feedback pls Link to Sheet Music: musescore.com/...
Пікірлер: 99
@theafellacomposer3 жыл бұрын
Instead of avoiding parallel fifths entirely, I'd say use parallel fifths wisely. Don't miss out on that powerful device--life's too short to miss the opportunity of having the low brass blast such powerful intervals. Just make sure it doesn't hog the limelight because it can be mistaken as the more important part sometimes. There are situations where parallel fifths work or don't work, and honestly this arrangement passes as one of those pieces that work with fifths at least.
@incubusrok2 жыл бұрын
It's weird being a guitar player and reading comments like these...
@theafellacomposer2 жыл бұрын
@@incubusrok I'm a brass player and composer. I tend to use alot of parallel fifths in my pieces given I like the extra kick it gives to the texture. I could say guitars can get away with it playing alot of parallel fifths given it doesn't overshadow the lead much and boi that's why they're called power chords in metal because the oomph is just unparalleled (pun intended. Also, I just recently composed a piece featuring electric guitars on overdrive and I used ALOT of power chords in it.) However, situations like brass arrangements and wind instruments and voices, I have to be extra careful sometimes when using fifths as I might accidentally emphasize and overpower the wrong things. 😅
@austinhernandez27162 жыл бұрын
This isn't 18th century western European classical music. Leave that behind in music theory 1 class...
@austinhernandez27162 жыл бұрын
@@incubusrok I play guitar too. Back during the classical era parallel 5ths were mostly avoided because it made the voices sound less distinct and more homogeneous, and during the time, all voices were written to be independent of each other. So parallel 5ths and 8ves were to be avoided as much as possible. Times have change now. No one cares about that anymore nowadays(I mean, you got freaking power chords), unless they're trying to write specifically in that style. I remember when taking music theory that drove me crazy. It wasn't fully explained to me, and I was so confused, because any music written in the past century really doesn't follow those standards anymore.
@theafellacomposer2 жыл бұрын
@@austinhernandez2716 Have you read all my comments? I said I'm all for parallel fifths and even said I do it (too) often in my compositions. All I said is just use it wisely.
@lbird23 жыл бұрын
Should add an optional 8va on that last note. Most trumpet jocks will do it anyway lol.
@saxo.3092 жыл бұрын
absolutely lol
@DreamKeeper.2 жыл бұрын
As a trumpet jock myself you are totally correct
@_Justnoble__2 жыл бұрын
Most trumpets will attempt it, but the jocks will hit it. Coming from a horn player.
@ZMaine3 жыл бұрын
I think this sounds great man. I noticed a lot of people are talking about parallel fifths. I've never understood the problem with using them if that's what sounds good to YOUR ear. Remember, this is your arrangement, not anybody else's. Feel free to listen to their feedback since you asked for it, but it doesn't mean you have to listen. But this is just, like, my opinion, man. Keep it up!
@Evanw102823 жыл бұрын
How could he listen but he doesn’t have to?
@ZMaine3 жыл бұрын
@@Evanw10282 I'm trying to say it's optional to take someone else's advice on your own art.
@Evanw102823 жыл бұрын
@@ZMaine oh
@smylan5432 жыл бұрын
I think people only have issues with Parallel fifths because they were taught not to use them often, and if possible at all. Going through AP Music Theory a year a go my teacher was very adamant about not using them. But that's just my perspective of it haha, if used right they can sound fantastic
@ethandexter94702 жыл бұрын
@@smylan543 parallel fifths are mostly a problem in 4-voice SATB writing and contrapuntal stuff. really a tuning thing. but once you get into more than 4 voices they become nearly impossible to avoid
@JustJan263 жыл бұрын
HOLY SH*T, THIS SOUNDS EPIC
@mikuhatsune29883 жыл бұрын
It's the avengers theme! Great arrangement.
@scottwilliams8462 жыл бұрын
I don't know why this was in my recommendations, but I'm glad it was.
@djreek19422 жыл бұрын
What is the sound font your using? The arrangement itself is good; captures the same feeling that the original conveys.
@troyandrade4354 жыл бұрын
Going that soft on a high C# for trumpet at the end would be hard. Sounds like fun!!
@troyandrade4353 жыл бұрын
@@fishh4136 I was good, but my new braces are dampering my abilities.
@fgclawnmowerguy45533 жыл бұрын
It’s not that hard just practice and you would get it pretty quick
@BrassPlayr2 жыл бұрын
It's not that hard. Anyone playing this for real would likely use a C trumpet so it would only be a B.
