0:10 I. Allegro 11:30 II. Scherzo: Assai vivace 14:27 III. Adagio sostenuto 32:33 IV. Introduzione: Largo...Allegro - Fuga: Allegro risoluto
@michaelasanielevici18544 жыл бұрын
Brendel is the best, I love the man, I love his playing. I got his complete Beethoven piano sonatas and concerti, can't get enough of his playing. Thank you, dear Alfred!
@andresmorales51113 жыл бұрын
He's my favourite pianist
@VladVexler3 жыл бұрын
@@andresmorales5111 Very very very good taste...
@VladVexler3 жыл бұрын
And he managed to add a wonderful opus 110 (2007) and opus 27/1 (2008) to improve on his last cycle.
@markcrimminswriter Жыл бұрын
I've been called a 'Brendel fanatic,' a 'Brendel nut,' a 'Brendel devotee,' a 'Brendel purist,' and many other variations on a Brendelian fan theme. This wonderful live performance is a good example of why I have been so attached to this marvellous pianist this last thirty years. I saw him perform the Beethoven cycle twice during the early Nineties in Toronto; the second time I was very close to the maestro in something like the third row at Roy Thompson Hall. Even then I felt like I was watching this performance with thousands of pianists. There's something transcendent about Brendel, especially in the Beethoven arena, where, for me, he has been and remains supreme.
@sheldonbazinga39854 жыл бұрын
Il est heureux pour les grands compositeurs du passé - que nous aimons tant - qu'ils n'aient pas eu le don de divination et n'aient donc pas su à l'avance que leurs oeuvres allaient être tant jouées, adulées, étudiées, décryptées, diffusées et jetées en pâtures aux oreilles du monde entier. A la fierté aurait pu succéder l'immense crainte de ne pas avoir encore assez bien fait...Venant de ces génies-là cette réaction n'aurait sûrement pas manqué de se produire...(Il n'en va pas de même pour nos minables contemporains qui, eux, n'enfantent que pour ces raisons de diffusions extrêmes et dans l'optique de profits invraisemblables)...Heureusement pour Beethoven et grâce à quelques Brendel, sa musique est en mains sûres et ses craintes pourraient se dissiper. Ils sont bien peu de gardiens de ces trésors à mériter d'en avoir la responsabilité.
@yuzo06026 жыл бұрын
The sounds are very clarified and comfortable to listen to. I used to be a big fan of Brendel 20 years ago, then forgot it for a long time. Today, I listened to his piano like this. The genuine art does never change eternally.
@mikedaniels30094 жыл бұрын
To play this monster live is unbelievable. I owe Brendel a life changing concert 44 y ago. We all owe him, I'll be bound. Thank thee a lot, Sir Alfred.
@DocteurMario314 жыл бұрын
This is so true... and it is still my favorite recording. Can you tell me more about this concert ? I'd have love so much had the chance to see him live but I was born too late for that ^^
@mikedaniels30094 жыл бұрын
@@DocteurMario31 Volontiers. Donc, je m'en souviens comme si c'était hier. C'était en été 1976 à Winterthour, en Suisse. Au programme il y avait: 1) Concerto Italien de Bach 2) Bénédictions de Dieu dans la solitude de Liszt 3) B-A-C-H de Liszt 4) Une chorale de Bach. J'avais tout juste commencé le piano, et j'étais électrisé par le fait que quelgu'un puisse jouer tout ÇA sans se gourré, sans la moindre fausse note. Bénédiction de Dieu dans la solitude et le concerto italien furent LES expériences clé qui ont laissé leurs empreintes sur ma future vie musicale. Ayant courru acheter les 33tours correspondants presque sur le champs, je suis tombé, peut-être par Providence et parce que c'était le meilleur marché à l'époque😀, sur celui de Claudio Arrau et c'est dès lors sa version que j'adore par dessus toutes les autres. kzbin.info/www/bejne/oH_ClKKopsaknbs
@DocteurMario314 жыл бұрын
@@mikedaniels3009 Merci de partager :) J'ai découvert Brendel quand mes parents m'ont offert l'une de ses intégrales des sonates de Beethoven (ma prof de piano en avait marre de m'entendre cogner sur le piano et elle a glissé à ma mère que je ferais bien d'écouter Brendel). Et par la même occasion, je suis tombé amoureux de la musique de Beethoven, qui me semblait alors, très hermétique. J'écoute rarement Brendel sur Liszt, car assez difficile à trouver sur youtube, mais je partage définitivement votre goût des Bénédictions de Dieu dans la solitude par Claudio Arrau ! Je le trouve incroyable dans ce type de répertoire (Vallée d'Obermann, ballade N°2,...).
