ASHADH KA EK DIN

Рет қаралды 23,867

Arun Khopkar

Күн бұрын

Пікірлер: 48

@Indyviduals1947 11 ай бұрын

Such a great piece of art, but sadly very few watched it.

@abhasuku2540 16 күн бұрын

Great 🎉🎉🎉 salute upanyas भावनाओं का उपन्यास

@PREMSINGH-rh4nx 2 ай бұрын

बहुत ही सुन्दर रचना, हर दिमाग़ विश्लेषण नहीं कर सकता, अंतरंग मनोभाव का सुंदर चित्रण। अपलोड के लिए बहुत बहुत आभार, धन्यवाद।

@kshatriya3788 4 ай бұрын

अहाहा !! अद्भुत !! 👌 धन्यवाद है ऐसे निर्माताओं को जो इस नाटक और ड्रामा को एक पुस्तक के रूप में ही प्रस्तुत करने में सफल हुए ।। यदि भावना और हावभाव वाली एक्टिंग होती, तो शब्दों का मूल्य कम हो जाता, और दृष्टा की दृष्टि पुस्तक पढ़ने से हट कर एक सहज नाटक समज लेती । संदेह भी है कि जो भी बंधु खराब एक्टिंग की बात कर रहे है, उन्होंने पूरी फिल्म देखी नहीं होगी । पूर्ण देखले वह तो निःशब्द है, विचारमग्न है, इन ऐक्टर्स की तरह । ❤😊

@shubhratrii 8 ай бұрын

The book never emphasised that the characters were expressionless like they have been depicted in this movie. It seems like they are only reciting the words out of the script instead of living the characters. The book created another image of the characters in my head which is totally opposite of the portrayal of the characters in this movie.

@barramundi1807 7 ай бұрын

I think it's because Kaul takes inspiraron from Bresson.

@abhaythegodfather 5 ай бұрын

Yeh Mani Kaul ka style hai. Absolute madcap

@film_nirvana 4 ай бұрын

mani kaul and other auteurs believed cinema is not just a medium to put words into images which portray, with full fidelity, the emotions coming out of the written word. They believe that cinematography in itself creates a music and a mood of its own and embodiments by the actors takes away the focus from the cinematography and the edit. So in essence, their idea is not to convert words into images, but images into consciousness. Bresson, tarkovsky, Mani Kaul, Dreyer are some people who are notorious for wooden use of actors to various degrees. So like bresson and mani kaul go very far in this wooden use of actors, but have a lasting impact if the mood is allowed to continue just through the cinematagrophy, the composition and the edit.

@abhaythegodfather 4 ай бұрын

@@film_nirvana Don't put Bresson & Kaul in the same sentence. Both of them might have had the same intention while making their films, but the final result is vastly different in quality.

@film_nirvana 4 ай бұрын

@@abhaythegodfather so? result doesnt matter for artists. its the process, the thought process and the process of ideation and making the film that really counts for artists. nobody i mentioned was really making films for the box office or had a strict result in mind that they had while making their own films. so final result is irrelevant actually. its the process, the idea, the decision to use actors in a certain way, to use composition and music in a certain way, to move the camera a certain way, to edit a certain way, all that is what matters.

@heartful369 4 ай бұрын

लगता है जैसे इस महान कृति पर बनी है फिल्म मात्र हजार रुपए में ही बनकर पूरी हो गई होगी जबकि आजकल की हवस से भरी हुई फिल्में बनाने में बॉलीवुड के डायरेक्टर अरबों खरबों रुपए बहा देते हैं वह रे बॉलीवुड🎉

@jayantijotder6678 4 ай бұрын

आज की तुलना कल से करना ही क्यों है।

@heartful369 4 ай бұрын

@@jayantijotder6678 क्योंकि कल को भूल कर, उससे न सीखा जाए तो आज खराब हो जाएगा हमारा।

@cyborg8607 4 ай бұрын

watching again, didn’t know someone would upload it on KZbin. Such a masterpiece in Bollywood history.

