Bass Singer FIRST-TIME REACTION & ANALYSIS - VoicePlay | Dream On (feat. Omar Cardona)

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[@JenniferGlatzhofer]

It’s so interesting learning even more of what’s going on with a VoicePlay cover, because there is A LOT! Your knowledge and breakdowns are equally impressive and you offer so much finer detail, i’m specifically impressed by how you analyse each line/instrument and the harmonic progression etc. Your face on 4:37 ahah, oh yes! Aren’t they so good😭 I too could continue talking about this group, so many elements to unpack. Keep on sharing!

[@DC-tm7ys]

Mortius another reactor interviewed Cesar and broke down this song. Cesar stated he was the extreme high voice on this song. It was an excellent program. Love your reactions as always.

[@Catherine_Longstaff]

Great video, as always! I'd be willing to watch an hour long break down video! It's great to see you nerd out about how cool Voiceplay sounds, but also explain why what they are doing sounds cool.

[@lkayh]

You could go an hour, Peter, and I’d be there for it. I really enjoy your breakdowns. I’ve come to suspect that the reason VP’s videos are so often Geoff-centric is mostly a marketing thing: At the end of nearly every song the first thing reactors talk about is his bass. It’s so extraordinary that he’s become kind of the gateway drug for Voiceplay. Once you’re into them you realize how amazing everyone else is. I love the idea of TBG getting a social media person. I’ve been watching what’s happening with the Wellermen and I think their very aggressive social media blitzes before they released the last two songs raised a ton of interest. But mostly we need MORE SONGS from you guys!! Excellent analysis-and seeing a new one from you always makes my day!

[@Trickpants]

I've always thought that Geoff's bass usually gets more featured when it's Layne doing an arrangement - Whether it's because he really likes heavy bass or he's figured out this "gateway drug" thing, I can't say though!

[@lkayh]

@@Trickpants Layne’s the guy who had him holding that one sub for months in My Mother Told Me-that’s for sure.

[@bjspeck4337]

Me too.

[@alicehenderson8842]

I remember the original and following Aerosmith. His father was a classically trained musician (Julliard). In an interview long years ago I read that the chords and simple melody were a product of listening to his father practicing on the piano. What a great piece it continues to be -- truly classic in the rock world. Lyrics were, and are, wise thoughts written by a teenager of his time. Peter, I feel like you introduced me to an old friend musically that I now know with new appreciation. ColdPlay is amazing.

[@alicehenderson8842]

CORRECTION: Where did that come from?? Voice Play (not COLD Play). Freudian slip of the mind, cold shivers down the spine?

[@maudglazbrooke1287]

@@alicehenderson8842 the last video was a Cold Play cover so it wasn't that far a reach for a one word slip.

[@letheardaw]

I'm not sure even Layne knows what he does at this point. He went out wandering the universe and came back with all this....The more I listen to him, the more I'm amazed. But that holds for everything they do, so... I did not grow up with music. Just what was on AM or my dad's Glenn Miller/Andrews Sisters. So this is such a new world, and I really appreciate how you and the Charismatic Voice explain and help me understand the levels and intricacies of what they do.

[@jennrodriguezdaluz]

making my way through your voiceplay analyses, and i am adoring it! on top of learning a lot about the technical aspects, it's just so energizing to listen to someone geek out about my favorite songs. i laugh out loud and smile so wide watching your videos. voiceplay is my favorite as well so a little extra thanks for the confession in this video 😜

[@alexwalker8440]

Excuse me, good sir! How dare you, just pit viping only once! You should've been wearing them during the whole song! 🤣🤣Now seriously, Geoff dropped some impressive, long lows out there! Wow, I'm still shaking! 🔥🤯. I think the barbershop cadence is because there's no perc at the beginning, until Layne produces that weird, awesome post-apocalyptic helo sound, or whatever it is! This song has been one of my favorites for ages, and I was really curious to hear what VP would do with it, wondering how they were gonna start with perfection and make it even better, you know? But they managed to pull the VP mesmerizing feeling all along! The arrangement is such a wonderful, creative masterpiece, and their voices and harmonies are outta this world! Maybe they are aliens? 😉 I already listened to this so many times! Funny thing is it hits me as if it was the first time I heard it, over and over again! 😍💯 Geoff has a new solo that will probably go public later this week. It's amazing, you need to react to it!! I mean, please do? It's worth it!!

[@janetdw]

Oh, yes!! Definitely set aside for Geoff and his identical brothers!!

