Raag Gaud Malhar | Pt. Ulhas Kashalkar | Hindustani Classical | Bazm e Khas

Raag Gaud Malhar is a very popular Raag as it is very impressive and melodious. It is among the oldest raags from the Malhar family, it even predates Miyan Malhar. The Raag is also called Gaud by some musicians. This Raag is a combination of Gaud Ang, Shuddha Malhar Ang and Bilawal Ang. Like many compound raags, Gaud Malhar has defined its independent evolutionary path, giving rise to several versions of it being in circulation. In recent years, however, there has been a tendency towards the homogenisation and standardisation of the raag form.
There are legends and myths about raag Gaud Malhar, that it is so majestic, it has the power to conjure the rain, when sung with great passion, devotion and dedication.
Artist
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Ulhas Kashalkar is a Hindustani classical vocalist, born in 14 January 1955 into a musical family in Maharashtra. He was initiated into music by his father ​Shri. Nagesh Dattatreya Kashalkar​, an advocate and a musicologist. While ​his music remains deep rooted in tradition, the listeners revel in the experience of listening to a new gayaki. A torchbearer of our pristine tradition, he continues to enthral and take his audiences on an ecstatic journey through his music.
This baithak was held at the initiative of Ved Gupta as a part of bazm e Khas foundation live concerts.
The idea behind this upload is to preserve this collection of great music for all music lovers and students of Hindustani music.
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[@geetakatju884]

The tabla accompaniment is provided by Pt. Suresh Talwalkar.

[@KhushbooAkritijha-dd5tf]

❤🌷🙏🙏

[@ananyasamajdar1043]

The drut composition and rendition is gorgeous :)

[@shashwatpandey1988]

विलंबित ख़्याल - काहे हो हम सो प्रीतम आखें फेर दारी।। का मोसे चूक परी सुधार लेहो सदारंग तोपे वारी।।। ताल तिलवाड़ा या तीनताल।।।

[@raghavendrarao1551]

Thanks 🙏🏻 The second line of the tarana is in Farsi?

[@shashwatpandey1988]

@@raghavendrarao1551 no no... in the second line (antara), sadarang says, he would improve the mistake which he had made...

[@atharvaabhyankar]

@@raghavendrarao1551 The performed tarana is a Gwalior gharana staple. Every tarana has syllables derived from Persian words. This tarana is special in that the antara actually has discernible words, although I do not know their meaning. तन ना दिर् दिर् दानि तोम्तनत दानि दोस् तदीम् तन नन नन दीम् तनन देरे दारा दारा ना द्रे द्रे तनन यली यल लल । बर्के चष्मे रिंद मस्ते कोहो सेहेरामी रसद साकिया सामान सागर कुम्के बारा मीरसद ॥

[@suhaspatil1279]

Plz mention accompanists also.

[@carokann28]

Tabla : Taalyogi Suresh Talwalkar Harmonium : Vinay Mishra

[@বেদব্রতচ্যাটার্জী]

The vilambit theka is very nice & pure. Actually the tal "Tilwada" mixed up very often with "Jat". So the differentiation is appropriate 🙏🙏🙏🙏

[@raghavendrarao1551]

Wonderful tarana at the end🙏🏻🙏🏻

[@Latifunjulio]

আহা! 🌿🙏🌿

[@shubhadasevekari6243]

I am amusic lover.ilike this channel

[@hemantghayal7709]

A great experience with Guruji.

[@arpanchowdhury7232]

🙏🏻

[@udaybhanughosh2846]

🙏🎉🙏🎉👍👍🙏🙏

[@krishnakumarsinha49]

Very nice

[@atharvaburse5438]

Legend 🙏🙏

[@aniltatre1181]

Beautiful

[@srilekhamanna1418]

Mesmerizing 🙏