This was recorded on a Bösendorfer 290 Imperial and the piano technician was - Ivan Moravec. He always traveled with a set of tools for tuning, regulating and voicing pianos. This is probably one of the most beautiful Bösendorfers on a recording that there is. And the Nocturnes are nothing short of spectacular.
@aerozden Жыл бұрын
Thank you for this information! I was just about to write to ask what brand is the piano. It sounds truly different. I thought perhaps Yamaha, but no, the good old Bösendorfer...
@davisatdavis110 ай бұрын
@aerozden ya yamaha would be too bright for this sound. Bosendorfer explains it though. I couldn't figure out what sound it was. Bosendorfer you don't usually hear like this.
@msotil4 жыл бұрын
Ivan Moravec was an unassuming man who never sought the limelight. He perfected his style by listening to his own recordings, which he made on tape. He was also very exacting when it came to the sound of the instrument and often carried with him a tool kit to do small fixes to the instrument he was going to play, like voicing a key with a harsh sound.
@marcone92654 жыл бұрын
Many seem to mention his know-how when it came to tempering a piano, but lack to mention the recording process. Coupled with his pristine playing, the recording itself seems to be lacking a lot of high-end frequencies, giving it that slightly muffled sound, which fit perfectly with the nocturnal intent. Anyhow, love the pieces. Cheers
@marielmiroslava81184 жыл бұрын
The first one reminds me to my baby, now she's gone but i remember when she couldn't sleep and would be crying, i used to hold her and hum this song to her while this very video was playing on the tv, at night. I really miss her.
@daph03073 жыл бұрын
You just gave me another point of view to enjoy the nocturnes. Thanks, and sorry for your baby.
@AshishXiangyiKumar7 жыл бұрын
One more small point of interest: this recording was made in 1965.
@burz967 жыл бұрын
Incredible quality for a recording of that age.
@pianomarius7 жыл бұрын
wow i wouldve never imagined!
@CivicPiano17 жыл бұрын
Hey Ashish, how do you think Rubinstein's 1965 recording compares to this one?
@steveegallo33847 жыл бұрын
Walter....It's NICE to compare and contrast....almost Fun and repudiates no one. Chill....Never worry!
@burz967 жыл бұрын
Why is there anything wrong with comparing recordings? Different pianists equals different outcomes which means the differences will be discussed since music is so subjective. As long as you aren't putting down a musician I don't see why there is an issue. It would be interesting to hear from someone as articulate as Ashish on his opinion on another set of recordings and maybe some aspects he finds interesting about the Rubinstein one.
@mitchelllevy12077 жыл бұрын
One more small point of interest, the NY Times made this recording one of its five works to showcase the bicentennial of Chopin's birth.
@PKLevel997 жыл бұрын
wow
@JohnDoe-dh8xc4 жыл бұрын
And Confounded Bridge Productions is a KZbin channel that seemingly uploads animations unnecessarily set to excerpts, some would say another propaganda machine, albeit a more low effort one.
@ConfoundedBridgeProductions4 жыл бұрын
@@JohnDoe-dh8xc You're so smart.
@JohnDoe-dh8xc4 жыл бұрын
Confounded Bridge Productions and your contribution is?
@ConfoundedBridgeProductions4 жыл бұрын
@@JohnDoe-dh8xc You're so right John Doe, you are obviously an opinion we should all take seriously, I have no merit to the world compared to you, I am crying right now as I type this, what hope is there for someone so hopelessly misguided as myself.
@zampai4 жыл бұрын
The expressive potential of Chopin's melodies is jaw dropping.
@PianothShaveck7 жыл бұрын
22:35 that's SO beautiful played that way...
@Yotam17037 жыл бұрын
thats the messiest way ive ever seen fornwriting eights on sixteens...
@smb1232117 жыл бұрын
Yes the 5 vs 2 has a strange sound when played correctly. Several commentators have noted that Chopin was not striving for exactness but an ephemeral, inexact sound. I finally learned the Op 55 E flat Major with the 5 vs 4 vs 3 etc. In a way the Agitato of the Op 62 (E maj) is just as difficult due to the inner melodies.
@lukelarson77627 жыл бұрын
I thought the same thing! I had it playing in the background, and I had to check to see which nocturne I was listening to!
@CatkhosruShapurrjiFurabji7 ай бұрын
@@smb123211 Schumann and Brahms also used such kinds of notations as they intended to emphasise certain notes and therefore rhythm was not their main concern. Now think of it this way, if you wanted to play those notes in a certain way when they're not as in the piece with accompaniment/other voices, you'd play it the way it's notated as opposed to the way it aligns with the accompaniment/other voices.
