The amount of tonal variation he's able to get is astounding. Bright to dull-muted, soft, loud.... crazy.
@futuropasado2 жыл бұрын
And this is Segovia, the best guitar player ever, in his prime guys. His best footage to date I think. Pure genius, technique, music and grace.
@davidferrara1105 Жыл бұрын
People forget that he had INCREDIBLE technique.
@ФамТхайШон9 ай бұрын
I really love his right hand, which magically created different kinds of sound and all the songs played by maestro like an orchestra
@ВладимирРодивилин2 жыл бұрын
Запись из разряда гениальных. Маэстро на пике творческих сил и технических возможностей. Великолепный симбиоз.
@maxquad68464 жыл бұрын
His playing was so effortless. His tone beautiful. RIP Maestro
@MrBjrubin7 жыл бұрын
This is by the far the best recorded version I have ever heard!!!'
@пояльниквжопе4 жыл бұрын
Чего?
@i.hirschman60462 жыл бұрын
When I need to clear and purify my mind I listen to Segovia at his best. He is at his absolute best here.
@andresdelossantos1810 ай бұрын
Escuchar a Segovia cada tanto te da una sensación increíble es algo mágico!!!!
@davidroberts48604 жыл бұрын
Most guitarists select the music they wish to play. Far fewer are selected by the music, but here the maestro was. This interpretation remains unmatched to this day.
@Crime_pays10 ай бұрын
He’s the only one that plays Torroba correctly till this day!
@what56714 жыл бұрын
I haven't found a recording that matches this performance.
@muiscman8073 жыл бұрын
Actually, I prefer the way he plays it in the 1976 Christopher Nupen film...
@сергейсолоницкий-м9ь3 жыл бұрын
@@muiscman807 I think much earlier, somewhere in 1954.
@rjlchristie Жыл бұрын
Don't forget that by this stage he had been including it in concerts for three decades. He jolly well should have been comfortable with it.
@GuilleTrejo3 жыл бұрын
1:19 the lick
@joshjams19783 жыл бұрын
I love you 😆
@luscao84442 жыл бұрын
It just missed one note to be the REAL lick
@adolpholiverbush27 жыл бұрын
This is what a virtuoso sounds like. When Segovia died, John Tesh of "Entertainment Tonight" played this clip with him speaking over it. I had recorded it, and wore that little section out. Now, 30 years later, I get to hear it all I want on KZbin. Thank you maestros Torroba and Segovia!
@josephh.38965 жыл бұрын
Maestro sublime skills, so beautifully, musically expressed
@vextract46625 жыл бұрын
Just plays it, not too high not to low always just right. Perfectly beautiful.
@uneedtherapy427 жыл бұрын
there are several breathtaking moments in this video... THE BOSS!
@rafaelplata111 жыл бұрын
Incomparable!! Le gustaba decir que la guitarra encerraba, en un solo instrumento, todos los sonidos de una orquesta. Escuchando interpretaciones como ésta, te das cuenta de que no era una frase hecha. La riqueza de matices sonoros que arranca de la guitarra, es impresionante.
@jcd59796 жыл бұрын
For methis is, by far, the best peice ever written. And I love how Maestro Segovia plays it. It feels like it has taken me back in time everytime I hear this.
@kleberalexandre-compositor82228 жыл бұрын
Uma das mais belas interpretações musicais. Ele exibe a sonoridade possível do violão em toda a sua plenitude! Dá vontade de ouvir mais música, de estudar, de tocar, de achar que o mundo dá para ser melhor.
@kevinpatrick46704 жыл бұрын
What a dazzling display of the execution of the colors that the classical guitar can produce in the hands of the master!!! Segovia was to the guitar, what Bruce Lee was to the martial arts!!! Bravo maestro!!!🥂
@eriktempelman2097 Жыл бұрын
This piece is a beast to play, especially at this pace... let alone interpret this well. Amazing stuff from the Maestro.
@hiramescobales267 Жыл бұрын
The best guitar ever.he will always be remember.
@rjlchristie2 жыл бұрын
There are perhaps a dozen or a score of works that Segovia absolutely owns. This is one of them.
@danielboyer2016 Жыл бұрын
Sans Segovia, les grands compositeurs comme Torroba, Villa-Lobos, Turina , Ponce et j'en passe, n'auraient pas écrit pour la guitare ! Merci maestro R.I.P.
