bAlamuraLi krishNA - enta nErcina saphalamEmi - sAvEri - patnam subhramanya iyer

[@tmadanmenon]

Very good phrased compensation of Patnam Subramanya Iyer and Guru Dr.BMK gets the real chance include this keerthanam among his "master-piece' songs of the coveted Composer! Pranams to Both Dr. BMK's as well as the great Compose'r souls! his one in Saveri is rarely seen in Cutchery circle....Guru BMK invariably give extempore swarakalpanas while he knows to add the sweetness of saveri sworas with his style of variations in tones in avarohanams while in sworam phrases...Real magician, he was.....pranams !

[@plnmurthy6587]

Mesmerizing voice. Exquisite rendition. Traditional and pure. Blissful. Legend eternally.

[@Sreenivasarao-r9j]

స్వర మాధుర్యాన్ని ఎలా చెప్పగలను వినడమే.వినడమే..వీనులవిందు

[@kottapali]

Superb rendition

[@i.s.kavithamurali]

It's a blessing to listen this kriti today in podigai just (2/9/2020)@11pm....sashtriya samskruthiya sangeetham..pranams Dr.Balamuralikrishna Garu.. Brilliantly divine support by eminent accompanist...stalwarts

[@mysuruvasudevacharya]

Maestros at Work ! What can one Comment about the Rendition of the Maestro Simply Listen and Enjoy ! Enta nerchina saphalamu emi ragam saveri 15th Mela janya Adi Talam Patnam Subramania Iyer Krithi P enta nErchinA saphalamu Emiendukee chapalamu Oh manasA || Whatever be your achievements in learning, there is no fulfilment. Oh mind, why are you wavering? AP santatamu vEda SAstrAdi vara sangeeta sAhitya vidya || You may master Vedas, literature, music and arts. C parakAya pravESAdi tantramulu para tatvAdi vEdAntamulu dhara lOna mari gala vidyalella varada vEnkaTESwaruni krupa lEka || You may possess mystical power of entering some other body, you may be eminent scholar in philosophy and transcendental knowledge. There won't be real fulfilment if Sri Venkatesa's grace is lacking. Raga Saveri Janyam of 15th mela Mayamalavagowlai. Aro: S R1 M1 P D1 S Av : S N3 D1 P M1 G3 R1 S The notes are shuddha rishabham, shuddha madhyamam and shuddha dhaivatam in ascending scale and kakali nishadam, shuddha dhaivatam, shuddha madhyamam, antara gandharam and shuddha rishabham in descent. The two swaras which give the raga such a characteristic are R (Rishabham) and D (Dhaivatham). This ragam brings out the Karuna Rasam- mood of piety. There does not appear to be a corresponding ragam in Hindustani music though some of the Bhairav Thaat ragas sound close.

[@jayamandiramrameshkumar639]

🙏🙏🙏💕💕💕

[@KanchanaManyam]

Salutations to all maestros on stage... Exploring Saveri as it comes!

[@ggirish7641]

soulful

[@AnandKumar-fj6it]

Those who had lirics, please made it available.

[@beautifulworld9565]

Fantastic

[@shankarkumar.m.s207]

Very Excellent music