Behringer WING Digital Mixer Overview 🎛

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The Behringer WING is a 48-stereo-channel digital mixer that’s both ultra-powerful and incredibly easy to use. Benefit from first-class hands-on control of the Behringer WING, thanks to 24 smooth-feeling motorized 100mm faders, a capacitive touchscreen, adjustable display wheel, and touch-sensitive rotary controls. Capture sound with the utmost in quality, courtesy of eight MIDAS Pro mic preamps, while a bevy of digital I/O options provide near-limitless connectivity. Record up to 64 channels directly to dual-SD cards, use optional expansion cards to attain Dante, SoundGrid, or MADI support, or deploy the WING’s built-in 48-in/48-out USB audio interface to record straight to your DAW. Getting around the Behringer WING is a breeze, thanks to its intuitive Sources, which put the emphasis on your source audio rather than the nuts and bolts of your mix. The Behringer WING comes complete with 16 true-stereo processors with standard and classic modeled effects, the Behringer WING is a top-shelf digital console that will elevate your live sound capabilities.
Behringer WING - made for the way you want to work
Digital mixers like the Behringer WING are insanely powerful; thus they can seem intimidating. But that’s not the case with the Behringer WING. Despite its deep feature set, it’s a breeze to navigate. Its interface centers around a large capacitive touchscreen that’s augmented by touch-sensitive rotary controls. Best of all, the Behringer WING has three fader sections and Custom Controls section that can be tailored to your personal requirements. It doesn’t get much more intuitive than that! Whether you require a specific bus send fader next to the corresponding channel fader, or a meticulously configured custom channel that’s always at the ready, the Behringer WING is made for the way you want to work.
Sources on the Behringer WING make navigation simple
The Behringer WING is jam-packed with I/O - 374 inputs and outputs, to be exact. And if you include its internal signals, the Behringer WING includes 400 inputs and outputs. Faced with this much I/O, Behringer’s engineering team reimagined the flow of a traditional mixer, putting the emphasis on your source audio, using what Behringer calls - quite fittingly - Sources. In the Behringer WING, inputs are much more than historical inputs, because they contain metadata on what the Source is - tags, input icon, input color, gain, phantom power, and if the Source is mono, stereo, or mid-side. All of that information follows the Source to any channel on the Behringer WING. With one simple button, that information can be copied to the channel, and the tags, icon, color, and other metadata show up on the channel immediately. If you move a Source to another channel on the Behringer WING, the information goes with it, no need for old fashioned copying and pasting.
The implementation is carefully thought out, as well. Let’s face it, labeling and gain-staging 374 Sources can take some time. The workload can be easily split between two people as the Behringer WING is ready for dual operators. One person can be in charge of labeling the channels, including name, icon, color, tags, multiple mute groups, mono/stereo/mid-side configuration, and more. Using the 4-channel area of the Behringer WING as a separate work area, a second person can be in charge of gain-staging and determining phantom power for each source. To make things easier still, this can also be done from the Behringer WING Co-Pilot tablet app to label or set any of the parameters while patching from the stage. The beauty of this is whether you are looking at a channel, SD recorder, or any other output, you will always see and be able to refer to the Source.
After you watch the video about the Behringer WING, check out Sweetwater.com today for all your music instrument and pro audio needs! 👉 www.sweetwater.com/?...
#Sweetwater #Behringer #WING #BehringerWING

[@sweetwater]

Thank you for checking out our overview of the Behringer WING! For more new product releases and overviews be sure to like, subscribe, and comment on what gear you're excited about!

[@mauricejackson7566]

$3499 too much. The mixer should be $2599.

[@lucasj7577]

Maurice Jackson considering the price of those plugs in shown alone and not buying a computer. Looks solid.

[@mauricejackson7566]

Previous model $2499 now add $200 - $300 for those plugins. It's still over-priced.

[@lucasj7577]

Maurice Jackson have you looked at other digital consoles with these features? Pretty entry level price with a ton of options

[@Brody-Dolyniuk]

@@mauricejackson7566 Why don't you make one and sell it for $2599?

[@casillasscorer]

This video is 10x more informative than the actual video from behringer

[@philipchiore60]

Sweetwater has their act together

[@sweetwater]

🙌 Thanks for checking it out!

[@TeleporterM11]

The presenter is a audio engineer and genius. He does every other Sweetwater presentation on new gear.

