Ashwani Deshpande and Pandit Sanjjeev Abhyankar - Part 1 - Vocal- The 136th Harivallabh 2011

Ashwani Deshpande and Pandit Sanjjeev Abhyankar - Part 1 - Vocal- The 136th Harivallabh 2011
The 136th Harivallabh was held at Devi Talaab Mandir, Jalandhar (Dec. 23rd to 25th, 2011). This performance is part of that sammelan. © 2011 Shree Baba Harivallabh Sangeet Mahasabha. / harivallabhsangeet

[@panchananmukherjee5480]

Wonderful, nice experiment.

[@trshuk]

What a cciviled way of vocalizlng Krishna’s sweet appreciation! In my home district.Love from California.I miss all this.

[@ameresh]

Waah..Pandit ji..bahut khoob Ashwini ji.

[@MrAmarse]

I was in there performance started late night about 1.30 am

[@rkbashal]

amarpreet singh me too was there :-))

[@swarsur]

Such sweet synergy indeed !

[@boneyboneybali9270]

kya baat both artists are great!!

[@tejovatimyfav5371]

Wonderful.sanjeevji ka introduction about the ragaas the two are going to render and his remark really gave a great insight to all music lovers(listeners in perticular )oh!what a delight!!

[@geetadeshpande3342]

हार्मोनियम सुरांची उचल जवाब नही।

[@hridayakakati]

Om Hari Anant Narayana 🙏🏼

[@vijaypethe8146]

Wah Wah.What a performance by both the maestros. Happy to hear about the Harivallabh Sangit Mahasabha.Want to hear more of these wonderful singer's renderings.

[@sumitrabodasjoshi5249]

Ashwini madam sanjeev sir pranam to both of u. excellent presentetion. thanks a lot.

[@geetadeshpande3342]

क्या बात है।धावा अप्रतिम!!

[@msatwa]

Pranam !!! What else can I say? Amazing

[@suruchipende3884]

Very very good performance , salute to both of you sirji n mam.👍👍👍👍🌹🌹🌹🌹🌹🙏🙏🙏🙏

[@amitanagarkatti5056]

Individsually they are good. Together they are superb. M.R.Bijoor

[@kulkarnigirish1777]

सुंदर जुगलबंदी

[@rakeshverma47]

Love their singing, superb rendition 💐💐🙏🙏

[@geetadeshpande3342]

संगीत साथ उत्कृष्ट

[@nishakamath5287]

They both r my favourite classical musicians...This concept of Jasrangi is mostly sung by Mewati Gharana Musicians and Ashwiniji though not from this Gharana, has done the Jasrangi with Pt Sanjeevji many times... But this one is the best, which has brought a lot of tears in my eyes..both have explored their raag to the peak..Hats off tho both of them...

[@abhijitmahajani9285]

Very true!

[@geetadeshpande3342]

तबला मास्टर जवाब नही।

[@geetadeshpande3342]

आर्तता व व्याकुळता,तळमळ अप्रतिम!!

[@amarkrishnadixit1396]

nice performance ...nice thought

[@SabeeshBala]

♥♥♥♥♥🙏🙏

[@geetadeshpande3342]

बहूत अच्छे।

[@geetadeshpande3342]

So sweet

[@rupeshshindeofficial7180]

In such cold atmos Ashwini ji is without sweater.🥶

[@sentientmango3259]

I tried doing this (both raags in both pitches). Even though the swaras are the same, it is incredibly difficult to decouple the two raags in my mind while doing this, and return to the correct Sa in both raags.

[@geetadeshpande3342]

बहारदार गायकी!!

[@geetadeshpande3342]

सुस्वागतम्with all the best wishes

[@BimanChGhosh]

Excellent chemistry

[@geetadeshpande3342]

श्रीमती अश्विनी दैशपांडे सुरेल,तयारीचा आवाज

[@gourmishra9023]

Divine

[@geetadeshpande3342]

एकतानता,एकाग्रता त्यामुळे साधनेवर विजय!

