Händel - Dove sei - Verdi prati - A. Scholl - countertenor

[@sabinepalmer7365]

Andreas Scholl drückt die Emotion des Verlusts seiner Geliebten sehr emotional aus. Er singt voll Sehnsucht und Verlangen und Trauer. Sehr bewegend.

[@gabiwolff8388]

Wundervoll! Das geht zu Herzen 💕

[@shin-i-chikozima]

Incomparable sometimes want to listen to these beautiful song that is far from everyday life . I acclaim Handel and these splendid songs From Tokyo of the Land of the Rising Sun 🇯🇵

[@francoisbernarde6272]

Quelle voix céleste ... Absolument magnifique! Merci beaucoup Andreas Scholl !!

[@unxformat5745]

very nice and needed today.

[@anne-mariedewachter]

For me, one of the best versions of this song.

[@terencelew5735]

What a beautiful voice. WOW !!!

[@mjk5807]

What a beautiful countertenor. But he doesn't sing in public anymore, that's the way of things :(

[@RM-tc9pu]

@@mjk5807 Scholl still sings. Check Room Service, the concert/arts show he recorded during lockdown.

[@susyzavala7133]

So beautiful ❤️🥰 ...

[@helgahayes2802]

Thank you Haendel,thank you A.Scholl.Just beautiful.

[@riohenry6382]

IMHO, this is the greatest countertenor ever singing great works from the greatest composer ever. ❤️❤️❤️🎼

[@steladumitru79]

Superb ..

[@joseosiasdasilvafilho3271]

Just wonderful, Mr. Scholl! Thank you!

[@НатальяЧеркасова-г8ъ]

Умная и одновременно эмоциональная музыка. Гендель тем и интересен, что абсолютно естественными интонациями он достигает большой выразительности. И очень красивая музыка.

[@kmmbs1]

Handel & Scholl = bliss beyond this world.

[@dmitrisolomon3526]

"Ordnung muss sein" Андреас Шолль своей манерой исполнения - пример точности и порядка! Подобного нет! Он прекрасен!!!!

[@iainthegrouch]

Stunning wonderful. Handel’s music so perfectly performed inside I’m crying but with joy

[@pierre-xavierchassot3183]

epoque divine , voix de scholl divine , musique divine ! merci andreas , vous ete toujours parfait dans votre interpretation ! pierre-xavier de chassot .

[@mary-alexandraharrison7515]

I look up and I know my help cometh from the Lord - my heart is melting, such splendour, ahhhh, such sweet splendour🤲

[@bernadetegoertz2435]

A.Scholl, belíssima voz!!!(BRASIL).

[@Rosangela161]

Exquisite performance. Magnificent Andreas Scholl.

[@mercedeslb237]

Vraiment magnifique!!!!

[@khaledsaadan5570]

How pure and beautiful this is!

[@israelnegrete6954]

Dove sei, amato bene? Vieni, l'alma a consolar. Sono oppresso da' tormenti ed i crudeli miei lamenti sol con te posso bear.

[@icp818]

Moving, moving to the depths of the soul...

[@elizabethbrand7887]

Food for the soul!

[@bernadetegoertz2435]

Maravilhoso Contratenor!!!

[@HARMONY7100]

Bravo, so beautiful!!!!!!! Thanks a zillion for sharing!❤💖💞💕💓😘💋🌹👏👏

[@Rosangela161]

Magnificent! Adorable performance. Thank you.

[@vitellia7299]

Hervorragend ! BRAVO Andreas Scholl!

[@humbertocerra9357]

magnificent! Voce bella!

[@НатальяСажаева-н9е]

Как прекрасно!!!

[@christianlefebvre6475]

Très belle version de Verdi prati.

[@joshuagerthoffer4664]

I love your channel.

[@harunoguzhan6859]

Kederli bir bekleyişin ardından kavuşmanın hayalini kurmak gibi derin, ne kadar bize ait..

