Ana Vidovic plays Vals Venezolano No. 3 by Antonio Lauro クラシックギター

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Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers.
We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already
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Jim Redgate is a highly sought-after Australian luthier, known for his guitars built for artists such as Ana Vidovic, Pepe Roméro and Odair Assad. This lattice-braced model is an exact copy of the guitar that Ana Vidovic plays. Jim Redgate’s instruments have their own sound and touch. The breath-taking volume combined with rich harmonics and impressive clarity of sound are quite unique. The playability is fantastic, and the guitars are relatively light in weight compared to the Australian standard.
We’ve of course heard Ana Vidovic in concert many times playing on a Redgate guitar, but this guitar convinced us even more of the quality of Jim’s work. The honesty and spontaneity of each note, the magnificent volume, the ease of playing, and the unique sound character of this guitar make it an instrument not only rare in Europe, but above all extremely enchanting.
Luthier: Jim Redgate
Construction year: 2019
Top: Cedar/Lattice
Back and sides: Bolivian rosewood
Scale: 650 mm
Nut: 52 mm
Weight: 1633 grams
Air resonance frequency: G
Ana Vidovic plays Vals Venezolano No. 3 by Antonio Lauro.
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