Avoid Making This Mistake when using LUTs

[@Aubin1]

The fact that it literally looks like a reverse shot of that Wolf of Wall street scene at the end is amazing

[@theqazman]

😀💪🏾

[@LeafOfAutumn05]

I thought the initial look when you corrected the input and output node was great but once you started the other nodes... Blown away... Awesome content

[@filmgiant4320]

You been my teacher in grading and it has changed my career

[@cmorellato]

It's insane how your content keeps adding value to our knowledge for so many years. Thanks for keeping it always out of the box, Qazi! Proud of being here since 10k :)

[@theqazman]

Appreciate your support. ♥️

[@Ani_Skevi]

The value of your content is mindblowing! 🙌

[@eqajmg]

Great video as always. Major coloring knowledge

[@jatinbabbar7749]

What amazing and refreshing content.❤

[@theqazman]

Thank you brother. FCM Fam. 💪🏾

[@randysinda]

Sir Qazi! Thank you for all of the over the top content and the wealth of knowledge you share with all of us. I’ve learned so much from you trying to apply your teachings and techniques to my travel vlogs i’m starting to create. No matter what I do I cannot make my gopro footage looking good when I try to emulate your node structure and techniques. I been shooting in Protune w/flat profile, 10-bit, -1 exposure, low sharpening, auto white balance. I know the bulk of the problems come from the camera, small sensor, lens etc. Of all the content I see out there attacking gopro footage my results never look the same. Of course the promo content that gopro advertises use some methods to make the most well produced marketing videos. I would love to see and I’m sure many others that follow you make a video showing how you would color grade gopro footage and both well shot footage and footage not show so well also. I know you have the luxury of working with amazing footage from amazing cameras, but love to see you massage the dreadful gopro! Thanks for all you share and teach 🔥🔥💣💣🙏🙏🙌🙌

[@darklensemedia1641]

Awesome! very well explained!

[@theqazman]

Thanks

[@AlexKovshovik]

Hot damn! How fascinating it is to watch the work of a master!

[@theqazman]

😀🙏🏾

[@isaacalexanderfilms3727]

Fallen Angels look recreation pleaseeee (even though it probably got most of its look from set design) I need that gritty, dark, sodium vapor look

[@theqazman]

It's on my list. Gotta watch it first. 😀

[@Soungification]

Hello, i registered for the webinar and did not receive any links to the luts. I watched the entire webinar thinking it would show up at the end and got nothing

[@鹏飞-c3f]

又一条起手的新路径，感谢Waqas Qazi老师。

[@alexstanmusicofficial]

I Watch free webinar 2 times but I didn't get link with freebies wich I would really love to have !This is just amazing !!!!

[@MinkowskiHermann]

Very cool, but I want to understand why the film neg is at the beginning and not at the end before the FPE?

[@orion-viikhmernight2748]

Great tip brother, thank for sharing.

[@aceroseofficial]

hey amazing video. I thought youre supposed to do the primaries before the film negative? You can do it after? Thank you!

[@naturestheticz]

Peaky blinders type of grade please

[@WhySteve]

I watched the free webinar but I think I missed something because I didn't get no freebies. But the webinar was quite informative and I did enjoy and learn a lot.

[@theqazman]

Dm me on IG

[@haljordan1575]

QUESTION: Why did you have to use 250D when 2383 already looked much closer to the look you were going for. I always end up using just one. Explain please? Thanks.

[@antonkhabbaziyan7091]

he used both. 250D is the film negative and 2383 is the film print.

[@mrshaheedmalik]

Wolf on Wall St was shot on 250D & 500T and printed for theaters in Kodak 2383. So if you are going to nail the look exactly you have to use both.

[@theqazman]

What Anton said. 😀

[@killaframez5814]

hey brotha i had recently switched to the 18.5 beta and now my FX6 XAVC-I footage is being recognized as sony raw. Can you either reply in the message on an explanation to this or create a video going into depth on if its actually raw or is it the same as going into primaries and adjusting the image that way? love your page brotha

[@mfe3038]

Thanks for the 1h training, but I also didn´t get the freebies. And I am not on social media so I can´t DM you there. So where can I find them?

[@saeedkohzadi4005]

اولین بار شنیدن کلمه دی ان ا در کالر گریدینگ

[@BIGKLOZDirector]

my question is: why did you dicide to grade after Print Lut?

[@Aaqilvlogs]

Hey qazi please crack the iPhone shot.. I’m a big fan of you and I’m learning on your platform.. waiting

[@mellowang]

Didn't get it how you set film neg and fpe😅

[@Artfulscience1]

Great tips. Ever used sigma fp footage? 12bit CDNG uncompressed. I’ve been wildly impressed by it

[@theqazman]

Thanks and no.