@CatkhosruShapurrjiFurabji7 ай бұрын
@@smb123211 in this case, you make sure the melody aligns with the lower voices but emphasise the melody but not in the same rhythm as written.
@alexy68017 жыл бұрын
Amazing. I'm impressed by the coherence of the set and the incredible sustained abstraction. His tempi and rubato seem calculated to establish the nocturnes as a separate genre: he avoids the obvious waltz and mazurka references by making them un-danceable; he approaches a warm vocal tone, then breaks it with crystalline shards of sound; he approaches the drama of the ballades, but downshifts into gloriously shaded una corda playing. What you end up with is pure pianism coming from recognizable reference points, but completely transcending them. The nocturne is one of the genres that Chopin refrained from subtitling with -fantasie, perhaps because mercurial shape-shifting half-light is what actually defines them
@Ian24s5 жыл бұрын
Pure filth
@harryk59184 жыл бұрын
I bought this recording in my late 30's but could not bear to listen it all, too heartfelt melancholy and pure beauty. 20 years later I am able to listen its entirety and I am rediscovering it. Thanks !
@khaotik.weirdo4 жыл бұрын
I'm not music savvy but I like all the knowledge you put into this comment, which I tried my best to understand. For sure I'd agree with you if I was versed enough in the technicalities of music.
@klaasbil84594 жыл бұрын
I for one don't like the strong rubato. It feels exaggerated to me. Like you seem to indicate with your term 'calculated', the tempo changes don't seem heartfelt to me, not emotion-driven, but rather cerebral and unnatural. They keep asking for undeserved attention. Please keep in mind that all of this is just my personal opinion, I'm not trying to convince anyone.
@charlesdavis70874 жыл бұрын
Well........ all I've got to say to you is: Your evil and should have been destroyed when Atlantis fell. But noooooo. They are still allowing you to breathe the air of Earth. I like you. Most intelligent critic I've read in some time. Did you know Georges Sand's daughter thought Fredarick was an ungrateful shit head?
@PieInTheSky9 Жыл бұрын
Chopin's Op. 62,1 is one of the most stunningly beautiful piano pieces ever written.
@andrewgrebenisan6141 Жыл бұрын
Agreed! So underappreciated :)
@charless11902 жыл бұрын
This is my desert island recording. Had the pleasure of hearing Mr. Moravec perform Beethoven piano sonatas at Rutgers University in the mid-60s - I had never heard such beautiful playing. His performance of the Pastoral sonata (which differed in many respects from his later recording) is still embedded in my mind and his concert kindled my long love-affair with Beethoven’s sonatas . There are many wonderful recordings of the Nocturnes, but listening this recording always transports me to a complete state of harmony and joy.
@maudegonne37403 жыл бұрын
Discovering Chopin has been a life saver for me during these hard times.Thanks for making his sublime message of peace available to all.
@InnasWorld Жыл бұрын
I just teared up reading your comment
@AllValiant7 жыл бұрын
Wow I fell I love with it. Never heard his recording, what a clear sound for 1965. Thanks for sharing with us all. Loved op. 37 no. 1
@josephavilag7 жыл бұрын
There's a recording of it made by Valery Afanassiev where he plays it even more slowly
@AllValiant7 жыл бұрын
Théophile Richart I know, it's almost hypnotizing. I makes me want to listen to more of Moravec's to hear how he interprets over pieces in his own way. It's beautiful really..
@MartinVanBoven6 жыл бұрын
Théophile Richart Also in the posthumous one. Love the stillness of such a tempo. And no lack of drama, as he gets that from dynamics and rubato.
@thomasminot97997 жыл бұрын
What an absolutely beautiful recording. I don't think I've ever heard Chopin's melodies played so gorgeously by anyone. Stunning.
@kathrynmcmorrow71706 жыл бұрын
Breathtaking ... Op.15 No.2 in F# Maj
@don44765 жыл бұрын
Yes, it's crazy good. How is it even humanly possible to play like that?
@harryk59184 жыл бұрын
I bought this recording in my late 30's but could not bear to listen it all, too heartfelt melancholy and pure beauty. 20 years later I am able to listen its entirety and I am rediscovering it. Thanks !
@geuros4 жыл бұрын
@@don4476 practise, practise, practise... passion, obsession... Moravec simply was not ever satisfied. Always wanted better sound. You can see how meticulous he was from this recording - not only he understood mechanics and the physics of the piano, was able to tune it himself, even do some mechanical jobs. So he was able to express his preferences about piano to professional mechanics. Then he chose this audiophile studio to record with. I mean, I love Friedrich Gulda recordings, but they sound bad compared to standard of the era, while this recording of Moravec sounds better than nowadays recordings...