@davidthompson3255 Жыл бұрын
I have always thought of Brendel as a fine but somewhat staid pianist. But the directness and excitement of this performance blows me away! Who knows how Beethoven thought this strange music should sound, but I think he would be well pleased with this.
@josephlorenz56816 жыл бұрын
Brendel plays the piece on a manner, in which he engages a great clarity. I have heard now different interpretations of the Hammerklavier (Giliels, Richter Aschkenasy, Sokolov, Kempff) and I think that I prefer the controlled and well-thought interpretation of Brendel.
@timothythorne94644 жыл бұрын
Joseph Lorenz this is the best version of this piece IMO. Brendel has the right tempo for the magnificent first movement, and the lyrical, singing tone of the piano comes out so beautifully in the secondary theme. Some performers take the tempo of this movement too fast and it ends up sounding unpleasant and discordant. I think the composer would have approved of Brendel's pace.
@georgesmelki19 ай бұрын
Great interpretation! There is also something special in the Adagio: Brendel plays the first sixteenth- note of bar 116(25:02), as f# instead of the d # played by all the others. The reason he gives is as follows: "The first London printing, which appeared almost simultaneously with the Viennese edition by Artaria, offers by comparison several interesting corrections, additions, and alternatives, of which some account has been taken in my performance". All these "corrections" have been omitted from all subsequent editions(thanks to IMSLP for offering nine different editions!), and for good reason: in the London edition, the metronomic indication for the first movement is crotchet instead of minim= 138! And the tempo indication for the 3rd movement is Adagio Espressinato instead of Appassionato! So the f# could well be a copyist mistake, but Brendel seems to find it more to his liking, as he explains in his book "Über Musik". And who are we to disagree with him?
@stewartross79223 жыл бұрын
I am grateful and privileged to hear and see this. My eyes are older, but it looked as if he was wearing a few of his legendary bandaids on his hard worked fingers.
@USCLCorp6 жыл бұрын
Without a doubt one of the finest recordings of any pianists performing the the Beethoven Opus 29 Hammerklavier riviling that of Clado Arau for artistic purity and intellectual interpretation.
@tserkoslavjanskij6 жыл бұрын
How fortunate we are to live at a time when we can have a recording of such a performance as this one. Even if it were a 78 with some surface noise, Brendel's inspired playing would still have come through.
@dorismolony11444 жыл бұрын
I can never hear enough of Alfred Brendel. I also love him and his playing.
@jJPyLfGpLKetwBam2 жыл бұрын
one of the best recordings of all the time
@zuhairbakdoud13602 жыл бұрын
Have you heard Brendl’s version of Fuer Elise? He makes it sound extraordinarily expressive…
@MsTommy387 жыл бұрын
Molto bella nel nitore di un tocco sopraffino la versione di Brendel. Bravo.
@jamesnicol383112 күн бұрын
still definitive and electrifying scholarship and art singing together
@brianpuddifer47345 жыл бұрын
Wonderful, Fantastic, Clever, Beethoven
@arturozeballos17 жыл бұрын
maravillosa versión!!!!!! de lo mejor para Beethoven y Schubert...
@thailandchris33658 жыл бұрын
Brendel himself was very happy with this performance
@DocteurMario318 жыл бұрын
I didn't know but I think I guess why. For me, it is well above the other versions recorded, for both Brendel and all other pianists ( particulary the last movement^^).
@TheMightyFork_7 жыл бұрын
Arnaud Stigliani you probably should listen to sokolov plays it .. he bangs it.. brendel..
@DocteurMario317 жыл бұрын
Alon Ostrun Actually I did. Maybe 20 times, but i do not agree with you. Today I regret to have written that Brendel's version is well above the other versions. I think I like almost as well Backauss, Richter, or Yuja Wang's ones. And if I have listened to sokolov version a great amount of time, that is because I found it quite fascinating at first. No one plays each note and each trill as precisely as he does, for example. But I have now the feeling that sokolov wanted his rendition so clean that he missed the point of the sonata (I don't mean I have a better understanding of the piece than him but I don't like his choices at all) . He plays the fuga in the same way than a piece of Bach, whereas the piece says all the violence of Beethoven's feelings ! For example, the sforzandi, yet omnipresent in the score are simply ignored, and this is the same for staccato notes. The way he uses the pedal remove all edges of the the piece. And there is the tempo, so slow... I still do not know if he wanted to do a Bach like interpretation or if he was afraid of missplaying something...
