Best Home Studio Microphones For Recording Music In 2023

[@Producelikeapro]

What are some of your favourite microphones and why? Comment below!

[@timjonesguitar]

I love my Lauten AT220, SE X1 Ribbon, and Shure SM57. I record a lot of guitars with these 3, acoustic and electric and love the results I get with these. For under $300 each, I'm satisfied for now.

[@gilbertspader7974]

The Sure sm57 is the answer to all questions for me.

[@magnus7439]

The one I can afford. :) But on a serious note, I currently use a Sennheiser e935 to record vocals and while I don't love it I have learned to work my way around what I don't like about it (my main complaints are that it's too sensitive to plosives and esses). The same goes for my main mic for recording acoustic guitar, which as a WA-47jr - I've learned quite well to work my way around its limitations and quirks. I'd love to own something a bit better someday, but now is not the time to shop gear.

[@stevem-h3562]

I've got a TLM102 and a Lewitt 440. Both are very good for different voices that I get to record including my own, plus theres a Sennheiser Mk4 which I've been happy with as well.... Have been thinking about a WA one, either a 47 or 87, but not got there yet...

[@CrushingAxes]

I love Audio Technica stuff, not super expensive and still sounds great!

[@55billmarshall]

Was a live engineer in the 70 and 80s and am astonished how little things have changed since then. It seems most of my go-to mics then would still be valid now. Vocals - AKG 321 for female, otherwise SM58 was ubiqitous. Guitar - SM57 Snare - Beyer 201 Toms - SM57 or AKG D1200 Bass Drum - AKG D12 Overheads - AKG 414 if you could afford them but usually Beyer 201s Brass - AKG D1200 (there was a Senheiser was favoured for Sax, can't remember the number offhand) though with one band we ran SM57s on just about everything. Not perfect but it could be done. Never found an Audio Technica I liked, and nothing else was robust enough for the road. For the studio I'd replace the D1200s with AKG 421 but most of the others would work fine. And still would.

[@VelocityRecordingStudio]

I love how almost every video I see of Warren he’s in a suit now!!

[@Producelikeapro]

Haha thanks

[@trevormiddleton]

Where I come from we have a special word for a man in a suit: ‘the defendant’!

[@gilbertspader7974]

For almost 15 years the only mic I had and used extensively was Radio Shack with a double A battery in it.

[@BassistPaul]

Neumann TLM 103 in my tiny home studio - brilliant all-rounder!

[@Producelikeapro]

Thanks for sharing!

[@jonathanrichard6881]

Beta 52 for BassDrum,Floor Tom; Earthworks DM20 on Snare no bottom mic needed; KSM 32's and AT 4051a's Overheads; ATM 230's on Toms like Senn. 421's without all the stands and bulkiness. So far so good. Cheers!!! 🎤🎤🎤🎤🎧🎵

[@stevegibxon]

42 😂 The Ultimate Answer For the number of microphones or guitars or gadgets Everyone needs ✌️(or so I’m telling my partner 😂) thanks Warren 😎

[@Producelikeapro]

Haha indeed!

[@Producelikeapro]

God bless Douglas Adams

[@googleantispy3850]

Being mainly a classical (choral/orchestral) and acoustic music guy, I've moved away from Neumann to Schoeps - MK2Hs (with diffraction spheres) for a main pair; MK22s for trained voices and choral spots. DPA 4099s for grand pianos. With both brands, we take a step away from "great sounding microphones" (the Neumanns, Gefells, AKGs, et al) to breathtakingly real-sounding *music*. First time I brought up the faders on the MK2Hs as the orchestra main pair I nearly fell out of my chair. Even the room tone sounded different (in a good way). A classical tenor client, capable of producing 120 dB at 10 feet acoustically (not kidding), said that the MK22 was the first microphone that really captured his voice.

[@rafaelcarmany463]

Without Question!

[@audiotalk6155]

I appreciate this comment… this is what I’m striving for with my jazz recordings… I did hear a couple dpa 4099 vs Neumann mcm 114 clip on mic comparisons and it sounded like the dpa’s were boosted a bit and the 114’s were flatter and more natural… the 114’s are kinda new… were you able to test them? Thank you.

[@googleantispy3850]

@@audiotalk6155 Sorry for the late reply. Have not used the 114s. DPA use is mainly for piano, though I did use the DPA violin mic mount on a jazz violinist with a 4099. Yes, this was a "brighter" but smooth sound. Worked well in the mix with no added EQ. As a comparison, for me a Nuemann KM184 can be screetchy that close (the 4099s do not "screetch"). One of the best violin mics I found is the Gefell M300 (string mic in general -- section or very close). It's a like a ribbon without the HF loss.