@militaryandemergencyservic32864 жыл бұрын
I do quite a passable a major prelude by Chopin on my channel, if you'd be so kind as to cast a glance at it?
@elleinfinitea2 жыл бұрын
The ineffable beauty of Opus 9 No. 2 inspired me to teach myself how to read sheet music (And drastically improve my piano skills) so I could play it. I devoted myself to it for months and months. The piece is so beloved and dear to me so I have developed certain preferences to how it is expressed. I have listened to many recordings of different pianists expressing it beautifully but this version stopped me dead in a moment of sheer awe, joy and reverence as waves of tingles washed over me. The closest image I can conjure to illustrate the feeling this particular version gave me is like being a (great)grandparent watching their (great)grandchild play and laugh in pure peace and innocence. How simple and pure the moment is alongside the depth of time, circumstance and experience that is behind it while knowing the struggle of decades was all worth it 1000 times again. Opus 9 No. 2 also makes me feel like I am blissfully wandering around in the best dream I ever had while a child, before I had much of a name or understanding of any of the color, shapes and sounds all around me. Halfway between understanding and looking into the experience and being lost in the fantasy of what this newfound awareness means. So hearing an interpretation that expresses what I feel to be the core essence of the piece so simply yet adeptly allows me to sink into these feeling i so cherish.
@ILoveMagic156 жыл бұрын
I just wanted to thank you, Ashish, for the great work that you are doing. You provide the world with the blissful opportunity of listening to the most wonderful recordings and at the same time reading the score. Both sound and text are always in superb quality. Thank you so much for that and may karma return to you the joys that you have given me!
@neiltassoni6 жыл бұрын
I agree totally.... & might add only that you deserve not less credit for having selected the unfortunate Aleksander Scriabin as your 'avatar' image. If only he hadn't stopped living as a result of Infected Lip Carbunkle Blood Poisoning. Sort of sad.
@Chucky22405 жыл бұрын
neil t k
@MichaelBrewick4 жыл бұрын
@@Chucky2240 good response, succinct.
@otakuxgirl63 жыл бұрын
@@Chucky2240 useless comment
@willie26395 жыл бұрын
Thoughts and memories of my dear mother, quite often brings me here to Op. 55 no. 2. Mom, I am so sorry that I never got the chance to say goodbye. Please, let this beautiful interpretation be an expression of my love for you. I miss you so. May everyone have a Wonderful and Happy Mother's Day🌺🌺🌷🌷.
@zomb71384 жыл бұрын
willie2639 Trust me, she sees this
@willie26393 жыл бұрын
@@zomb7138 Thank you Zomb😥😓😥. Sadness, despair and loneliness pervades my pathetic existence. Nothing takes the place of a my dear mother.
@MJE1123581321347 жыл бұрын
This is what Chopin's Nocturnes are about. Probably the most wonderful Chopin performance I have ever heard, and one of the most wonderful performances of any music I have ever heard. I was given the 2-L.P. set of Ivan Moravec's wonderful performances of the complete set of 19 Nocturnes around 1970, when I was still in my late teens, and found these performances magical: dreamy when it's needed, and fiery when needed in other places. To this day, this is my model of how Chopin should be played, and it's quite possible this L.P. set deeply influenced the style of piano playing I developed after that. There is rubato, but it seems natural and not excessive - unlike the exaggerated rubato of some pianists, especially of the older school, which almost seems to be posturing to my mind. Moravec's skill with the sustaining pedal is sublime - and just what Chopin needs - especially pieces like the Nocturnes. As to the "last" Nocturne, Op. 72, no. 2 in E minor - I understand it is generally believed to be a very early work, and comes late in the published sequence because of posthumous publication. But Moravec's playing of it is able to persuade me that this really could be a late work of Chopin's. Thank you for posting this wonderful series of recordings. Does anyone know how much of Chopin's music Moravec recorded? I should look for more.
