Рет қаралды 144
This video is the first 5 minutes of my analysis of the finale of Mahler's first symphony - For the complete video join my patreon for any amount or duration of time, thanks!
Abbreviations/Glossary
S0-Sonata Zero
P-Primary Theme
TR-Transition
MC-Medial Caesura
S-Secondary Theme
C-Closing Theme
EEC-Essential Expositional Closure
ESC-Essential Secondary Closure
Durchbruch-Breakthrough
Irony-The use of words to express something other than their literal intention, now that is irony.
Recordings Used:
Mahler’s First Symphony - Georg Solti & The London Symphony Orchestra
Franz Liszt’s Dante Symphony - Daniel Barenboim & The Berlin Philharmonic
Franz Liszt’s Via Crucis - Wayne Marshall at the organ of St. John-at-Hackney - Taverner Choir conducted by Andrew Parrott
Works Cited
James Buhler - "Breakthrough" as Critique of Form: The Finale of Mahler's First Symphony appeared in 19th-Century Music , Autumn, 1996, Vol. 20, No. 2, Special Mahler Issue (Autumn, 1996), pp. 125-143
Approaches to Meaning in Music - ed. Byron Almen (Chapter 7 cited)
Seth Monahan - Mahler’s Symphonic Sonatas
Further Reading
A.P. Brown - The Symphonic Repertoire, Volume IV: The Second Golden Age of the Viennese Symphony
Theodor Adorno - Mahler: A Musical Physiognomy
Byron Almen - A Theory of Musical Narrativity
Robert Hatten - Interpreting Musical Gestures, Topics, and Tropes
Natalie Bauer-Lechner - Recollections of Gustav Mahler
Vincent Persichetti - Twentieth Century Harmony
The Nineteenth Century Symphony - edited by D. Kern Holoman
Deryk Cooke - Gustav Mahler: An Introduction to his Music
Constantin Floros - Gustav Mahler: The Symphonies
Peter Franklin - Gustav Mahler, Grove Online Dictionary Entry
Robert Hatten - Musical Meaning in Beethoven : Markedness, Correlation, and Interpretation Advances in Semiotics
James Hepokoski & Warren Darcy - Elements of Sonata Theory
Thumbnail Image - Clash of the Titans - Gustave Dore 1866
Links
Seth Monahan’s KZbin Channel - / @sethmonahan