@troyandrade4352 жыл бұрын
@@BrassPlayr When I first made the comment, I was new to the trumpet. Eventually, before anyone replied, I was good enough to do it. Bit now I have braces and haven't touched my trumpet in months.
@stephenbeck72222 жыл бұрын
If this was a live performance I might suggest the lead player laying off the first of that double whole note and then coming in with the crescendo.
@britomicgamer9223 жыл бұрын
What kind of sound font do you use? Or what settings do you use for your synthesizer. I need to get my musescore pieces sounding like this.
@MJ-sy2en3 жыл бұрын
Honestly
@alexzakoor78522 жыл бұрын
i would assume this is imported from noteperformer, but that isn’t compatible with musescore so could be a soundfont. not entirely sure
@5mirablue2 жыл бұрын
@@alexzakoor7852 Definitely not NotePerformer, sounds like VSTs to me, but I'm not sure which ones.
@_Justnoble__2 жыл бұрын
I really have never understood why people say parallel 5ths are a big no no. Honestly never, and I’ve been taking college music classes for 2 years. It’s never been fully explained to me and I think a parallel 5th can be useful and musically appropriate
@InOtherNews12 жыл бұрын
One of the core reasons is that when you're singing a piece, it's harder to sing parallel 5ths and 4ths than other intervals because they can blend really easily with the other parts. Why? The 5th is the next interval after the octave in the harmonic series. It's such a strong interval that people without music education sometimes have trouble distinguishing a fifth interval being played as two separate notes. Whether or not it's a valid point today, who's to say. Generally you should avoid them in classical music, even in non choral pieces, to make the music easier to think about in your head. But also there's been entire genres based on nothing but parallel 5ths (like rock, and "power chords" which are just a 5th) so 🤷♂️
@austinhernandez27164 ай бұрын
In the classical era, people wanted all the voices to sound independent, and they thought that moving with such a stable interval make the voices lose independence. It never made any sense to me and I don't care it. Also in music theory class in college professors are strict about it when the students are practicing part writing. Why? I don't know, I think it's redundant, because no one cared about that amymore.
@s.Goldman3 жыл бұрын
I'd recommend tapering off some of those trumpet 1 feature melodies that end on whole notes, when they release it sounds a bit emptier. I think a small decrescendo could help :)
@stephenbeck72222 жыл бұрын
It’s clearly not a human recording. A real trumpet player would surely put more phrasing into the lines.
@rnxflossing63842 жыл бұрын
I GOT GOOSEBUMPS FROM THIS
@joannaleopold28393 жыл бұрын
Not bad, I’d avoid parallel fifth over usage, don’t fear the minor third
@Joshyohmygoshy3 жыл бұрын
I have no idea what this means 😃 but I wanna live my life like this.
@Solstice28203 жыл бұрын
Using both is also an option
@theafellacomposer3 жыл бұрын
You can go back to the Baroque period, now.
@damienm.96772 жыл бұрын
Unless you’re writing in a baroque or classical style (which this is definitely not), there’s no reason to avoid parallel 5ths if you think they sound good in context, which this arranger obviously did and I agree with
@austinhernandez27164 ай бұрын
Why?
@wyattzani11032 жыл бұрын
people named wyatt are incredibly cool
@DevilChowder5 жыл бұрын
This is great! would you happen to have a link to this sheet music?
@wyattmartin80985 жыл бұрын
Sorry this took so long. I put the link in the description.
@musiflow2093 Жыл бұрын
@@wyattmartin8098can't find it in the description
@lucasharvey89902 жыл бұрын
Beautiful!
@gabriellodisilvadeazevedo15092 жыл бұрын
Outstanding!
@gerolindenberg80175 жыл бұрын
Very nice, thank you!
@Jekkin3 жыл бұрын
Pretty nice, but like some other people have suggested, avoid parallel fifths (two voices moving up/down in fifths at the same time). Tenths, sixths, and thirds can be quite useful. Also, make sure you stay in the key, even with accidentals. For instance, Dbs in the tuba part should be C#'s, because you're in E minor, which is a sharp key. This is also dependent on the direction the voice is moving. Typically, if you're moving up chromatically, you would sharpen pitches rather than using the next flat.
@theafellacomposer3 жыл бұрын
I'm a brass player and flats make more sense to me than sharps. Also, the parallel fifth motion is on the lower voices, and adding a third would be muddy in that register, however, as much as it is powerful (and yes, I do be having parallel fifths in my brass parts often it's just my composition preference), but it does run the risk of overpowering the melody--requiring more doubling on the high brass just to keep up with the low brass. So yeah placing the thirds or seconds in the tenor range is an ok choice to dampen the powerful low parts but honestly? Don't avoid parallel fifths. Life is too short for that. Don't waste yourself the power of brass blasting fifths. I'd say instead use them wisely.