@hrburrell758710 ай бұрын
It's unfortunate we don't have more recordings of Segovia in his earlier years like this one. Many of the ones available are when he was up in age and his technical facility had diminished. Fantastic recording
4 жыл бұрын
Segovia understood this state-of-the-art piece of music like anybody else
@сергейсолоницкий-м9ь9 ай бұрын
A perfect playing of this piece of music for guitar: I have not seen any modern classical guitarist do it better. Bravo maestro !!👍😍
@ChemaMenendezarmonia Жыл бұрын
Sonido limpio e impecable.Irrepetible.
@josephhenry47252 жыл бұрын
Awe and adoration . No one before or since maestro.
@mattie51615 жыл бұрын
Absolutely just sublime! I'd like to to know exactly how the sound has been edited on this recording, because, the origional sound on this wasn't so good on this session, being done so long ago. Exactly how has the sound engineer managed to capture the magic of Segovias' unique tone on this astounding instrument from such an old recording?? Whatever has been done has captured the magic here!! Hats off to the sound man!!!
@Boldstrummer3 жыл бұрын
I agree with you it has been edited
@jpdupont253 жыл бұрын
They overdubbed lil’ Wayne on top of the video
@TheNeelax3 жыл бұрын
@@jpdupont25 kek
@TheYannickOne3 жыл бұрын
played with ease. sonido maravilloso.
@LEMENG8854 жыл бұрын
Segovia Sang Maestro...Love...❤❤❤👍👍👍⚘⚘⚘🙏🙏🙏
@terryeverson9820Ай бұрын
They say the young players of today are above his level technique wise. I say BS! Segovia was and will always be the grand master
@MrMjp582 жыл бұрын
Unique and wonderful.
@elbrianoboesito96322 жыл бұрын
Just Amazing.....
@josephmackin4535 Жыл бұрын
Absolutely brilliant!!!
@marioramosribeiro78696 жыл бұрын
What a marvelous performance! And splendid transcription! A Segovia’s Master Seal!
@claudiosolaresMMX5 жыл бұрын
No transcription this is originally written for classical guitar my friend.
@сергейсолоницкий-м9ь5 жыл бұрын
What a fingers movement ! Even better than best modern guitarist`s play .
@rogeroliveira75423 жыл бұрын
Simply,the best classical guitarist ever.Segovia
@guzmao95067 жыл бұрын
Perfect.
@kelborgui15 жыл бұрын
How perfect image! Nor I can believe, is very perfect!! Thank you!!! Kelvin Borrero
@jonasscopel15 жыл бұрын
fantastic!
@ЮрийНехай-к3ь2 жыл бұрын
Вот образцовое исполнение: оркестровое мышление, музыкальность и техника!
@reaganwiles_art4 жыл бұрын
Duende! Blood soaked soil. I cannot hear him without the thought arising: "He always keeps one toe in the dirt."
@joseantoniocondecorrales79062 жыл бұрын
El mejor de todos
@tumarido55513 жыл бұрын
y pensar que el desarrollo de la técnica fue suya,,,hace que sea aún mas fabuloso
@jmr141013 жыл бұрын
he makes it seem so easy
@сергейсолоницкий-м9ь4 жыл бұрын
As often happens when the master is playing .
@lucaslemos79123 жыл бұрын
Que coisa linda, cara ! O homem pode fazer coisas bonitas.
@davidroy30298 жыл бұрын
Wonderful!
@Soytu1910 жыл бұрын
im in love with this
@michaelgarza82714 жыл бұрын
I really like your taste, Soytu. Put Joyce's poem sung by Barrett on the playlist along with Segovia's incomparable Chaconne!
@steveb93253 жыл бұрын
Me too! Thank you!
@dogeofchristmaspast39328 жыл бұрын
I must say a lot of people look down on Segovia because he didn't like it when people changed the chord and note placements from how the original piece was suppose to be played and he was in the right for this when it comes to Classical guitar because its about form and order. Really to me It doesn't matter how fast or how many songs you think you can play, or how you think you can make it sound better by changing all the fingerings from its originality. Its not a crime to do so but It's all about the tone. He played around Miguel Llobet who also had wonderful tone in his music, they new each other. Also Maria luisa Anido was around Llobet so no doubt they all played great. If you don't have tone you don't have life in your music.
@JoelSalazarM8 жыл бұрын
Oh gosh how could you have missed this? Of course fingerings matter, but who says the fingerings Segovia liked where the best? Remember most of the guitar music that existed during Segovia's time were transcriptions from other instruments, so a reference to the "originality" of a fingering didn't even exist. It was and it is still Today up the players to find out what works best for them and use it.
