help you get what you are looking for. kzbin.info/www/bejne/Y4PNgWZ_gKuZp68

[@justrohr]

Can you eq individual channels when this is setup? Separate from the house mix.

[@AllamHouse]

No, unfortunately you will not be able to EQ/compress differently for the house and stream mixes.

[@natelicioni3437]

been looking for a video to add fx on a bus on x32 and your video was the only one that i could understand without complications! great tips and awesome and short video

[@AllamHouse]

Thats awesome, thanks for the encouragement. I do have a sister video that goes with this setup which discusses in more detail how I use this setup in my church and how I built my scene from the ground up. You can find that video here in case it might be helpful and offer some additional tips. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@calvinbarasa8985]

Exactly 💯

[@zachayres2655]

Thanks Allan. Is the stereo setup a requirement or preference? We have been live streaming for multiple weeks on just a single bus but since you mentioned stereo I thought it may be something looking into.

[@AllamHouse]

Stereo is a preference, but if you can spare the options (most people have Matrix available) it is well worth it for your listeners.

[@eriksmallwood]

I NEED HELP!! Ive got my stero bus live stream mix set up... Ive got different instruments panned... but it seems as though my livestream mix is still coming out mono? Can you walk me through those steps to make sure my livestream stereo buses are being sent stereo?

[@AllamHouse]

Here are the things I would do: 1) Select the left Bus and confirm your other bus is linked. This provides a hard L/R pan setup for your buses and allows them to move and work together. 2) Toss some headphones into the headphone jack on the console and hit the SOLO button over your live stream bus. Confirm the "mono" button isn't pushed on the console (found in the monitor section) and make sure you are hearing a proper stereo signal in the headphones. 3) Go to Routing > Outs and confirm you have both buses set as sources for different outs. 4) If you are running XLR or using AUX outs, confirm your cables are plugged into the correct outputs and make sure the cables are set to provide a stereo signal. 5) At this point you have to look into the device on your streaming device to make sure it isn't summing your mix to mono thinking it is just a single mic. To help any further I would need to know what gear you are running for streaming and the cables you have to further troubleshoot, but hopefully the above steps get you in the right direction.

[@RossAndersonTheOthersAreClones]

Hi Dave, à more général question. I've never used the USER settings as for my situation I've never needed to change my set up, but here's the question. Are the standard BLOCK settings and the USER settings independent of each other? By this I mean, if I set up a channel in the USER section does this mean that that channel is no longer "in" the BLOCK settings? So, does USER override BLOCK or can they be used at the same time, in parallel? Thanks

[@AllamHouse]

This is a great question and it becomes a combination of both. When you go to Routing > User you will find blocks of 1-8, 9-16, etc that can then be individually configured to get (or send for outputs) a signal to a specific location. You then go to Routing > Input and select that User block. In the end, whatever is selected in Routing > Input will determine your inputs.

[@JOHNDOE-gl2ic]

We have an X32. It will do just about anything you can dream up. The problem is figuring out how to do it! All KZbin advice videos about the X32 suffer the same problem. And that is the instructors usage of audio vernacular and mixer familiarity exceeds the simple problem at hand. Anyone that intuatively understands mixers and their associated lingo probably doesn't need to know what a 'bus' is on a mixer. Here's a clue: "Gain"= incoming signal strength increases. "Fader"= volume slider. "Monitor"=musicians personal use speaker. "Monitor"= Big TV screen on the wall. "Monitor= computer screen in the sound booth. "Monitor"= pay attention to what's going on! See a problem?

[@AllamHouse]

Thanks for the feedback. This is something I can work to include as I make new videos. Thanks for sharing with the community.

[@ronbeckel3079]

Great video. Thank you. If you’re not going to use post fader, what determines the level going out to the USB. I am having a hard time getting a loud enough output through the USB. Is the level going out through the USB determined by the individual streaming channel levels?

[@AllamHouse]

The audio path hits the preamp which is the biggest factor to your overall stream volume. After that you use the signals to build a mix into a MixBUS (pre or post fader) and those “sends on fader” levels will build the mix into the MixBUS. Typically O see that peoples amps on their PA are turned up all the way so they have to find a place to limit the room volume and they incorrectly do this at the gain. This action trickles down to impact any monitors, FX and any live stream you are building on the console (or even a DAW). This video here describes this more. kzbin.info/www/bejne/Y4PNgWZ_gKuZp68si=GM84bIbqfc5Eindz

[@FlyBy1964]

Hi Allam, very usefull to me! Thanks for explaining! One questing is WHERE do you change the setting for the POST fader on mixbus 5/6 to use it as an volume control?

[@AllamHouse]

Thanks for reaching out. This video here will help you with the different Pre/Post fader options on the console. kzbin.info/www/bejne/Z3ixnoGNmbuKgck

[@zioninternationalworshipce4335]

That was good information. However, I am having difficulty getting the kick and the base out properly. Can you please help?

[@AllamHouse]

Do you mean you are having problems routing them to your stream or you just can’t hear them well in the stream?

[@dremekaofficial]

Thank you so much, Wanted to ask,how do you setup a subwoofer on an x32 and controlling independently

[@AllamHouse]

This is a great question and one that I just recently covered in a video. Check this out here and let me know if you have other questions. kzbin.info/www/bejne/ZoW6dKmopr6fb9k

[@biglu91]

So what happens to the matrix now, do we just turn down the fader and focus on the stream mix bus? We've assigned the user to the mix and the card out, so the matrix goes nowhere at this point?

