Amour viens rendre a mon ame , Ewa Podles

[@kazikjedrzejczak6592]

Nobody can sing like that and nobody will. It is only one La Podles! Kazik

[@piustwelfth]

She is the definition of a "full-throated" sound. The voice comes literally from deep inside. I saw her several times live in recital and in opera roles, the most memorable being the title role in Handel's Guilio Cesare.

[@nrico300]

R.I.P. Ewa,.. Grazie grazie grazie...

[@viba1657]

Потрясает силой голоса ,мощью энергетики, музыкальностью Великая Ева Подлещ. Такое мощное контральто, такой подвижный голос!!! Совершенно голос не теряет насыщенности и красоты на высоких нотах!!! Какое глубокое контральто , какая техника!!! Не вижу ей равных на мировой оперной сцене! Нет равного ей контральто!!! ВОСТОРГ !!! ❤

[@marcrodriguez7177]

Français absolument parfait et bien articulé, entièrement compréhensible, chant parfait, diction sans faute, merci madame.

[@DeBreuitateVitae]

Ah bon ? Grande chanteuse, mais un français version compote dans la bouche

[@TheFauno84]

Questo video, per me, è una specie di droga: lo apro sempre quando ho bisogno di darmi un po' carica, e ogni volta l'emozione è immutata. Davvero nulla di dire, una voce magica, onnipotente, che l'interprete riesce a piegare come più le piace, con un impeto, un'allure che sembrano una cosa d'altro mondo. Splendida.

[@JackieLanceTenor]

She's such an expressive singer. Excellent diction here too! Phenomenal as always.

[@jonjon71]

Absolutely extraordinary! Podles is at her best here, and this performance reveals what makes her one of a kind!

[@77Opera]

Sa voix est absolument magique!

[@Asterionu]

She is amazing! i love her performance of this aria.

[@leontyne2]

The only one out there today ---2007, that is worthy of the title---DIVA!!!

[@joanngabrielson6571]

Ewa can sing all opera from baroque to modern. I feel grateful that I have heard her sing in person in Giulio Cesare in Seattle. What a vocal range!!

[@janecz]

Fenomenal! Que voz maravilhosa!

[@cliffgaither]

*_She's NOT human & NOT from this vocal planet !_*

[@Huaimek861]

vilpaph , thank you so much !!! I admit to being a contralto fan ! What a simply wonderful singer !!!

[@nattie-k8380]

Love her, she’s absolutely phenomenal both in vocalizing and artistic ways.

[@LaDivinaLover]

O mon amie, quelle faveur, Et quel ordre inhumain! Je prévois ses soupçons, Je prévois ma terreur, Et la seule pensée D'une épreuve insensée D'effroi glace mon cœur.

[@MrRinaldo83]

ABSOLUTELY DIVINE!!!!!!!!

[@ettorebariton]

great contralto voice, congratulations, you great lady, even God likes to listen to you *ciprian romania*

[@lucianmarina8691]

how right you are. lucian tot din romania

[@magicmonkichi]

...It doesn't get any better...Just a wonder to hear, and watch. She makes my ears happy ^_^.

[@ABRAHAMKENAN]

great great great,brava Ewa Podles,she is the best contesse in "Pique Dame" but i don't find the video on youtube/somebody can add it?

[@LaDivinaLover]

Amour, viens rendre à mon âme Ta plus ardente flamme; Pour celle qui m'enflamme, Je vais braver le trépas. L'enfer en vain nous sépare, Les monstres du tartare Ne m'épouvantent pas.

[@LaDivinaLover]

Oui, je le pourrai! Je le veux, je le jure! Amour, amour, j'espère en toi Dans les maux que j'endure. Douter de ton bienfait Serait te faire injure. C'en est fait, dieux puissants, J'accepte votre loi.

[@LordHettrick]

That's a so long time ago, when Radio-Canada still showed classical concerts sometimes. Now, even the cultural channel (ARTV) doesn't show them. In the last 3 years, on public TV in Canada, we've only got a Messiah (condensed in an hour) and Beethoven's 9th symphony (with speakers during the 3rd movement).

[@theoperatripleaxel5417]

5:56 I wish i could look at the score with this cadenza that Podles, Larmore, Crebassa and Kassarova do at the end... I HEARD it was written by Vioradot, but i never saw a manuscript or an edition with this cadenza, pity.

[@Sorrentodellesirene]

la voce e la tecnica sono impressionanti. La tessitura è estesissima. Il colore è bellissimo, le volate sono perfette sostenute e scorrevolissime. L'unica cosa che non capisco sono i suoi movimenti in special modo quelli del collo. Serrvono forse per togliere qualche tipo di tensione muscolare?? cmq a parte questo merita un 11. cantante divina poco conosciuta purtroppo.

[@operalover42]

pourquoi s'attarder à ces secousses qui ne sont que secondaires devant la perfection de la voix, qui, pour l'avoir entendu à plusieurs reprises à l'opéra, est encore plus magnifique "en vrai" !

[@PrevitaliA]

in 2008, La Cieca in La Gioconda, and she was a great succes (in the smallest role). And nothing for 24 years before...

[@102je]

RIP

[@AlfredMertens]

Eine dämonisch, dramatische Stimme, die in allen Lagen eine Technik entwickelt und es mit ihrem schauspielerischen Talent schmückt. Eine grandiose Stimme, die durchaus in der Lage ist 3 Oktaven mühelos zu intonieren. Da läuft es mir kalt den Rücken runter! So eine Stimme, habe ich noch nie gehört, geschweige empfunden !!

[@freddydipaula]

la dina ewa canta la musica del alma y profunda sensibilidad

[@annabickel2]

goddess!

[@dplance]

It's true Goddess do walk the earth.

[@jovi1715]

La voce regina

[@carlo331]

@leprincebeaumont ...condivido in pieno

[@kc55mo]

Has she ever sung at the Met in NY?

[@LaDivinaLover]

Qu'entends-je? qu'a-t-il dit? Eurydice vivra! mon Eurydice! Un dieu clément, un dieu propice Me la rendra! Mais quoi! je ne pourrai, Revanant à la vie, La presser sur mon sein?

[@jan2602]

In fact Gluck recycled it from his opera Don Juan - which is why the style differs so markedly from the rest of Orphée's arias - and between them Berlioz and Viardot (also a composer, who wrote her own cadenza for this) turned it into an OTT showstopper! I prefer Baker's Orfeo version (Addio, addio, o miei sospiri) since she does justice to the music and doesn't just try to show off à la Viardot.

[@nrico300]

I do not agree to that. It is not showing off; it is just the most elaborate ending of an act. You simply have to go out with a bang. Viardot did understand that perfectly. On the other hand: Dame Janet Baker is indeed a gem too! Podles is the best though

[@emaromanelli6944]

Traducir titulo

[@robertocozzarin]

da brivido

[@LABARITONESSA]

ewa podles l unica a mantenere lo scettro ceduto da marilyn horne sovrana in rossini e repertorio barocco...l unica appunto dopo di lei e credo anke unica xke dopo la podles non ci saranno piu regine!

[@Orfeus80]

I loved it but the cadenza was overdone to the point I forgot what she was singing.

[@voltaire1377]

O my god! I am french and i understand one word on five!the voice do not do all in french opera!

[@misscameroon8062]

hey, voltaire you ain`t ,look up her French in Marc Rodrigues opinion above.

[@DeBreuitateVitae]

@@misscameroon8062 Voltaire1377 is absolutely right

[@MrSkylark1]

Fioritura covers a multitude of sins. Suggest Schuman-Heink, Besanzoni, Tourel,