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@EttorealbertoGelli-vr6sz
@EttorealbertoGelli-vr6sz Сағат бұрын
St Martin in the Field? Are you sure?? It seems a sinphonic orchestra...
@arnaudberger1730
@arnaudberger1730 Сағат бұрын
J'ai écouté vos deux Tosca sur Qobuz et c'est vrai que j'ai bien aimé la version 53 de De Sabata qui sonne différemment de toutes mes nombreuses versions que je possède.Qobuz l'affiche en stéréo.Est-ce une erreur ou cette remasterisation à l'origine en mono est effectivement en stéréo dans ce récent Master ?
@heribertzimmermann3490
@heribertzimmermann3490 2 сағат бұрын
Jacqeueline de Pre - ich bin überwältigt von ihrem musikalischem Können - die Celloflüsterirn - und ich muss oft richtig weinen, dass sie schon so früh von dieser Erde gehen musste... :-( :-(
@t.legendhanna3085
@t.legendhanna3085 5 сағат бұрын
This not karajan's 3 symphony...
@lisa3308
@lisa3308 6 сағат бұрын
Bravooo!!!👏👏👏👏🎶🎶😊🌿😊😊✨✨✨🌸🌅👏🌺🌺🎶🎶🙏🌹🌹🌹💫💫💫✨✨👏🎶🎶😊
@rockyantoniovalenciaoyola8444
@rockyantoniovalenciaoyola8444 10 сағат бұрын
A MÚSICA DE MOZART TEM UMA SUBLIMIDADE QUE SUPERA QUALQUER OUTRO TIPO DE MÚSICA. OUÇO SEMPRE QUE ESTOU TRABALHANDO NO CONSULTÓRIO.
@user-ij6pq8em7e
@user-ij6pq8em7e 18 сағат бұрын
Wagner numer jeden.
@papagen00
@papagen00 19 сағат бұрын
Happy Birthday Richard Wagner!
@sheelfjohnson
@sheelfjohnson 20 сағат бұрын
If you're new to Chopin's nocturnes, I recommend starting with Claudio Arrau. The only problem: you won't want to hear any other pianist play these. 😉
@SanasSweetMode
@SanasSweetMode 23 сағат бұрын
Masterful interpretation by Sanderling. How he is able to capture the notes on the page and turn them into pure emotion, a mystery, but one I am so thankful to be able to experience. Thanks for the upload!
@mariodelgiudice8677
@mariodelgiudice8677 Күн бұрын
traspare tutto l"amore di Dalia che si trasforma in inganno.
@johnanderson6208
@johnanderson6208 Күн бұрын
Ads in the middle of a piece of music earns a thumbs down or "Do not recommend this channel."
@jorgeparejatena9075
@jorgeparejatena9075 Күн бұрын
Sublime!!!
@joseluizfrancis-cresciment6747
@joseluizfrancis-cresciment6747 Күн бұрын
Performance magistral.. Assim que tem de ser tocada as obras orquestrais de Beethoven
@fulgenjbatista4640
@fulgenjbatista4640 Күн бұрын
❤ The most beautiful sound Ever ❤
@robmcphail8147
@robmcphail8147 Күн бұрын
Stunning. (YT's commercial interruptions are intolerable. Need to get hold of the CD.)
@jjgghhjk
@jjgghhjk Күн бұрын
The best Lohengrin performer.
@vikahaver722
@vikahaver722 Күн бұрын
Вагнер- это низшее психологическое.творение,даже,если его произведения круче всех . Это не есть понимание человечности,принятия.
@mariainesdeandradealcantar3263
@mariainesdeandradealcantar3263 Күн бұрын
❤❤❤👏👏👏🇩🇪🇩🇪🇩🇪
@larysamadain2403
@larysamadain2403 Күн бұрын
👏🏻👏🏻👏🏻
@classicalmusicreference
@classicalmusicreference Күн бұрын
Rudolf Kempe began his musical studies at the age of thirteen at the Orchesterschule of the Staatskapelle in Dresden, where his first instruments were the piano and violin. He later turned to the oboe. After only four years of study, he found himself playing the oboe with the Dortmund Orchestra for four months, and soon after, he was appointed principal oboist of the Gewandhaus Orchestra in Leipzig at the age of eighteen. He performed both in concerts and in the opera pit in Leipzig under the direction of conductors such as Strauss, Furtwängler, Beecham, Walter, and Klemperer. Although the orchestra did not record albums during Kempe’s tenure, a few radio tapes have survived, allowing us to hear Bach cantatas conducted by Karl Straube. Kempe's first conducting experience was with a local amateur orchestra. Reports of his skill quickly reached the Opera House, and he was soon invited to make his professional debut with Lortzing’s opera "Der Wildschütz." Kempe remained in Leipzig during the war years, although his career was hindered by military service, which he undertook reluctantly. In the immediate post-war period, he worked in the opera houses of Chemnitz, Weimar, and Dresden, in a culturally isolated East Germany, building a vast operatic and symphonic repertoire under often less than ideal conditions. Orchestra musicians remember Kempe as a musician of absolute professionalism. He had an intimate knowledge of all the scores he conducted, ensuring preparation and execution to the highest standards. He never took conducting courses, but while