[@AllamHouse]

I'm assuming you are working on a broadcast mix and there are multiple ways to build your mix. Each style has its' pros and cons and in general those options are: MixBUS, Matrix, DAW. A MixBUS gives you the ability to have an independent mix (pre-fader) managed by a second sound tech or a relative mix from your house based on settings in a post-fader MixBUS (my preferred method) which is best if you only have one sound tech. A Matrix allows you to start with predetermined MixBUS mixes (many people group vocals, band and drums into different buses) and mix those according to the desired output. You can also start with your house mix since that is officially considered a MixBUS. A DAW takes your inputs out the card, into a computer and allows someone to manage the sounds in a computer to build a refined mix. It all comes down to what is best for your group, how many sound techs you have at your events and what gear you have available. If you were running a Matrix and are switching to a MixBUS setup then your Matrix will not be used as it was previously, but (in theory) you will have more control over your mix using a MixBUS.

[@michaelshannon3589]

Thank you so much for these videos! I'm learning as I go. Last week I got my main outputs mirrored to Out 1 and 2. I use OBS, and I can hear the X32 sound on the live stream, but it's not near loud enough. It looks like the setup in this video is the next step. At the end of the video, you talk about adjusting stream loudness with the faders. Can I also adjust gain when Bus 5 and/or 6 are selected to increase the volume on my stream? Thanks again!

[@AllamHouse]

Usually the “low stream volume” begins with the input gain of each input. This video describes the common issues to address. Also, keep in mind that 0dB output on the console (clipping) is recorded as -6 dB outside of the console. If you build a mix at -12-18dB like many discuss it will be 6dB quieter when getting into OBS. kzbin.info/www/bejne/Y4PNgWZ_gKuZp68si=XrGH7tFhEqX-ZDJ3

[@wolverine6036]

Thanks for the video. Now I know how to creat a separate mix fpr live. One question remaining is the fx I have applied to the inhouse mix per individual inputs. Does that carry over, or do I need to reapply fx per input? Thanks

[@AllamHouse]

I sent a basic answer on your video of the Matrix setup, but I run a post Fader MixBUS setup and it provides the ability to have separate mixes for both the house and stream. I cover my setup in the video below. In terms of FX, when beginning I setup two FX for house and two separate ones for the stream to keep it easy to manage. Check this video out and let me know if you have any other questions. kzbin.info/www/bejne/pn7RkpyreJpoiLssi=VY1Mc6Xpk-JHsTvo

[@peterong9011]

We too are using the X32 to do FOH, Monitors & Live Streaming. Bus 1-4 are for the monitors with "Pre-EQ", but I cannot seem to set the "Post-Fader" s.t. I can control the volumes to the monitor from the X32 Bus surface faders. Did you do a video on this or can you provide advise?

[@AllamHouse]

When you select the BUS and go to Home > Config and select the desired setup (pre fader, post fader, etc.). This will determine how your inputs interact with this BUS. To alter the setup of the actual BUS and how it is sent out you need to go to Routing > Outs. In this location you can set how the overall BUS interacts with its fader while being sent out to its desired location.

[@waynebragg2099]

Question. I watch the video on how to set up your livestream and I heard you speak about using a USB cable. We use Boxcast for our livestream along with the Roland V-1hd switcher. How did you run your cabling for your livestream feed?

[@AllamHouse]

My specific setup runs out XLR outputs and goes into my ATEM TV Studio HD. There is an AJA converter (SDI to USB) which goes into a laptop where we stream through OBS to KZbin. Many of my viewers do not have a video switcher to run into so these videos discuss routing out the X-USB card and using USB to get the audio into their streaming software.

[@davidjohnston262]

I have followed your instructions to the T, but still cannot get an audio signal to OBS. It recognizes the USB-x audio driver, but nothing is coming through. I've checked all the routing several times, but to no avail. Is there a contact number or a way to get ahold of you for further consultation? I would be happy to pay for your services in figuring out. Thanks.

[@AllamHouse]

These are the things I would check. If you get through these and still need some assistance, please fill out the contact card on my website to start a conversation outside of YT for consulting. sound.AllamHouse.com 1) make sure the USB cable is properly connected 2) make sure you have the driver installed on the computer (Mac does not require a driver) 3) check your security settings for OBS by following the steps in this video. kzbin.info/www/bejne/rXOrqX-En8iNsNE

[@jerrydubb79]

Just subscribed - this was super helpful! I am having an issue though. We are running the aux mix out via a 1/4" to 1/8" stereo cable into a mini-ATEM pro. We then use OBS for the video mix and stream to KZbin. The problem for us is that there is a super high-frequency, feedback-like sound that is constant. I cannot figure out what it is! I solo listen to the signal out of the mixer and there is no frequency/feedback issue, I've switched out all of the cables and made sure the other cameras feeding into ATEM are muted. Any thoughts? I'm tempted to start completely from scratch as I fear I might have switched around some routing going from a Matrix setup to this Aux send setup. Any ideas would be much appreciated!

[@jerrydubb79]

I figured it out! Ended up needing a driver update for the X32 usb...all the routing and everything else was spot on. Hope that helps others.

