Bach - Cantata Die Elenden sollen essen BWV 75 - Kuijken | Netherlands Bach Society

[@bach]

0:07 Die Elenden sollen essen (Chor) 4:16 Was hilft des Purpus Majestät (Rezitativ) 5:17 Mein Jesus soll mein Alles sein! (Arie) 9:58 Gott stürzet und erhöhet (Rezitativ) 10:36 Ich nehme mein Leiden (Arie) 15:32 Indes schenkt Gott (Rezitativ) 16:13 Was Gott tut, das is wohlgetan (Choral) 17:46 Sinfonia 20:12 Nur eines kränkt (Rezitativ) 20:58 Jesus macht mich geistlich reich (Arie) 23:11 Wer nur in Jesu bleibt (Rezitativ) 23:41 Mein Herze glaubt und liebt (Arie) 27:26 O Armut, der kein Reichtum (Rezitativ) 28:03 Was Gott tut, das ist wohlgetan (Choral)

[@matthiku]

Thanks for this! Btw, if the index was in the video description, it would have been included in the search index of KZbin!

[@hijodehombre]

Muchas gracias, amigos

[@mrsenstitz]

Absolute bliss.

[@herbertmuller3041]

Kunst der Fuge

[@johnkusske7535]

In addition to the musicians, I'd like to compliment the camera crew and direction. Their innovative work on these cantatas add greatly to my enjoyment of the music.

[@briansharp7872]

This group is second to none. So effortless and superior its like Bach himself is directing. He'd be proud I think, and amazed.

[@prospero6337]

I just love the super high quality of performance and the real contact we get to the performances in this format..... Bravo ! :>

[@papagenoharto]

i totally agree with you

[@kikivolauvent1]

As always, a HUGE compliment to the filmer! Incredible quality of takes, being at the right place at all times, catching the expressions, your videos are, just as your concerts, second to none!

[@rono3223]

I enjoyed watching the oboists playing together in this, another fine production.

[@rono3223]

sorry.... bassoonists

[@kikivolauvent1]

@@rono3223 Ron, I think you speak about the OBOES, they are baroque oboes... :)

[@jsbrules]

@@kikivolauvent1 Yes, there are 2 oboes but there are also 2 bassoonists next to each other who are fun to watch because they keep bopping along to the beat.

[@kikivolauvent1]

@@jsbrules - I know! Isn't the filming just out of this world?!

[@musicbetweenlines]

A wonderful piece of classical music played by excellent musicians! The surrounding church setting beautifully captured the music. Thank you for uploading! I enjoy listening to this piece repeatedly! My favorite segment is the "Ich nehme mein Leiden" because of the way the oboe d'amour blends beautifully with the basso continuo (organ). Amazing job by all the instrumentalists, soloists (choir), and the filming crew!

[@Hans-k9s]

Te mooi voor woorden!!!

[@richardwalsh9180]

Truly an excellent production in every way, I especially love seeing the period instruments.

[@scarlatti222]

12:03 The musician smiling is really epic

[@dustcapital]

In general, with the arrival of Sato (and here Kuijken) "spielfreude" has increased considerably...

[@prototropo]

I just cannot comprehend the generative genius & contrapuntal complexity of the Sinfonia! Five-note melodic lines repeat a step up in ascending direction, only to compete with each other, cooperate during the chorale theme, and come rambling back more exuberant than ever. Like Mozart's fourth mvt of the Jupiter, or Wagner's Overture to Die Meistersinger, I think this is the apex of Bach's skill in flawless, pulsing polyphony.

[@earlymusicmaker]

Mr. Vanryne's slide trumpet playing is fantastic (as is the rest of the orchestra!)

[@marcocampus7943]

The fugue in the first chor is a masterpiece.

[@tobiasstudtheol]

The whole cantata is an underrated masterpiece.

[@late8641]

I agree, it sounds just so elegant and fluent.