[@bohemianmiss6282]

I want to base a D&D campaign on this video. Acapella group explores abandoned building defeating enemies through the power of rock! Bardbarians Unite! Amazing song. Fantastic analysis, as always!

[@mkozicka]

I absolutely love Your analysis. I love the song too. Taking on this kind of song shows a lot of ambition and a lot of knowledge as well. I would gladly watch an hour long video btw

[@CharronMcLeod]

I second the notion that longer analyses would not go unappreciated. Love your review and insights.

[@welchbrice8303]

I love hearing you talk/sing. I love your voice. You are beautiful too

[@ColtonRMagby]

You bring a warm vibe to every video, and your analysis of any song makes listening to it better.

[@natebaker3672]

Loved it. So nice to have you doing this in a sea of reactors who don't understand music.

[@b.buster.]

Will be awaiting your analysis of Geoff's version of "Big Bad John".

[@Wildecat10]

And his new one coming out later this week. It’s quite a departure from the ‘underground’ and bass-centric videos.

[@ajyadamiec]

I’ve been waiting on that too

[@Wildecat10]

@The Guitar Yes, I’m a patron. So I’ve had the video for a couple days. I’m happy to support artists that I believe in.

[@PeterBarber]

Should I do Big Bad John or Ain’t No Sunshine 👀

[@ajyadamiec]

@@PeterBarber I like Big Bad John better so I’d vote that one

[@DC-tm7ys]

Never an EPIC for me.....now it is and I understand the lyrics. Really nice and instructive reaction as always. Thx

[@erichbrough6097]

Jeff's dub step bass is stank-face worthy! 🙌🙌🙌 Just a stunning performance all around, kudos to Voice Play!

[@bonniewells9208]

Geoff's subs are absolutely amazing! They out do themselves every time they make a video!

[@CindySmith0718]

Yay, thanks for taking the time to make us an additional video! Insightful and informative analysis, as ever, and "morning energy" or not, the geeking out as you peeled apart the arrangement was fun to watch. 🙂 This was a really creative and skillful take on such an iconic song. (I was also pleased that the riffs never crossed the line into "too much," at least given the feel of the song, and neither did Geoff's bass--it was just enough.) I guess my one nitpick would be that, while I'm in awe of the high-tenor belting no matter what, those epic high notes felt a little too smooth and processed--a little bit of grit, and it would have been perfect. But otherwise, I loved how they put this together.

[@Finderup16]

I love that Voiceplay takes risks. And they're not afraid to add their sense of humour to the video. It makes it both amazing to listen to, but also entertaining to watch 😁😁

[@gailseatonhumbert]

Nice version. I don't know if Rob Dietz was involved in arranging this one but he has worked with them on others recently. Rob, along with Avi Kaplan and Ben Bram are the founders of A Capella Academy. It is such a small and tight overlapping community.

[@sarahereach]

This was originally arranged by Rob, and then Geoff took the arrangement and made quite a few changes, enough to claim co-arranging credit.

[@eriklind8489]

lol.....some day the prince will come......... :) someday the F will come....LOL

[@hollyryalsgrubb1273]

Layne killed the percussion on this.

[@laurag7295]

Sure did!😊

[@iantassinari4942]

21:12 “How dare you defy me, computer” That’s gotta be one of the funniest lines I’ve heard in a Peter Barber reaction video 😝 I loved the breakdown as usual and love all your stuff!!

[@bjspeck4337]

Had to come back and hear your analysis. Do check on VoicePlay's new one - The Lion Sleeps Tonight - where Cesar gets 2 new notes - C6 and D6.

[@lindavantol2500]

Thanks for "reacting" so quickly. Loved it.

[@joshnoe5523]

One of about 5 main reactors I look forward to anytime new VP drops! Thanks for jumping on it quick-like! Such an amazing cover built on a genius (per usual) arrangement.

[@maia.t]

Great analysis again, love how much detail you go into with noting the different pitches, talking about the background harmony intricacies, etc! (I, too would also watch a 1 hr analysis vid of yours anytime.) This cover is really cool, very glad your Patrons and the BSN guys coerced you into doing it! 😂 Also great to hear that the Bass Gang is getting a social media manager, excited to see how much the group grows and for May to come 😊❤️

[@tackdaniel9978]

seconded and fully agree!

