Рет қаралды 13,535
Masterclass with conductor Andrés Orozco-Estrada in which they work the aria "Esci, omai, garzon malnato"
W. A. Mozart: Le nozze di Figaro K 492 - "Esci, omai, garzon malnato"
Students:
Gabriel Alonso Díaz, Count Almaviva
Vanessa Paola Cera Bula, Countnes Almaviva
Orquesta Sinfónica Freixenet de la Escuela Superior de Música Reina Sofía
Venue: Auditorio Sony. Escuela Superior de Música Reina Sofía, Madrid (Spain) 22/01/2020
Abstract:
At the beginning, the maestro Orozco-Estrada only works with the orchestra: some brief indication on the march. When the singers join (0:03:19), he asks them to explain the plot and to describe the scene to position themselves. At the beginning they have to play clear, articulate and Mozart forte to make it easier for the Count (baritone) to be heard. He corrects dynamics and sound balance of the orchestra. He insists on clear articulation and more delicate and elegant phrasing especially in the endings. Understanding in the change to eighth notes and without so much accent. And at that point, more projection of the baritone is needed. He also corrects some pronunciation of words and clarity in the text of the Countess (soprano). Finally, the director Andrés Orozco-Estrada corrects the character of "Susanna!" What the soprano says ("with meraviglia"), whose accent must also be on the syllable "sa". The ritardando at the end should be more natural.
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