@lifestyleastherapyafterstr94233 жыл бұрын
Personal points of interests Op 9 No 1: (0:54 undotted septuplet 1, 4:24 no septuplet 1), (0:50 no septuplet 2, 4:20 dotted septuplet 2) Op 9 No 2: 6:45 with triplet, 7:40 with quadruplet Op 9 No 3: 10:22 rhythmic continuation, 11:33 melancholic melody, 11:13 a pair of sparkles, 12:27, melancholic melody again but more compplex, 15:31 ascension instead of third return of melancholic melody, 15:53 double dotted whole note Op 15 No 1: 16:45 without septuplet, 19:19 with septuplet Op 15 No 2: 22:33 sextuplet of repeated note except for last and beginning of quintuplets, 23:37 catching run, 24:22 LH could improve Op 27 No 1: 31:45 fun groups of single and double dotted half notes, 32:44 irregular measure formatting Op 27 No 2: 39:55 palindrome, 41:30 scale but with 7 notes instead of 8 Op 32 No 1: 45:35, final semi climax before ending Op 37 No 1: 54:48 C-C-D-C appogiaturas, no octave Op 48 No 1: 1:09:15 climax of third section with context Op 48 No 2: 1:16:23 visual illusion of 5 beats in one measure, 1:16:28(B-B-C#-B appogiaturas, octave) Op 55 No 1: 1:19:03 without septuplet, 1:19:49 with septuplet Op 55 No 2: 1:23:10 without septuplets, 1:24:34 with septuplets Op 62 No 1: 1:27:39 emphasis on RH repeated D#s, 1:29:38 beginning of middle section, 1:30:29, a pair of quarter note trills that sound like a single half note trill, 1:32:02, from sextuplet alternating accelerated 1-1/2-1/3-1/3 to trill, 1:33:25 ending Op 72 No 1:42:09 emotional heightening
@JoeLinux20002 жыл бұрын
You are looking at deviations in the petals of a rose and missing the beauty of the entire flower.
@chopinfanclub66722 жыл бұрын
@@JoeLinux2000 he just listed parts he liked and u made up a whole narrative about it😂
@CatkhosruShapurrjiFurabji7 ай бұрын
32:44 you meant to say it's a recitative? They're rare in Chopin
@geuros7 жыл бұрын
don't forget, Moravec was mad about the sound quality, that's why his recordings sound so audiophile, he even got quite decent skill in tuning and optimizing the piano in the technical way, not just playing it... this recording sounds so remarkably deep... as I am writing, 9/2 plays and I am already so excited, that I really look forward the 9/3, my most favourite :) thank you Ashish, you've proved once again your excellent taste in music, which I can't tell objectively, but I feel most things the same way, like Lugansky/Rachmaninov similar to Rubinstein/Chopin.
@AshishXiangyiKumar7 жыл бұрын
That's very nice to hear. :)
@onclassical4 жыл бұрын
Actually the piano is almost out of tune in 48 #1. But, yes, you are right: he was extremely careful in all the recording process.
@238assante3 жыл бұрын
but oddly, he takes certain liberties with Chopin's markings , omitting a crescendo here, or a sforzato there. It suits his aesthetic style , and i'm an utmost admirer of Moravec . I just would have loved to ask him "why?" .
@geuros3 жыл бұрын
@@238assante yep, he had some secrets of creation. Rumors have it that Murray Perahia really wanted Moravec to reveal his secret to the first Ballade, not sure he did :-)
@cts97183 жыл бұрын
@@238assante I once asked him (as young student) if it was a coincidence that I wasn't able to find any Rachmaninov recordings by him, and he told me, no, not a coincidence, there weren't any. "Maybe in another life," he joked. But WHY he never didn't play Rachmaninov (or Liszt for that matter), that he didn't tell me.
@JohnJohn-cz9jv7 жыл бұрын
Rest in peace Ivan Moravec, a truly amazing pianist.
@SeitanoShuuki7 жыл бұрын
I've been missing this all my life. This interpretation is lovely in just how unpretentious it is. It touches the heart because it is so very lyrical and yet so very simple. Leaves a really deep impression, but definitely leaves one without words with which to describe the sensation. Thank you for this upload!
@neiltassoni6 жыл бұрын
Thank you, Seitano-sama, for a poetic and cho-utsukushii manner of describing your emotions around these pieces.
@waffleman-4 жыл бұрын
@@neiltassoni what weeb shit did i just witness
@caseym83853 жыл бұрын
Bloody hell, bringing out that descending top voice of the left hand at 33:43 brought me to tears.
@NICUofficial Жыл бұрын
I just come back to this over and over as my idea of a "flawless" recording of Chopin's nocturnes Not just the best recording I know of for the complete Nocturne cycle, I will also put myself down as saying it's one of the finest audio recordings of any music from any point in human history
@grobertoac24305 жыл бұрын
I can't believe how such much beauty has been created from those baroque to modern composers. Chopin is one of my favorite
@gabatar596111 ай бұрын
This is the best interpretation I have heard of Chopin's Nocturnes
@zoe.h.nelson043 жыл бұрын
Chopin's nocturnes, especially when played so exquisitely, reall do speak to the core of my being. If I had to give someone an 'album' so to speak to show them who I am, it'd be this video. Serene but intense, and pure emotion and imagination.
