An EASY way to color grade DJI Osmo Pocket 3 Footage

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[@TamaraGabrielUK]

Until April 22nd 2024 you can get 33% off FilmConvert geni.us/d2FiQ8V Nitrate and 33% off CineMatch geni.us/UCbYi, and if you use the coupon code TAMARAG you'll get an extra 10%

[@mikem6796]

Can i use film convert with premeire pro? What are the best setting for the osmo if i do not want to color grade? Thanks. Love your videos.

[@TamaraGabrielUK]

Yes, FilmConvert works with premiere pro. Settings depend on where and what you’re filming.

[@mikem6796]

@@TamaraGabrielUK Thanks.

[@SFAutor]

I have just learned how to download the DJI LUT and how to add it to Final Cut. The results are amazing. I've only had my Pocket 3 for a week, but I'm absolutely delighted with the results.Thank you for your videos and tips about this fantastic camera. Greetings from Germany, Thomas.

[@AtortAerials]

That should be a video in itself! Maybe I’ll do that now. 😂🤓🤓🤓

[@th29inchbgyellowtaxi]

You do a great job! Thank you Tamara.🎉

[@aaphotofilm]

This is awesome Tamara, your so good with colour grading, i can never get it the same way you do, your talented lol

[@totoroutes5389]

Why did DJI increase the slowest shutter speed to 1 second from when the pocket2 had 8 seconds? Could it be possible with firmware update for the Pocket3 to have 25 seconds shutter speed?

[@MichaelCorleone562]

Any good options for color grading and editing on your phone outside the LightCut app?

[@AtortAerials]

I find it having hard time focusing if they had variable aperture would be a game changer. Dlogm looks worse than normal mode to me. I’ll see what you have to say.

[@Bikepacking]

Is there a mobile version ie something that work on iPad m4

[@edwardcampbell9884]

Hello my favorite person that continues to do amazing job

[@contidozack]

Subscribed. You have what I am looking for as this will be my first time doing color grading. Final Cut + DJI Osmo Pocket 3 + Filmconvert luts.

[@benkuba0405]

wow! color is matched indeed!

[@TamaraGabrielUK]

💯

[@ChaoLee-ip5rs]

Great videos! love your channel!

[@modi_albalushi]

Thanks for your video am learning everything on pocket 3 from your videos. Just small question, what is the best case for daily use for pocket 3?

[@TamaraGabrielUK]

I'm glad you find the videos helpful 🙂 For the case, I just use the ones it came with.

[@AllThingsFilm1]

I have Film Convert Nitrate, but, I could not find the profile for the OP3. I've emailed them to connect me to it. Thanks for this walkthrough.

[@AllThingsFilm1]

I have since installed the profile for the OP3. Thanks again for this tutorial. I'm looking into getting Cinematch as well.

[@TechWandererYT]

Am really excited about this indeed. They're so slow with new cameras :( But glad the Pocket 3 made it!

[@TamaraGabrielUK]

I was so excited when I found out about it!

[@jayson6143]

Hi. Thank you for sharing your workflow. I can only edit on ipad. How can i use the lut on lumafusion?

[@TamaraGabrielUK]

You can import LUTs to LumaFusion, but if you’re referring to FilmConvert Nitrate, it’s not a LUT it’s a plugin that you download, but it’s not available for LumaFusion.

[@PhotoBooth72]

Hi Tamara, been looking at this for a while to make my OP3 footage look better. I have a question. If you apply cinematch first and say you wanted to make the OP3 look like an Arri camera. Then you want to add film convert to give it a look do you put the source camera as the OP3 or do you now select the Arri camera that you have made the footage look like? Hope this makes sense.

[@TamaraGabrielUK]

Hey! Yeah, I that makes sense. You'd need to select the Arri camera profile in FilmConvert because the OP3 footage has now assumed the Arri "sensor", effectively.

[@PhotoBooth72]

@@TamaraGabrielUK ok thanks, that's what I thought.

[@JustinPulitzerTrades]

I've seen several reviews. I think the Auto settings actually look better. I know it sounds crazy, but to my eye the Auto looks cleaner and soooo much less work for run and gun type videos.