[@neilwalsh3977]

That needs to be revived - the Grand Chorale-Fuge!

[@willemvantwillertorganist]

Weer een prachtige weergave zowel in audio als visueel. Met de onvolprezen Sigiswald Kuijken. Prachtig klinkende blazers. Allen spelen ook bijzonder ontspannen vind ik. Heerlijk om te luisteren.

[@NathanielPratt-ru6kj]

Very excellent thank you for allowing me this wonderful honor

[@jedavilav1]

¡Bellísima! ¡Qué grupo orquestal, qué voces prodigiosas! ¡Y el milagro del conrtatenor Damien Guillon, entre los mejores del mundo!

De très haut niveau ! Belle présence dansante et mélodieuse des bassonistes une tromba de tirarsi bien placée par JS Bach et bien jouée violone au lieu de violoncelle l'aria de la soprano et de l'alto sont spécialement mélodieuses et bien chantées Un Christian Immler convainquant Bref : rien que du bonheur ! Merci !

[@machida5114]

ポリフォニーが美しい！ Beautiful polyphony! Prachtige polyfonie!

[@emilalbazi8691]

I believe that Herr Bach hacked the Angels musical institution and decoded their formulas to what we hear nowadays in Bach's music 😎😍😍😍😍😍 Thumbs up if you agree 👍👍👍👍

[@양회주-q7i]

Bravo so beautiful music, thank you!

[@JohnnyNorfolk]

Great performance. Thanks for posting.

[@sanjosemike3137]

Bach had to know that his listeners would watch with enthusiasm as each “separate” voice (and melody line) would enter the “mass” of sound, and even try to predict the key the entry would take. And that we would also relish how he worked the multi-voice Fugue to end in a major triad. We have become enthusiastic and enthralled participants in his technology of composition. He also varied his rhythm choices, with moments of silence. We would then wonder what key would erupt after the moment of silence. Bach was a master of obligato and had his own decoration of his musical room, with window dressing always interesting, without being overbearing. Sanjosemike

[@sanjosemike3137]

@Jay Preis Didn't know that. But Bach's audience understood German (of course) and were much more knowledgeable of the Protestant Bible than modern people are. They "knew" the liturgy of the day. Modern audiences have no idea what Bach was having his soloists singing about. Sanjosemike (no longer in CA)

[@mwnyc3976]

Well, they'd probably have *listened* rather than watching, as the choir loft is in the back of the church, but otherwise, yes!

[@carmenaballi]

Muy buenas voces, mi preferida siempre ha sido la de Bajo, es como si naciera de la profundidad de la tierrra. Preciosos instrumentos. Bravo

[@ferdiriordan1]

Astonishing performaance and video.Thanks to all.

[@mikekeyes6102]

I was bursting to say something about this performance but it proved too good for words.

[@יצחקבןיהוידע-ל3נ]

excellent performance !!! thank u nbc !!!!!!!!!!!

[@navrozelalkaka8457]

Individually, each member of the choir is a master. As a team, they are an unequalled force clothed in softest velvet.

[@machida5114]

人の声が 最も美しい楽器であることは疑いない。 There is no doubt that the human voice is the most beautiful instrument. De menselijke stem is zonder twijfel het mooiste instrument.

[@machida5114]

この純粋な至福！ This pure bliss! Deze pure gelukzaligheid!

[@carmenvaldivia8651]

Admirable !!

[@rocketsroar1]

In addition to the performances being excellent, the camera work and direction shows great sensitivity to the emotional points of the music.

[@Daniels-io1sp]

In my opinion, this is the Best performance of a Bach' cantata from "All of Bach" Proyect at all.

[@tobiasstudtheol]

Sigiswald Kuijken if I may add this. He is still one of the best conductors we have.

