Beethoven: Cello Sonata No.3 (Benjamin Zander - Interpretation Class)

[@wsc2533]

I love coming here for inspiration, not just for music but for any other field of human endeavour.

[@micahsnow346]

So glad to see these interpretation classes are back! I’ve been watching all the old ones for a long time now and was recently inspired to pick up my cello again after a few years. I’ll never be as good as these performers but it’s lovely just to make music again

[@lukejackson3901]

SO HAPPY YOU'RE ALL POSTING AGAIN OMG

[@jpdj2715]

Great to see you online again, Mr. Zander. And great to hear Ms. Vainshtein's piano playing too.

[@NoName-zn1sb]

!!

[@d.mavridopoulos66]

One of the undisputed masterpieces of chamber music. Just one, out of the many times, that Beethoven gave birth to a whole musical world.

[@FFS704]

As a non-musician, failed pianist, I found this inspiring and moving in equal measure. Thank you so much...

[@raymondhummel5211]

Such skill involved with his teaching. Always encouraging them, as he continually is making them better and better. Explaining to them there is so much more to it than just being a good musician. Telling a story with their playing. Truly living the moments to there fullest, bringing to the audience their very best.

[@m.barrera7273]

I love the excitement of Maestro Zander!

[@LisaSaso]

I have missed all your comments Mr. Zanders. Thank you for this .☺

[@lynnrixson1094]

You are back !!!!!!! Excited to hear more 😁😁. That was absolutely amazing (as usual) 😊😊

[@jamesnotsmith1465]

You dropped a pearl of wisdom that has brightened my ignorant corner of the universe. In your discussion, you talked about who has the dominant voice in different parts of the piece. I've heard such discussions before, but this time it registered. I am often irritated when the accompaniment (piano, orchestra, ...) drown out the soloist, but sometimes the accompaniment should be the dominant voice. Now I have something new to listen for.

[@NoName-zn1sb]

!!

[@leewinslett2592]

Fantastic, beautiful and inspiring. Excellent teaching and musicianship. Special shout out to Deana (?). She is one of the best pianists in the world, bar none.

[@johnalexander301]

Maestro Zander is such a gift. Thank you so much!

[@HausofKinney]

I have been playing this piece and listen to it many times but this is the first time I actually heard Beethoven. The dynamics, the tempi, etc. Pure joy to watch and listen!

[@PauloEdson]

What is the name of this piece? How can I find the music sheet?

[@HausofKinney]

@@PauloEdson Maybe you check out the title of this video?!?!?

[@PauloEdson]

@@HausofKinney Thanks. Very helpful!

[@lohphat]

I know the pianist was given credit in the video description but she deserves recognition in the on-screen credits.

[@NoName-zn1sb]

!!!

[@BostonPhilharmonic]

That is a good idea. We will change that moving forward.

[@P0110X]

this is another level! I love these interpretation lessons!

[@keithhulks7049]

I have a wonderful of this sonata. Jacqueline du Pre paired with Stephen Bishop (before he became Kovasovich). Totally unbuttoned!

[@heyryunkoh3132]

I’m very thanks to see your class.

[@lcdesigns6145]

Awesomeness 😊. Thank you and Welcome back!

[@rokasjurkus]

they are baaaaaaaaaaaaaack

[@fabienmusicien616]

Thank you

[@SedinilsonAlmeida]

Um forte abraço magnífico condutor, desde Brasil

[@ikawinner960]

Amazing

[@Pitborn]

Right now I noticed that Jacqueline du Pré starts the sonata with a downbow, also Sol Gabetta (but they divide the next upbow) 😉

[@keithhulks7049]

meant to say wonderful recording...

[@vinodgaikwad1763]

Super 👍👍👍

[@elvirabiesinger4469]

He has a nice haircut! Doesn't look like the "crazy professor" anymore. Good move!😊

[@NoName-zn1sb]

I miss Sequoia