@user-ir9ew5xl7k2 жыл бұрын
My favorite Nocturnes: I - Op. 55 No. 2 II - Op. 62 No. 1 III - Op. 27 No. 1 IV - Op. 48 No. 2 To me, those are the most beautiful. Of course, there are others (Op. 48 No. 1, Op. 62 No. 2, Op. 37 No. 1, etc.), but for me, those four really stand out. And the fact that they're played superbly by Ivan Moravec also helps.
@WEEBLLOM10 ай бұрын
Based
@catherinekyngdon3277 жыл бұрын
The most beautiful Chopin I've ever heard.
@smy34864 жыл бұрын
@@militaryandemergencyservic3286 no one asked
@militaryandemergencyservic32864 жыл бұрын
@@smy3486 yes indeed - how horrible of me. Sorry, Catherine! Yes, it is beautiful.
@catherinekyngdon3274 жыл бұрын
@Андрей Бахарковскй I must listen to Rubinstein and hear his interpretation. I also read once that Chopin admitted to not playing many of his compositions the same "way" each time he sat down at the piano. Perhaps we can grant the great Chopin a little "artistic licence". But of course I'm speaking of interpretation.
@thegreenpianist76837 жыл бұрын
THIS RECORDING IS AMAZING , the melody sings so beautifully, rubato is spot on, I'm speechless !!
@NoahJohnson18106 жыл бұрын
Yeah!!
@AlanNelsonUNC6 жыл бұрын
Every finger is perfectly weighted. Seeing Moravec live from the front row was a great experience.
@charlesdavis70877 жыл бұрын
In relationship to playing Chopin like Chopin, I think this recording may be the high-water mark for the planet. !! CVD
@ericsabourin76613 жыл бұрын
Everything about Chopin's Nocturnes well said sir, and this is my favorite version with the one fabulous of madame Ingrid Haebler on Vox (they were very hard on their female artists in studio, minimal "one take" rule for Guiomar Novaes for she had to pay the dear price of that...). Moravec was the most discrete man...astonishing in all even his 2 Brahms concertis with Belohlavek-Czech Phil. remain unknown and he equalled the Richter-Chicago-Leinsdorf and Leonskaya-Masur-Gewandhaus versions.
@jacobparasite7 жыл бұрын
I've always wrestled between Engerer and Ashkenazy as my favourites for the Nocturnes but this... this is really something else. Stunning
@kathrynmcmorrow71706 жыл бұрын
I also love Engerer's.
@don44765 жыл бұрын
Engerer's are my favorite. But this is great, too.
@militaryandemergencyservic32864 жыл бұрын
What was it like wrestling between those two?
@ninjaassassin273 жыл бұрын
@@militaryandemergencyservic3286 sweaty, I presume
@philiprutter17 жыл бұрын
"Extraordinary" is deeply inadequate. I feel like I never heard them before. One of the great strengths of KZbin is this ability to hear different artists and performances immediately side by side. It's damnably addictive.
@militaryandemergencyservic32864 жыл бұрын
Oh doubly damnably damnable in a double dam sandwich prepared and then eaten, damn it, by Jean Claude Van Damme.
@GeometryDashDyno4 жыл бұрын
@@militaryandemergencyservic3286 Took the words right out of my mouth
@alekseygunko48666 жыл бұрын
Chopin is my favourite composer!;
@danielvalenciabegazo43255 жыл бұрын
Hasta ahora no he escuchado mejor interpretación de los Nocturnos de Chopin que este gran intérprete. Extraordinaria belleza sale de los dedos de Moravec. Inigualable...e inalcanzable.
@Disturbed4Life37 жыл бұрын
Holly shit, the Op.48 No.1 in Cmin was sooooo good. I love how he played it super slowly with so much emphasis on every note. It's definitely my favorite interpretation of the piece
@MarceloLangone4 жыл бұрын
Martha Argerich version is better.
@minr68514 жыл бұрын
You should also try SungJin Cho.
@olafdavidsson12743 жыл бұрын
Check out Brigitte Engerer, she takes some liberties but the effect is marvelous!
@kizpaws5 жыл бұрын
That first Nocturne was unbelievable... That would be my favorite.
@jeromeweingart55967 жыл бұрын
The sound quality is wonderful and the performance is a revelation. Mr. Kumar's commentary is incisive and poetic. I have not encountered its equal on KZbin. Thanks, Ashish!
@williambunter33114 жыл бұрын
I glanced through the comments before starting to listen, and I thought they must be exaggerated, After all, it's easy to imagine something newly listened-to with enthusiasm as being the best ever. Having just listened to the first nocturne I see there is no exaggeration. This pianist is paying to the point of PERFECTION in every way. The legato, the touches of rubato, the light and dark. Wonderful!
