J.S. Bach - Cantata BWV 5 "Wo soll ich fliehen hin" (J.S. Bach Foundation)

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Choir and Orchestra of the J. S. Bach Foundation
Rudolf Lutz - Conductor
Soloists:
Mirjam Berli - Soprano
Jan Börner - Alto
Raphael Höhn - Tenor
Manuel Walser - Bass
Johann Sebastian Bach - Cantata BWV 5 "Wo soll ich fliehen hin" (Where should I flee)
00:00 Bach - BWV 5, Concert from 08/16/2018
00:39 Chorale - Wo soll ich fliehen hin,
04:10 Recitative (bass) - Der Sünden Wust hat mich nicht nur befleckt,
05:30 Aria (tenor) - Ergieße dich reichlich, du göttliche Quelle,
11:55 Recitative (alto) - Mein treuer Heiland tröstet mich,
13:50 Aria (bass) - Verstumme, Höllenheer,
20:35 Recitative (soprano) - Ich bin ja nur das kleinste Teil der Welt,
21:45 Chorale - Führ auch mein Herz und Sinn
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The complete cantata, introductory workshop and reflection lecture (in German) are available at:
www.bachipedia...
For further information on the Bach Foundation, go to: www.bachipedia...

[@brumels1570]

The tenor aria 🤩

[@herrickinman9303]

An exceptionally beautiful aria. You have only to listen to the ovation the tenor received to realize how impressed the audience was by his performance.

[@EmrahUncu]

He nailed it.

[@saidtoshimaru1832]

And the viola obligato.

[@JohannSebastianBach2138]

Uraufführung am 15. Oktober 1724 in Leipzig. Es war sehr kalt in der Kirche, aber ich brachte trotzdem dieses Lied für die Gläubigen meiner Stadt. Es war ein wunderschöner Moment, an den ich mich noch genau erinnern kann. Danke an Maestro Rudolf, meinen perfekten Nachfolger in der Leitung meiner Kantaten.

[@a.whatfish8217]

Lovely to hear obbligato viola in the Aria.

[@luigilieto3917]

Bravi❤❤❤

[@flippert0]

I like the soprano recitative

[@dellnie345]

5:30 superb Raphael Höhn and superb violinist

[@MightyTenor]

Violist.

[@andreaferioli7734]

Meravigliosi e molto bravi

[@elebecepe]

Grandiosos todos, del primero al último.

[@andreamundt]

Herrliches Trompetenspiel!

[@muhsinkanadikirik678]

Gorgeous performance!🙏☦Hallelujah!..💕👌B👏A🤝C☦H❤

[@paulw8224]

What a marvelous complement to a Saturday night here in Australia!

[@emilalbazi8691]

Music made in Heaven

[@8arcbal]

Aria Bass 🎶🎵- what a masterpiece - Wielen Danke 👍

[@violinstar5948]

💯/ 💯 Performance! This is a true Bach Renaissance.

[@grahamnancledra7036]

Yet again a magnificent and uplifting performance by the BachStiftung, and how generous the applause was at the conclusion. I'm always so pleased that Herr Lutz acknowledges all the excellent soloists and section leaders and that we get to witness it.

[@regelindschlag7451]

❤

[@rocketsroar1]

Once again Bach hits the ground running at full speed!!

[@user-sm9ik8yh7g]

Неуловимая, летящая и неповторимая музыка Баха - космос! Непревзойденный композитор! Polyphonia!

[@luigilieto3917]

MAESTRO LUTZ oltre ad essere un Grande MUSICISTA❤ E" STATO BENEDETTO DIO❤❤❤❤❤❤

[@MightyTenor]

The tenor has tremendous breath control/breath management. Stunning. I LOVE that aria with viola- very very well played. Bass aria also absolutely wonderful!

[@gervaisfrykman266]

Everything, if course, was vibrant, electrifying and superb. I was especially moved by the obbligato to the tenor aria, both in conception and execution,

[@herrickinman9303]

You have only to listen to the ovation the tenor received to realize how impressed the audience was by his performance.