[@tdekeyser]

@@tobiasstudtheol dat mag u zeker: hij stelt zich veeleer bescheiden op, achteraan tussen andere violisten, maar leidt dit ensemble naar ongekende hoogtes! bovendien worden de vier solisten prachtig in beeld gebracht, niet in het minst tijdens het openingskoor waar bas, tenor, alt en sopraan mooi na elkaar inzetten, bravo!

[@mwnyc3976]

It's *one* of the best, certainly. Also try "O ewiges Feuer", BWV 31: kzbin.info/www/bejne/Y4KkXoeZbbuqbpI. Also try the Netherlands Bach Society's Young Bach Fellows doing "Was Gott tut, das ist wohlgetan", BWV 99: kzbin.info/www/bejne/oZayepp-ndxgms0

[@neilwalsh3977]

10:48 - unlike the Classicals, Bach had that 'jazzy feel

[@emilschaller8181]

Wunderbar

[@salvatorecapasso1048]

Shocking beauty

[@nathanielwatson7859]

So good!!

[@TheMrCalidad]

Beautiful Aria at 10:36... i simply was smiling at, waiting for soprano to sing, flute takes you around the melody with mastery

[@telephilia]

I think that's an oboe not a flute.

[@marcogiusti1358]

Eh doveva presentarsi a quelli di Lipsia ed allora ha pensato di fare le cose per bene Coro iniziale pure con una fuga, una aria per ogni voce solista, una sinfonia , il suo bel corale a meta' cantata ed ovviamente quello finale E' piacevole, non eccezionale, per quanto la aria del basso meriti elogi specie per la tromba Complessivamente una cantata da ricordare per essere la prima ufficiale nel ruolo di Cantor Bravo JS sei piaciuto alla prima!

[@pamelafrancis4476]

Thank you for a superlative performance, and presentation to match it.

[@frithjofrinklin6559]

Belíssimo!!!!!

[@isaacbenyehoyada1127]

תודה מעומק הלב לאגודת באך מהולנד !!!!!!@@@@

[@tuchpongtulyayon6343]

It's kind of funny in the way that the first two Cantatas BWV 75,and 76 that Bach selected in his first two weeks, both in two parts, much longer than the other Cantatas for the rest of his first season in Leipzig,or for the majority of his remaining Cantatas cycles in Leipzig . This is not an original idea of mine that BWV 75 and 76 was too taxing for the students who had to perform Bach Cantata weekly. So Bach had too subsequently, write shorter Cantatas to be performed, as a rule, not less of a masterpiece,of course.

[@herrickinman9303]

Typically, two cantatas were performed: one before the sermon, one after. In the case of the longer 2-part cantatas, the first part was performed before the sermon, the second part after the sermon. The cantatas (and the sermon) were tailored to fit official Lutheran bible readings for the Sunday (or other church day). The cantatas were like a musical sermon. The number of vocal movements was the about same in each part, whether the cantata was in one part or two. Bach did not have to rely on the boys of the Thomas School to perform his cantatas; he also had help from talented university students, some of which were his private students who paid for the lessons by performing in his cantatas. Also, his Leipzig church music was typically performed one voice to a part. The singers who sang the sang the solos (they were called "concertists") also comprised the chorus where they might be doubled by another singer (called a ripienist). This division between concertists and ripienists was quite common in early 18th-century church music.

[@carmenaballi]

Que maravilla! Grandísimo Bach! Fantásticos interpretes

[@euledj79]

Miriam Feuersinger is vocally and also physically a pleasure. Chistian Immler outstanding as always.

[@fooxtrot]

Feuersinger is good description of her performances :)

[@timom69]

stop simping

[@d.singler-kron9034]

Back when this was dedicated to the liturgy it was sung and accompanied from the back choir loft. Thoughtfully built churches even had risers so the musicians could be well placed. All (musicians, congregation, presider) faced the high altar. Now we get to watch and hear.

[@simpleandsolid]

Muito bom

[@robertlayzer7832]

It’s not just the music that is so special about these opportunities, but the beauty of the places where they take place. All of them are new to me and gratefully received. Bless you.