[@AllamHouse]

We are running straight out of an X32 into an ATEM Studio HD which then goes into OBS and we do not have any issues like you mentioned. Monitoring out of the console is a good start, then you should be able to monitor out of your ATEM (headphone jack) and further you could monitor out of OBS on the laptop. I would try muting all channels on the console to see if the high pitch noise is coming from a specific input or just potentially a ground loop being created from device to device. Ballast Media (KZbin channel) has been doing some videos recently about the ATEM Mini that might be helpful.

[@skatevideo3]

I want to do what you are showing, using a AUX/Bus out to video switcher to livestream. My question is, can i do this from the x32 software on a pc. If I connect my x32 to my pc, can I setup and make changes to the AUX Bus I'm using without interfering with the FOH mixing guy? I would like for one guy to run the FOH mix while another guy monitors the Livestream mix and make adjustments as needed on the fly on the pc. Is this doable while the FOH guy in mixing live also?

[@AllamHouse]

Yes, you can do that with no problems. The X32-edit software is easy to use and will bot interfere with the FOH. You will want to setup your MixBUS as a Pre-Fader mix which means it will bot be affected by the FOH fader mix.

[@wayneebersole2054]

Does mapping User Output 1-8 disable those channels for using Tracks Live to do a 32-Channel recording? At least that's what I'm observing. I guess I just have to go back in and reset output 1-8 back to default and then I can make a 32 channel recording. Just curious if there is a way round that.

[@AllamHouse]

You can use the custom user settings to get everything setup properly. This video discusses the needed changes. kzbin.info/www/bejne/kJOZn5p6d9qUeqc

[@joshsnodderly5276]

is the setup the same if using a Mac Pro. since don't have to download drivers for Mac, I've downloaded obs for Mac. So if there anything different I would have to do?

[@AllamHouse]

The setup is the same for Mac or Windows. The only thing to check is your security settings which I discuss for Windows and Mac in this video. kzbin.info/www/bejne/rXOrqX-En8iNsNE

[@Tatertot18]

I’m having an issue with my set up. I was wondering if anyone could help. I have the bus configured so that I can send out of Aux 1 and 2. One strange thing is that nothing can go out through Aux 1 and 2 if it’s not also up in the main mix. Example: I have an audience mic that I’d like only in the stream mix. But it doesn’t work unless I have it up in the main LR first. Then I can click “sends on fader” and manipulate it just in the stream. Also, I see to have no control over the master volume of the stream. It’s just the sum result of all the faders I have going to it. I cannot turn down the Bus Send that is “catching” all of the signals for the stream.

[@AllamHouse]

Let's see if we can get everything into one reply. If not, I do offer consultations which make getting your specific questions (on your specific setup) answered much faster. If you want to go that route, fill out the contact card on my website at (sound.AllamHouse.com) 1) It sounds like your MixBus is setup as Post Fader which means you fader setting for your main mix will impact your Bus as well. You can change this to PreFader and this will give you completely independent control of the Bus mix. Once you have that configured you can make any mix on the Bus and any mix on the mains and they will not impact each other. The PreFader setup is great if you have a dedicated person to manage this mix during an event, but if you only have one person you want to go a different route. 2) If you only have one person to mix an event you want to go with a Post Fader setup so that your main mix faders DO impact your Bus mix. For your crowd mics all you need to do is select the input and then click the "Stere Bus" button to the left of the screen which will make the input NOT go to your main mix. You can then have the fader up at unity and manage the input in your Bus as desired. 3) To get the Bus Master fader to work for your output you need to change the output tap point in the Routing > Outs window. Make sure that setting is set to Post Fader so that the Bus Master fader will work as a volume control. Also, since you mentioned this is being sent out the Aux Outputs. You will want to go to Routing > Aux and make sure that tap point is set to Post Fader as well. This video here discusses the difference between Pre/Post Fader for inputs to a Bus and Pre/Post Fader as an output setting. kzbin.info/www/bejne/Z3ixnoGNmbuKgck

[@21ferebee]

Awesome Video!!! Quick question. Can I turn up the gain on under the DYN tab to increase the volume going to my stream. I see that you didn’t touch it and I really need more volume going to my stream.

[@AllamHouse]

You are not alone and that most of us are always searching for more consistent volume in our live stream. There are a few tools that can be used like the make-up gain on the compressor or a limiter, but the best place to start is in this video here. Make sure your gain structure is set properly as this is a common issue that needs to be addressed first. Start here: kzbin.info/www/bejne/Y4PNgWZ_gKuZp68 Full walk-through with other tips: kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@pleasantvalleyunitedmethod2916]

We had experienced individuals who setup our board years ago. I have stepped and been running the Live Stream for over a year now. I want to be able to take our stream output, that is currently the live sound mix and separate and mix it separately for our stream. I don't know what I don't know. How do you copy the main output to a mixbus, or is that possible? Thank you for accepting my ignorance... 😁

[@AllamHouse]

These are great questions. This video that you watched gives you two options for a setup that gives you independent control of your Stream audio either Pre-Fader or Post Fader MixBUS. If you only have one sound tech at an event than you will want to go with a Post Fader MixBUS. I have a full video below about a walk through of my setup which is like this. If you have the luxury of having two sound techs at every event (one for the room and one for the stream) then you can run a Pre-Fader MixBUS which allows each person to mix independently of each other. Full Stream Mix Video: kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@back2the80sradio]

Really would need your advice related to getting the drums and bass to be heard on stream. Currently at our church, guitars and keyboards are heard, but no bass and drums. Thank you.