[@charlottewilliamcover3568]

@@TeleporterM11 Not when he crank up the gain around minute 7 ;)

[@TeleporterM11]

rohmer william It must have been on the money track or vocal track , ha ha

[@DJLazinator]

I guess the 2nd person operating the desk can be called a "wingman" now? 😀

[@FdUpNews]

lol

[@impulseproman]

Left wing and right wing soundman

[@porcaro4ever]

👀 I see what ya did there!😁

[@peterderecichei]

or a Co-Pilot

[@centralscrutinizer7374]

Expat_Laz SoundDevices beat them to this “wingman” claim by about five years. The two products are not comparable.

[@brin57]

From an aesthetic perspective, Behringer appears to have secured the services of an amazing designer as well. Well done all round.

[@lardosian]

yes it looks fantastic.

[@Motorman2112]

It looks like a lighting desk.

[@VivaToddVegas]

Agree to disagree. To me, it looks like some horrible leftover board from a college radio station in 1973. Just awful.

[@NNITRED]

That Midas acquisition is bearing some sexy fruit.

[@JasperSchwinghammer]

Yeah well point granted this is surely some designers work . But I don't like it at all.

[@roboslobonator]

Wow, Im impressed. So cool that you guys made this video so early. This definitely satiated my appetite for learning more about this new beast after watching Behringer's teaser reveals.

[@BlackenedNL]

Now that is how you make an overview video! Hats off Mitch and the Sweetwater team

[@burgerobob]

behringer's decision to buy midas is one of the greatest move that they could ever make, from the vintage synths to mixers, they are killing it right now, behringer used to be the brand who get a lot of flak in the audio community and people love to make fun of it, but now they made the customers think on why should they spend tons of extra money for buying a name. i hope this thing will affect the market just like behringer affected the affordable synths market.

[@master1749]

Behringer didn’t buy Midas, they were both bought out by Music Group (/Music tribe) along with a host of other audio manufacturers, KLARKTECHNIK, Turbosound etc

[@jarosawcibora8690]

@@master1749 true, except that Music Group/Music Tribe was founded by no other person than Uli Behringer.

[@burgerobob]

​ Ash Way Music Tribe is a corporate reconstruction of Behringer, the same way that Alphabet is a corporate reconstruction of Google. Uli Behringer is the sole Founder and CEO of Music Tribe, and the reason that companies do this is to reap the benefit of a holding company. making a new holding company with a new name and moving it to another country such as the Philippines will get him advantages on taxes and subsidies from the government. in reality it's just Behringer... Uli is the one who's taking the shots. you are right in some way, but to say Behringer was bought out by Music Tribe is like saying Google was bought out by Alphabet.

[@master1749]

Jarosław Cibora my apologies, I was not aware of this

[@dare2win215]

@Murada A lot of musicians don't care about originality; affordability is the way to a broke man's heart. LOL.

[@mmtv_au]

WOW. Behringer really hit the SWEET spot with this one. Can't wait to get my hands on it. Love ya work Mitch!

[@basementmidi]

Thank you for taking the time to make such an informative video. I would love to see one specifically concentrating on DAW integration before I pull the trigger. Thank you again Mitch and Sweetwater!

[@QuaverloveStudio]

That's where I'm at, too.

[@BrannonDavis]

Mitch and Sweetwater, thank you for overviewing WING. Amazing features that I was not expected to see. 6 different types EQs and plethora of compressors within a channel strip. I always use the leisure compressor for vocals on the X32 as an insert. But this takes the cake. Amazing overview. I will be on the lookout.

[@griffgoldsteinreference]

Super exciting! Im glad to see Behringer constantly improving their products every day

[@saifeek]

Mitch is such a smooth salesman, he could sell me a glass of water

[@allenalesna]

ikr

[@checkpointcovid8021]

He rushes through the demos with his vocal pacing. I wish he would slow down a bit.

[@Jupiter8Boy64]

You mean: he could sell a sac of sand in the middle of the desert :-)

[@cockur]

@@checkpointcovid8021 Maybe fast paced but at least he totally knows what he's talking about.

[@mattg1094]

Haha truth

[@geraldgoodiii6993]

This thing is brilliant! This thing is like a entire mixing and or tracking studio in a box. Those selectable EQs and Compressor models as channel strip and insert FX.. the routing is insane. This is a game changer. For what it does it has a smaller footprint yet it doesn’t look cramped. Behringer is KILLING IT!!! Way to go Sweetwater!