@JohnAbraham1987 4 ай бұрын

Not a part of bollywood per se.

@barramundi1807 4 ай бұрын

not bollywood

@cyborg8607 4 ай бұрын

ah sorry, wat is it then?

@JohnAbraham1987 4 ай бұрын

@@cyborg8607 : Cinema..Film as Art. 🎞️✨🎥

@malvinderkaur541 3 күн бұрын

Hriday main wahi aaweg hai… so true if the heart doesn’t feel from every emotion outrage to rest it means you are dead in sensibilities and like a zombie goes on life the way it is told you to

@AgniBasu 4 ай бұрын

all those folks saying 'expressionless acting', 'dull dialogues' etc. are simply failing to understand the essence of this film, its style, its vibe (as genZs would say). I feel there is sufficient expression, just as much as the film's subject requires. If anyone is watching this film with the expectation of typical bollywood dramatisation, they are watching the wrong film.

@itsjustasimplestory5007 3 ай бұрын

is aruna irani in this film? If yes which scene? can you show me the time stamp please?

@shoshqk 2 ай бұрын

"jis pal ki mujhe pratikshya thi, wah pal kabhi nahi aaya"

@vikramadoddamani 4 ай бұрын

I totally loved it ❤ it’s bittersweet story by Respected writer Mohan Rakesh ji 🙏🏼 Madam Rekha Sabnis ji looked so lovely. It is startling that I haven’t watched any other film of this talented actress🌸 Some may find this type of portrayal a bit bland and unartistic. But I liked it, for a change. Kudos to Shri Mani Kaul ji and his crew💐 Lastly, I thank the channel owner Mr. Arun Khopkar for sharing this beautiful film💛 I dunno how it ended up in my feed. Liked & subscribed ✌🏼

@itsjustasimplestory5007 3 ай бұрын

where is aruna irani in this film? can you show me the time stamp please?

@ranganmajumder2200 Жыл бұрын

Thank you so much

@ananddhere4317 4 ай бұрын

It's a MASTERPIECE...❤👍❤

@amitkumar0110 5 ай бұрын

Watching drama as reading the book ❤

@DrRajeshAher 3 ай бұрын

Beautiful 😍😍😍

@jsmin1066 4 ай бұрын

Is this real story?

@ReshmiMeena-q6z 5 ай бұрын

Good aasadh ka ak din

@k.bharathacharya843 10 ай бұрын

Please upload in sanskrit

@NiteshKumar-ul4bu 5 ай бұрын

Good 👍❤

@bonyganguly6673 4 ай бұрын

Dead dialogue , dull acting .Regards to Mohan Rakesh ❤& Mani Kaul ❤much ahead of time ; should have used better actors ample in India

@adonkeybalthazar 4 ай бұрын

The actors did their job well: Mani Kaul was a filmmaker that belonged to the lineage of Robert Bresson. In that school of filmmaking, it is believed that expressive acting is manipulative. Showing a man breaking down on the floor crying is manipulative because it tells the audience to feel sad. Removing expressive-acting makes a more honest film. But it becomes less accessible when compared to a masala film or a Satyajit Ray film. That being said, it does not mean you have to enjoy the film. It is in no way a form that seeks popularity or commerciality. But since you watched it, I would like to believe you are interested in understanding this form better, I’ll suggest you watch a film called Au Hasard Balthazar by Robert Bresson. It’s a film about a donkey, the most expressionless animal. Bresson’s mastery lies in using that animal to make you feel something. If you like it, you can watch his other films like L’Argent. Another thing I should mention here, Satyajit Ray wrote a critique of Mani Kaul’s Duvidha in his book Our Films, Their Films. In it, he said that although Kaul follows Bresson’s tradition, he fails at being as good as Bresson. I’ll let you be the judge of that.