@ddpove6 жыл бұрын
Totally agree with Joel Salazar. Besides this, most of the times Sebovia's fingering was not the best option. I do not deny his artistry by saying this, but he was not an innovator in any aspect, long before him Tárrega and Llobet already transcripted Bach and with great success.
@thedragonofthewest5789 Жыл бұрын
yeah tone is one of the most important things in music
@losazulejos_music3 жыл бұрын
Breathtaking !
@robinterkzer81285 жыл бұрын
Poetry in motion ! xxxxxxx
@seanraidley26439 жыл бұрын
Amazing...
@dlevita14 жыл бұрын
wow!!! muchos gracias!
@lucynagawlikguitar81287 жыл бұрын
AWESOME!!!
@rjlchristie Жыл бұрын
Note to students new to this piece, in this performance Segovia simplifies two or three chords from the published edition, see if you can find them.
@nielsmeire197112 жыл бұрын
what a tone! WoW :O
@AS-iq7sx2 жыл бұрын
I am in love now
@robertorup96806 жыл бұрын
Super!
@musicavariada69758 жыл бұрын
Que hermosa Interpretación y si no me equivoco esa Guitarra es la famosa Hauser de 1937 que reemplazó a la Ramirez.
@eduardodavid31988 жыл бұрын
SEGOVIA TENIA MUCHAS GUITARRAS,UNA DE SUS GUITARRAS LA USO CARLEVARO
@musicavariada69758 жыл бұрын
+Eduardo Picasso Si, La que Carlevaro tenía en su poder era una Hausser. Segovia Uso Ramirez, Hausser, Fleta y desconozco si uso otras Guitarras ajenas a esas marcas. Su mejor Guitarra, dicho por el mismo fue la Hausser de 1937.
@robertoalexandre42507 жыл бұрын
Tenho a impressão de que o áudio original foi melhorado (talvez o vídeo também). Mas, não interessa: eis o melhor do Segóvia, absolutamente incomparável em termos de som, coloratura, timbre, fraseado e nuançes musicais. Aliás, parece aqui que está no auge de sua forma técnica, e toca com extrema facilidade e um estilo impossível de ser imitado por qualquer outro. Ele é muito mais feliz nesse repertório (Ponce, Tansman e os romãnticos) do que tocando Bach ou Villa-Lobos. No minimo, uma performance transcendental.
@Soytu197 жыл бұрын
The audio has been restored of course. This is taken from this other video: /watch?v=rjRLpE_TzdA You must see it, he plays the Variations on Mozart by Fernando Sor amazingly. It's awesome. About the year in which it was recorded i don't know, but considering the hair he has this must be around the 50' when he was 50 or 60 years old, simply awesome. This video demonstrates the genious of Segovia from every aspect of the interpretation of the guitar: technique, expression, dynamics... Of course, Segovia had technique, not always he was the sloppy guitar player most of the people know. This only happened in the last period of his career when, as it's logical, his technical capacities decreased due to age. This performance can't be equalized nor for any other guitarist nor for any other musician (pianist, violinist). Simply genious.
@robertoalexandre42507 жыл бұрын
Absolutely, Julan. This is such a fluid sound and way of playing (those "milked" notes) that only he had. Obviously, age reduced his dexterity. But we should appraise technique by the final musical result, and here it is unsurpassable. This is a moment where the guitar shines likes no other instrument (I´ve seen the Variations, and I agree it´s on this level of transcendence). These performances are worth more than probably 90% of classical guitar recordings or performance. There are moments (albeit with a totally different esthetic) like this: I think of some of Breams, some things by Yepes, Pepe or Angel Romero playing the Aranjuez, some Barrueco, some Russell, some Galbraight, some early Parkening...well, there´s more, but these moments are few and far between. Generally, we don´t find this level of musical transcendence on the guitar.
@Soytu197 жыл бұрын
Ahh... the guitar... what a polemical instrument. Most of the times it speaks absolutely nothing (take a look to what Ana Vidovic makes with this piece and see how it is possible to destroy it, for instance), but give it to the appropiate hands and it will speak in such a way that it is unbeliable how such a little instrument is able to produce such incredible sounds. An instrument that talks so sincerely and directly to your hearth, really. The reason of such extraordinary difference lays in the little details of the interpretation, and the guitar is expert in these little details as you know. It's amazing and even degrading how much the music changes from one guitarist to another. Indeed, most of the times i don't want to know anything about many modern guitarists and the route that the guitar has taken because they just make me sad to know that i'm playing the same instrument they play. But then i come back to Segovia, Yepes and the old school and i switch from the absolut dissapointment to the absolut joy and amazement. Definitely the most difficult instrument.