[@guntherdeby535]

Andreas Scholl est un contreténor allemand né le 10 novembre 1967 à Eltville (Allemagne) dans une famille de chanteurs. Biographie Il intègre la maîtrise des Kiedricher Chorbuben à l'âge de sept ans. Il est marié depuis août 2012 à la pianiste israélienne Tamar Halperin. De 1987 à 1993, il étudie à la Schola Cantorum de Bâle où il est l'élève de Richard Levitt, puis de René Jacobs, et où, de nos jours, il enseigne. En 1993, il donne son premier récital au théâtre Grévin, où il reçoit un accueil enthousiaste en remplaçant au pied levé René Jacobs. En 1998, il fait ses débuts à l'opéra au festival de Glyndebourne, en interprétant le rôle de Bertarido dans Rodelinda de Haendel, sous la direction de William Christie. Il interprète à nouveau ce rôle à Glyndebourne en 1999 et 2002, puis au Metropolitan Opera en 2011. En 2002 et 2005, il interprète le rôle-titre dans Giulio Cesare in Egitto de Haendel. Sa voix le dirige naturellement vers la musique baroque. Il chante sous la direction de chefs célèbres comme René Jacobs, Philippe Herreweghe, William Christie, John Eliot Gardiner... Grand admirateur de Klaus Nomi, il lui a dédié sa version de l'Air du froid ("What Power Art Thou?"), parue en 2010 sur son CD O Solitude (Decca).

[@GuntherDebymusique]

Andreas intègre la maîtrise des Kiedricher Chorbuben à l'âge de sept ans. Il est marié depuis août 2012 à la pianiste israélienne Tamar Halperin. De 1987 à 1993, il étudie à la Schola Cantorum de Bâle où il est l'élève de Richard Levitt, puis de René Jacobs, et où, de nos jours, il enseigne. En 1993, il donne son premier récital au théâtre Grévin, où il reçoit un accueil enthousiaste en remplaçant au pied levé René Jacobs. En 1998, il fait ses débuts à l'opéra au festival de Glyndebourne, en interprétant le rôle de Bertarido dans Rodelinda de Haendel, sous la direction de William Christie. Il interprète à nouveau ce rôle à Glyndebourne en 1999 et 2002, puis au Metropolitan Opera en 2011. En 2002 et 2005, il interprète le rôle-titre dans Giulio Cesare in Egitto de Haendel. Sa voix le dirige naturellement vers la musique baroque. Il chante sous la direction de chefs célèbres comme René Jacobs, Philippe Herreweghe, William Christie, John Eliot Gardiner... Grand admirateur de Klaus Nomi, il lui a dédié sa version de l'Air du froid ("What Power Art Thou?"), parue en 2010 sur son CD O Solitude (Decca).

[@miguelullaberdullas]

andreas scholl te toca el alma con su hermosa voz

[@amorroma1244]

Gracias, pero es una voz masculina.

[@miguelullaberdullas]

ya lo sé , es un contratenor (yo soy contratenor).Scholl es uno de mis favoritos en verdad ,aunq hay otros muchos que también me encantan

[@claudiapinheiro4772]

Bravoooooo!

[@danielacento4098]

Talmente bello che mi commuove.

[@danielacento4098]

@@marcellogenesi6390 Lo farò. Ascolterò i brani che lei mi indica. Grazie per la traccia che mi lascia. Tra i miei preferiti ci sono anche Max Cencic e un altro, francese, di cui in questo momento non ricordo il nome.

[@marcellogenesi6390]

@@danielacento4098 ho sbagliato il nome di Lystin Davies, mi scusi. Il contratenor Francese che lei pensa e sicuramente; Philippe Jarousski, prego ascolti lui cantando ; "Ninna Nanna", con " L' Arpeggiata" di Christina Pluhar, e tra tanti altri Monteverdi " Pur ti Miro". Semplicemente incantevole. Ma si! Ci sono moltri altri bravissimi, e questione di preferenza personale.

