Antonio Vivaldi - Dorilla in Tempe (Fasolis/ Ceresa)

Teatro La Fenice - Stagione 2018/ 2019
Antonio Vivaldi, Dorilla in Tempe
melodramma eroico-pastorale in tre atti rv 709
CAST
Dorilla, Manuela Custer
Elmiro, Lucia Cirillo
Nomio, Véronique Valdès
Filindo, Rosa Bove
Eudamia, Valeria Girardello
Admeto, Michele Patti
Pastori, ninfe, soprano
Nicoletta Andeliero, Alessandra Giudici Francesca Poropat, Margherita Sala Ester Salaro, Alessandra Vavasori
maestro concertatore e direttore, Diego Fasolis
regia, Fabio Ceresa
scene, Massimo Checchetto
costumi, Giuseppe Palella
light designer, Fabio Barettin
assistente alla regia e coreografo, Mattia Agatiello
Orchestra e Coro del Teatro La Fenice
maestro del Coro Claudio Marino Moretti
continuo
clavicembalo Diego Fasolis, clavicembalo e organo Andrea Marchiol violoncello Alessandro Zanardi, tiorba e chitarra Fabiano Merlante fagotto Giovanni Battista Graziadio, Elena Bianchi
ballerini
Fattoria Vittadini
Maura Di Vietri, Samuel Moretti, Francesca Penzo, Manolo Perazzi Stefano Roveda, Maria Giulia Serantoni, Loredana Tarnovschi
riprese Oxymore production
Consulta qui il libretto
www.teatrolafenice.it/libretti/

[@giovannacuttica9227]

Con Teatro La Fenice la musica non sta chiusa in casa, ma entra in tutte le case ...in cui ci siamo rinchiusi.👏👏👏👏🎭 GRAZIE !

[@shin-i-chikozima]

This is a great gift to Vivaldi enthusiasts all over this world

[@samueljaramillo4221]

Great Vivaldi music. Stunning production. Beautiful singing. The costumes were outstanding.

[@aureliano1952]

una bellissima iniziativa che il teatro stesso pubblichi i propri allestimenti a distanza di tempo. Bravi.

[@user-mu8ft4lw3s]

Потрясающе ! Огромное вам спасибо за доаставленное удавольствие !Браво !👏♥️

[@garywebster3585]

Engaging production of one of Vivaldi's best operas.

[@mariebaier7772]

Les baisers entre chanteuses travesties ne gâchent rien, magnifique production merci la Fenice

[@istvanlengyel627]

Grazie La Fenice, siete incredibili..Quando finirà questo incubo covid, il mio primo viaggio sarà a Venezia. La Fenice for ever ! Yeaahhhhh!!!!!!!

[@robinworth7142]

Beautiful Viv and I’m a Vivaldi enthusiast it’s great to see and hear rarely played and heard Maestro rather than his concerto’s love it

[@salvinom.7832]

E' un piacere ascoltare e riascoltare questa bellissima opera di Vivaldi. E queste le mie arie preferite: 00:41:40 Al mio amore il tuo risponda 00:46:38 Rete, lacci, e strali adopra (il sagace cacciator) 01:02:51 Come l’onde in mezzo al mare 01:28:03 Bel piacer saria d’un core 01:54:25 Col piacer del tuo comando 02:21:19 Non ha più pace il cor amante Bravi tutti, ma un complimento particolare da parte mia a Rosa Bove e Lucia Cirillo.

[@athenamelodia9469]

Un véritable enchantement très vivifiant pour l esprit.

[@liviabrescia]

Superbo allestimento.

[@mariapspadopulou9898]

Thank you La Fenice!!!❤️🌹🎶🎶🎶🎶

[@cuttwice3905]

The only thing I wish was added was CC in English. Delightful production.

[@saltarellobeata.mvsica9717]

Learn la bella lingua italiana!

[@WhirledPublishing]

@@saltarellobeata.mvsica9717 My thoughts exactly :D

[@musiclanguage9680]

Magnifique! J’adore particulièrement l’air à 2:00 (deux heures) chanté par Véronique Valdès. J’adore son interprétation! ❤️

[@veroniquevaldes6543]

Cher Music Language, je vous remercie infiniment et vous adresse mes salutations les meilleures!