[@ManuelTorres-tx5bp]

¡Brota abundante, divina fuente! Ah! Fluye en torrentes de sangre sobre mi! Bach con sus cantatas sigue operando en las almas la Salvación. Gloria a Dios. Gracias Misericordioso Señor❤

[@valtergilenardi2639]

E dico anche che la Musica Terapeutica di Bach mi ha aiutato a sconfiggere la mia Depressione! Gli Psicofarmaci non ci sono riusciti Bach con la sua Musica Divina Si ! 😊❤ Saluti da Lecce South Italy

[@luigilieto3917]

Violinista ❤eviolonceiiista❤sono dei musicisti ❤benedetti ❤da DIO❤❤❤

[@tvanbast]

Truly astonishing how, at 11:56. Bach superimposes the oboe's playing of the chorale that is also featured in the opening chorus and the closing chorale over the alto recitative. The resulting harmonic environment for the oboe's chorale melody could not be further from that in the opening and closing movements. Bach at his greatest.

[@herrickinman9303]

It's called counterpoint. You seem to think Bach first composed the alto recitative without the cantus firmus (c.f.), then arbitrarily "superimposed" the c.f. (played on oboe) as if he were adding trumpet and timpani flourishes. Or did he start with the c.f. in mind and compose the voice part and the continuo to fit the c.f.? Which sounds more reasonable? I don't know why you find setting the c.f. in an alto recitative (with c.f. played on oboe with continuo accompaniment) more than astonishing than setting it in a chorale fantasy (with c.f. sung by sopranos in long notes over a fugato by the lower voices) or setting it in a 4-part chorale harmonization (with c.f. sung by sopranos). The contrapuntal technique is the same in all three movements: you start with the c.f. and fit the rest to the c.f. Not the other way around.

[@melcadman]

Perhaps you are being a little pompous and ultra-knowing here? Please don't insult people whose question is genuine by being smug and patronising with your 'superiority'

[@alanbirt661]

@@melcadman Yes, I agree with your appropriate comment. The reply reeked of smugness !

[@govertteijgeler9244]

Fantastische uitvoering. Zeer muzikaal en vol dynamiek. Heel goede, enthousiaste dirigent en prachtig koor en solisten. Chapeau !!!!!! Bach heeft er van genoten !!!!

[@edgardodelisi8634]

Magnífica, el aria de bajo con trompeta obligada!

[@IvanGreindl]

Une prestation admirable - une de plus parmi tant d'autres !... Avec une trompette baroque *'brillantissime'* !!

[@luigilieto3917]

La Tromba e' lo strumento DEGL'ANGELI QUINDI IL TROMBETTISTA E'UN ANGELO❤❤❤❤❤

[@graemeallan7883]

As always, the best of the best.

[@capezyo]

Nice Bass soloist

[@lucascecim9102]

Immer wunderbar! Herrzlich danke, bachstiftung.

[@TENEBROLESO]

Nell'Aria del tenore la viola riesce a tenere una dolcezza nonostante i passaggi veloci che è qualcosa di meraviglioso e poi la voce del tenore è bellissima

[@emiliofernandez5744]

Completamente de acuerdo con su comentario, pero una lástima que aquí la parte de viola obligada esté tocada con un violín, aprovechando que la nota más grave es solamente el sol bajo

[@mariod7473]

Bravo, quelles magnifiques discipline et contrôle, mille mercis du Canada.

[@m.a.8335]

Wunderschönes Konzert... eine andere Welt... danke

[@crisduchatelle]

Splendide

[@hermannmayer8343]

Wie immer nur großartig!

[@AmputeerMeneer]

Großartig!

[@billblair3941]

I particularly like the tenor solo but it is a wonderful cantata.

[@capezyo]

Fabulous...

[@hauthot287]

Thanks for being apart of my trying to watch all of Bachs work 🫠

[@pilarasenjo1529]

Siempre maravilloso su trabajo. Muchas gracias.

[@michab.5895]

Wunder schöne Musik, einfach Klasse 🎺🆙👍

[@Bachstiftung]

Danke 🤝

[@benjaminsmith3657]

I enjoy the concert was very nice and enjoyable.

[@RichardLlWilliams-di1bo]

Perfection as usual. I thought the alto was special.

[@davideviterbo]

splendore. grazie❤️

[@salvadormedranomejia4640]

¿Es posible deslindar esta maravillosa música de los significados religiosos de redención, consuelo y envío? El "locus amoenus" de la primer aria con la viola que simula el rumor de la "divina fuente"; la violenta pausa, justo después del imperativo "verstumme" de la "tromba di tirarsi" en el aria siguiente, son solo algunos indicios de cual es la respuesta.

[@manuela1410]

BACH GIFT TO HUMANITY

[@puppyloveshow]

very beautiful soprano

[@lordchameleon2650]

Whenever I see a new video uploaded my eyes search for BWV4. We have 2,3,5 but not 4. Maybe not yet...

[@valtergilenardi2639]

Arie is Amazing ❤😊

[@spadiu]

Bravi, bravi , bravi.