[@powermix24]

Behringer knows the market, make things people can afford while keeping the quality up to par. Great video

[@Five0Music]

Astonishing. I am just amazed at what can be done at this price point. I started on an 8 channel Tapco/Crown setup in the 70s, and it’s incredible to see how far we’ve come. Mind boggling.

[@MrStubat]

Rick Park not to mention the price in relative terms.

[@paulussantosociwidjaja4781]

Thank you for a quite elaborate explanation of this WING mixer by Behringer has done it again fighting high price bringing them low. Cheers!

[@AR1xRUSHY]

I definitely need this for my studio.

[@Pattadow]

It is everything I expected and more. Very powerful piece of gear

[@merlynscave]

Awesome console. Great review Mitch.

[@carlinlemon5884]

Will insta-spring for this the second a rack version becomes available. Nice work Behringer!

[@m.b.g.musicproduction9658]

Why is it that Mitch can explain the function of a new piece of gear better than anyone else? Excellent presentation as always!!

[@sweetwater]

👍🙂

[@DJROCKCEEENTERTAINMENT]

this mixer is a game changer !!! love it

[@workethicrecords5901]

I'm really excited for the plugout version of this flagship to be released in a few years. I love my xr-18, but this new software is such an upgrade.

[@ronnieparfait]

Gotta love Mitch’s demos, even with Wolverines brother Victor’s finger nails.

[@checkpointcovid8021]

Same for Darrell Braun and his videos. Long fingernails on a Man look disgusting and are near vomit-inducing for me. Doesn't matter the purpose...they are gross.

[@Mooseboy08]

He's a guitar player. My nails are the same… short on the left hand, long on the right.

[@salorna]

You’re in audio and never been around guitar players?

[@checkpointcovid8021]

@@salorna Every one I've known doesn't have those fingernails.

[@salorna]

Chuck Barnett acoustic Fingerstyle players, it’s the norm. They even make videos on nail care. Classical players too.

[@kitmateyawa7829]

Two sources per channel is brilliant ... great for backup mics etc.

[@TheEleventeen]

Wonderful presentation of a wonderful product ! 🤘🏻

[@sweetwater]

😁👍

[@jcondra318]

Sweet peice of art!!! Love it!!!

[@ColdRainEvents]

Good to see such things coming from Behringer.

[@SoMyungJung]

Way beyond expectations... This is a game changer in every aspect. Props to Behringer \m/

[@liittl3sk4t3rb0y]

In which way is this console a game changer? The X32 was a game changer back in the days, but this is not really better than an up to date console from other companies in this price range. What is so special about it for you? Also we don't know anything about sound quality already. It's just about looks and features at the moment, but that's worth nothing, if the sound is not better than x/m32 was..

[@SoMyungJung]

@@liittl3sk4t3rb0y From other companies in this price range? With 400 inputs and outputs? Are you sure about that? I don't think so...

[@SoMyungJung]

@@liittl3sk4t3rb0y And that's just one of many features. Have you looked at the EQ and Dynamics section?

[@liittl3sk4t3rb0y]

Well, it’s not 400 in and outputs. It can only process 48 inputs and you can choose between 400 inputs. But where do you have that? Not really useful, at least not more, than the 128x128 of an SQ, which is also cheaper (in case you take a sq5

[@liittl3sk4t3rb0y]

Also, 48 kHz is really outdated

[@FredericBaudo]

awesome presentation...respect!

[@iantanner7579]

Just bought a behringer K2, gotta say i am impressed with what they're achieving these days, - some of the klark teknik devices don't quite hit the mark but in another few years i feel confident some artists, especially electronica, could be achieving quality results using nothing but behringer products... gotta give Uli credit, and the fact he's still offering the gear at consumer prices needs to be applauded, IMO.

[@ejpentertainment2542]

I can't watch this video right now because I'm tempted to buy this console.. This thing looks incredible 😍😍😍

[@kennethcaraballo6593]

Truly a beautiful monster machine 😱

[@MichaelLauerDr]

Truly a next generation console. Working ITB for the last decade, I don‘t need something like this, but, oh, how I would love to have it anyways 🤤

[@ZionCage]

Just Amazing Very Kool .. I can't wait to buy one

[@prajwolshakya7629]

It sounds good and really excited to see...