[@musiclanguage9680]

@@veroniquevaldes6543 Vous avez une voix splendide! J’écoute ce passage (à 2 heures sur la vidéo) tous les jours en ce moment tellement je trouve cet air merveilleux et si bien mis en valeur par la façon dont vous le chantez! Je vous souhaite tout le succès possible dans votre carrière!

[@cynthiachase3427]

Grazie! Bravo! Ithaca

[@michaelagoschnik9199]

I hope this wonderful production will be released on Dvd in the next future.

[@andrewtannenbaum1]

Tho the orchestra is of modern violins and winds, they are sensitive to baroque style. Vibrato is minimized, tempos are brisk and articulations are light. This also allows the soloists to sing in a more moderate baroque style. Love the entire performance and sets. Thanks to the conductor.

[@nikolaicoco333]

Danke schön!!! Bamberg

[@5678__smrt]

9:10 Mi lusinga il dolce affetto (= J. A. Hasse - Catone in Utica) 37:11 Saprò ben con petto forte (= J. A. Hasse - Issipile) 57:17 Lieta, o Tempe (Coro) 1:17:10 Se ostinata a me resisti (= D. Sarri - Valdemaro) 1:23:21 Se amarti non poss’io 1:28:04 Bel piacer saria d’un core 1:46:54 Con eco giuliva (Coro) 2:00:11 Fidi amanti al vostro amore (= Argippo, RV 697) 2:21:19 Non ha più pace il cor amante (= J. A. Hasse - Cajo Fabricio)

[@Gilade74]

Finalmente nessun controtenore che strazia Vivaldi .

[@jesuslozanofuentes5123]

MAGNIFICA

[@raximvaliyev2977]

Закипает кровь , от восхищения !

[@pittiherrero7062]

MARAVILLOSA !!!

[@lacolombe2534]

ANTONIO LUCIO VIVALDI { VENISE, République de Venise 1678~1741 VIENNE, Saint - Empire } « ANTONIO VIVALDI - DORILLA IN TEMPE {RV 709} {1726} {FASOLIS - CERESA} Magnifique spectacle avec cette œuvre Melodramma eroico - pastorale de ANTONIO VIVALDI, avec ses voix vocales et musique instrumentale exceptionnelle, dirigé par le chef d’orchestre DIEGO FASOLIS et le metteur en scène FABIO CERESA grandiose bravo à tous. DIEGO FASOLIS, né le 19 avril 1958 à Lugano, est un organiste, chef d’orchestre et chef de chœur suisse. L’un des interprètes les plus passionnants de sa génération DIEGO FASOLIS, qui a fait ses débuts au Festival de Salzbourg en 2014, joint une polyvalence extraordinaire à une virtuosité souveraine. Son exigence stylistique est largement plébiscitée par le public et la critique bravo pour sa carrière musicale. ANTONIO VIVALDI renaît avec un splendide opéra, DORILLA IN TEMPE, dirigé par le maître DIEGO FASOLIS. Illustration parfaite de la créativité d’ANTONIO VIVALDI, l’opéra DORILLA IN TEMPE donne à entendre une musique variée, jouant des passions et émotions humaines. Représenté pour la première fois au TEATRO SANT’ANGELO de Venise, à l’automne 1726, sur un livret de ANTONIO MARIA LUCCHINI {vers 1690~après 1730}, l’opéra DORILLA IN TEMPE vient se placer exactement au milieu de la carrière de VIVALDI, qui dura vingt-cinq ans. Le compositeur a alors quarante ans et est à l’apogée de sa carrière. Peu de temps auparavant, le 14 décembre 1725, la Gazette d’Amsterdam avait annoncé la publication de son fameux recueil, opus 8, IL CIMENTO DELL ´ ARMONIA e DELL ´ INVENZIONE qui comprend les QUATRE SAISONS, qui allait rapidement augmenter et consacrer la renommée internationale du musicien vénitien. DORILLA IN TEMPE fut repris à Venise au théâtre SANTA MARGHERITA, en 1728, puis à Prague, en 1732, au théâtre du Comte FRANTISEK ANTONIN SPORK {1662~1738}, et de nouveaux à Venise au TEATRO SANT’ANGELO, en 1734, dans une version incluant deux airs de JOHANN ADOLPH HASSE {1699~1783}, deux de GEMINIANO GIACOMELLI {1692~1740}, et un de LEONARDO LEO {1694~1744}, et trois autres de compositeurs non identifiés. C’est cette dernière partition, qui s’apparente à un pasticcio, qui est conservée à Turin. Merci pour ce moment de musique Baroque et d’art lyrique, avec ce chef-d’œuvre de ce grand compositeur du XVIIe siècle ANTONIO LUCIO VIVALDI, et le maître de concert et chef d’orchestre DIEGO FASOLIS, au TEATRO LA FENICE en 2019, que j’ai beaucoup aimé bravo.