[@AllamHouse]

I typically recommend a Post-Fader MixBUS pair for livestream. This video discusses the benefits and complete top-to-bottom setup. kzbin.info/www/bejne/pn7RkpyreJpoiLssi=Zs2DCc-7qJiUOxMV

[@marcelanthony5772]

So I'm trying to get the panning for an online stream. For example I have a keyboard coming into input 17 on my rack, then going to bus 3 (panned L) and 4 (panned R), the bus goes to matrix 1&2 (linked) routed out analog out 3&4 into obs running in stereo mode. I'm monitoring using headphones via bluetooth. When I move the fader send to the bus I can effectively pan. Is this what you are doing? Using the pan knob I only can change what I hear in one hear.

[@AllamHouse]

This video here has a much more in depth setup that will give you a lot of control over your live stream. I cover the panning of inputs (specific to the stream) within the video. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@drewrid11]

I have set our livestream up on a bus with sends on fader. However, when I'm off of sends on fader, and working with in house, when I mute channels, it doesn't mute the sends on fader. Therefore, my sound guy is constantly going back and forth muting channels. Any tips?

[@AllamHouse]

It sounds like you have your BUS set at a Pre-fader setup which means the mute and faders will not interact with your stream BUS. You have two options… (1) change the tap point by selecting a channel and going to Home > Sends and using the encoder knobs. You will want to make a selection that includes “+M” which means plus mute. This will allow your muted to impact the BUS. You will have to make this change on each channel going into the BUS. (2) Change the BUS to Post Fader so that your house mix faders and mutes will impact the stream as well.

[@SeguidoresdeCristomty]

Hi Dave, so I copied this configuration to have a separate mix but even after adding the limiter if I leave the routing with the Bus 1 and 2 (that's the one I'm using) the volume is so low and I don't know what it is =/ only when I added the Matrix (with all the routing that u did on the other video) it's when I'm getting a decent volume on my transmission (I'm using the X USB card with the cable to my laptop) is there something by default that helps on that ? A friend use his scene on the x32 so that's the only thing I can think of; thanks for your videos they're really helpful! :D

[@AllamHouse]

This is usually a case where your house volume seems fine because your amps are turned up and you compensate. Erring the gain too low. This video talks through the situation you are facing. kzbin.info/www/bejne/Y4PNgWZ_gKuZp68

[@rockycalvert9860]

So I am little confused. Why did we route through the bus output. Instead of routing through the matrix 1 and 2. What was the sense in going through the matrix one and two if we were going to route it to a bus out. Just trying real hard to make Sense of everything, I have watched your videos for hours. Trying real hard to fix our live stream at church

[@AllamHouse]

BASIC Setup: The stereo Bus allows you to mix inputs at different levels from the main house mix. I tend to use a Post Fader MixBUS since many venues don’t have a dedicated live stream engineer. I then route that mix out of the console to my live stream. NEXT Level: A Matrix is a Mix of Buses and I do run my single stereo live stream bus through a Matrix to take advantage of more FX on this chain. This is not a necessary step, but one that I do currently use in my weekly mix environment. DIFFERENT Setup: Using a Matrix mix for your stream requires you to have all of your inputs running through Buses and then you mix the amount of these buses into your Matrix. Many people that use this method will start with their house mix (which is officially on a stereo bus) and then supplement with other Bus information to refine their mix. This setup doesn’t work in my environment so I have always stayed with the Stereo MixBUS approach.

[@joseandraiza]

Hello 👋🏻, I did the same steps but something went wrong I can’t control the subwoofer and one monitor we have for the pastor. Any idea what is causing this issue?? Good video! God bless you!

[@AllamHouse]

It’s hard to say what you changed without looking at tour setup. I would start be checking the BUSes to make sure they are set properly for Pre/Post Fader depending on how you want. Then check that the routing for these channels is set properly with the right tap point in Routing>Outs. If you need specific help, I do remote consultations and you can reach me through my contact card at sound.AllamHouse.com

[@MCMONTESION]

Quick question, how did you connect the X32 to the PC? Did you connect it using the USB?

[@AllamHouse]

Yes, I used a USB A-B cable and connected from the X-USB slot on the console to my computer. kzbin.infoEwWBYPgSXwE?feature=share

[@freddyhornsby5009]

Hello, I have a mix bus set up for our live stream, but for some reason that audio is also going to the front of house. I’m not sure why it’s set up for favorite fader currently.

[@AllamHouse]

This is a simple fix. Find the Live Stream BUS (on either side of the console) and push the select button. Once you have the BUS selected you can push the "Stereo LR" (or LR Bus... depending on which console you have) button the is to the left of the screen. When it is orange it will send this mix to the FOH, but when it is not orange it will be fully functional and not go to the FOH. Let me know if you have other questions.

[@laulikyong138]

I set live stream output to AUX 5&6, but after restart, It seems that Aux 5&6 is not assigned, so I have to assign everytime I restart. what should I do to make it permanently assign?

[@AllamHouse]

Which firmware are you running? Go to Settings and it should tell you in the top left the firmware number.

[@KenMcCown]

Is there a way to listen (solo) the stream mix and listen with the headphones during a live performance?