[@gracenotes5379]

Some really innovative thinking here, especially having sources configured independently, and channels inheriting the properties of the sources they are currently utilizing as inputs. Capacitive touch screen is a very good decision, vs. resistive used on a well-known competitor's design. Not having to link channels for stereo or mid-side usage is great. Basically, this unit requires an AES50-connected stage box in most scenarios, since only 8 mic pre-amps on board, but that's okay - very few of us are using analog snakes these days. Also, the premium effects rack seems very promising, although time will tell how well these live up to their brand names.

[@henryscott8952]

The "WING" is definitely...THE TRUTH! And with 2 SD card slots, the Wing makes my Tascam DP 32, look like a vintage toy from my childhood. No doubt, I'm getting this. This thing is "HARD" (for those of you not from New York) it means "AWESOME." Behringer, a job fantastically done!

[@buraklatr4961]

Curious for sound quality of the wing. Are you going to upload video about its sound quality?

[@tommy6433]

Love this board!

[@deroyale07]

I like these wing over x32.. added on my mixing console list..

[@maxsoni2657]

I like ur voice language and ur very clear and to d point

[@ReginatorNet]

Damn - This thing is badass!! Well done Behringer.

[@ProDoucher]

Reginator doesn’t seem more complicated than a typical digital desk to me

[@ReginatorNet]

@@ProDoucher agreed

[@keysbythenumbers]

I'm putting my order in now!

[@stonehartfloydfan]

Good I will be getting two of these asap.. one for FOH and one for Monitor world.

[@Randallkoller]

this looks amazing, I 'd liked to have had some input here I actually think they over designed it and didn't think through the consumers real world needs!

[@LiamGaughan]

Looks great. So many people say x32 sucks... mate if you can't make a performance sound good with x32 then you are the problem... This looks lovely.

[@correnolsonlighting391]

You can make it sound good. You can't make it sound great. Obviously there are a lot of personal preferences involved, but in my experience, the X32 summing is terrible. I can make individual channels sound pretty decent, but once you start trying to bring everything together, it just falls apart. To be fair, I am used to desks like Yamaha CL-Series and Digico S and SD series, so there is a huge cost difference, but that difference does make a pretty drastic sound quality difference.

[@LiamGaughan]

@@correnolsonlighting391 'you can't make it sound great'... We'll have to agree to disagree on that one. I am interested to know your thoughts on what summing problems are inherent to one digital mixer over another though? As far as I understand it, a digitally summed path should be identical. It is on DAWs so it should be on mixers set to the same bit depth and sample rate also.

[@correnolsonlighting391]

@@LiamGaughan I can't really tell you what causes it, I can only tell you what I hear. I can mix on the X32, and I mix on the CL, and there are definite sound quality differences. Maybe it isn't the summing specifically, but some combination of everything.

[@VoyageOne1]

This is amazing!!!!

[@gustersongusterson4120]

Multiband compression or dynamic eq per channel? Might be the most relevant feature to touch on for live sound...

[@Nonpartisanmusic]

"Can I get this icon in corn flower blue?" Amazing piece of tech

[@TsavosAlliance]

Behringer products are getting better!

[@Yahoomediaclub]

yea lets hear the quality...looks fab

[@InXLsisDeo]

Apparently sound quality is better than the X32.

[@Jimbo386000]

Damn this thing looks amazing!

[@mjklein]

Nice explanation, Mitch, thanks.

[@JayWerx]

These will definitely sell pretty good.

[@dominiquebontemps6147]

Thanks for very good presentation and video (as usual but well good to repeat ;-) ) Very nice console. Will be interesting to compare it with the A&H SQ6... (not only features but also sound)

[@user-jl2te1tt5z]

I was thinking that.

[@JJamVegas]

Thanks for bringing out an overview this fast. Blown away by the features and the workflow. Anyone know the dimensions?

[@anthonyalmodovar4556]

Beautiful machine

[@christopherpederson1021]

Looks sick

[@HashtagPULSE]

Was expecting this to be over £10k. Behringer, I love you so much.

[@tonymillward3755]

I use Behringer equipment at the moment but I have to say I find this over engineered and very overpriced...just saying.

[@JesusRodriguez-to6lk]

beautiful!!!

[@radekhrabovsky6761]

Looks great. Just one question. Can be delay time in this wing synchronised by MIDI? because X32,M32 can not. Thanks Radek

[@AndersEngerJensen]

I know prices aren't official yet, but are there some kind of ballpark figures you can divulge? Does it use a new set of expanders/digital snakes or can the existing S16 be used?