@robertoalexandre42507 жыл бұрын
That´s well said, and I would go further: most things most of the time say little or nothing; if they say someting, it´s soon forgotten. Few (and I say few compared to the sheer mass of art objects - books, movies, music -things in any field - that just fall into oblivion). Obviously there are experiences in literature, film and music to last one a lifetime, but out of the 100 or 1000, how many. That´s why if someone is going to talk about music, they must listen to much to remember little. One has to have read much, to remember those few absolutely worthwhile books. And so on. The really transcendental is a rare occasion (a performance or experience). Today musicians (not just guitarrists) are being cranked out left and right: so many, with impeccable techniques, but I just don´t remember them in the same way as this. Countless names being replicated so quickly, and the memory blurs them while this remains clear and one constantly returns to it and it always sounds fresh. Perhaps the problem we feel is that so many performances sound "cloned," whereas in this one, there´s an aura (Walter Benjamin examined this, albeit in the context of the culture industry - but he does talk about the "magic" origins of art, i.e. "The storyteller" - an essay - and "The work of art in the age of reproductibility) that sets it apart from the rest (certainly from Vidovic, she´s a fine player, but I listen, and when it´s over, I just say OK...and then I think of something else, like having a beer or going to the bathroom ). The fact is, our age is becoming just as insensible to any transcendence (I´m not talking about religious crap here) as it has become accustomed to the worst atrocities, banalities or cultural shit. If we don´t believe in any kind of transcendent experience (once again, leave religion, God and all those excremental entities out of it), it´s like saying "I don´t believe such and such a place exists (say, Paris, Rio or NY)": we will obviously never take a trip there. I would recommend reading Zigmaunt Bauman, who talks about this shattering of human sensibility in the Iphone and Facebook era. To forget the past (any certain tradition), to ignore it, to not know it, is to impoverish oneself in a way that one cannot even really know he´s impoverished. The consequences are making them felt through depression, violence, insanity, all the flotsam and jetsam of a self-contradictory society that creates the very disease it tried to cure. Anyway, this is a lovely performance and I agree with you on this one. (I like what you said to Vik 10-String: for a guy who doesn´t share my faith in some possible dialog with perhaps a few individuals, he sure does write long stuff. Best
@Soytu197 жыл бұрын
Agreed. I know people that think that guitarist like Segovia and Yepes has been "surpassed" by others like Russell for instance. I admire Russell, i like his honesty and also his guitar playing, but something i will never forgive him is to play with lattice braced guitars and the unpleasant plastic sound they produce for me, specially in the bass strings. Check John Williams playing lattice braced guitars, it's like the sound of the gum in your mouth, he uses one of these guitars for playing the Concierto de Aranjuez. For me it's like... REALLY???? How's it even possible that being such a master he ALLOWS himself to play it like that? I'm totally sure that he knows the recording of Yepes of the Concierto de Aranjuez and i wonder how is it even possible for him not to think "Omg, this is just it, he (Yepes) was born to be a representative man of this instrument. I must 'imitate' his playing because he SURE does something more than what i do. Something trascendental and musical and not just the typical 'charming' guitar sound (if in the case of John Williams it may even sound charming). (You said it: you can play with a perfect technique but for the serious listener something is missing. You see, Arthur Rubinstein opined that doing music is almost something metaphysical.) But this is just an example (and an important one actually: the lattice braced guitars) of what i said and also what you said about ignoring traditions and the past, the origin. For me it must be refreshed and recreated, not in the same way, not imitating 100% but just understanding it and putting your spirit into it, the same way as those old masters did. But during these days the guitar world has put barrier with it's past really, and you find people saying: "hey! Segovia and Yepes has been surpassed! LOook, you see how old they look? For me surpassing those masters means to put the guitar almost paralel to the body and play as fast as possible with a lattice braced guitar. But in reality i don't really know what i'm saying, i'm just saying what they've suggested to me to think because that's my nature and i'm crucified". That's perhaps the only reason of the clones you mentioned and the lack of real STRONG personalities in the world of art today, not to mention the classical guitar... Because what made Segovia and Yepes as well as Bream for instance to be masters is to follow their own intuition and sensibility and after that they became absolutely essential figures to play the guitar even if people still don't realise this. They were submerged in their own world searching for solutions and exploring it (as it is characteristical of probably all geniuses and talents) and they succeded, instead of searching for solutions in the others. Viktor also know this, (that's why he complains so much haha) that one of the problems for todays art, even if it's seen as a solution to ones personal hell and confusions, is the otherness - which comes from the other or the Other. But after all (related to this i said about the metaphysical stuff) it's just what Yepes said already in an interview: i find that a great artist are always a great person. Perhaps the real problem is the lack of great persons. Well, actually sure it is! Oh yes, i had to say it. Because i don't agree with him. We need to share our opinions, it's our duty. Because we are all participants and builders of the public opinion and beliefs and thoughts of it. Perhaps discourses of these kind do not have much repercussion, but you know we try. It's a pity and ironic that the ones that have more to say do not have the means to do it or are completely ignored.
