Amazing Effects in Classic Films - How Did They Pull It Off? | Part 6

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▼ Timestamps ▼
» 0:00 - Intro
» 0:29 - Dial M for Murder (1954)
» 2:01 - Fitzcarraldo (1982)
» 2:47 - Fitzcarraldo (1982) Again
» 4:19 - Apollo 13 (1995)
» 5:43 - Ryan's Corner
» 8:07 - Apollo 13 (1995) Again
» 10:11 - Eternal Sunshine of the Spotless Mind (2004)
» 11:58 - 300 (2006)
» 13:05 - Star Trek (2009)
» 14:59 - Star Trek (2009) Again
#FilmRiot #ClassicFilm
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[@sdhpCH]

Ryans Corner was the best ad I've seen for quite some time.

[@cessers]

Agreed. SO good

[@kronos6948]

IMO it's their best ad since the Ford Fiesta one, that I still keep finding myself singing every so often "one two three four five six siete!"

[@ChuckSeayII]

He truly is better than all of us!

[@TheFPSChannel]

One other thing about Apollo 13....I read that when they screened it for the still surviving Apollo astronauts, a few of them asked where they got the archival footage from. The guys there on the day - the guys who knew everything there was to know about the Apollo rockets - believed that they were seeing real, existing footage of the launch. For the FX team, it doesn't get better praise than that.

[@GabrielsLogic]

Wow !

[@olsonspeed]

Came for the special effects, stayed to Ryan's Elegance.

[@dallasdandigitalproduction393]

We definitely need more of Ryan's Elegance. There's not enough in the world lol

[@treywakeshima6438]

Oh how I missed the film riot ad sketches

[@Adam_Summers]

I've been waiting soooo long for yall to feed us some riot..😢

[@msanchez2000]

Film Riot has been running for so long that I was a literal child when I stared watching. All throughout I went to highschool, film school, then grad school, worked as a re-recording mixer, and then ultimately switched industries 😅

[@LyingTube]

You guys perfectly match filmography enthusiasm with technical know-how, no fuss no muss, it's always a joy to watch.

[@ratemyactors]

Fascinating! Loved the behind-the-scenes look at how classic films achieved those iconic visual effects. Really makes you appreciate the genius of the special effects teams of the past. Can't wait to see more!

[@adriannagibson_]

I love Apollo 13 too, Ryan!! I love watching behind the scenes documentaries on this film, it still blows my mind how they filmed in weightlessness.

[@area51pictures]

Star Trek's mirror gag is absolutely ridiculously underrated.

[@urartcray]

Still my favorite KZbin channel of all time. Love you guys!

[@dallasdandigitalproduction393]

Love this SFX series. Y'all are hitting home runs every time here. Bravo sirs!

[@zackh2020]

I look forward to this. Please keep them coming and keep up the good work.👍

[@hjewkes]

Crazy that im only now seeing #6, excited to catch up!

[@FlyingLapMedia]

Practical camera shake is still one of the best things to do in your work IMHO

[@Garytyronejohnson]

Awesome! Thanks.

[@dreamdoorfilmsCHANNEL]

Can we talk about that perfect Musicbed ad? Okay lets talk about it. It was perfect.

[@QuarterCoyote]

The movie Alien also did the same trick with the kids.

[@lynstrom940]

I will always be impressed how Ridley Scott and his crew did that so seamlessly in the film, the exterior shots of the Nostromo on the moon's surface, and the discovery of the space jockey. It really helped stretch the relatively low budget.

[@johnnhoj6749]

It goes a very long way back in film history. One common version was to have a forced perspective set of, say, a street. The actors in the foreground are adults on a normal scale set which diminishes in scale until the actors in the b.g. are children. On a period film they might be riding ponies or riding in pony-drawn carriages.

[@DreyMedia6]

Probably one of the most amazing ad breaks ever made

[@Shiznaft1]

The ad was hilarious. Love learning about the hacks for these effects.

[@KhaledSh78]

I am too old for this stuff 😅🥰😍, Thank you 🙏

[@GregorPQ]

Learntainment at its finest!

[@KenDavis-uo8kq]

I was there for the Star Trek shots. B tank at paramount.

[@crimetimeproductions6340]

Love this one!

[@peterbuckingham]

Best sponsored advert ever.❤

[@bmkhalidhasan]

They managed to make a giant finger for one sec shot, such dedication. I would have ignored that shot and take shot from another close or medium close!

[@AndyMcCavish]

Ryan's Corner is the new Turbulent Displacement!

[@CommandoNinja]

Great video! Hey Film Riot, Could you let me know when you will have your next Sales on the Triune Store ?

[@AntBangBang]

I dig this series.

[@DethronerX]

Thanks! I only knew the Telephone one and my only correct guess was the Ship miniature and I got all others wrong. Good to know now!