[@peterszigeti7476]

Nice music, nice performance, beautiful people - who ask for anything more.

[@mcclane4sd]

Exquisite.

[@MaxwellsDemon9]

Can we please pause and talk about the soprano's sensational outfit? Taffeta 😀paired with a subdued turtleneck and polkadots 👍

[@andalexba]

Das reine Evangelium durch Bach vertont! Gelobt sei Jesus Christus, Herrscher und Erlöser!

[@HighWideandHandsome]

Delightful cantata, perfect for the first Sunday after Trinity.

[@francoispallud1215]

Bravo excellentes prises de vues et superbe interprétation ,merci

[@Daniels-io1sp]

Which register are used the organists in each one movements of this cantata?

[@etienneleuridan3547]

Une splendeur !

[@carlosantoniolopezluna9427]

Fántastico. Una gran versión!!

[@papagenoharto]

Negative thumbs?????????????????????????????????????????????????????????????????????????????????????????????????????????????

[@gouarchlaurent3739]

Bach servira la musique pour l'éternité. Amitié de France.

[@karinlauterbach3157]

Zauberhaft wunderschön! Heel erg mooi!

[@philippemelchior9383]

Чудесное исполнение Господи, как же это прекрасно!

[@rodion-burbin]

Fantastic Bach's desision with tromba da tirarsi !

[@benjaminsmith3657]

There's just a slight discord to one voice, other than that I think the work can be perfect. The female voice is astounding.

[@DanieleSRD]

All these video are marvellous.

[@ClaudioFonte]

Minute 4:07 is absolute perfection.

[@carmenvaldivia8651]

Magnifico !!

[@notaire2]

Klare und wunderschöne Aufführung dieser perfekt komponierten Kantate mit herrlichen Stimmen aller genialen Solisten und gut vereinigten Stimmen des ausgezeichneten Chors sowie perfekt entsprechenden Tönen aller historischen Instrumente. Die Virtuosität aller Solospieler ist wahrlich bewundernswert. Der unvergleichliche Spieler/Dirigent leitet das ausgezeichnete Ensemble im gut phrasierten Tempo und mit perfekt kontrollierter Dynamik. Einfach wunderbar!

[@suzanbach4826]

🎼❤️

[@mikealmeida4378]

Lindoooo

[@artursaiman6688]

Tutti sono migliori. Anche il mio preferito Damien.....😊

[@jaimebaezpenuela1197]

¡Gracias, Bach! ¡Gloria a Dios! ¡Feliz Navidad!

[@judeirwin2222]

Exquisite. Thank you so much. I have never heard this piece performed.

[@volkerf.sesselmann6783]

Super Trompeter

[@Gouddelver]

Geweldig!

[@edelahaye]

Feuersinger ! (firesinger) Is it her real name ?

[@garudel]

Perfect !

[@willemvantwillertorganist]

Mooi dat het tempo bij 28:03 iets langzamer is dan bij dezelfde muziek op 16:13 waar meer onstuimigheid in de uitvoering aanwezig is. Zal met de tekst te maken hebben? Dat zijn die mooie details in deze uitvoering. Prachtig gefilmd ook.

[@karlgrafvonmoy855]

Ein großartiges Ensemble präsentiert das "Probestück" Bachs für Leipzig, wo er mit "gutem Applausu seine erste Music" aufgeführt hat (Acta Lipsium academica, Mai 1723) Wie hatte der Bürgermeister Lange von Leipzig laut Protokoll gesagt:" Wann Bach erwählet würde, so könnte man Telemann...vergessen" Ob er Recht hatte???

[@asusander]

MAGNÍFICA LA NETHERLNDS BACH SOCIETY

[@carmenvaldivia8651]

Superbe !!

[@erwinklement1215]

Fantastic ☄️🎶🎶🎶🎶🎶🎶💥💕

[@alexdesslin]

superbe !

[@MG-fh4ed]

Pure diamond!