@сергейсолоницкий-м9ь5 жыл бұрын
He had made the classical guitar the concert instrument . And who can surpass him now after he had left us ? And whom can we listen with such a gladness now ?
@amcdougall99984 жыл бұрын
I could give you 10 names immediately but they all owe it to him. They stand on the shoulders of giants, Maestro Segovia
@сергейсолоницкий-м9ь4 жыл бұрын
@@amcdougall9998 Yes, you are right . Giant . He wanted to make the classical guitar a concert instrument . And He did it . I was talking about what I said in the comments , the one that you answered, in particular . You listen to a well-recognized , so to speak , classical guitarist, for example, on KZbin .And for more than an hour of his game, you can not catch yourself thinking that you liked half a minute of what he does : the way he plays, the tempo of a musical work chosen by him, and so on . And what happens . A person studied with a famous Maestro , or even with several, as is often the case in our time , gives a lot of concerts , and after listening to it, you catch yourself thinking that you have unnecessarily spent time . I don't speak English well , I was helped by a Yandex translator .
@amcdougall99984 жыл бұрын
Thank you for your response. It was kind of you to reply. I think we both agree on who the Maestro is but I do love to search for and listen to his ‘children’. It was good to make contact with you through this wonderful music, and your English is much better than my Russian. 👏
@сергейсолоницкий-м9ь4 жыл бұрын
@@amcdougall9998 , Thank you for an answer . But what do you mean by the word ‘children’ ? Maybe playing of this boy : kzbin.info/www/bejne/gpO6n6tua8prl9k
@amcdougall99984 жыл бұрын
All current classical guitarist are the musical descendants (children) of the Maestro.
@blackarrow90724 ай бұрын
I takes another 100 years before someone plays this better.
@Trenchant4632 ай бұрын
1000
@zororosario5 жыл бұрын
Supreme
@davidferrara1105 Жыл бұрын
The GOAT
@thanasiskostas61934 жыл бұрын
How can he play with that fingers?
@samhwillner8 ай бұрын
Not even a huge fan of the song but I like watching this video
@charcoalfish15 жыл бұрын
Wow!
@augustowaskevicz90134 жыл бұрын
Finally, la introducción de la guitarra y sus interpretes
@Carlos-j4r1j2 ай бұрын
Donde fue ese concierto?
@сергейсолоницкий-м9ь5 жыл бұрын
I wonder when this recording was made ? What year ?
@YOUNG-kd8rx3 жыл бұрын
best guitarist
@сергейсолоницкий-м9ь5 жыл бұрын
What caliber of strings does he play ? Does anybody know ?
@claudiosolaresMMX5 жыл бұрын
Back in those days only Augustine red, blue, and black label were available. Remember he worked directly with Rose Augustine to produce them.
@сергейсолоницкий-м9ь5 жыл бұрын
@@claudiosolaresMMX Probably a lot has changed since that time and something better became the strings and the calibers of the strings Rose Augustine changed too .
@natasamladenovic17654 жыл бұрын
He was just soooo familiar with his guitar, he couldnt have made a mistake if he had wanted to. As if it was a part of him.
@artcorvulay2428 Жыл бұрын
We're not worthy! We're not worthy!
@sonnyeast3862 Жыл бұрын
listener- “what a beautiful sounding guitar!” Guitarist sets the guitar down, “ how does it sound now?” 😊
@vendoporlentes11 жыл бұрын
Gênial!
@petjobedet46504 жыл бұрын
Playing scales hours a day to warm up apparently pays off!
@jmr141013 жыл бұрын
at 2:26 he repeats his index finger?
@markcecchini26533 ай бұрын
At his peak!