[@danielacento4098]

@@marcellogenesi6390 Il controtenore di cui non ricordavo il nome è Christophe Dumaux.

[@marcellogenesi6390]

@@danielacento4098 Lo ascoltato appena adesso in " va tacito" Handel, mai sentito prima, bravissimo! Ma come ho detto prima tutti noi abbiamo quelli preferiti, non perche sono piu bravi degli altri. Personalmente, non mi piace troppo vibrato specialmente nel Barocco. Conosco personalmente James Bowman, e Emma Kirkby. Sfortunatamente non avro mai la possibilita di vedere "L'arpeggiata di Christina Pluhar, non verra mai qui dove vivo.

[@turankatar1095]

Maravilhosa

[@tariqskanaal8187]

I love that statue of William IV

[@SuperAlkibiades]

I think that is not William Iv sondern George III

[@andrewche4399]

Manifique

[@mmbmbmbmb]

A-h-h-h-h-h . . . 🎶💕🎶

[@godsowncountry3605]

devine!

[@florin1962]

❤❤

[@timmyBuster-ry8kx]

So like clear mercury!!!

[@antoninopirrone2541]

❤️💕💕💕💕

[@riohenry6382]

Hi there, do you know anything about the tour AS and Jaroussky did together in 2010 ? It,s never been released and I’d love to hear it

[@isaigomez1145]

👌👌👏👏👑

[@sergiodetezanospinto3274]

Andreas scholl siempre soberbio

[@miguelullaberdullas]

cierto

[@jamesrodriguez9432]

WOW A a

[@armansanti9168]

✌✌✌👍👍👍

[@cryptodrop4014]

Verdi prati, selve amene, perderete la beltà. Vaghi fior, correnti rivi, la vaghezza, la bellezza presto in voi si cangerà.

[@icp818]

Is anyone here having the subsequent lyric?

[@urmorph]

Verdi prati is available (as part of complete score of Alcina, or separately, also under Alcina) at imslp.org Text in Italian and English. The gist is that everything is subject to change, set to a sweetly sighing sarabande. Beats saying, "Life sucks, then you die." The performance is exquisite. Cheers through tears to il caro sassone.

[@icp818]

@@urmorph Tx mr John!

[@urmorph]

@@icp818 Glad to help.

[@icp818]

@@urmorph Welcome! ;-)

[@icp818]

@@urmorph Indeed the performance of Andreas is exquisite, as usual!

[@c.g.marseille4510]

Verrukkelijke stem en performance

[@c.g.marseille4510]

performance

[@user-bc9mn7gq2c]

The vocal timbre seems very religioso to me especially in the A section. The organ background doesn't help (& has no relation to Handel's theater practice). I dont hear the pain of separation that the operatic character is experiencing. Why ruin Handel's conception by starting the aria without the recit before? As done here it totally distorts a fine dramatic effect that the composer labored over and revised a few times before he was satisfied. If one is going to treat an opera aria this way, why not just add the religious text (Holy, Holy Lord God Almighty) & have the organ louder. At least that approach would have a certain integrity.

[@amorroma1244]

Thank you for your input. To a certain extent, I completely agree with you. Probably every performance will have to be placed in its time. Of course, the composition is fixed, but the 'zeitgeist" is not. The same version recorded 50 years ago will probably no longer be appreciated today. That's the way it is. Commerce will certainly also play apart in this.

[@raymondhuot1684]

I hope you will forgive me for my comments but from my personal experience, this performance was very enjoyable. I understand t hat an experienced listener may be deceived but my perspective was just sufficient to enjoy the melody.

[@disconnexiondisconnexion1756]

@@davidbrown1566 Franco has an ugly voice

[@disconnexiondisconnexion1756]

@@davidbrown1566 his vibrato makes my head hurt.

[@antonellapusceddu7773]

Fantastica voce e celestiale aria😊