You can't really go wrong with Respighi if you want fine, lush, powerfully orchestrated tone poems.
@monicacall75322 жыл бұрын
I wish that Respighi were better known and appreciated. His gift for melody and composition are supreme. His music is so evocative of whatever subject that he’s portraying in notes and sound that you can see the pictures in your mind. Respighi is in a category all by himself.🎵
@conchamarfernandezrocca1494 Жыл бұрын
yes! i re discovered him thanks to Leon Krier
@monicacall7532 Жыл бұрын
Conchamar, have you listened to Respighi’s lesser known works such as “The Birds”, “Church Windows”, “Ancient Airs and Dances Suites 1 and 2” and “Adagio Con Varrietzion” for cello and orchestra? As much as I love “The Pines of Rome” and “Fountains of Rome” I love these pieces equally. Rimsky-Kosakov, Respighi and Ravel are considered to be the greatest of all orchestrators in all of the history of classical music. What’s interesting is that both Respighi and Ravel studied orchestration from Rimsky. His ideas must’ve made a profound impact on these two students. If you listen to the music written by all three men each has their own unique style and yet the way they orchestrated their music you can almost immediately tell that they understand the same special musical language that no other composers, not even the likes of Bach, Brahms, Tchaikovsky, Schubert et al have managed to learn.🎵
@davidrehak35396 жыл бұрын
Ottorino Respighi:Templomablakok 1. La fuga in Egitto (Menekülés Egyiptomba, Molto lento) 00:00 2. San Michele Arcangelo (Szent Mihály arkangyal, Allegro tempestoso) 06:46 3. Il Mattutino di Santa Chiara (Szent Klára matutinuma, Lento) 12:57 4. San Gregorio Magno (Nagy Szent Gergely, Lento) 18:25 Cincinnati Szimfonikus Zenekar Vezényel:Jesús López-Cobos
@carlosrevueltamarti73925 жыл бұрын
Muchas gracias
@didierschein85152 жыл бұрын
Igen !!!
@DubABattery9 ай бұрын
Im came for 6:46
@shin-i-chikozima15 күн бұрын
Respighi is a great Alchimest of the music, and will transcend time and Space
@littlemarmoset8 жыл бұрын
Many, many thanks for uploading this! I've wanted to peruse the score for years. This may very well be my favorite Respighi piece. As far as I'm concerned, he had few equals in orchestration. Thanks again! Keep doing this! There are those of us out who *really* appreciate all your efforts!
@peteklat8 жыл бұрын
+Scott Thomson And I am one of them (one of many, I am sure)
@concernedcitizen48526 жыл бұрын
HI Scott! Look up IMSLP.org
@TheVaughan56 жыл бұрын
Without doubt, along with Berlioz, one of the greatest orchestrators of all time!
@didierschein71984 жыл бұрын
The orchestration of Respighi îs so rich, it îs a wonderful work. Thank you very much for the score
@vulcanstarlight2 жыл бұрын
That thunderous entrance of the full plenum and tutti on the organ at 22:54 just had me in pure disbelief. It’s as if the powers of God himself spoke in the most earthmoving and grandiose fashion!!Absolutely sublime!
@steveegallo33845 ай бұрын
Exactly.....BRAVO from Mexico City!
@maddierosemusicАй бұрын
I'll never forget playing this with the Catholic University orchestra in St. Matthews Cathedral in DC. Unbelievable experience.
@MyTroubadour3 жыл бұрын
Respighi, l'un des plus grands symphonistes de l'histoire de la musique signe avec cette suite, une vision évocatrice et saisissante de ce que racontent ces vitraux. Du grand art. Une interprétation fort séduisante et une belle présence de l'orgue. Merci à Bartje Bartmans pour ce bon choix.
@dedede558611 ай бұрын
9:22 for hebron low brass 🤩
@jaydenreynolds385511 ай бұрын
the comment I was looking for
@DaddyMo694 ай бұрын
Thanks brother ☝️
@DubABattery4 ай бұрын
Or Carolina Crown 2009
@xavierbordes13736 жыл бұрын
D'une poésie admirable. À travers la rose du vitrail quelle beauté l'on pressent dès l'entrée grâce au mode ecclésiastique... que la musique nous donne à voir avec une sorte de grandeur et de sérénité ensorcelantes !