[@TheCybercrash]

Great videos. I've already learned a lot. I'm using the "leeming lut" for my Sony HLG3 BT2020 footage. This lut should give perfect colors and transform to rec709. But how to color corect? Before or after applying this lut?

[@unrenderedmedia]

I signed up for the webinar and didn't get any links to the luts. I even watched the whole webinar thinking it would show at the end and I didn't receive anyhting.

[@theqazman]

Dm me on IG

[@unrenderedmedia]

@@theqazman messaged you yesterday.

[@casagrandealessandro]

Me too

[@matthew_misiak]

I have watched the 1h course i loved it but id dint get a link to free powergrade at the end :/

[@theqazman]

Please dm me on IG

[@zelwxsch2484]

Thanks for the tut. Would you please do some Sigma fp cdng footage grading? 12bit raw 🙌🏻

[@theqazman]

If you have footage dm me on IG

[@zelwxsch2484]

@@theqazman Sure I will dm you :) thanks

[@omaressam4398]

I've attended the entire webinar, still can't find the download link for the luts mentioned #HELP

[@mishukx]

BRAVO

[@saeedkohzadi4005]

color dna is tru.

[@dylanyesenofski5516]

PREACH

[@saeedkohzadi4005]

oh my god

[@anchorsanvils]

Why use filmbox halation when DR has a built in one?

[@Vatziubeuca]

why did you used the gamma ,expo, etc.. after the lut?

[@RazeN_Gaming]

fucking awesome content like always but bro, you wanted to talk about LUT´s and how to avoid mistakes when using LUT´s ^^

[@avisualstoryteller]

Just wow, always fan of your and i would like to know, why you keeping the noise reduction node in the first place of node tree? and what if i kept it on the last ?

[@slangdoll]

The idea is that it happens before the grain/texture node... it can be right before the grain node if you like, Qazi just happens to like throwing it on right at the start. I personally add noise reduction after my primaries but before my grain. In this example at least, Qazi does Noise Reduction, Primaries, Grain, Look. I personally do Primaries, Noise Reduction, Grain, Look. So what happens if you add noise reduction to last, well, you will reduce the noise of the grain and that might look weird and be counter-productive. If you don't want to add grain at all, putting noise reduction at the end of the node structure is perfectly fine and in some cases, I think preferable.

[@ShatteringKatana]

I remember someone saying it's better for caching and because you can work on newer nodes with the image already cleaned up (noise can affect your grade or workflow)

[@avisualstoryteller]

@@slangdoll Thankyou so much for the detailed reply, Have a wonderful day brother 💙

[@avisualstoryteller]

@@ShatteringKatana Thankyou , definitely a new info 💙, Have a great day brother

[@FergVision]

How to stop wishing your movie was blade runner and actually color your footage.

[@RyonSon]

Hi Qazi, I had watch the webinar video till the end but i didn't get the link which free download footages and powergrade and luts. How can I get it?

[@theqazman]

Please dm me on IG

[@moveditor]

where are Freebies? from the free training?

[@theqazman]

You get the link at the end of the video

[@moveditor]

@@theqazman No, I already took the course for free 3 times and nothing, just a link to the course, which would study my financial possibilities

[@CM-ft9ep]

I find myself getting a bit lost on the different methods of attaining certain film looks. In this tutorial you recommend FilmBox but in other you've said Look Designer. Do you have one 'go to' or take it on a case by case basis?

[@theqazman]

Yeah of course there's no one tool that trump's them all. Different ways to achieve a similar look.

[@user-vt9nl6uu8x]

I would like to ask, where can I get the front negative film lut?

[@theqazman]

In my free webinar. Link in the description.

[@user-vt9nl6uu8x]

@@theqazman thanks bro！

[@Sniickerz_CH]

Great, I’ve listened the whole masterclass session (1h30) and never got any links to download the practice footage, powergrades and LUTs.. scam?

[@theqazman]

Dm me on IG. Scam, really? 🙄

[@Sniickerz_CH]

@@theqazman Done! Idk, just wondering, we see so often people online trying to sell you anything at all cost, we get paranoiac at times!

[@cattasuhas]

Can I know why you didn't go with cineon log instead of rec.709 because you were using Kodak FPE???

[@slangdoll]

These are his special designed luts... these transforms are likely build into the LUT themselves. If you sign-up to the free course and get them, open them in notepad to read the information... they likely say what input and output they are designed for. I guess the important thing to note though is there are Qazis' specially designed LUTs. I'm looking forward to trying them myself!

[@theqazman]

Film neg is converting logc to dwg. Fpe is converting DWG to 709. Much more flexible and pristine than the free Resolve LUTs.

[@BANGBONSCHANNEL]

❤❤

[@TimeEchos]

“Don’t buy luts… buy my luts”

[@theqazman]

So you didn't understand a thing I said? Why am I not surprised. 😂

[@monkynutzuk]

Where can we get the film negative?