Bach - Geistliche Lieder BWV 439 - 517 (Century's record.: Hilde Rössel Majdan, Hugues Cuenod)

[@classicalmusicreference]

Johann Sebastian Bach (1685-1750) - Geistliche Lieder BWV 439 - 517. 🎧 Qobuz bit.ly/3NLcxUN Tidal bit.ly/3Qewg0B 🎧 Spotify spoti.fi/39pmTe4 KZbin Music bit.ly/3NIIgpn 🎧 Apple Music apple.co/3QelUxV Amazon Music amzn.to/3xrnvId 🎧 Deezer bit.ly/3xH6uuB Amazon Store amzn.to/3O7YjwN 🎧 LineMusic日本 bit.ly/3O64z8o Awa日本 bit.ly/3zxTmt5 **Complete list of tracks on youtube music and the main streaming music platforms.** 00:00 Ach, dass nicht die letzte Stunde (BWV 439) 02:07 Auf, auf ! die rechte Zeit ist hier (BWV 440) 03:27 Auf, auf ! mein Herz, mit Freuden (BWV 441) 05:21 Beglückter Stand getreuer Seelen (BWV 442) 08:17 Beschränkt, ihr Weisen dieser Welt (BWV 443) 11:16 Brich entzwei, mein armes Herze (BWV 444) 14:30 Brunnquell aller Güter (BWV 445) 17:09 Der lieben Sonne Licht und Pracht (BWV 446) 19:02 Der Tag ist hin, die Sonne gehet nieder (BWV 447) 21:32 Dich bet'ich an, mein höchster Gott (BWV 449) 23:47 Die bittre Leidenzeit beginnet abermal (BWV 450) 28:34 Die goldne Sonne, voll Freud und Wonne (BWV 451) 30:00 Dir, dir, Jehova, will ich singen (BWV 452) 31:30 Eins ist Not ! ach Herr, dies Eine (BWV 453) 33:56 Es ist vollbracht! vergiss ja nicht dies Wort (BWV 458) 37:55 Es kostet viel, ein Christ zu sein (BWV 459) 39:50 Gieb dich zufrieden und sei stille I (BWV 460) 42:18 Gott lebet noch ! Seele, was verzagst du doch ? (BWV 461) 44:39 Gott, wie gross ist deine Güte (BWV 462) 47:10 Ich freue mich in dir (BWV 465) 48:44 Ich halte treulich Still (BWV 466) 50:35 Ich lass' dich nicht (BWV 467) 53:16 Ich liebe Jesum alle Stund (BWV 468) 55:15 Ich steh' an deiner Krippen hier (BWV 469) 57:05 Jesus, unser Trost und Leben (BWV 475) 59:00 Ihr Gestirn', ihr hohen Lüfte (BWV 476) 1:00:24 Kein Stündlein geht dahin (BWV 477) 1:02:38 Komm, süsser Tod (BWV 478) 1:05:55 Kommt, Seelen, dieser Tag (BWV 479) 1:07:36 Kommt wieder aus der finst ern Gruft (BWV 480) 1:09:06 Lasset uns mit Jesu ziehen (BWV 481) 1:11:48 Liebes Herz, bedenke doch (BWV 482) 1:13:35 Liebster Herr Jesu ! wo bleibst du so lange ? (BWV 484) 1:16:37 Mein Jesu ! was für Seelenweh (BWV 487) 1:19:57 O Jesulein süss, o Jesulein mild (BWV 493) 1:22:06 O wie selig seid ihr doch, ihr Frommen ? (BWV 495) 1:24:48 So gehst du nun, mein Jesu, hin (BWV 500) 1:27:34 So gibst du nun, mein Jesu, gute Nacht ! (BWV 501) 1:30:01 Steh ich bei meinem Gott (BWV 503) 1:32:31 Vergiss mein nicht, mein allerliebster Gott ! (BWV 505) 1:35:11 Was bist du doch, o Seele, so betrübet (BWV 506) 1:37:06 Wo ist mein Schäflein, das ich liebe (BWV 507) 1:40:16 Gieb dich zufrieden und sei stille III (BWV 512) 1:43:50 O Ewigkeit, du Donnerwort (BWV 513) 1:46:32 Schaff's mit mir, Gott, nach deinem Willen (BWV 514) 1:47:58 Warum betrüst du dich (BWV 516) 1:51:36 Wie wohl ist mir, o Freund der Seelen (BWV 517) 1:55:32 Interview de Hugues Cuenod (1996) **Complete list of tracks on youtube music and the main streaming music platforms.** Contralto: Hilde Rössel Majdan Ténor: Hugues Cuénod Violoncelle: Richard Harand Clavecin: Franz Holetschek Recorded in 1954 New mastering in 2022 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr In 1736, Georg Christian Schemelli Musicalisches Gesang-Buch in Leipzig, a collection of 954 sacred songs. The full title reads "Musicalisches Gesang-Buch, Darinnen 954 geistreiche, sowohl alte als neue Lieder und Arien, mit wohlgesetzten Melodien, in Discant und Baß, befindlich sind: Vornehmlich denen Evangelischen Gemeinen im Stifte Naumburg-Zeitz gewidmet" (Musical song book, with 954 spirited, both old as new songs and arias, with well-composed melodies in soprano and bass, in it: mostly dedicated to the Protestant parishioners in the Stift Naumburg-Zeitz). The texts were written in the tradition of pietism, and were probably intended for private contemplation. Only 69 of the songs come with music, a melody and a bass line. Many melodies resemble simple arias. Johann Sebastian Bach contributed to the collection, but musicologists debate to what extent. Schemelli's son Christian Friedrich was a student of the Thomasschule from 1733 to 1735, and later studied at the Leipzig University, which explains the contact. In the Bach-Werke-Verzeichnis (BWV) of Bach's works, numbers 439 to 507 list songs from the collection, but his authorship is certain only for three of them, "Dir, dir Jehovah, will ich singen", BWV 452, "Komm, süßer Tod", BWV 478, and "Vergiss mein nicht, vergiss mein nicht", BWV 505. Bach probably wrote the bass lines for the others, and possibly modified some of the melodies. Bach by Marcelle Meyer - Complete Inventions & Sinfonias, Partitas, Toccatas, Italian Concerto ..: kzbin.info/www/bejne/qaGrc4evlsyZkJY Johann Sebastian Bach PLAYLIST (reference recordings): kzbin.info/www/bejne/l4vCoqKJZsSohqM