[@DaisyGray74]

They really just keep topping themselves with each video. They truly take these songs and flip em to create magic and I’m a big fan of that. You can tell these guys sing from a spot in their souls where their love for their craft shines. Great reaction and analysis as always from you!

[@anaestay6698]

This is better than the original. I love VoicePlay, they are so much fun and so creative!

[@vvoof2601]

That is highly subjective. I happen to think the original cannot be topped. I did greatly enjoy this though.

[@anaestay6698]

@@vvoof2601 Of course is subjective. If I'd liked Aerosmith better I would probably think nothing can top the original. But I don't like them, and now VoicePlay have me singing this all day. :)

[@aylansol9306]

I really appreciated this breakdown! Honestly I didn't like this cover very much when I listened to it but you made me really appreciate it anyways for what went into it and the creative decisions. So thank you!

[@tassey]

Thanks for this analysis. I love VoicePlay, but don't know why. Also, I don't remember the original. So I find your analysis so helpful. Been following you for a while.

[@JoeSeverino]

your breakdowns of Voiceplay are some of the best! Please keep doing these longer breakdowns for VoicePlay!

[@_WalterW]

you deserve so many more subs, love your input mate, genuine guy as well. keep on being amazing!

[@huldradraco]

lol, feel free to divide the videos up in two parts if half an hour isn't long enough! 😁 great reaction as always, Peter!

[@christinakyleloves]

So ready for this Analysis!! VoicePlay Nailed It!! Thanks Peter!!

[@nadinehoogenboezem4798]

This is a great video Peter

[@pennyc7833]

"Some day your prince will come, some day the F will come." ... So what you're really saying is, "Some day your prince will give you a nice, deep F..." :)

[@jdoveyk9422]

It’s so cool to see you super geeked out in your element! You can tell how much you love what you do ! 👍

[@artchic1984]

Omg I JUST watched this video myself and holy shit man, I had CHILLS THE WHOLE DAMN VIDEO!!!! And chills again as I watch it with u. They really have arrangements on lock. They have my favorite arrangements. Some of the songs they've done u never would think would be the same as Acapella and some I feel are better than even some of the originals. Amazing. *Side note, I'd totally watch an hour long video. Part 1, Part 2 those for sure!!!* All those riffs, so steady and powerful, sounds so great. Then the Bass drops! There is just SOOOOOOOO much to say about the techniques of this, Lane and Geoff just have that beat going so smooth and effortless and sounds so amazing! And then i love when YOUR mind is blown with the Lane magic and Dub dub dub! BASS BASS smooth! And yes we are waiting! And lmao, may the F be with us lol. And man those highs!!!! They just go and go and go! 😲😲 And is just soooooo steady. I love love love the amount of riffs in this song, they are all so steady and effortless with no breakage, so amazing. Awesome work by VoicePlay as always, always ready to see new stuff by them as they NEVER disappoint. I was happy to see more of a video feel on this to see each on their own as well rather than the normal only sitting/standing, mixes it up a bit and I enjoyed it. Thank u for an amazing reaction/analysis as always. I do love the analysis but I do genuinely love seeing ur reactions to these as well.

[@sarawlindgreen3115]

Thanks for reacting so fast on this, and an hour long analysis of this would totally be worth watching especially because you looked like you were enjoying the song a lot. Also thanks for clarifying the sound that Layne starts out with, I haven't been able to wrap my head around that sound.

[@smolnsassy7]

As soon as I saw this was out from VP I was READY for this video! Awesome as always

[@jerlynneallison6361]

Great analysis as always! Thanks Peter! 🥰 (And thanks Marwan! 😉🥰)

[@danasutherlin1764]

Great reaction and Analysis. I can listen to you and Geoff talk all day long? Y’all have the best bass voices!!!

[@Broomrider1492]

Layne is doing a helicopter sound is what I'm hearing. Looks post-apocalyptic similar to Warriors.

[@janetdw]

To me it sounds like the scattering of cockroaches or something similar. As soon as I heard it I thought of that scene with Vincent D’Onofrio in Men in Black, where the cockroaches 🪳🪳🪳just kind of take over. Blechh !

[@Broomrider1492]

@@janetdw Guess we will just have to ask Layne.

[@maudglazbrooke1287]

my question is how??

[@marshayoung9387]

Please I beg you to do a first time reaction video of Voice Plays version of Once Upon A Dream. It is so beautiful. Thank you.