[@mariebaier7772]

Merci pour ce post musicologique

[@lilianatiengo9562]

È stata bellissima!

[@4thDimensionistWoman]

Grazie, La Fenice!

[@HexPulsion]

I was not aware of this fine Vivaldi's opera. Thanks so much for sharing. It gives me the desire to see an opera at the Fenice.

[@fuadjada4155]

Five Stars 🌟🌟🌟🌟🌟 Magnificent!

[@Bavierina]

Maravillosa! Muchas gracias Fuerza para todos! 👏👏👏👏👏👏

[@user-nz3li1jf7p]

Disculpe, tiene el libreto?

[@alanfischer1948]

MILLE GRAZIE!!!!

[@tonielarkinbear8639]

I love everything about this! I saw the Wexford one too of this exact production and I might love this cast even a little bit more but I'm happy my two favorites (Véronique Valdès and Rosa Bove) are the same in both. How happy am I as well that there are so many mezzos :D I love a good Baroque trouser role and these performers are all so amazing, Filindo is adorable and I absolutely love genderfluid Apollo. The set is so pretty and the staging is so great; I love how it emphasizes that each of the principles have their own character arc. The choreography for "Bel piacer saria d’un core" in particular really broke my heart! (which is probably fitting). the aesthetic of the entire production is just lovely and I love how it depicts the four seasons so simply and yet so beautifully. This is now one of my favorite opera productions! Thank you so much for sharing, it really brought some light into the darkness that is 2020/2021.

[@bluefear2002]

Tesekkurler. 👍

[@VaggosWho]

Great Video & Audio Quality!!!!

[@weinianhu7251]

Thank you for sharing! Where can we buy DVD/blue-ray recording of the production?

[@ollehedstrom3536]

I find no synopsis and no subtitles? I love the singing and the music, but the plot will be difficult to follow.

[@miguelamigo8272]

Bravo 👏 👏👏👏👏

[@turma8eac]

Grazie

[@svetlanakhodachenko3841]

BRAVO!!!BRAVO!!!!!!!🌺🌺🌺🌺🌺

[@stanisawuroda9241]

Super...

[@m1ndphaser]

I absolutely loved this. listened to audio a few times, but never had watched a production. so apparently the masks were to imply them as a group of Chinese servants, who've historically covered nose and mouth for a long time, and the snake attacking the kingdom would then also be likened to a dragon dance. of course this is out of place to the setting of ancient Greece, but intended in some productions.

[@robkunkel8833]

Thanks. I won’t need much more to enjoy it. The visuals are so compelling. 🐸⛩

[@janoscsorba5714]

Chinoiserie is not alien from the XVIII.sc baroque-roccoco world scene,see also chateau chambres

[@mariaelenabecerra2069]

Q música maravillosa!! What a glorious music

[@Michaelabcd]

Mille gracie! Thank you! All the best to you!

[@mariaelenabecerra2069]

@@Michaelabcd Thanks to you all...and Vivaldi!!!