[@AllamHouse]

All you need to do is locate the Bus that supports your stream and hit the solo button associated with that Bus. It will send the mix to the headphones on the console and not change or interact with your house mix at all. The headphone volume knob will adjust the overall volume going to the headphones so check this prior to your event to make sure it is at a similar level to your house mix so you can hear the differences.

[@nelis2burn]

Thank you so much man! It worked and it's awesome!

[@AllamHouse]

I'm glad it helped and thanks for the encouragement. Here is another video that might help you take your AUX mix to the next level. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@samcenor4067]

Thanks for this video. It would be great if we can contact you for a specific setting for our live steam

[@AllamHouse]

You can shoot me an email through the contact card on my website to start a conversation outside of YT. sound.AllamHouse.com

[@pastorbob9497]

I'm not an expert here so I need to ask a basic question. Once all that is set up what output do I plug in to? I'm not using USB but plugging straight into mic of ATEM mini-pro

[@AllamHouse]

This video walks through the three different connection options. The ATEM will use the AUX out on the back of the board and connect a cable to the Mic1 inout on the ATEM. kzbin.info/www/bejne/rnjXYq1rfpyVorM

[@roncheryljanssen1116]

Do you use both xlr outputs, channel 5 & 6 to two inputs or can you use one xlr output? Meaning your stream needs both channels connected to the device that is receiving the audio? If you would only connect say channel 5, you wouldn’t have a stereo sound. Hope that makes sense. Say If your camcorder only had one xlr input. Thank you.

[@AllamHouse]

This is correct. You want to connect both inputs to your streaming device to make sure you have a stereo audio setup for your stream. Depending on your gear there might be different methods to get the desired outcome other than just running into your camera. Also, if you want to further refine this setup, here is a different video that goes more in depth that you might enjoy. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@timschaiper5869]

How do I make adjustments to the Aux sends(live Stream) using the ipad. The board is in the back closet? Can not get a good mix on acc guitar, elect bass and 5 singer and elect drum kit. Please help

[@AllamHouse]

So, if you are looking to mix your stream, the closet might actually be a good place so you are not influenced by the house mix. Plug some headphones into the board (in the handle), solo your MixBUS being used for live stream and then make sure you are on sends on fader to change the mix for that specific MixBUS. If you want to mix from an iPad, I use the basic Behringer app and it has 16 little boxes between the top channel selectors and the lower controls with faders. Those 16 channels correlate to your MixBUSes. Push the MixBUS number that relates to your live stream and then any fader changes will mix your stream.

[@YourHaloCreations]

Do you use custom outs for more precise routing? Like combining physical & card outs?

[@AllamHouse]

Card outputs are separate from physical outputs. You have 16 physical and 32 card outputs. If I am multitracking, I like to record my final stream mix along with my inputs so that does take some custom routing, but my physical outs support my stage (monitors), FOH mix, and a pair go to my video switcher for my live stream.

[@smallsitytv1406]

Just a quick question. I have our live stream audio mix set up on the Matrix 1-2 with the limiter on there but i wont be able to creat a mix of my sound on the matrix is that correct? Our audio is running from the usb output on the board

[@AllamHouse]

While a Matrix is a quick, easy way to get audio to a live stream you don’t have separate control over the mix for the house and stream or the volume output. I prefer to run a Post Fader MixBUS which you can find descriptions of in these two videos. The first is more about the routing to get it out USB and the second is a full walk through of how to refine your mix for the stream. Routing Setup: kzbin.info/www/bejne/jKmXeZ13p7mYkKs Refine Mix: kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@drpeks]

This is sp great. Thank you so much. Wanna ask. Instead of a bus to mix these separately, can i use a matrix? I wanna feed that matrix into an aux send then via 1/4 cables to my live stream pc either through my focusrite or these 1/4 (joined stereo) to 3.5 mm cables directly into my pc. I want to leave my card out for multitrack recording as as such i dont wanna touch that. Please advise. Thank you.

[@AllamHouse]

You can use a Matrix to copy your mains (or other buses) into and then route them out your 1/4” AUX out on the back of the console. This video walks you through the steps, but you will have to modify it slightly to route to your desired AUX outs instead of the USB that I discuss. kzbin.info/www/bejne/iImwcpVujbOYr9U

[@i_am_aaronman]

Can you adjust the EQ on individual channels on the Bus?

[@AllamHouse]

EQ is available at the channel level using the channel strip (or possibly an inserted FX). Once that has been completed you can send that signal to different places or mixes (like an AUX or MixBUS). While you can choose the tap point in terms of where the signal is grabbed per channel (Pre EQ, Post EQ, Pre Fader, etc) you do not have the ability to have different EQ settings for the house mix vs a MixBus. With all of this in mind, you still have the channel strip EQ for any groups or mixes you create. Here is a video that discusses how I approach my various groups since the one EQ needs to work for the room, monitors and live stream mixes. kzbin.info/www/bejne/Z4iznad8o7ChntU

[@sound39532]

I need you help. I normally do live mixing but I started working at this church and they are real big on streaming. But it been such a challenge for mixing to the stream. I can’t seem to get it to sound good as I would want it. I need help

[@AllamHouse]

I do handle consulting sessions where we could work with your board or you could send me tracks along with your scene and I can refine things in my studio. If you want to go that route just fill out the contact card on my website to start a conversation outside of YT. What so recommend is that you setup to multitrack record into a computer (video linked below) and get some tracks from a rehearsal or a service. Then, push those back through the console and refine the EQ/Comp for each channel using headphones plugged into the console. Finally, solo your stream mix and build the mix with inputs, then add FX into the mix.