[@shin-i-chikozima]

I seem to be in Heaven

[@comradestannis]

Good music.

[@patriciarodriguezmartinez3233]

❤

[@luigilieto3917]

Tutti bravi. GRAZIE DI❤❤❤VERI MUSICISTI Luigi da Roma❤

[@albrechtkling4213]

5:31 aria tenore Ergiesse Dich reichlich BRATSCHE 13:50 aria basso Verstummme Höllenheer TROMPETE 21:46. chorale Führ auch mein Herz und Sinn

[@herrickinman9303]

@@albrechtkling4213 WENDT: "Violino solo" Google "BWV 5 IMSLP" _Neue Bach-Ausgabe_ Serie I, Band 24, Seite 156 Editor: Matthias Wendt (g. 1951)

[@herrickinman9303]

@@albrechtkling4213 Siehe auch die folgenden Auszüge zur Tenor-Arie zu Bachipedia: "Die trotz relativ tiefer Lage wohl doch einer Violine zugedachte Streicherpartie bleibt dabei wie ein herzlich zugewandter Gesprächspartner immer auf Augenhöhe präsent." "Solovioline und Singstimme übertreffen sich dabei in ihrem Bemühen, über sensibel absteigenden Basstönen in schier unendlichen Kaskaden die Ströme der göttlichen Gnade nachzuzeichnen."

[@herrickinman9303]

@@albrechtkling4213 Wie man in der Aufführung sehen kann, hat sich die Bach-Stiftung entschieden, die Tenor-Arie mit Violine -- nicht Bratsche -- zu spielen!

[@albrechtkling4213]

Das ist eine Bratsche - mit Violine wären die tiefen Töne nicht möglich. Auch eine Konzertmeisterin ist oft in der Lage, gut Bratsche zu spielen 😀

[@albrechtkling4213]

Sorry, du hast recht, wird hier - leider - mit einer Violine gespielt, allerdings einem wunderbar warmen tiefen und bratschig klingenden Instrument 🥲

[@lauterunvollkommenheit4344]

So many details are lost in the majestic opening chorus because of the rushed tempo.

[@anthonyclausen5124]

As much as I like to help you guys with money by the advertisements they really do destroy the mood

[@memoryfilesorg]

What is NikitaVenturesMusic doing here recommending that you go from the Bachstiftung channel to her WokoMusic channel, before you can read all the additional information about this beautiful cantata, and miss the links to the fantastic Bachipedia. It's absolutely shameful!

[@franciscoespinozagamboa6490]

¿nombre de la violinista concertino?

[@herrickinman9303]

Eva Borhi

[@franciscoespinozagamboa6490]

@@herrickinman9303 gracias

[@thelilia54]

Wieder eine wunderschöne Aufnahme! Der Trompetenspieler ist wunderbar. Ein Gedanke geht mir immer wieder durch den Kopf: zu Bachs Zeiten waren Frauen nicht erlaubt und ich verstehe, dass sie versuchen, so nahe am Original wie möglich zu sein, mit zeitgemässen Instrumenten use. Für die Sopranstimme wird aber eine Konzession gemacht, sie bringen nicht Knaben, um die Sopransoli zu singen. Warum dann männliche Altstimmen? Nichts gegen diese Sänger, Herr Börner ist ausgezeichnet. Aber ich finde es trotzdem etwas frauenfeindlich. Ihre Stellungnahme würde mich sehr interessieren.

[@andreasfahlen4936]

Ist das wirklich eine wichtige Frage ? Alles musst nicht eine Krieg gegen die Patrirchat sein. Genieße die Musik.

[@brigittebrodhun255]

Das fehlte noch: Frauenquoten in der Musik!

[@herrickinman9303]

Do you not find the presence of so many female instrumentalists in the ensemble a bit misandrist (männerfeindlich)? lol Why doesn't the Bach-Stiftung use boy singers? Gustav Leonhardt and Nikolaus Harnoncourt used boy singers in their recordings of the Bach cantatas and complained that it was difficult to find and rehearse quality boy singers. Besides, Bach used falsettists in his church music, both in Weimar and Leipzig.

[@frillydaffodilly]

Such a shame the tenor aria is played on violin not viola.

[@ardiutomo5355]

First

[@lordchameleon2650]

:D

[@RoiSoleilXIV]

And? Putting spam in comments is so fun?

[@mireillebernard1696]

Nous sommes transportés dans l'univers de Bach, et soudain , une pub et sa musique débile nous agresse ....dommage !