@Ana_crusis2 жыл бұрын
A complete lesson here on the right hand technique
@davehshs65114 жыл бұрын
When did classical guitarists start plucking with their fingernails? Was Segovia the exception in plucking with the pads of his fingers?
@сергейсолоницкий-м9ь5 жыл бұрын
Contact with the strings begins with the pad to make tactile feeling of the string and then fingernail beats the string in most cases .
@RNicolasRuvalcaba7 жыл бұрын
This is awesome, but there's a version of this on an album "Segovia, My favorite Spanish encores" that I like a little better because it's a little bit slower. I think that album was probably recorded about 20 years after this video when he was 80 so that might explain why it's a little slower.. I really love that version.
@johngiles1327 жыл бұрын
Completely agree with you on this. I bought Segovia's "My Favorite Encores" cassette tape almost 30 years ago, and that performance of this piece is my favorite. This one is too rushed for me.
@RNicolasRuvalcaba7 жыл бұрын
I still have my cassette and I also found the album on E-bay. There's a very easy way to transfer the album recording into digital form and onto a CD. I purchased a $50 dollar turntable (nowadays they come with a usb port), I downloaded it on to my iPod and into my iTunes (then I returned the turn table). I bought that cassette about 35 years ago, you could say it's burned into my soul at this point..
@phuongnguyenthanh65772 жыл бұрын
💥
@josh02158811 ай бұрын
What year was this recorded?
@1guy1wisdom29 күн бұрын
1967.
@dualmp83 жыл бұрын
thats how its done
@Soytu1910 жыл бұрын
de las pocas que he escuchado las que me han gustado han sido el primer preludio de villa-lobos y este. el gran mozart un negado comparando con esto en mi opinion.
@sainnova200814 жыл бұрын
davehshs, Segovia used a combination of his nails and fingertips. This is what most classical guitarists do.
@paprikadefrance15 жыл бұрын
Parfait
@oraziopettavino5092 жыл бұрын
Andrea Segovia non si chiama così.Il suo vero nome è:El Maestro della chitarra classica.Unico e irripetibile.
@valentinfernandez29515 жыл бұрын
No es porque sea segovia, pero a es al que mejor le sale
@mintyulip6 жыл бұрын
0:38 - 0:50
@пояльниквжопе4 жыл бұрын
?
@ManuelTavares14 жыл бұрын
@theprof1958 heehehehehehh! Fantastic comment!! Im still laughing!!! haahahahah!!!
@danieleclassic10 жыл бұрын
il timbro della chitarra è un po' strano
@paolouta49267 жыл бұрын
Forse non sapeva accordarla...o forse e'una registrazione semplicemente di tanti anni fa
@tamada736 жыл бұрын
E' stato rieditato.
@Toracube14 жыл бұрын
So thats how you do a G...
@イクロヒP3 жыл бұрын
何故先セゴビアを越える人が現れないの。こんなにお手本を見せてくれてるのに。残念。
@Soytu1910 жыл бұрын
"el tocar la guitarra no tiene esencia, si no fuerza en el brazo. Permanecencia"
@jannoo259 жыл бұрын
Ojala solo se tratara de fuerza seria mucho más fácil tocar guitarra
@ddpove6 жыл бұрын
No es cierto Julian, se trata de combinar precisión y relajación, relajar el dedo tan pronto como pulsas la cuerda, así si se puede conseguir virtuosismo. Además para un llenar una sala de concierto hace falta un tono apropiado más que mayor volumen. Un cuerda de 664milímetros no puede dar un volumen grande sin hacer vibrar el traste y producir vibraciones desagradables, tiene que ser mediante un tono sin parciales superiores. Yepes llenó la sala de Carnegie Hall con su tono claro y poco brillante. Segovia tuvo muchos problemas siempre que quiso tocar sin amplificación en salas grandes.
@Soytu196 жыл бұрын
Hola, entiendo lo que dices. Solamente estaba citando una frase de Segovia. Cuenta él que su tio le cantó esa frase cuando era niño. Por cierto, puedes explicarme a qué te refieres cuando hablas de parciales superiores? gracias.
@ddpove6 жыл бұрын
Hola Julián. KZbin no me avisó de tu respuesta, así que fíjate lo que he tardado en responderte. Me refiero a las vibraciones armónicas que resuenan con la frecuencia principal. Cuando oyes una nota LA (440hz), además de la frecuncia principal (440hz) suenan otras frecuencias a diferente intensidad y por ellas puedes saber si suena una trompeta o un oboe por ejemplo. Es un tema muy apasionante y ningún guitarrista debería pasarlo por alto.