[@geetadeshpande3342]

फिरकत सर्वोत्तम

[@SunilKumar-tz3xe]

Nyc concept

[@geetadeshpande3342]

परमानंद

[@geetadeshpande3342]

पंडीत संजीव अभ्यंकर.ताना सहज घेतात सुरेख

[@SVP331]

nice

[@rajeevbhide6943]

Her name is not Ashwani, which a name for a male. Spelling of her name is Ashwini. His name is Sanjeev and not Sanjjeev.

[@mohandaskamath6204]

Rajeev Bhide jjjn

[@dilipnaik6424]

Psyche1954 when Ashwini sings solo as a student of Jaipur Ataruli Gharana she hardly or never uses sargam in her Gayaki but in Jasrangi she has moulded purposefully to the Mewati tradition to make Jasrangi melodious & popular for the sake of popularising Indian Classical Music. Dr. Dilip S. Naik ( E.N.T Surgeon, Mumbai).

[@gayatrimelkote6822]

Psyche1954 The problem is also using the English script that is rather inadequate and ambiguous and at times esoteric.

[@gayatrimelkote6822]

I did not know of the two forms of Ashwini based on gender. Do they have different meanings? I am of course assuming they are named after the star.

[@shailaja8963]

Excellent performance! Please correct their misspelled names as shown in earlier comment. That is disrespectful.

[@geetadeshpande3342]

गायकीतून परमेश्वराचा साक्षात्कार!!

[@geetadeshpande3342]

मर्मबंधातील ठेव

[@srisun1948]

Whiich raag?

[@vibhuagarwal3476]

Very nice indeed. Excellent demonstration of moorchhana. But the audience seems to be mostly Indian. Hard to understand why he talks to them in English and not in his own language though.

[@gayatrimelkote6822]

They all have different languages. Some possibly don't understand Marathi or even Hindi. Then again some may not understand English.

[@gaurav5161]

Music thus, unites all languages and everybody understands.

[@geetadeshpande3342]

पंडीत संजीव अभ्यकर आवाज व ताना अंत:करण तृप्त करणारा

[@srikkulu1]

Bobble

[@chariganashym2071]

when u can sing in marathi, why do you speak in English

[@manishp2073]

maybe for some audience

[@vvkarpur]

व्वा, षड्ज मध्यम कल्पना फार छान, पण फारच अवघड। तुमच्यासारखे कसलेले कलाकारच गाऊ जाणे !

[@anitasawantmoresawantmore8365]

Vijaya Karpur Karay ... Apan fakt divyannad gheu shakto Sare ajab ahe he Kiti sadhna tapasy keli asel swarnachi tevhach he hou shkate

[@ramasastrynv1156]

Why all this fuss about language What is wrong if he uses English Remember that there are thousands of South Indians also who want things explained in English Suppose his performance is in Chicago or Sanfrancisco it would be relevant to explain nuences in English rather than in Hindi which the South Indians cannot understand

[@krishankulkarni7994]

Being as an experimental know how to rendering two raags are on different scales . It is soothing for 30 minutes. after then it makes conversion in the symphony touch.There is totally out of in frame of melodic form.Thuogh,our North - Indian style classical music is suitable in melodic form.Such types of experience of experiments will be harmful for Indian music listening lovers & for traditional Gayki management. There is fully lost of soul's sound.because, even layaa temperament of frequency may differ between two differ'nt rend'ring vocalist. Such as many harmful roots are producing . Mainly, How can produce good listener & Thinkers in Indian classical. Bhavana & Bhav - aung- rang all is destroyed. My ✋ folding request that Let it should be consider to stop .

[@pritlee]

The thing I don't understand is why the heel u speak in English. If the audience don't understand why the f r they listening hindi n if they understand hindi why the f u speaking in English

[@swamivn]

Why not? If not English which of the several languages should he speak in - Hindi, Punjabi, Marathi, Bengali, Telugh, Tamil, Kannada, Gujarati??? To name but a few. Come on, this is chauvinism - please understand that this was sung @ a major sammelan with people speaking many languages attending. Not all may know Marathi or Hindi.