BEHIND THE SOUND: Foley, Sounddesign & Mixing for HOPE AND GLORY - A Mad Max Fan Film

Headphones recommended!
Great images deserve great sound. Markus Rebholz and Steffen Flach did go the extra mile for our main character. The Interceptor may have no dialogue, but he makes hundreds of different sounds. 12 microphones were placed in and around the vehicle to catch all the characteristic noises. In the end we created our very own V8-Soundlibrary to bring the Interceptor to roaring life.
The soundscape created by our team of Sounddesigners under the guidance
of Soundbits is immersive and propelling. Saro Sahihi went all out with his
visceral work and gave the movie weight and dimensions.
The DOLBY ATMOS Mix by Geraeuschfabrik brought the images and sound
together. After finalizing the work on the main show, Volker Armbruster took
over mixing duties for the Official Trailer.
The Foley Studio Schallmanufaktur Berlin provided us with
everything to give the images texture. The clothes, every single
step and prop got their atttention.
DISCLAIMER: This is a fan film. No profit is made with this movie. Over 3 years in the making, more than 275 filmmakers from 5 continents joined forces on this non-commercial project.
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[@therealmovieman]

Great fan film took parts of The Wasteland notes with the mother and daughter and executed them marvellously

[@brightstonepictures]

Let‘s hope Miller gets to realize his vision of the storyline

[@anshadedavana]

One of the best fan films. Enjoyed it 👍

[@brightstonepictures]

Thank you! Glad you enjoyed watching our movie

[@dbdeets]

It's time to put that 5.1 or more outing to disc. 😉

[@brightstonepictures]

You are absolutely right

[@Yeetman-t4y]

What was the original car that this interceptor came from?

[@brightstonepictures]

One was built on the basis of an old Jaguar and the other was a Gran Torino