[@ivogianfranco1633]

@@mariaelenabecerra2069 And also to Hasse, Giacomelli, Leo and Sarro :) Please, don't forget that the only surviving version of 'Dorilla' that can be performed today is the 1734 pasticcio score and around half of the arias you are listening to were written by these composers, especially Hasse and Giacomelli :)

[@Leldis]

Lucia Cirillo ❤

[@gfhit7520]

hah, when I saw the first scene it reminded me of the movie Midsommer. And indeed the opera could have fitted a horror-esque treatment. Instead the direction went for a more conventional course. Pleasant to see and by no means bad, but I was left with the feeling one could have done much more and more interesting. The hodgepodge of visual references (Greek-ish, Chinese, opera buffa with Admeto...) did not work as it could have been. The lights also could have been more subtle. Muslcally it was very good, with Fasolis imprinting a good spirit to the score (even though those little preludes from the Seasons were a bit too on-the-nose) and a generally good and solid cast of singers, some more some less.

[@5678__smrt]

4:17 = RV 269, RV 717 5:56 = RV 399 2:21:19 = J. A. Hasse

[@salvinom.7832]

1:00:05 = RV 315 L'estate

[@VaggosWho]

30:40 FANTASTIC!!!

[@papagen00]

Now why can't they put on beautiful productions like this of Handel operas? All the Handel productions I've seen are avant garde and trashy ugly.

[@mohmedzakymohamedzanatyzan4568]

صباح الفل

[@bucefalo5666]

Due anni fa l’Orlando, la stagione scorsa la Dorilla in Tempe....quest’anno già ero pronta a godere un’altra meraviglia barocca, il Farnace., ma il Coronavirus è nemico anche dell’arte. Coraggio, però:, andrà tutto bene e apprezzeremo più di prima ciò di cui abbiamo tanto sentito la mancanza!

[@carlomazza731]

Il virus è nemico della salute e delle persone. Ha ragione lei: coraggio.

[@irinameshkova2832]

И всё-таки красота спасёт мир.

[@kyrie0033]

Lawrence Alma-Tadema!!!

[@user-nz3li1jf7p]

Disculpen, quiero ver la ópera pero no encuentro el libreto por ningún lado, hay alguien que me pueda ayudar con eso?

[@alexdesslin]

il est toujours bénéfique de se plonger dans les grandes oeuvres du passé , cela permet d'oublier le contemporain médiocre et ennuyeux 🎶🎶🔵⚪🔴

[@user-yk4st2re7y]

Nyse!💐hm

[@italovasquez5508]

Oh wow, the masks if they were wearing them before the pandemic, t was certainly an omen. Beautiful production

[@quasimodoo17]

I agree. I guess these guys are supposed to be servants. But why are they wearing masks? Any idea?

[@stefanstamenic3640]

Pasticcio Arias, exstra bellissima: "Vorrei da lacci scogliere" (Demetrio) Leonardo Leo 1:08:12

[@stefanstamenic3640]

"Mi lusinga il dolce affetto" (Catone in Utica) Johann Adolf Hasse 9:10

[@stefanstamenic3640]

"Se ostinata a me resisti" (testo originale: Se si perde il buon nocchiero, da Valdemaro) - Domenico Sarro 1:17:10

[@stefanstamenic3640]

"Non ha più pace il cor amante" (Cajo Fabricio) Johann Adolf Hasse 2: 21:19

[@stefanstamenic3640]

Aria: Fidi amanti al vostro amore 2:00:10

[@stefanstamenic3640]

2:13:57 1:21:19

[@EricPease]

Oh, the masks at 15:00!

[@cuttwice3905]

I thought they were a hoot too.

[@Sshooter444]

Dottore Fauci

[@alexvilaseca8911]

wonderful music... always! but... why don't you try to have a male sopranist? Their voices are much more adequate

[@ianmackendrick7827]

What is Nomio’s 3rd act aria?

[@veroniquevaldes5959]

“Fidi amanti al vostro amore”

[@ianmackendrick7827]

@@veroniquevaldes5959 thanks :)

[@lauka65]

I truly need this subded in Spanish * -* i can undrestand co many things :'v but not the whole idea :(

[@user-nz3li1jf7p]

¿Cómo vas con eso, bro?

[@szabolcsgaal850]

09:09 ze blijft maar zingen en zingen - voor vijf minuten. Een prestatie op zich.

