Bellini - Norma - Finale - Montserrat Caballé, Placido Domingo, Ruggero Raimondi (1972)

Vincenzo Bellini
Norma
In mia man alfin tu sei ... Già mi pasco ne' tuoi sguardi ... Dammi quel ferro! ... Qual cor tradisti, qual cor perdesti ... Norma! Deh! Norma, scolpati! ... Deh! non volerli vittime
Norma - Monsterrat Caballé
Pollione - Placido Domingo
Oroveso - Ruggero Raimondi
The Ambrosian Opera Chorus
London Philarmonic Orchestra
Carlo Felice Cillario, conductor
RCA, 1972

[@luisrenejuarezestevez175]

Estos 2 Ya son leyendas de la Ópera ...Una como la máxima soprano dramática y el otro con una voz increíble y como el único tenor con 60 años de carrera algo totalmente INCREÍBLE

[@veronicamelendez8102]

Divina la caballè .... sublime 🥰 Rip

[@eduardooliverosanca4138]

Es la Norma, es magnífica y que aprendan los actuales o mejor aún...que se retiren del todo. Bravissima Caballé

[@agostinolaperla809]

Meravigliosa

[@mk5244]

…if the limited dramatic potential of Sen.Domingo is considered, the great Caballé is worth every second, every tune.

[@yootoob806]

This is effing epic.

[@artistsf1]

i have always wanted to like this recording more than i do. it is all nicely sung and all... and lord knows that is a feat in itself. BUT... if curious and not familiar with... go find the 1974 video from Orange or the in house taped performance from the Bolshoi ... same year, i think. Caballé is on fire vocally and dramatically in both. the production used by the Bolshoi seems to be that ugly thing from La Scala.. no big deal.. they all transcend it. if not the entire show, watch at least from 'in mia man' to the end. She moves absolutely with the music - great operatic acting for this style. the hands at the end with Oroveso - if she has not already knocked you out with the drama of her singing by that point... her reaching to him, pleading the safety of her children should do it. this commercial recording above is nice. the two i mention - sublime.

[@uppityglivestockian]

Mil gracias por compartir.

[@luismontecinos9916]

This is a studio recording on RED SEAL A vinyl recording and afterwards on CD version

[@user-fu3ir8xr5b]

Король и Королева большой оперы

[@pdpapa8343]

La foto es maravillosa, la superba, como digna sucesora de callas, aunque prefiero la version de orange 74 con Vickers

[@paolocambriotto3397]

Scusate ma la supplica al padre della Caballè la preferisco a tutte e intendo Callas Sutherland Tebaldi

[@moltedo37]

Paolo cambriotto. E come hai ragione. Caballè e l’unica e definitiva Norma. Specialmente il finale. La sua interpretazione di, In mia Mano alfin to sei, is out of this world, come si dice in inglese. Comincia un po wagneriana, ma poi cambia col lungo pianissimo alla fine. Solo lei può cantare questi pianissimi, come la preghiera in Maria Stuarda. Wagner disse che se venisse la fine Del mondo e si potesse salvare solo una cosa, si dovrebbe salvare il Finale di Norma. Nella sua musica ci sono echi Di Norma. Io non saprei se salvare Norma o Lucia.... To be or not to be This is the question.

[@robert111k]

Sutherland was never able to sing la Norma properly and Tebaldi did not even try. The only Norma after Callas was Caballé. And, apart fron her, only Gencer delivered a decent Norma in the second half of the twentieth century.

[@liedersanger1]

@@robert111k Please define “properly.” (I have my own reservations about Sutherland, but I wonder what you think.)

[@antben8992]

Veramente, signor paolocambriotto. la Tebaldi non ha mai interpretato Norma.

[@ermenegildocorsini9024]

Callas non si batte

[@pdpapa8343]

Gracias por esta joya, desde luego Domingo es el mejor pollione que yo recuerdo, por encima de del Monaco y di Stefano, Vickers es tambien perfecto para el papel