@pitagora795 жыл бұрын
from 21:48 to 22:53 tempo 18/8...What a mastery! Immeasurably beautiful.
@TenorCantusFirmus8 жыл бұрын
- I can see coloured Gothic glasses throught this music...
@didierschein85154 жыл бұрын
Thank you very much for the score. The orchestration of Respighi is wonderful.
@a.vandergaag55173 жыл бұрын
Progrockers Emerson, Lake & Palmer always used to end their concerts in the 70's with this music from 27:04
@takigan Жыл бұрын
6:46 - 7:30 Hebron Penstriped Intro 😎
@ollie0520 Жыл бұрын
part 3 of allen’s lux aeterna too 🤷
@fitnessbrotherade29596 жыл бұрын
Wonderful !!!
@lukasmiller4863 жыл бұрын
The ending of the final movement is like the Second Coming.
@mikenol12 жыл бұрын
Emerson, Lake and Palmer used the last two pages as their final curtain call at the end of their concerts at the Royal Albert Hall in 1992.
@ninjastah4 жыл бұрын
incredible!
@pulsebot57106 жыл бұрын
im trying to figure out the counting at 26:05 and I can't wrap my head around it it sounds real cool though
@pulsebot57106 жыл бұрын
also kudos to that bass trombone player when I first listened to this months ago I thought that was an entire ensemble of trombones, it blows my mind how just a single well-practiced trombone (and tuba lol) can come out over an entire orchestra playing at full blast
@SpaghettiToaster6 жыл бұрын
It's doubled though; is that instrument in the staff above another trombone or a trumpet?
@pulsebot57105 жыл бұрын
from what I understand, the bass trombone and tuba part are written on the same part. so I guess I was a bit off - it was the bass trombone and tuba. still really impressive though!
@alexanderhowardchairartand50394 жыл бұрын
Organ: + A-- + A +-- +.
@looney10234 жыл бұрын
Half the orchestra is playing a triplet pattern for 2 beats which becomes an eighth note pattern for 2 beats, while the other half does the opposite at the same time, then every 2 measures the halves switch. It's super complicated and not really important so long as it comes out as a wash of sounds echoing and imitating each other. It's great.
@MyRegularNameWasTaken9 жыл бұрын
What is the double staff abbreviated A. for?
@bartjebartmans9 жыл бұрын
+KC Sutherland Arpa, Italian for Harp
@MyRegularNameWasTaken9 жыл бұрын
Ah, thank you.
@RyanEntnerMusic4 жыл бұрын
Arpa
@chasekimball5999Ай бұрын
Where the hell is the fortissimo organ pedal at 27:48? I think I will stick with Ormandy.
@Maddenhawk13 күн бұрын
You mean 22:48?
@chasekimball599913 күн бұрын
@@Maddenhawk I don't know what I meant, but the organ pedal is really at 8:08, I must have had a brain cramp. Thanks for setting me straight.
@duqueadriano0081 Жыл бұрын
9:20
@faith.sophie.beatrice4 жыл бұрын
15:04 - 15:28
@dashkostka928110 ай бұрын
Texas band kids watching this video because of Hebron 🔥
@caps4thecup609 ай бұрын
I’m from SC but 100% why I’m here lmao
@freshbeans8 ай бұрын
more like all band kids
@ashleighholmes84222 жыл бұрын
1:47 12:12
@melonade-111 ай бұрын
6:46
@paciaciak3986 Жыл бұрын
Piccolo trumpet solo...
@RedZed19747 жыл бұрын
I would have given those scalar runs at the beginning to the harp instead of the clarinet.
@Philhamm7 жыл бұрын
nah
@saxual6 жыл бұрын
That would make the texture more interesting, good idea
@SpaghettiToaster6 жыл бұрын
That's not an appropriate use for the harp... long monophonic solos are not what harps are good at. You couldn't control the phrase properly, the crescendo and diminuendo would be very hard to convey and since you can't control sustain on the harp it would become quite blurry. If anything, the harp could double the clarinet.
@tchaikoffkey4 жыл бұрын
SpaghettiToaster maybe as more of a glissando sweep, but I think the clarinet is far better suited for that section tbh?