[@robertmuller5807]

Absolutely paramount

[@philippemelchior9383]

Bach a composé la cantate pour le premier dimanche après la Trinité et l'a dirigée pour la première fois lors du service de la Nikolaikirche, le 30 mai 1723, lors de sa prise de fonction au poste de Kantor. Pour cette destination liturgique, deux autres cantates ont franchi le seuil de la postérité : les BWV 20 et 39.

[@pacogarcia6519]

La presencia de Dios en Bach es incuestionable...no se puede entender una música de este nivel si no tiene una inspiración e influencias directamente Divinas.

[@pacogarcia6519]

@@alpinoalpini3849 Innecesaria es la soberbia, la avaricia, la lujuria, la ira, la gula, la envidia y la pereza. Por otra parte "FE" significa "CREER SIN VER". Usted reconoce que Bach era un hombre de "fuerte fe lutera", es decir, fe en Dios, que no necesita "demostración" porque por eso es "cuestión de fe". Total si sequitur. Para Bach si era necesario Dios, y sin que ningún mortal científico le demostrara su existencia. En Bach, "su fuerte fe luterana", por consiguiente, su creencia en Dios, SÍ nos dice MUCHÍIIISIMO sobre el origen de su genio.

[@BaroqueMusica]

Sigiswald Kuijken, conductor Miriam Feuersinger, soprano Damien Guillon, alto Wolfram Lattke, tenor Christian Immler, bass oo

[@lingnguyen2623]

I have to visit you guys are incredible

[@hashbeth]

A fantastic performance all around, as always. While all the performers were fantastic, I specifically love the tenor's performance - Mr. Lattke gives a fantastic performance

[@entotorados]

En la Sinfonía, la melodía conductora para viento (Presente en otros momentos corales de la Cantata, por cierto) no es original de Bach, sino que la compuso años antes Saverius Gastorius para un himno escrito por Rodigast, pero la reelaboración de Bach fue tan impresionante y aportó tantos elementos nuevos que le dio al himno una dimensión absolutamente nueva. Si se escucha la pieza original de Gastorius y se la confronta con la reelaboración de Bach, hay que maravillarse con qué genio el Maestro sabía reelaborar piezas ajenas hasta el punto de reconvertirlas en algo totalmente nuevo y hasta sobrepasando todos los límites de la inspiración musical y de la perfección técnica!!! Increíble. 😥😥😍😍💓💓❤❤

[@TheMusicTeachr]

Beautiful!

[@ruivog]

Dank je!

[@vahan-sahakyan]

*_such a joy_* 17:47

[@drgustaf2450]

Simply delicious

[@romanbyzantine27]

2:30

[@IDEEINDIGO]

"Ich nehme mein Leiden" mit Leichtigkeit und erliege mit Genugtuung dieser Stimme, die mich sagen lässt: Wenn es das Göttliche nicht gibt, hat Johann Sebastian BACH es geschaffen! Je porte ma peine avec légèreté (Ich nehme mein Leiden) et succombe avec délectation à cette voix qui me fait dire : si le Divin n'existe pas, Johann Sebastian BACH l'a créé !

[@andreteixeira5635]

A true masterpiece!

[@neilwalsh3977]

I think the secret to Bach's mastery of harmony is the Continuo line - composition is much easier with a strong Bass, and a realised line.

[@Reasonable22]

Wow!!

[@neilwalsh3977]

21:54 - motivic transformation - the chorale always comes back in new guises with Bach

[@neilwalsh3977]

This is the hardest part of vocal composition - getting the ritornello to square with a free emotive vocal line

[@luaruiter3505]

and what about the words they are singing? Yes, Jesus soll uns alles sein!

[@philippemelchior9383]

La cantate est composée pour quatre solistes, soprano, alto, ténor et basse, un chœur à quatre voix, une trompette, deux hautbois, un hautbois d'amour, deux violons, un alto et basse continue avec basson