[@janetdw]

Was it the someday your prince will come reference, or some thing else LOL

[@maudglazbrooke1287]

that came out a while ago, like years before Peter started doing reaction videos the odds of that being able to be a first time reaction are kinda slim.

[@marshayoung9387]

@@maudglazbrooke1287 Voice Plays version is far different.

[@maudglazbrooke1287]

@@marshayoung9387 I mean Voice Play's version came out years before Peter started doing reactions, he could do an analysis but I strongly doubt it would be a First time

[@marshayoung9387]

@@maudglazbrooke1287 first time for Peter.

[@Bass_Krispies]

Such a cool analysis. As soon as I heard it, I knew I wanted to hear your analysis, especially with your expertise in dubstep. Voiceplay is certainly one of the best in the game. Go BSN plugs!

[@ChrisHaar]

There you go again talking about my favorite Aeolian cadence. Well done brother.

[@caitlinkavanagh3298]

I'm up for hour long breakdown!! Would love it! :) Thanks for the reaction, and thank you for making the time for us. I've been watching for it to drop.

[@azurellespeed9263]

I’ve been waiting for your analysis…amazing as usual.

[@williamdouglas8084]

Great breakdown as always. Would like you to break down Home Free's Austin Brown singing " Bring him Home ", it is amazing it shows you how talented he really is.

[@bastiaanvanommen8497]

In the 21 pilots medley he did a F1 chest. He also did a few F#1 in chest. In his solo song ‘ Satlle up ‘ and Voiceplays ‘ Superstition ‘ :))

[@sprumf]

I’m so glad someone commented this.

[@bigboyjohn18]

Geoff does hit a short F1 in chest in friends on the other side. That’s the only recording we have of him going down to an F1 in chest.

[@charmainehudson7660]

I agree with you Voiceplay is my favourite acapella group too. Love the reaction.

[@laptopgirl09]

"Omar can do it!!" - for those of you who have watched him on The Voice

[@StanWatt.]

A solo artist can be stunning but, for me, there is nothing better than exceptional harmonies that sound like they were created for each other. Some of the newer groups, especially the Filipinos, execute them to perfection and create an unbelievable wall of sound effects.

[@nikkibanning176]

This cover is just incredible! VoicePlay always does an intelligent and complex arrangement to make it their own. Omar really added texture to this. Geoff just released Ain't No Sunshine with a tiny bit of dub step❤️❤️

[@spiderfingers86]

Originally created for Steve Tyler due to his high singing voice

[@Stan_S_Stanman]

Geoff has done a couple of chest F#1's in recordings but very briefly. One was in Superstition with Voiceplay and the other in Saddle Up.

[@shirleykarr3554]

How can you tell? I'm trying to figure out how to distinguish a chest from subharmonic. Fry and growl I can recognize (sometimes) because of the tone, but I don't know how to differentiate chest from sub.

[@Stan_S_Stanman]

@@shirleykarr3554 it's hard to describe with words. Subharmonics sound more rumble-y than chest notes. Just play a sample of each type of the same note side by side multiple times. You will realize the difference.

[@sprumf]

He did longer ones in the background of the twenty one pilots medley they did with Kurt Hugo Snyder many years ago. Which is crazy considering how low it was.

[@felicitymcdonald24]

and he's since done *four* of them in Folsom Prison Blues

[@drekfletch]

You can't tease us with an opera production and not tell us what it is!! May your song bring joy and tears and passion.

[@barbarabishop9362]

I'm desperately curious about that pulsing sound effect that Layne makes that startled you so. This is actually the third song I've heard it in - he did a kind of one-note version in "Hoist the Colors," but in "Dragonborn Comes" he makes this exact same deep pulsing throb. I cannot IMAGINE how he's making that sound, but as an a capella group I do believe they would avoid a sound effect that needed much mechanical assistance. I understand adding reverb or simply increasing his volume as needed - but this is a really unique sound. Layne, Kevin and Adam (from the top tier a capella groups) are incredible beatboxers, and I don't want to think of the carnage should any of the three ever decide to walk away.

[@Izabella907]

While you're still doing a cappella, please react to Citizen Queen, an all-women group, including the bass and beatboxer. "Don't Call Me Angel" is a good one for reactions.

[@tiffymcconkey]

Fun fact: Caesar was the higher register with the Dream On section

[@tackdaniel9978]

Another forensic and rich look at vocalese. Love how you open all these up and and in 1 fresh pass, detail everything from note placement , vocal overlays to scales i.e. the Aeolian mode scale. So good. I'm glad to have followed you in that you appreciate all the sounds/performance elements in music. Hope you 1 day look into cultural voice production i.e. Tibetan, African and Sardinian vocal approaches, etc. Enjoying your knowledge Peter and am learning tons (a rejuvenated singer).