@νικοςνικολαου-τ9φ3 жыл бұрын
I think that Moravec had the right impression of what 'nocturne' means.He is not of the usual climate but in some way he moves and dives into it,softy and gently!
@fumikotsukumi0174 жыл бұрын
That motif in Op. 9 No. 2 always gets me, especially this Moravec interpretation.
@narapo19114 жыл бұрын
Unbelievable sound. I cannot believe this is the sound of a piano! Truly masterful playing, completely distinct from other interpretations.
@kpokpojiji3 жыл бұрын
Ashish you are a real source of continued inspiration and joy, thank you! I had the pleasure of hearing Moravec several times in concert. At one concert, at the West Village Meeting house in Brattleboro Vermont (USA) the setting was so informal and intimate that I sat as close to him as a page turner would. One of the real hallmarks of his playing was the depth of his honesty and emotion. Not a single note ever felt insincere. An integrity of heart and soul that was transfiguring.
@moshimoshispidermandesu99324 жыл бұрын
I understand nothing about what the comments say nor the paper sheets, but this is really enjoyable and beautiful
@fatimacanche90813 жыл бұрын
Los nocturturnos mas tristes en Mayorca
@fatimacanche90813 жыл бұрын
Pausa
@christianvennemann90085 жыл бұрын
39:14-39:21 I absolutely love that part.
@kzelmer6 жыл бұрын
op 55 no2 is my favourite one and I've always used Friedman as a benchmark for my own renditions but I have to say that Moravec's rendition is astonishing: it has the same cantabile freedom as Friedman's rendition but at the same time you can hear all the triplets with such clarity that the mix of the three voices is perfect. Friedman, Gilels and Moravec did an amazing work with this nocturne (I also like Horowitz's performance)
@chatterboXXIX7 жыл бұрын
Love your channel and your picks. I got to meet Mr Moravec once and he told me that he was especially proud of how Op. 48/1 turned out in the studio: I really do think it is the best of an incredible set! Keep up the good work.
@eytonshalom5 жыл бұрын
this is by light years the most remarkable of all the recordings i have heard. i love pollini's version, but this replaced pollini's for the one i feel like putting on when my spirit needs the nocturnes...
@philipk44754 жыл бұрын
I love the middle sections of these, they are choral-like and achingly gorgeous and Moravec brings such a warm and considered touch to them.
@rasmus123re7 жыл бұрын
Rarely do I discover anything this touching 55:31 - it's so calm. It reminds me a bit of Christian Chorales in churches, played on the organ.
@amerain17297 жыл бұрын
Rasmus Jensen Yeah, this nocturne is my favorite of all 19. So touching...
@danr.12994 ай бұрын
Op.9 no.1 is just extremely blissful, it takes me to a cold rainy fall day. I don’t know how people think music like this is boring. I get more into the music like this it just resonates with me and lets me relax and work through things in my head. Thank you to this channel who has given me my dose of beautiful music for many many years.
@charlesdavis70872 жыл бұрын
I've listened to this nocturne many times. And I can't help think... that this.... is proof... that intelligent life once existed on earth. Ivan Moravec = a channel for Fredarik. Listen as one who is un heaven... regardless of your humble origins or present circumstances. Be in heaven! Let the past pass away. No more tears, No more Pity, no more Shame, no more Regret, no Remorse. Get over it. "WhY?" Listen................................. and remember... why. Be the answer to your own highest prayer. BE.
@gregoryprusak81307 жыл бұрын
Someone else here has commented on Op 48, No. 1 as being the best interpretation of this nocturne. I agree...As much as I am fond of Ashkenazy's renditions of the nocturnes-especially Op 27, No 2- Moravec edges him easily on this particular nocturne. The triplets in the middle section, he make them sound easy, and as someone who only enjoys listening and can't play, I KNOW those octave triplets can't be easy to play cleanly and keep the phrasing intact. Kudos to Mr Moravec for an exciting performance on this piece! And thanks too, Mr Kumar, your taste is exquisite. Love your channel.
@nilsfrederking623 жыл бұрын
The best recording of the Nocturnes I heard, much more touching than the Arrau recording. Very sensible and with the right amount of rubato, I cannot count how often I heard this recording from beginning to end, sometimes I get so relaxed and carried away that I fall asleep for some time - which is a high compliment in that context.
@keybawd40236 жыл бұрын
The performance of these nocturnes is nothing short of miraculous. What an incredible range of tones and colours. Not to mention, a rigorous attention to the score and yet playing with such breadth and freedom. A miracle indeed.