[@kieronmckay4276]

I would not have guessed that 300 one.

[@MarkBowenPiano]

Yay! I got them all correct. Was particularly happy with getting the Star Trek one correct. Not sure if it's because I watched it on my phone and that's a smaller screen but the first 'scene' screamed fake to me. Maybe these things show up easier on a small screen?

[@dsnyguy1]

Neat!

[@JamesFoster.]

Is The Film Riot Podcast over? I liked hearing people in the film industry give their experiences and advice.

[@JoaoSilva22222]

2:01 - Manaus, my sister in law lives there!!!

[@JohnnyHeracles]

It would be epic if you guys did a corridor collab

[@DanielS2001]

Hey Ryan, you should should the bridge crossing scene for the 1977 film Sorcerer and show it to the others to see if they can guess how it was done.

[@noxiebear]

Love this series! How did it start?

[@pantone41]

"They" didn't name it "The Vomit Comet", all aircraft have been nicknamed that when used to train our astronauts to experience near-zero gravity since the 1950s.

[@sun-eye]

Who else can't unsee that thumb on the phone?

[@noxiebear]

Yes!

[@bushgreen260]

*Can you show us how they did the scene where Buzz Lightyear falls from the window in Toy Story 1.*

[@daniel_wilkinson]

Corridor Crew talked to Robert Legato, who worked on the launch sequence of Apollo 13 and you should watch the extended version.

[@HarskyMusic]

Pls do a vid on how to do 1 takes but with multiple shots, like 1917 and extraction. But go into detail. How do you line them up in post if it does not match?

[@lukasmurmann625]

Film Riot still exists? Oh good for you

[@GabrielRodriguez-cb8hb]

Awesome effect info for the 300 shots, BUT what has baffled me forever and its probably just my misunderstanding of editing slow mo. BUT knowing that you cant have two different frame rates on a single timeline in an edit, such as 24fps and 60fps both coexisting in a 24fps timeline, because as i was told the 60fps would just play in 24fps anyways. I know speed ramping is a thing, but im still confused on this.

[@TheLonelyFilmmaker]

You guys have to tell us how you got that film grain in the ad to show up so clearly on KZbin

[@therealgarciagamer]

I would love to see Steven King’s 1408 in one of these episodes.

[@ryanworkman3032]

Ryan, maybe you know the answer to this: when did movie credits move from the beginning to the end? I’ve been watching some older films and noticed that some have their credits in the beginning and end the movie with a simple “the end “.

[@bryenolakproductions]

For sure we'll now never be able to unsee that. Thanks Ryan for ruining the film for us 😂

[@Blurrzer]

Can you make a tutorial on how to create a rocket launch vfx effect like Apollo or space x

[@kandalexecutants9218]

❤

[@swissives]

I think you get paid too little for the advertising you have in your videos. They are masterpieces, super entertaining and enjoyable, brilliantly written and executed. If not yet, you should charge a lot more for these ads. They really stand out from the masses. And of course the rest of the video is super informative too!

[@joelining]

I love these videos, but I'm gonna have to have beef with calling 300 a classic 😄

[@mr.critic]

👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻

[@minhuang8848]

Klaus Kinski butting heads with you, to be perfectly fair, is not a sign of bad leadership, either

[@SebastianSchachner]

every german knows klaus kinski and made fun of this movie and the leader offering to kill him to the director :D

[@prinxmathis91]

im earlyyyyyy!!!!!

[@TheMasterof98]

Looking at that boat being towed uphill, thinking: gosh this sounds like one of Kinskis deeds... and of course there he stands, annoyed by the cries of pain of those with cut up/off limbs slowing down production, again. What apiece of shit who thought he was god. Like a Pharaoh dictating his slaves, still not being pleased while blaming them for diying. I mean even, look at the face he made constantly before exploding randomly on other people. Glad he's gone Good video tho 👍

[@phOenixoP787]

still the ry guy can't match his Monday to Thursday consistentency

[@vanqiqi2839]

First

[@meatbyproducts]

I hate Jar Jar Abrams.

[@markb.265]

300 is not a classic film. It's a passable movie by a hack wannabe Ridley Scott without the talent, vision, narrative ability or originality.

[@Thatisridiculous]

Gotta get some better dudes to interview. Boring the whole time.

[@bikeny]

I know and understand that you are a film channel and yes, films have music in them. But, when you are talking to us about how things are being done, please, pretty please with sugar on top, do not play any music (or more to the point, do not add any music to your dialogue track). For me (and as I have been told, not everyone) 'background music' during a host's talking is a very distracting thing. I am focusing on the information you are giving me and yet my brain also wants to pay attention to the music it is hearing. Very frustrating.

[@raghavendrarao6069]

Hello Sir.... I need a Help how can i contact you. kinldy reply me plz...