[@AndieO]

This gave me goosebumps. You also need to check out Geoff's new song - Ain't No Sunshine. Gave me Leonard Cohen vibes. Absolutely amazing.

[@aussiebloke609]

22:07 Cesar actually gets the high note here (Cesar did a interview/analysis with Mortius), with Omar I believe a maj 3rd below. And Eli just a little below that.

[@bjspeck4337]

I can't believe Layne learned how to swallow a helicopter.

[@eriklind8489]

This song is my favorite of Aerosmith, and this one is a very close 2nd.

[@amandacoffey6170]

I know I read a while back that you were looking for rock/alternative bands to react too. I have an amazing band for you. The vocalist has such a unique voice && I really think you’d enjoy it. The band is Sleep Token && the song is Alkaline. I really hope to see you take this one on

[@boester69]

I totally disagree with your conclusion, where you stated that the regular songs were more of a Geoff spotlight, and this is not. In a way, Geoff gets a lot more "fun stuff" in the other songs, I agree with that, and understand how it can feel like a Geoff spotlight, however I feel like this specific song has much less harmonies, and is mostly melody by the higher voices, and because of that very bass driven, which I absolutely love, and showcased Geoff in a different way, actually giving him a much more even spotlight

[@kavilljrb8684]

I think geoff did a F#1 I the cover All my friends just here taking it slow.

[@veronicathunander4579]

Glad you did this! It's great and I always enjoy your analyses to VoicePlay!

[@eriklind8489]

Thank you Mr. Barber for another great reaction....I have listened to this a few times, and I heard some notes near the beginning that I never heard before, because of you and your reaction....This one just keeps getting better.

[@PeterBarber]

That's what I like to hear!

[@marshayoung9387]

Geoff is not a bit of a show off as you put it. He is giving his fans what we want & that is the anticipation of when that sub will come. Geoff knows what we want & he gives it to us.

[@PeterBarber]

I totally agree that he gives the fans what they want -- I didn't mean that Geoff is a show off, but rather that his arrangements are geared to show off his low notes. Not in an egotistical way -- just simply that they are put on display

[@marshayoung9387]

@@PeterBarber ok thank you for clarifying that. I was worried about that comment because I value your professional input.

[@droid8472]

While I love voice play I think for me home free is my favorite. I would love to see some more reactions to them.

[@quinswaringam10]

You'll love voiceplays cover of daddy sang bass!

[@jessicaeddins6550]

Peter I always here people saying referring to riffs and runs but what is the difference between a riff and a run?

[@toddreed882]

Still waiting on a reaction to their cover of “ Superstition”!!

[@nrwiederhold]

"world still waiting for f1 chest"? valhalla is calling him to do that

[@Samtaylor0829]

I believe Geoff hit an F1 chest in the Twenty One Pilots medley they did with Kurt Hugo Schneider, though it was pretty brief and not really thick and meaty like his solo stuff, more background.

[@PeterBarber]

I think he has recorded down that low in chest before, but I mean more of a spotlighted solo chest F1 -- fully exposed for the Pit Viper status 🐍

[@joshuakre125]

He did a clean one in superstitions

[@hataramadhan7295]

Please react to agseisa cover good4u.olivia Rodrigo song thank

[@jackfishbock5102]

I think Geoff did a spoken Eb1 in sixteen tones.

[@bass.fishing.momma.G]

At 20:10 you can hear Geoff do something really cool. Just pay attention. Its done at I think 20:14 .👍 Have a good day/night 👋

[@carlbaker520]

Duuuuuuuuuude. I started tearing up at 06:49. Oh ma gaaaaaad

[@aydinprineapple4966]

bro hit a thiccc f1 in "in the air tonight". tho its kinda hard to hear.

[@charitybennett4115]

Yea cancel tonight if you have a chance

[@ilonadever8249]

I always enjoy your deep analysis of Voiceplay and Geoff. On those very highest notes from the Eli, Cesar, Omar trio - I think that Eli and Omar were on the highest note with Cesar doing the harmony. Another reactor thought that because Omar and Cesar were doing similar physical action, that they were singing the same note. The more I watch it, though, the more I think rock star Eli did it. Thanx for reacting to this! And Geoff will have another solo on KZbin in a few days. Subscribed.