[@JoshuaJayVlogs]

I'm guessing you could mix the Aux bus from an ipad with the app?

[@AllamHouse]

You certainly can as long as you have the BUS set to Pre Fader. I have a companion video that goes into much more detail here that might give you more insight into the capabilities of the console. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@TrewithnoY]

Does this correspond with the matrix video or can you do either/or (matrix/aux)?

[@AllamHouse]

I have a number of videos about using a Matrix for live stream. What exactly are you looking to figure out? I can send you a link to the appropriate video.

[@lylevictoria7723]

Hi .it is just the same in XR 18 connection??Another is,how can we hear the live mix??can we use a headphone and insert in the headphone out in the mixer??

[@AllamHouse]

You can do the exact same thing on the Xair18. Setup a Post-Fader mix and craft it to be specific to your livestream, then it will follow your main mix as you make adjustments. To hear this mix, you will need to plug headphones into the actual board and then hit the SOLO button on the MixBUS to have it heard in the headphones.

[@selpepin]

Great!

[@AllamHouse]

If you want to take this setup to the next level, this is a step by step walk through to help out. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@livemixpriyan]

Thanks a lot. Another one simple question. We chage the amout of effects durring the show, especially some situation like addint more delay at the end of a certain frase of a song. In this setup this effects wont go to the live stream. Is there a way to setup that we those additional affets we put on during the show, cal be also heard in the live stream? Thanks in Advance

[@AllamHouse]

This video expands on the general setup discussed in the video you watched. This will show you all of the details of setting up custom FX and making them work in your house and/or stream. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@thebroxkontakt6872]

Hello. I need send my alternative mix to headphones out to hear what's going on there. How can I do that?

[@AllamHouse]

All you need to do it plug your headphones into the console (usually in the handle area), locate the mix you or input you want to listen to and then hit SOLO. This will direct that mix out to the headphones. You will have a volume knob you can use to turn the headphones up or down. There are some other settings you can do in the “monitor” section so that Exclusive Last and MixBUS AFL are checked to give you a better representation of the actual output.

[@snipereliteone]

Hi, I'm not a sound engineer. I wanted to know if you have an email to explain my needs in a more detailed way! Please!

[@AllamHouse]

Feel free to fill out the contact card on my website at sound.AllamHouse.com.

[@tavo1009]

Is there a video explaining how to copy the main to a matrix fader?

[@AllamHouse]

This video discusses this process starting at minute 2.:00. You can send your stereo mix to one matrix (which will sum to mono) or a stereo matrix pair to retain your stereo mix. Let me know if you have other questions. kzbin.info/www/bejne/npS7dGlunralhKs

[@brandonsarria4164]

Question, my church just purchased the X32 so the video is helpful btw. But we also use the usb out to connect the audio to the stream computer. I was told you need the most recent firmware update to be able to create a mix bus and then send that out as the stream audio, is this true or is it possible with an older firmware?

[@AllamHouse]

You can do it with the old firmware, but it limits you to have to run your live stream bus mix on either MixBUS 1/2 or 9/10. Then your card outputs would either take outputs 1-8 or 9-16 across USB. Regardless (as mentioned in this video) the streaming computer needs to see your stream mix on USB 1/2 to function properly. With the newer firmware version (4.0 or newer) you can set and output to be routed to USB 1/2 so there is som e flexibility there. Please make sure you save tour scene to the board before upgrading your firmware, but the process is simple and only take a second (both to save tour scene and upgrade the firmware). kzbin.info/www/bejne/fWHFoombq86Fgck

[@dexterpaul9218]

hi if i setup the mix bus for the stream do i leave the matrix connected to the stream

[@AllamHouse]

You will want to pick one method or the other (MixBUS or Matrix). You will only use one. I personally prefer the Post Fader MixBUS approach.

[@AlvinDuran]

I like that setup! Thanks a lot.

[@johnlouis4338]

You need to elaborate on what happens to the pan when you're sending to stereo bus and a send to aux bus. Do they operate independently or does aux send follow the stereo bus pan position.

[@AllamHouse]

That is a great question and I actually cover that in a more in-depth video here. Check the description for quick links kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@thebarrylurveshow5530]

Another useful video, thanks.

[@AllamHouse]

Thanks for the encouragement.

[@jarmezlee4267]

thank you

[@claudiaketchem3439]

Where can I find the "user" setting on Midas M32?

[@AllamHouse]

First make sure you have saved your scene on the console. Then go and update the firmware to version 4.0 or newer. Then you can go to Routing > User to handle your custom settings as described in the video.

[@chuckgreene3990]

So how does the Matrix come into play with the mix buss in this set up ?

[@AllamHouse]

It actually doesn’t. You would choose one or the other for your live stream setup. Some people choose a Matrix and just live with that setup. I personally use a Post-Fader MixBUS. I find a Matrix is only really successful if you run all of your inputs through a Bus already. Either way is a fine choice, but it would be one or the other.

[@calvinbarasa8985]

Hello how can I connect x32 with antem mini

[@AllamHouse]

Check out this video where I explain the three ways to get audio out of the console and into a live stream. Personally, I use the XLR method and send into an ATEM Mini using a stereo XLR to 1/8” cable. kzbin.info/www/bejne/rnjXYq1rfpyVorMsi=bnqExohsutapgJei

[@javieralcala1237]

Can you do this with the X32 compact?