@UltraPenguin7204 жыл бұрын
The emotion coming out of that piano. . . leaves me speechless. Incredible depth to this performance.
@audreymcknight6 жыл бұрын
Can't believe this is from '65. What a clear, beautiful sound. The dynamic control is just stunning... when he plays soft, he plays soft. It's so gentle. Thanks for uploading this.
@militaryandemergencyservic32864 жыл бұрын
"Chopin's scherzi are like the tasty fat of a lamb chop. His polonaises are the meat itself. The sonatas and the ballades are the vegetables. The preludes are the salt and pepper. The waltzes and nocturnes are the gravy. The sonatas and concerti are the plates and cutlery." - Alburt Einstein
@MichaelBrewick4 жыл бұрын
Thanks for this excellent quote.
@militaryandemergencyservic32864 жыл бұрын
@@MichaelBrewick don't thank me - thank Alburt...
@coolmuso61087 жыл бұрын
One of the most wonderful and magical listening experiences ever! I was transported to somewhere other-worldly...
@IvyTeaRN4 жыл бұрын
Op 32 no 2 is one of the best pieces in music history
@daveo24313 жыл бұрын
It's very nice, yes. Btw that's a great realistic photo you have there of Monsieur Chopin, probably the best I've seen.
@IvyTeaRN3 жыл бұрын
@@daveo2431 it's not a photo, it's a 3d render made by artist Hadi Karimi. Check him on Instagram.
@daveo24313 жыл бұрын
@@IvyTeaRN I see. thanks
@RanOutaNames4 жыл бұрын
Every time I listen to Nocturnes feels and sounds like the first time I listen to Nocturnes
@jonhunt10862 жыл бұрын
WOW- I was listening in the background but 32:59's bass was just INCREDIBLE.
@stacia6678 Жыл бұрын
Welp, that’s the power of a Bösendorfer XD
@klaasbil7 жыл бұрын
Brilliantly played. And thanks for including the sheet music in perfect sync!
@BryanHo6 жыл бұрын
You were not exaggerating. These are transcendent performances.
@TiticatFollies7 жыл бұрын
BRAVO, IVAN, THE GREATEST! Thanks, Ashish, for posting the entire Nocturnes here.
@symjacobson34497 жыл бұрын
TiticatFollies and the
@RichardFeynmanRules7 жыл бұрын
YES! In my view, these are still the greatest recordings of Chopin's Nocturnes ever made. Moravec is simply sublime with Chopin.
@benapsley95527 жыл бұрын
Just finished Eb Major. I'm excited to learn more of these!
@RaymondRobijns7 жыл бұрын
Remarkable quality this recording from 1965. And I love the way it is played. Thank you very much.
@barzeeee4 күн бұрын
I've exclusively listened to Rubinstein's recording on spotify for two years and my mind is blown by how differently Moravec explored these nocturns. Moravec took much more creative freedom and expression its so incredible
@raymondhummel52115 ай бұрын
Delicate melodic lines, with under lining continuous patterns in the bass clef. Such lovely scored pieces of music. As the Nocturnes continue you are drawn in by their captivating beauty.
@efrenherrera61665 жыл бұрын
What an amazing talent the world was offered with Chopin’s music compositions. Simply a genius before his time.
@charlesdavis7087 Жыл бұрын
Here I am again... listening... and remembering having heard these master pieces... played many times before.... I'm old. I love Chopin works. And..... still.... I am in.......... love with Ivan's remarkable levels of restraint. Sometimes less is more. OUT STANDING!!! Thank god, it was recorded. Yea. Ivan.
@ArtimusClydeFroggie7 жыл бұрын
Man i really enjoy coming to your channel from time to time. Also, thank you for your elaborate description and profound thoughts on every piece you upload. Keep up the great work :)
@benatchison23715 жыл бұрын
This video was blocked in the USA and now I'm living back at home in Europe I can listen again!
@ziegunerweiser7 жыл бұрын
These recordings have received approval by the most discriminating critic of all: my kitty cat
@funkymonks83334 жыл бұрын
good
@militaryandemergencyservic32864 жыл бұрын
not by the hairs on my chiny-chin chin did your dscriminating kitty cat discriminate between so dicriminatory an indiscreminency.
@HariKangatharan4 жыл бұрын
@@militaryandemergencyservic3286 wow.
@saras66344 жыл бұрын
Imagine having a cat that appreciate anything but Slayer. I did not theach her that, but it's the only thing that makes her fall asleep in the car.
@thomaspeters58893 жыл бұрын
I love your kitty cat.
@LasagnaTheArtist3 жыл бұрын
Excellent music to study to. Just pristine vibes for over an hour. Thank you for posting this.