[@aizukiwiart]

They did a short for viewers to karaoke and do the highest note with them, and they stripped out the highest voice - in that, it sounds (to my unprofessional ear aha) like Eli singing a lower melody, then Omar, with Cesar missing which means he would’ve been on the top?? It’s so hard to pick…

[@janetdw]

I agree. Cesar and Omar are more in tune physically but Eli can hit those high notes much more easily. And in spite of the lack of the metal scream which would not have worked well with Omar’s pure tones, as much as I would’ve loved to of heard it, it’s still had that feeling of Eli. That rock feeling.

[@Honey_Beef]

To me, it was almost quite obvious that Eli was on the lower harmony on that part, then I'm pretty sure it's Omar on top and Cesar in the middle? If so, it's very interesting because in between Eli (tenor 2 when Earl was here, but obviously has tenor 1 capabilities) and Cesar, it's the baritone singing the high E5-F5 stuff. Not sure about the latter two though, there could also be some stacking going on where one sings two notes and another sings none. One of the reasons why I thought that is if we go a bit back (2:37 in the original), it's obvious from mouth movement that it's Cesar singing the melody/middle part, which leaves Omar and Eli on the top and bottom. Then, listening to the bottom part more carefully, it has a more "Eli quality" in that almost-baritone range, and if you really look at the brief Omar shot (2:39 in the original), the mouth movement also matches the high part (with the Eb4 Dream | F4 On). To conclude, before the ultra-belt part, it's obviously Omar-Cesar-Eli. Now, to go to the actual belting part itself. For me, the low part (I'm calling a part with C5 a "low part" lol) just sounded very Eli, and from 2:49 onwards it just sounds straight up obvious. The Bb4-C5 movement just sounds so Eli, neither Omar nor Cesar would sound like that in that range - they would probably both sound a bit more "heady" (probably not a right word but I can't find a better one, so we're sticking with that). I think at this point, we should probably just ask VoicePlay themselves and have them answer us lol

[@jennifersmith8923]

I'm 99.9 that Eli is on the lower harmony. I know his voice extremely well as I sung with him for about 5 years daily, and it sounds like him on the lower part. He IS capable of those Gs though and definitely hit it at least once in this

[@Honey_Beef]

@@jennifersmith8923 Definitely capable yeah, also how did you sing with him for about 5 years? I'm reeeeeeeeeeeally jealous lol

[@АлександраБакульманова-у8п]

You're really need to check out Geoff's Ain't no sunshine - the newest cover.

[@PeterBarber]

I've heard from many people that it's fantastic, so I will try to make that happen

[@leslieholland7843]

What a fantastic review!

[@CarolCM8]

PLEASE PLEASE react to "2021 em uma música" and Gabriel Henrique - Stand Up (he will blow ur mind!)

[@MelodieRose727]

I would be ecstatic about an hour long breakdown! This is such an informative and enjoyable breakdown. Nice work, Peter!

[@marshayoung9387]

Please do a reaction video of Geoff Castellucci's version of Way Down. It just came out.

[@creationsbychancecan]

You always give me something new to learn every video you react to. Love VoicePlay too and they always give a really great music experience. Thanks for the informative and fun reactions Peter

[@shesskys]

Forestella- bohemian rhapsody please. I'm sure that you love it 🙏👍

[@marshayoung9387]

Check out Geoff's new solo in The Rains of Castamere. All I have to say is WOW.

[@doktawho5637]

Hey How ! to the BeatBox part you where not sure about :) If Lane is improving ( into the crazy Beatbox guys techniques ) its actually possible without sound engineering to do these sounds :) for example professional guys like "D Low" can do quite crazy stuff :) Anyway like your Content keep going! And please sorry for my english haha German and trying my best hehe

[@deathmachinexxlplayz8531]

geoff actually said his lowest chest note is an F1. he just cant hit it super consistently yet i guess. i have a feeling its coming soon tho and then within the next couple years im kind of thinking hes gonna drop a chest e1 somewhere and blow all of our heads off xD

[@Iansco1]

Question. Will the voice keep expanding down with work into the 50s. Asking for a friend that is me.

[@rmdewberry2482]

Yay!!! I'm so glad you did this video. I kept checking your channel every day.

[@florian3724]

Maybe i'm wrong, but didn't Geoff hit a F1 or F#1 Chest in their cover of superstition?