[@bigbtechproductions]

thank you for this! Also the music?!?! 🔥

[@TamaraGabrielUK]

Artlist, it’s my go-to 🔥

[@Kross94]

does it works with action 4 d-log m?

[@ItsTyshae]

Are you using Final Cut Pro, Davinci Resolve, or Adobe Premiere Pro?

[@TamaraGabrielUK]

Final Cut Pro

[@ItsTyshae]

@@TamaraGabrielUK thank you 😊

[@JackWoodhams]

Any benefits to using this over D Log M to Rec 709?

[@TamaraGabrielUK]

D-Log M to Rec.709 is a conversion from log to a normal colour space. FilmConvert Nitrate is for colour grading; the final look.

[@JackWoodhams]

@@TamaraGabrielUK no I get that but I'm struggling to see a big difference. 😂

[@petrub27]

​@@JackWoodhamsthere's a 100 usd difference

[@JackWoodhams]

@@petrub27 😭

[@Greacher1]

Can i Safe presets?

[@talkingwithcars]

Hello, I just got my DJI Osmopocket 3 and filmed in Dlog and wanted to grade...it's quite a process and still learning. But I understand I can use a LUT to automatically go from Dlog to 709. That would help a little. But when I download from DJI website it's a CUBE file? And Wondershare Filmora doesn't recognize it. Any assistance is appreciated. Thanks

[@babyboy1971]

Nice! Does the pocket 3 look good with no color grade?

[@TamaraGabrielUK]

Yes, if you shoot in Normal.

[@markjob6354]

Hi Tamara 😃It's Mark from Vancouver Island, BC, Canada, sending you a shout out. I really like the results you can get with the OP3 and Film Nitrate. 👌However, due to professional Cinema and Broadcast restraints, I edit with Avid Media Composer, and I do not see it listed as functioning with my particular editing Application. 😢😩 We do grade with DaVinci Resolve, but that is all we do with it. It would be nice to install the Filmconvert Nitrate pluggin right inside of Media Composer for a quick polish and post out.(??) I did drop the company a line to see what they have to say about their pluggin compatibility with AVID, but haven't received a response yet.

[@TamaraGabrielUK]

Hi Mark 👋🏾

[@markjob6354]

@@TamaraGabrielUK The Team at Filmconvert Nitrate got back to me and informed me they no longer support Avid Media Composer due to too little demand for this particular editing application. I was surprised to learn of this, since Avid Media Composer is the Golden Standard for Cinema and Broadcast Television digital content creation.

[@LifeskiiofDrewskii]

Thanks for all the videos I added a lumetri in premier pro and it was color grading. I just shot some b-roll footage and didn't like the color so I just wanted to add some color but found the lut might start recording in D-Log M now when filming.

[@CardonaThe2nd]

Queen! What are you using for your transitions? That right to left pan/warp/zoom around the 1:57 mark was CLEAN!

[@TamaraGabrielUK]

It was a pack I got from MotionVFX mvfx.co/TamaraGabriel. It's a transition from mJourney, you should be able to search for mJourney on the site.

[@ImageMaven]

Lovely video - as always. I'm curious how you got that colour adjustment layer in FCPX (at least it looks like that's what you're using).

[@TamaraGabrielUK]

Thanks! 😊 It's an effect layer that I got from MotionVFX MotionVFX mvfx.co/TamaraGabriel. If I remember correctly, it was free. You can search Adjustment Layer on the site and it should come up.

[@ImageMaven]

@@TamaraGabrielUK Thanks so much. I'll check that out. I found a free one from @StupidRaisins earlier today too. He's got a tutorial about it. Can't wait to use an adjustment layer. Seems like a time saver! Cheers.

[@ImageMaven]

I also just found and loaded up a nice free bundle of Adjustment layers from FXFactory with handy tools like colour, defocus, double exposure, duotone, two up frames, Guides (very handy) and a few more. Supports most video editing apps.

[@dailyawesome1]

this is an ad

[@tai8171]

The colors are so pretty!