[@smrtrns_music_channel]

9:10 Mi lusinga il dolce affetto (J. A. Hasse - Catone in Utica) 37:11 Saprò ben con petto forte (J. A. Hasse - Issipile) 46:38 Rete, lacci, e strali adopra (G. Giacomelli - Alessandro Severo) 57:17 Lieta, o Tempe (Coro) 1:08:13 Vorrei da lacci (L. Leo - Demetrio) 1:17:10 Se ostinata a me resisti (D. Sarro - Valdemaro) 1:23:21 Se amarti non poss’io 1:28:04 Bel piacer saria d’un core 1:46:54 Con eco giuliva (Coro) 2:00:11 Fidi amanti al vostro amore (A. Vivaldi - Argippo) 2:21:19 Non ha più pace il cor amante (J. A. Hasse - Cajo Fabricio)

[@doddsalfa]

Beautiful

[@kaloarepo288]

Mi lusinga il dolce affetto also occurs in Handel's "Alcina" who had it first???

[@kaloarepo288]

When was this production? I presume before the lockdown of all entertainments in Italy -if so why the surgical masks?

[@paulparoma]

Because you could still get them then. Good luck finding one now.

[@salvinom.7832]

Ceresa is an artist, and has artist's intuition

[@jenniferbui1010]

DES PERSONNES PHYSIQUES QUI ETAIENT BIEN INTEGREES DANS LE PAYSAGE FRANCAIS A LA SECONDE GUERRE MONDIALE;

[@supernivemdealbabor]

00:09:10

[@vivaldifromjapan5853]

4:17 spring

[@praduvarendo1126]

It's so smilar

[@jenniferbui1010]

C'EST RARE UNE SITUATION EN FRANCE, C EST PAS LES US ... ET ETRE ETATS UNIS, C EST PAS DONNE A N IMPORTE QUEL PETIT FRANCAIS DE BASE.

[@jenniferbui1010]

AUCUN FRANCAIS N A PASSE LE BAC NI EU DE BOULOT NON ? PARCE QU ON DEGOUTE.

[@alexvilaseca8911]

A woman singing a character written for a man castratti? Please a sopranist can't be changed for a woman ; it isn't the same voice!!!

[@pleiotropik]

There aren't that many Castratti around anymore.

[@alexvilaseca8911]

There are male sopranists (countertenor) as david hansen, jaroussky, max-emanuel cencic and many others who are, in my point of view, more adequate for this roles.

[@Moribus_Artibus]

@@alexvilaseca8911 Exactly. If they got Jakub Orlinski or Jarrousky, I would literally fly to Venice

[@istvanlengyel627]

@@alexvilaseca8911 yes, absolutely right..Jaroussky, Franco Fagioli, Bejun Mehta, Andreas Scholl...they are the 4 greatest ones I guess

[@janwilson9485]

I think you will find, if you research it, historically roles were always sung by castratti or women. There is no evidence that countor tenors as we know them today, male sopranists or falsettoists were ever used in baroque opera.

[@mimikrya8794]

Too many female singers. Anyway, bravo Fasolis!

[@jenniferbui1010]

C'EST SI RARE QUE CA UN AMI CHEZ TOI, OLIVIA JEHAN ? PERSONNE A DEMANDE A TRAVAILLER POUR LA FRANCE.

[@DE_OMNIBUS_DUBITANDUM]

Як невпинно і швидко плине час! Треба залучати сопрано вже у віці 22-25 років, бо не більше 10 років мають.

[@jenniferbui1010]

TU PEUX REMERCIER BRICE BLONDIAU, IL A FAIT TOUT LE BOULOT.

[@andrewtannenbaum1]

Since we don't have castrati anymore, why don't we simply sing their parts down an octave? In terms of authenticity, it is more so not only in terms of intent; but such adaption in baroque music was no big deal. Parts were rewritten for alternate voices on many occasions. Expand your audience to your contemporaries who prefer seeing real men making love to women.

[@rogerpropes7129]

He was a Catholic priest, but with all the castrati, transvestites, lesbian kisses, pagan dances, etc. he must have stayed up nights with the Eucharist wine.

[@mpoadmin2978]

dorito in tempe

[@jenniferbui1010]

c est un pays raciste la France? ruddy limon et Olivia Jehan, Je vous parle ! dit la fliquette.