@Jekkin3 жыл бұрын
@@theafellacomposer You're definitely right about the parallel fifths, maybe my classical training is getting to me with that one, lol. As far as flats go I also prefer them (tuba player), but from an arranging standpoint it's better to use what's already in the key and be more clear about melodic motion. Plus, exposing yourself to music that appears more "difficult" certainly helps improve your reading, and by that extent, your musicianship.
@MH-iv7tk3 жыл бұрын
@@Jekkin parallel fifths are only not recommended when you want independance in the voices. In this context where this is not really needed the use of them is not a bad thing.
@elividal98882 жыл бұрын
@@theafellacomposer Yeah, but musically you cannot just add flats because it's easier. You have to understand the whole context of the entire score, because if you have Db while others have F and G# , it can be confusing. This is something you learn as you play more professionally (in a wind ensemble or symphony). You have to know that "yes, we are playing a C# major chord" and "yes I am the Bass/Tenor/Alto/Soprano" or "I'm the 1st, 3rd, 5th, etc.". As for the parallel, I a HUNDRED percent agree with you xD. Parallel fifths in trombone are so strong and great in certain styles of music .
@princepsangelusmors2 жыл бұрын
Avoiding parallel fifths only applies to counterpoint and Bach-style chorales. It is pointless and honestly quite silly to keep trying to apply 18th-century rules to modern music. Perhaps you'd like to have a word with Debussy on avoiding parallel fifths. Sincerely, a composer.
@Someone_somewhere62 жыл бұрын
Hi! Sounds great, but I think that the tuba(or bass trombone, its not marked what the instrument is) needs a bit more note variation, and maybe some melody. This is a great arrangment none the less!
@johnjohns28832 жыл бұрын
Very well arranged.. what I would love to know, is what voicing you're using behind the scenes. I have new score, and my brass definitely does not sound as nice as yours.
@happywheelshub123455 жыл бұрын
What soundpack do you use to make it sound so full??
@wyattmartin80985 жыл бұрын
I converted it to midi on Musescore, then opened the midi file in FL Studio
@nessun84573 жыл бұрын
@@wyattmartin8098 does the soundpack come with FL studio or?
@bourdreuxgermain38135 жыл бұрын
great job!!!
@joestoll61152 жыл бұрын
I almost passed out because I took the F# at the end up the octave.
@tonythompson40222 жыл бұрын
Those key changes make it look so hard to read 😂😂😂
@dirp_dcb9531 Жыл бұрын
I’d love to see how this was recorded
@nickzakos2713 жыл бұрын
Very nice, but if you'd like to be correct in a music theory sense then you should replace every concert Db with C# once the key shifts to E minor.
@stefano778811 ай бұрын
WOWWWW is a goood, OMG!
@ٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴٴ-ر2ح2 жыл бұрын
what was this made with, like is the audio from the program or is it recorded?
@tebanll3 жыл бұрын
Just use parallel fifths and C sharps PLEASE!
@gomalley4112 жыл бұрын
Pretty sure C sharp is already in the key signature for most of the piece
@sturfryd49833 жыл бұрын
In the beginning you should’ve make the notes more staccato because they sound too connected
@austinhernandez27162 жыл бұрын
Omg why is everyone talking about parallel fifths? Who cares? This ain't music theory class. This isn't writing in the style of the classical era. This is the 21st century. It's arranging a MODERN theatrical piece. Coming from a musician in college . In like music theory 3 class you get past that shit.
@musiflow2093 Жыл бұрын
May i have the sheet music link
@js_musicmedia89812 жыл бұрын
What soundfont are you using?
@mariman12343 жыл бұрын
Can you also send it as pdf?
@pointless52912 жыл бұрын
what soundfonts do you use?
@johnsimpsen52 жыл бұрын
Why do the sound fonts actually sound decent?
@user-ik7yc1oy6u2 жыл бұрын
Может у кого есть партитуры что бы скачать ?
@matthewchatterton27242 жыл бұрын
sounds good but when arranging for brass remember that they need to breathe...
@Music-ws9nk5 жыл бұрын
t'as utiliser un vst pour le son
@tylerrice33102 жыл бұрын
its pretty good I guess
@mmm_moon59892 жыл бұрын
you guess???
@garlicbread22022 жыл бұрын
what instruments are used here
@_Justnoble__2 жыл бұрын
Sounds like 2 trumpets, F Horn, Tenor bone, bass bone and tuba.