[@pvalenti]

Damn...Behringer just punched every other mid to low prices manufacturer dead in the face!!! WELL DONE, and how much and how soon can I have one?!

[@dominiquebontemps6147]

Is it possible to use this console with 10+ synths and rythm boxes with individual outs? Is some extra equipment needed? This is one of the reason I'm interested in the A&H SQ6 (many analog inputs and digital ones as well). Thx

[@diegooliveirabenjamin]

Damn, maag style eq? Didn't expect that...

[@allenalesna]

This changes the game in ways never ever been conceived. It's almost unbelievable that it comes from Behringer. But they did it.

[@JasperSchwinghammer]

Why? What does this mixer that the allen & heath sq series for instance does not?

[@MrStubat]

They did it 2012 with the X32 and now they’ve done it again.

[@MrStubat]

Jasper Schwinghammer go and look at the video....the M32/X32 was only just being overtaken by the SQ at the top of the prosumer, mainly on lack of touchscreen, this will be the midrange rider standard in no time.

[@ztkspace5885]

........phenomenal.

[@jorgefrias7889]

I've been saying forever that UAD needs a digital mixer like this one. They already have a plethora of plugins to support the platform. Plus they can use it as a marketing platform to move on from those outdated shark chips. Behringer is listening closely to the market, and you can tell by the products they've been putting out the past few years. This is exceptional.

[@MrStubat]

Jorge Frias While I use and love UAD Apollo’s and their plugins (sale on right now...big big discounts) they’d be too expensive and in that upper range the market is already clogged with premium stuff.

[@jorgefrias7889]

@@MrStubat I agree. I don't mind paying for quality. I just really dislike when companies ignore the costumer as if they were developing for aliens.

[@DJChappie001]

Behringer is going hard these days.

[@Leele0]

Eishhhh, so true...cant lie about that

[@vaughnmiller3896]

Yes they are. I remember oh, a decade ago everybody was talking s*** on Behringer. Now everybody including Sweetwater is on the bandwagon. I have 2 Behringer mixers 10 and 12 years old and they're doing just to this day.. it's too bad Behringer City isn't located in the USA....

[@kayodeomotade7222]

This is interesting. Nice design...

[@marksmusicplace3627]

wow look at behringer, Game changer

[@Trident67]

What about remote control programs ?

[@Amanet13]

I am kinda falling in love with the Wing

[@tapasghosh1237]

Very cool console

[@MacSoundSolutions]

My M32r faders are very noisy in remote DAW mode when playing back automation, I wonder if this is any better. The fact you can record 48 tracks over usb is great or 64 with a dante card at this price point is pretty huge, I wonder if Midas will release there own version with better faders. I do wish it had a word clock input on the console.

[@MCAlvesPortugal]

Great desk

[@PeterRoos]

1. What about surround sound formats? 2. How does it work with DAW programs? Can I e.g. automate the faders from my DAW program?

[@dirface]

2: HUI, Mackie

[@MS-gn4gl]

These truly need to add 4k output for these systems to allow FULL visual monitoring of whats happening at any given time given the control limitations. The ability to see everything at once is still one of the major benefits of full large mixing consoles.

[@williamgeorgefraser]

I'll miss out on this one as it is a bit complex for my micro-studio but Behringer is really kicking ass these days. My local music shop still has a bad image of Behringer but I hope this will soon change.

[@musikman337]

Is the Wing made to be used in the same application as the the X/M32s??

[@lishlash3749]

It's an X/M32 with a big touch screen, a truckload of digital I/O, twice the FX slots, and banks of 12 stereo channels instead of 16 mono. The clumsy channel strip controls are replaced by touch screen interfaces, but don't worry, there's still that red Sends on Faders basilisk flashing at you in the middle of the board.

[@chrisf6216]

Thank you SW / MG / AV folks - wow, what a great machine and presentation! My head imploded a little. You may hear from my lawyer lol - cheers!

[@ebiii5686]

Hello. The Wing and Ableton seem to work ok together. What I can not figure out is how to get WIng to do what most audio/midi interfaces will do, which is sync / start / stop Ableton with my external sequencer(Squarp). ether slave or master, do the midi ports have any purpose/support yet?