[@AllamHouse]

Yes, all of the X32 series of consoles have the same software just different levels of I/O. The compact will function the same as the full-size console. In fact, I recently sold my full-size and stepped down to the small form factor of the compact.

[@risingempireentertainment]

Why not just do a post fade and level the stream mix at unity?

[@AllamHouse]

This initial video is more discussing the routing and options available. I personally run a post-fader mix for my live stream and I discuss the entire setup in this video posted below. Taking an exact copy is a fine place to start, but the reality is that mix is built for your room and this method does allow you to have some customization for your stream. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@markiemarlinesounds919]

How do we stop distortion sound on live stream

[@AllamHouse]

Distortion in your stream could be a variety of issues. I always want to start with the input at the console. Make sure you have your gain set properly and it is not distorting. Build your stream mix on the console and solo it to some headphones to make sure it is not distorting. Once it leaves the console, you want to check the various settings in your streaming devices to make sure it is not distorting there as well. I do offer virtual consultations if you want to get everything fixed quickly. Fee free to reach me on my contact card on my website at sound.AllamHouse.com

[@marcosf7772]

Right now I have the mixbus going out from an xlr to 1/8 inch into blackmagic. We use obs, would it be better to go out of the x32 through USB into the computer running obs instead of going through blackmagic? Im also clipping on my busmix input, should I just bring everything down on through sends on fader on my auxmix live stream bus?

[@AllamHouse]

I prefer to stay in the digital space if possible by using the USB connection which also removes one point of failure. It is worth addressing your clipping on the MixBUS in the console before it leaves so you have a controlled signal. I tend to run my audio up to about -3 on the output meter of the console (understanding that the overall peak output of the console is the industry standard -6dBfs. I send my stream across XLR to the ATEm TV Studio HD and then across SDI to ProPresenter7. In Pro7 we bump the audio up +6 to compensate for the board and it goes out to the world at that point. This video here is one that describes how I use various parts of the board to get my stream as controlled as possible to be “broadcast ready”. kzbin.info/www/bejne/b5LFg2utq5mUb8Usi=Xg_BaV3CI8qoAP3J

[@marcosf7772]

@@AllamHouse you are a blessing kind sir. Thank you for the quick reply. I will attempt to implement this during worship practice on Wednesday to get it ready for the Sunday stream.

[@poincianatechteam4215]

How do I do this setup with a console that has an electronic snake?

[@AllamHouse]

When you say electronic snake, do you mean a digital snake... like an S16 or S32? The ideas mentioned in this video are discussing sending your mix through a MixBUS and then out USB to your computer.

[@Kalicdire]

If i get a male 1/4 splitter to 1/4 female then run L and R 1/4 to 3.5mm, will it run like in stereo to a 3.5mm head phone input on the capture card instead of using USB out while also using only 1 aux out channel?

[@AllamHouse]

The audio input on a laptop is designed to be a mic input and only offers a mono input. Most people use a digital interface (like a regular 2-channel) to convert the 1/4” outputs into USB. The console can do this for you which is what the video discusses. I do use your method in many places, but that is when I’m sending a signal into an ATEM mini video switcher. This video here discusses the three ways to get audio out of the X32. kzbin.info/www/bejne/rnjXYq1rfpyVorMsi=UfmFRQJ4zZXBnAvv

[@Kalicdire]

@@AllamHouse thanks for the reply

[@matthewgiles123]

Very helpful video, thanks! If I assign a mix bus to card outputs 1&2 (which is what OBS uses for streaming) I lose the direct outputs on those channels right? I currently have mics on channels 1-16 on the card (corresponding to my local inputs 1-16) which I record directly in Reaper for later re-mixing. Do I need to move the mics from channels 1&2 to some other channels if I use 1&2 for the stream mix?

[@AllamHouse]

Here is a video that discusses your situation for streaming and multitracking. kzbin.info/www/bejne/kJOZn5p6d9qUeqc

[@matthewgiles123]

@@AllamHouse exactly what I needed, thanks!

[@lisagrimley8806]

Thank you for a great video! Question: How do I use this to go to a DAW (we use Ableton Live) before sending to OBS?

[@AllamHouse]

Assuming your signal is already sending from your console to OBS, you can follow this video which will put a DAW in the middle of this process. kzbin.info/www/bejne/gaG9oaaFlNFnh9U

[@lisagrimley8806]

@@AllamHouse thank you. I’ll send this to our sound team to check out.

[@andyroop8821]

If your Stream Mix Buses are set as Post-Fader, will changes in FOH mix affect de streaming? Should we then set the streaming mixes as pre-fader? Thanks for this great video

[@AllamHouse]

Yeah the decision is usually made based on how many sound techs you have available for a given event. Many people only have one sound tech so a Post Fader MixBUS is ideal. This allows for one person to adjust both mixes with one fader move. If you have two sound techs then you have the luxury of designating one person for each mix and thus you can run a Prezfader mix.

[@andyroop8821]

@@AllamHouse understood. Thanks so much!

[@123innovate]

This was soooooooooooooooooo helpful! Thank you!

[@AllamHouse]

Thanks for the encouragement.