@abueloraton6 жыл бұрын
Arnaud Stigliani Yujia's live KZbin version is unbalanced, gets out of control. I like this Brendel's.
@timothythorne94644 жыл бұрын
This performance is so lyrical and expressive throughout. The first movement is the best ever, and somewhere the composer must be smiling
Alfred Brendel pertence ao seleto grupo dos pianistas que sabem tirar o melhor mel das sonatas Beethovianas 🎹
@danal814 жыл бұрын
Finally someone played the culmination of the first movement from 06:40 right
@dordiwesterlund2528 Жыл бұрын
Absolutely wonderfully played by Brendel. The hellish fugue is too fast to my taste, maybe it is for the better like this. In my opinion, this is Beethoven's last sonata - you can practically hear Beethoven's brain unravel, the genius reaches a climax here, the last three sonatas are also wonderful, but they represent the final coda of the development.
@taavitimm90457 жыл бұрын
wonderful
@hansulrichbehner80266 ай бұрын
34:54 Brendel plays the first fugue in too slow 5'46 minutes instead of the prescripted 4'52 minutes (144 Mälzel a crotchet) Please listen to Gulda live performance of 1970 (4'49 minutes), HJ Lim (4'46 minutes), Laetitia Hahn (4'34 minutes) and Stephan Beus (4'33 minutes). Brendel lamentated always that nobody even being the devil himself could manage Beethoven's speed in op.106. Now you have the possibilitiy to become acquainted with "superdevils", who overdo that speed and demonstrate the real fiery revolutionary Beethoven!
@zvezdinki79983 жыл бұрын
Very pleasant
@sergewollner41797 жыл бұрын
Gilels inoubliable
@IvanGreindl4 жыл бұрын
Émile Grigorévitch était l'humilité même : un auditeur enthousiaste le félicitait un jour pour son interprétation ; il lui répondit 'Ah, si vous entendiez Richter !...' Il est certain qu'il approuverait cette superbe interprétation d'Alfre Brendel. Du reste, comment comparer deux artistes ? Cela relève de la pure subjectivité.
@JaseBach9 ай бұрын
Brendel was obsessed with setting down great live recordings. One would have thought it is possible to edit from several performances to get a good recording. Alas, Brendel live was often tense, resulting in unpolished performances. There might be more continuity and unity, but at the expense of repose and variety. I have listened to two live Hammerklaviers by him and really think that in the studio, he was better. Artists lose objectivity in the quest for perfection, which is usually elusive. In his retirement, he should record one movement at a time and get it to his satisfaction before it is set as a permanent record of his art.
@zvezdinki79983 жыл бұрын
Without comments before?
@creeper-corporation8 ай бұрын
37:13 what beethoven wanted to do
@bernardbel3556 жыл бұрын
Highly analytical/intellectual version. Just a little too extrovert..
@abueloraton6 жыл бұрын
Bernardbel I believe he plays it like that because it's a live performance for a large audience.
@horacefleming44813 жыл бұрын
Too Extrovert? Really? Would it not be extrovert in that it is the most personal, visceral and tragic outcry the composer ever voiced for any instrument in his entire output. To keep the sonata under wraps is to shove it back into the 18th century and rework it with manners rather than terror & rage. The heartbreak alone spills over into the world, and Brendel, a careful and circumspect poet, understands both sides of tragedy. Is Lear too extrovert?
@EWang-yn5sy3 жыл бұрын
Mama, there goes that man
@tashwhimpey81143 жыл бұрын
0:12
@lindsaysmith2453 Жыл бұрын
similar to Yuja's interpretation
@Pogouldangeliwitz7 ай бұрын
How many ears do you lack !??
@lluisbofarullros3223 Жыл бұрын
Alberto Sanna
@zvezdinki79984 жыл бұрын
And where is lecture?
@zvezdinki79984 жыл бұрын
This is Schubert in Beethoven
@zvezdinki79984 жыл бұрын
Sound of piano 🎹 indeed like orchestra...
@jamesnicol38313 жыл бұрын
just listen
@mcrettable6 жыл бұрын
the only good fugue recording. Still a tad too fast though
@brianpuddifer47345 жыл бұрын
Probably too fast, yes, although his metronome markings are customarily fast.... As Brendel said. . "Too quick to have time to achieve total consice entepritation" .. Brian