[@PerryCodes]

I'm really liking the looks of this. While I once thought of Behringer as a company that stole R&D from other companies, then cheaply manufactured derivative products in China... they are absolutely killing it lately with products that people want and simply aren't being given from the other companies. Their analog synths? Awesome. This looks awesome as well.

[@Strepite]

They now have a TON of know how since they acquired a lot of companies under "Music group". Midas, Klark Teknik, TC, Lab.gruppen, Tannoy...

[@Rockeyestand]

Any body know what the quality of the ad/da converter and the on board analog emulation plugins are?

[@johnlopez2475]

I just purchased mine and anxiously waiting the arrival , my question is, can i get in touch with Mitch if i have any questions, especially in an emergency?

[@FAMEAcademyNY]

Very Interesting!

[@mrflorence5328]

@sweetwater What are the dimensions of the console? They’re not on the product page would like to know if it’s under 36” in length/width? To see what type of Desk workstation I’d need to house this bad boy.

[@sweetwater]

Thanks for the interest! Here are the specs: Height: 7.9" Depth: 22.6" Width: 34.3" Weight: 52.8 lbs.

[@mashzmash]

Will you be selling it in a road case package?

[@JavierGallon]

Amazing! Would like to see a preview solely on a recording studio

[@Strepite]

This is looking pretty slick, way better than X32... This will kill it in the market for sure...

[@joellouisfire]

Sweetwater, thanks for covering this console! Question - Would we be able to mix from an iPad? Not just the routing, but also have control over the faders? Thanks again!

[@sweetwater]

Hello! Jose from Sweetwater, here. Great question! This mixer does offer the same style of networked remote control that you would get from the X32/M32 mixers when you connect them to a wireless router. I'd love to speak with you more on the details, so feel free to give me a shout at my contact information below. Thanks for the interest! Jose Gonzalez, Sweetwater Sales Engineer, [phone] ext. 1786, [e-mail]

[@joellouisfire]

@@sweetwater Thank you for your response, Jose!

[@nd.b77]

Hm, I see a lot X32 in the wing. Maybe it’ll even be possible to transfer a X32 setup into a wing (via USB)? 🤔

[@jg20140177]

I've been using the x32 for years and love it. It still holds up in 2019 but I have to say it feels a little dated compared to the newer yahama, A&H, presonus, exc. I've been waiting for an upgrade and they did not disappoint

[@philipchiore60]

How do you feel about only 48k?

[@TeleporterM11]

philip chiore It’s sufficient I have produced over 700 songs and only one fool asked me for anything over 48k and they went out of business recently.

[@TeleporterM11]

Johnny Gibson Please tell me how you used your mixer. Were you able to master tracks on it.

[@jg20140177]

@@philipchiore60 I never record past 48k anyway so it's not an issue. I also work for a professional recording studio and we don't go past 48k there either

[@jg20140177]

@@TeleporterM11 I have used the X32 and the M32 in every situation possible. Studios, live venues, churches, you name it. I also own one and used it in my studio for about 3 years I would do mastering in a hybrid system. So I would have a mastering program and send it out through my console and outboard gear but you can 100% use it to master. However this new board looks pretty cool you can actually put the tracks your mastering on an SD card in a master them down to the other SD card

[@manuelornato3722]

I have no idea what this thing is used for but I absolutely want it. NOW.

[@Strepite]

It's a live FOH mixer primarily...

[@terrybusy]

Any information about the StageCONNECT XLR interface? Is it really carry 48 channels by a XLR cable? If it is possible, that would be a damn poweful fuature.

[@gracenotes5379]

32 channels of uncompressed PCM audio in various I/O configurations, 24-bit at 48 kHz, below 0.5 ms of latency. It allows 15W of DC power to be transmitted. It seems ideal for personal mixer connectivity (successor to UltraNet?). No word on maximum distance for reliable connections, but they claim it could use standard microphone cable (or DMX cable).

[@derkhedemann5606]

a nice mixer just a pity that the Behringer Wing does not get in a 24 channel, for the small home studio.

[@gospelpopmusic]

Using the Behringer WING 48 channel console may I use the analog gear Neve 8816, Shadow Hills Mastering Compressor, UA 4-710D, Portico II buss processor and the Apollo x8p. I want the best of both worlds. Digital & analog gear.

[@richardwilliams1310]

Now we just need some mni me versions like a rack mount model and something small like a Yamaha TF1 or QSC Touchmix 16/8