[@123innovate]

@@AllamHouse Dave - At about 10:25 in the video, the faders would need to be set to Post Fader, since the faders do need to control the mix. (It is different than sending all channels to a DAW.) I was able to use a couple of your videos, pause them as needed, and go step-by-step through setting up the live stream mix. Awesome explanation. I even inserted the limiter, which I had not been using.

[@AllamHouse]

Yeah, this video was actually out out when most people had no live attendance due to Covid so this was a quick way to get a mix going to the stream. Since then people now are working around in person and stream which is most beneficial to run a post-fader mix as you mentioned. I actually have a video that walks through the setup my church uses currently. It can be found here: kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@123innovate]

@@AllamHouse At about 12:02, you *do* mention it can be changed to post-fader, so you *did* cover it. I just missed that comment the first time around.

[@123innovate]

@@AllamHouse Yes, I actually used that video, too, to help me set things up. It was very, very helpful. I basically watched that video and paused the video often, followed directions, then watched a few more seconds, etc., all while standing right at the x32 at the church. I never would have figured it out without the video! Thank you so much. Our live stream audio is awesome now!

[@dngrclwn]

Just routing my live stream to its own bus, HUGE HELP, and so simple! Thank you!

[@AllamHouse]

I'm glad that was helpful. Take it up a notch now and refine your broadcast audio. Check this video out for a walkthrough of my process. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@chrismeans6750]

This is really good info for an MR 32 unit. Thankyou. Do you have any videos with the same info re: the Behringer XR18 mixer?

[@AllamHouse]

I do t have any videos on the Xair, but so do have a lot of experience with that platform. Let me know what you need to setup and I can try to assist you. I have a number of local churches using that platform and I have them setup in a similar fashion for live-streaming… even across USB.

[@AllamHouse]

I just released a video that covers a unique setup with the Xair18, but I do touch on the idea of building a BUS and routing the livestream across USB in this video. Let me know if it does not help and I can put out some other videos about the Xair18. kzbin.info/www/bejne/sJKpmq2MpN11g80

[@advanceknowledge3835]

Thank you so much for this video, may I have a question, how can we send the Mixbus to Matrix, please?

[@AllamHouse]

Many people will send the MixBUS directly out to their streaming device, but if you want to send it to a Matrix you just select the desired matrix, hit sends on fader and then go to the MUS Master layer on the far left of the console and bring up the desired MixBUS into the Matrix. This video here discusses why and how I do this in my live stream. kzbin.info/www/bejne/b5LFg2utq5mUb8U

[@advanceknowledge3835]

@@AllamHouse Thank you so much for this information!

[@ryanm7777]

Hey Allam House thanks for your continuous support to churches. Your videos have helped me solve many problems i cant find on many other channels Is it possible to use xlr cables out from the stream bus and run it through an audio interface before it hits the computer via a usb cable? I ask because i have had a consistent problem at my church with sound just disappearing and the printer cable that carries the routed signal via card usb not even being recognized anymore. I have purchased so many printer cables 2.0 , and sometimes 3 however it would just work for a while and stop again. A friend of mine had the same prob and even had a change of the entire card usb but didn’t help at all. All drivers updated and can’t think of anything else. I just need a different option at this time

[@AllamHouse]

When I was on a. windows machine I would have times that the computer would t recognize the console. I would have to reboot the console (while plugged into the laptop and that seemed to refresh the connection. On my MAC I typically have to select “Built-in Input” click apply, then go back and select X-USB. It isn’t a hardware or cable issue, just something to do with the cache within the computer and some “magic” inside the driver connectivity. That being said, you can use XLR outs and connect to an interface or a video switcher. Just keep in mind the interface will add an additional layer of analog to digital conversion and will have a gain/volume included which could be a source of troubleshooting in the future. Good luck.

[@ryanm7777]

@@AllamHouse Thanks very much Allamhouse. This info helps. I think we would rather go with dante with black magic atem mini given this conversion from digital to analog with the audio interface. I already tried it last sunday and there was some noise.

[@ryanm7777]

Thanks for this lesson. I have tried to implement this but got stock.. Pls any idea where to find user out on x32? I have been looking for it whole day?

[@AllamHouse]

This feature is in V4.0 and newer of the firmware. Make sure to save your scene to the console or a thumb drive before upgrading as all of the current channel settings will be wiped out.

[@ryanm7777]

Thanks a lot

[@javieralcala1237]

I tried doing all of this and I am still not getting any sound into my computer. Is there a specific usb cable i need? I went from the usb card out into my computer and directly to OBS and I’m not getting any sound. Followed the routing and still nothing. Anything will help thank you!

[@AllamHouse]

If you are on a MAC you will want to follow this video here to check your security settings. If you are on a Windows machine you will need to go to Behringers website and download the X-USB driver and then check the security settings (in this same video). Let me know if you still have issues. kzbin.info/www/bejne/rXOrqX-En8iNsNE

[@javieralcala1237]

@@AllamHouse it worked thank you! I really appreciate it! Awesome videos they’ve really helped me set up this new board.

[@keithrick2]

Great video, thanks

[@AllamHouse]

I’m glad it was helpful. If you are building a live stream mix you might find this video helpful as well. kzbin.info/www/bejne/pn7RkpyreJpoiLs

[@kelvinfunkner]

really excellent explanation!

[@AllamHouse]

Thanks for the encouragement. If you are running a a MixBUS for a broadcast mix, you might find this video helpful for refining the mix. kzbin.info/www/bejne/pn7RkpyreJpoiLs