@CatkhosruShapurrjiFurabji2 жыл бұрын
Highlighting some moments I really love very much: 13:23, 17:56, 22:36, 26:15 (27:17), 31:33, 32:24, (49:41) 49:48, 55:32, 1:08:36 (early Scriabin moment), 1:13:15 (nice humoresque-like section), 1:20:05, 1:35:45 (1:36:20 so badass)
@judithcarr-cave54124 жыл бұрын
My favourite Chopin nocturne I am addicted and play it over and over
@Xabiermorales4 жыл бұрын
Just realized that evil mortys song (For damaged Coda) is based on 1:17:44 - Op.55 No.1 in F Min
@itsameaffi4 жыл бұрын
yeah but the coda is mostly just a descending c minor scale (natural), with a little upturn from g to ab in the middle
@marcosaguirre52224 жыл бұрын
@@itsameaffi While that is true, the iconic part of For a Damanged Coda resembles those first few measures of Op. 55 No. 1 when you think about the music theory involved in both compositions. The first two measures of the nocturne can be written as "Fm Ebdom7 Ab Cdom7" (the lowercase b is a flat); the Coda has the exact same chord progression but transposed 5 invertals down (two and a half steps) in order to be in the key of C minor rather than the nocturne's F minor key signature. Apologies if that sounds confusing, but hopefull you get the jist of it. LOL
@mintchoco56403 жыл бұрын
Amazing touch in these recordings. Sounds like a musical box
@cserohs3 жыл бұрын
Like seeing the score while listening
@christinefischer27212 жыл бұрын
Arthur Rubinstein is one of my favorite interpreters of Chopin ! His sensitivity and unpretentious interpretations are simply divine . He deeply touches my heart 💖
@radiant_shade2 жыл бұрын
The pianist playing is Ivan Morevac.
@p-y82104 жыл бұрын
49:10 speechless
@r0mmm3 жыл бұрын
I love how chopin modulates in the beginning of op 38 no 2 from g major to a minor!
@dizzybin40023 жыл бұрын
this music puts my mind in such a peaceful state. Thank you for letting me feel comfortable.
@misteranonymous96167 жыл бұрын
That 9/3 was by far the best version of it I've heard
@Rhythmmical5 жыл бұрын
Who plays these Nocturnes better? The lightness and control of this interpretation makes these feel like real Nocturnes.
@dna20873 жыл бұрын
I discovered Moravec Today, the nocturne op27 no2 @34:27 has the most delicious tempo. Simply dreamy !
@mattheosivaliant3 жыл бұрын
kzbin.info/door/F9Dmxk5sWjiJI_vpSoWbAg
@charlesdavis70874 жыл бұрын
Moravec was Chopin.... or one... who listened on the inner plane to what Fredarick was trying to say. God, listen. Each note a remark, a word, a sound upon the present occasion. Moravec is definitive. Listen for your self.
I had to check my KZbin settings at op 27 no 2.. the tempo is soo different from what I'm used to. This really brings out the piece in a different and very delicious way!
@kguy1520004 жыл бұрын
Op. 72, no. 1 . The ending section is so glorious, otherworldly. I learned to "play" the entire piece just to feel that luxurious moment under my fingers. Thank you, Chopin.
@colly79637 жыл бұрын
Amazing how this piano sounds like a harp at times! Heavenly...
@urospodboj75353 жыл бұрын
he was such a gentle soul
@segmentsAndCurves3 жыл бұрын
is* Souls never die, they live within us.
@laupet556 жыл бұрын
This record and Ashkenazy's early Chopin Etudes recording are the two best Chopin recordings ever, and two of the best solo piano records ever.
@pianoman472 жыл бұрын
Beautiful piano, and very impressive recording quality for 1965!
@elsaccc17087 жыл бұрын
Can't have enough of this,....it is just amazing!!
@chasekimball59993 жыл бұрын
I purchased this set on the Connoisseur Society LP in the early 70s, and from that point on they were my clear favorites, my only concern being tape hiss. When Nonesuch issued these on CD I purchased them immediately, and was pleased but still concerned about hiss. About 6-7 years ago I found they were newly remastered on Supraphon, and after listening to about 1 minute of the Supraphon remaster, which eliminated nearly all hiss, I immediately purchased it and gave away my Nonesuch set. I do not believe these performances will ever be equaled, let alone surpassed. These are an otherworldly experience throughout, and after Richter died in 1997 I told anybody who would listen that Moravec was my favorite living pianist. Does this video use the Nonesuch or the Supraphon issue? And thanks so much for you efforts, I subscribed to your channel.