[@classicalmusicreference]

In 1736, Georg Christian Schemelli Musicalisches Gesang-Buch in Leipzig, a collection of 954 sacred songs. The full title reads "Musicalisches Gesang-Buch, Darinnen 954 geistreiche, sowohl alte als neue Lieder und Arien, mit wohlgesetzten Melodien, in Discant und Baß, befindlich sind: Vornehmlich denen Evangelischen Gemeinen im Stifte Naumburg-Zeitz gewidmet" (Musical song book, with 954 spirited, both old as new songs and arias, with well-composed melodies in soprano and bass, in it: mostly dedicated to the Protestant parishioners in the Stift Naumburg-Zeitz). The texts were written in the tradition of pietism, and were probably intended for private contemplation. Only 69 of the songs come with music, a melody and a bass line. Many melodies resemble simple arias. Johann Sebastian Bach contributed to the collection, but musicologists debate to what extent. Schemelli's son Christian Friedrich was a student of the Thomasschule from 1733 to 1735, and later studied at the Leipzig University, which explains the contact. In the Bach-Werke-Verzeichnis (BWV) of Bach's works, numbers 439 to 507 list songs from the collection, but his authorship is certain only for three of them, "Dir, dir Jehovah, will ich singen", BWV 452, "Komm, süßer Tod", BWV 478, and "Vergiss mein nicht, vergiss mein nicht", BWV 505. Bach probably wrote the bass lines for the others, and possibly modified some of the melodies. 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr

[@HansDunkelberg1]

I would not have imagined a potential of Bach to sound so lively and modern.

[@yayitadelsur]

Qué voz tan hermosa la de Hugues Cuénod!

[@ГалинаСердолик]

Thank you for great music!!! Bravo!!!❤❤❤👋👋👋

[@jorgeurzuaurzua4011]

This remastered recording of nearly 80 sacred Lieder (BWV 439--527) by JS Bach constitutes a notable collection of lied and aria. At least to my superficial knowledge, they are less known works and the works presented here tend. to be short, amiable songs. Some are more emotional and one tends to be reminded of the Winterreise set. Most are less emotional and tend to be rather schematic. It is not known for sure how many of the Lied were written by JS Bach himself and to what extent, although they were published under his name. At any rate, this is an important collection of works that were mostly personally written by Bach. The sound is good and the interpreters excellent. Thakncs Classical Music for this important record of the Century

[@catherinehegazi4440]

1:00:24 Kein Stündlein geht dahin, what a gorgious vice, thank you🌉🎵🏯🎶

[@martyheresniak5203]

Agreed. And such attention to dynamics!

[@mathemadician8609]

Wow, this is golden.

[@wansantai]

Thanks for sharing

[@fulgenjbatista4640]

🕊🌟🕊 This is ABSOLUTELY BEAUTIFUL 🙏💜🙏 💜🎵💜

[@fernandosoares5812]

Bach (e, já agora, "Classical Music/Reference Recording") sempre a surpreender... Como verdadeiramente surpreendentes são os cantores. Meu Deus, que música e que cantores!!!

[@fernandosoares5812]

ET: Há quase duas semanas que não oiço outra música, preso que estou a esta surpreendentes gravação. Não me enganei na primeira apreciação, que agora repito: Música suprema e cantores maravilhosos!

[@muhsinkanadikirik678]

💖BACH🎼💖👌👏🙏🤝👋

[@douglasdickerson5184]

💙💙💙

[@RechtsstaatBRD]

schade dass man den text so schlecht versteht! aber schön gesungen und begleitet.

[@canman5060]

Are they chorales ?

[@classicalmusicreference]

no In 1736, Georg Christian Schemelli Musicalisches Gesang-Buch in Leipzig, a collection of 954 sacred songs. The full title reads "Musicalisches Gesang-Buch, Darinnen 954 geistreiche, sowohl alte als neue Lieder und Arien, mit wohlgesetzten Melodien, in Discant und Baß, befindlich sind: Vornehmlich denen Evangelischen Gemeinen im Stifte Naumburg-Zeitz gewidmet" (Musical song book, with 954 spirited, both old as new songs and arias, with well-composed melodies in soprano and bass, in it: mostly dedicated to the Protestant parishioners in the Stift Naumburg-Zeitz). The texts were written in the tradition of pietism, and were probably intended for private contemplation. Only 69 of the songs come with music, a melody and a bass line. Many melodies resemble simple arias. Johann Sebastian Bach contributed to the collection, but musicologists debate to what extent. Schemelli's son Christian Friedrich was a student of the Thomasschule from 1733 to 1735, and later studied at the Leipzig University, which explains the contact. In the Bach-Werke-Verzeichnis (BWV) of Bach's works, numbers 439 to 507 list songs from the collection, but his authorship is certain only for three of them, "Dir, dir Jehovah, will ich singen", BWV 452, "Komm, süßer Tod", BWV 478, and "Vergiss mein nicht, vergiss mein nicht", BWV 505. Bach probably wrote the bass lines for the others, and possibly modified some of the melodies.

[@sngsculture291]

🌹❤🌹