he was an orchestral musician, he observed the methods of great conductors and developed a technique known for its clarity and reliability. He was an objective interpreter who avoided any demonstrative behavior both on and off the podium. His interpretations were renowned for their luminous expressiveness and exceptional orchestral texture. Album available (complete opera) // Wagner: Lohengrin, WWV 75 by Rudolf Kempe Qobuz (Hi-Res) bit.ly/3TimkHp Tidal (Hi-Res) bit.ly/3Tf4e9s Apple Music (Lossless) apple.co/3OpBpnu Deezer (Hi-Fi) bit.ly/3RzauYl Amazon Music (Hi-Fi) amzn.to/3RkpnfQ Spotify (mp3) spoti.fi/48aG2cx KZbin Music (mp4) bit.ly/3RaTBl5 Napster (Hi-Fi) bit.ly/3Rx9uCT
@classicalmusicreference
@classicalmusicreference Күн бұрын
Full Album available // Wagner: Orchestral Works by Rudof Kempe 🎧 Qobuz (Hi-Res) bit.ly/3yxiWAk Tidal (Hi-Res) bit.ly/47dmN1a 🎧 Apple Music (Lossless) apple.co/49pGBQT Deezer (Hi-Fi) bit.ly/3FLcyWo 🎧 Amazon Music (Hi-Fi) amzn.to/3u23Mkc Spotify (mp3) spoti.fi/3MwpSlb 🎧 Idagio (Hi-Fi) (soon) KZbin Music (mp4) bit.ly/3Ssl6ZD 🎧 Naspter, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, AWA日本… 🔊❤ Discover our new website: www.classicalmusicreference.com/ Wilhelm Richard Wagner (1813-1883) Lohengrin Opera: Preludes 00:00 Lohengrin, WWV 75: Prelude, Act 1 (2023 Remastered, Vienna 1958) 08:58 Lohengrin, WWV 75: Prelude, Act 3 (2023 Remastered, Vienna 1958) 12:20 Lohengrin, WWV 75: Prelude, Act 1 (2023 Remastered, Dresden 1949) Wiener Philharmoniker * Staatskapelle Dresden ** Conductor: Rudolf Kempe Recorded in 1958* and 1949** New mastering in 2023 by AB for CMRR 🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): bit.ly/3Mraw1r 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): bit.ly/370zcMg 🔊 Follow us on Spotify: spoti.fi/3016eVr ❤ If you enjoy CMRR content, you can join our Patreon page and support our investments in equipment and software for $3 per month. Thank you very much :) www.patreon.com/cmrr Rudolf Kempe began his musical studies at the age of thirteen at the Orchesterschule of the Staatskapelle in Dresden, where his first instruments were the piano and violin. He later turned to the oboe. After only four years of study, he found himself playing the oboe with the Dortmund Orchestra for four months, and soon after, he was appointed principal oboist of the Gewandhaus Orchestra in Leipzig at the age of eighteen. He performed both in concerts and in the opera pit in Leipzig under the direction of conductors such as Strauss, Furtwängler, Beecham, Walter, and Klemperer. Although the orchestra did not record albums during Kempe’s tenure, a few radio tapes have survived, allowing us to hear Bach cantatas conducted by Karl Straube. Kempe's first conducting experience was with a local amateur orchestra. Reports of his skill quickly reached the Opera House, and he was soon invited to make his professional debut with Lortzing’s opera "Der Wildschütz." Kempe remained in Leipzig during the war years, although his career was hindered by military service, which he undertook reluctantly. In the immediate post-war period, he worked in the opera houses of Chemnitz, Weimar, and Dresden, in a culturally isolated East Germany, building a vast operatic and symphonic repertoire under often less than ideal conditions. Orchestra musicians remember Kempe as a musician of absolute professionalism. He had an intimate knowledge of all the scores he conducted, ensuring preparation and execution to the highest standards. He never took conducting courses, but while he was an orchestral musician, he observed the methods of great conductors and developed a technique known for its clarity and reliability. He was an objective interpreter who avoided any demonstrative behavior both on and off the podium. His interpretations were renowned for their luminous expressiveness and exceptional orchestral texture. Album available (complete opera) // Wagner: Lohengrin, WWV 75 by Rudolf Kempe Qobuz (Hi-Res) bit.ly/3TimkHp Tidal (Hi-Res) bit.ly/3Tf4e9s Apple Music (Lossless) apple.co/3OpBpnu Deezer (Hi-Fi) bit.ly/3RzauYl Amazon Music (Hi-Fi) amzn.to/3RkpnfQ Spotify (mp3) spoti.fi/48aG2cx KZbin Music (mp4) bit.ly/3RaTBl5 Napster (Hi-Fi) bit.ly/3Rx9uCT Richard Wagner PLAYLIST (reference recordings) kzbin.info/aero/PL3UZpQL9LIxMleWmzrxmYsjeUJ6MUdM3-
@francescopoliti270
@francescopoliti270 Күн бұрын
The real thing. A world apart from those counterfeits from China.