[@von_Apa]

I just got my Austrian OC818 and I’m thrilled. Another Mike I use is Warm 251 and of Course Shure SM7b… But, yes I certainly would love to have the Neuman U87! :)

[@timh6510]

It's so fun to listen to you share your knowledge and experience Warren. Thanks.

[@Producelikeapro]

AW shucks! Thanks ever so much!

[@Jayrawk]

Neumann U87’s are so bright! Which was great when we used to record to tape. For modern digital recording the Neumann TLM 67 is incredible! It’s less expensive than the U87 and has a little grit while not being so bright.

[@mwdollar]

I also find them very bright and like pairing it with an Avalon 737 to calm it down a bit. They are a good match.

[@officialWWM]

Interesting. The very best vocal sound I ever experienced was way back in the late 90s when I was a young bloke. I got to sing into a U87 and the results were incredible. I’ve been chasing that sound ever since. However, I was recorded to tape and it never even occurred to me that that combination was the reason 🤔

[@HarvinderSingh-yy8th]

Now GTZ U87 is best budget condenser microphone.

[@bradyweston1941]

My experience is different. I would not consider a true 87 "bright". upper mid push and attention to detail? Yes. But not bright

[@Jayrawk]

@ that’s fair.

[@Mikael7777]

Neumann U87, Telefunken M82, Neumann KM54a, sE Electronics VR1, Beyerdynamic M88

[@NickHolum]

I’m sooooooo glad you mentioned the Redd… I want it so bad. Personally I think it’s the best mic on the market.

[@Producelikeapro]

Me too!! I would love one

[@bbfoto7248]

So Many...it's impossible to narrow it down. Coles 4038 Shure SM-81 AEA R88 Stereo Ribbon AEA KU4 Cardioid Ribbon Mesanovic Model 2 ribbon Lewitt 640REX Dual capsule Josephson C617 SET SM57 SM7B Earthworks SR25 Neumann TLM 49 (Tracy Chapman "Fast Car" vocal mic. Enough Said)

[@homestudioacademy]

Gotta love LEWITT Mics! Thanks for sharing your favorites Warren.

[@Producelikeapro]

Thanks ever so much!

[@twitchbook-1]

1) goove tubes md1r,2) Chandler redd mic,3) SE t,4) Se rdn1ruperd never,5)Manley reference 1

[@Producelikeapro]

Thanks for sharing Albert!

[@jsfitz22]

I love my Groove Tubes MD1 and MD1a; also really like my AT-4050; with that said, would love a vintage C12 😊

[@TheDukeOfBlues]

I own the Austrian Audio OC18, two CC8 and just bought the Chandler REDD ... can't wait to use it

[@papaalexlucena]

Being a radio DJ, I love the E-V RE20 and RE27. At home I have AKG P120 and Oktava MK 319.

[@Producelikeapro]

Thanks ever so much for sharing

[@AndrewPeters-Voiceover]

Ford Prefect. I've always loved Microtech Gefell but now I'm sold on Austrian Audio, the OC818 is a Swiss army knife and sounds really nice. Plus it has a bunch of tricks up its sleeve.

[@stephaneaudet]

Hi guys , my top five is = 1 - Neumann U87 - 2 - Beyer Dynamic M-160 - 3 - Royer R-121 - 4 - Beyer Dynamic M88 TG - 5 - Neumann KMS 104 plus condenser mic.

[@Producelikeapro]

Thanks ever so much for sharing

[@stephaneaudet]

It's a pleasure Warren.I have some taste who ressembling to you.@@Producelikeapro

[@jimhart1959]

Love Warren's passion!

[@Producelikeapro]

Thanks ever so much Jim!!

[@underwoodvoice9077]

As a voice actor, I use and love an AKG C214.

[@twinsprucestudios]

My first studio mic is still one of my favorites... the Rode NT1-A. I like the versatility.

[@Producelikeapro]

Thanks for sharing!

[@michaelbonanno7476]

Love my Lauten 357! It picks up exactly what I hear in the room. For a little more bottom end, I add a really old Reslo RV that’s been refurbished.

[@Mikey__R]

I'm trying to decide between a Lauten, Neumann or a Telefunken. I've got a cheap 47 style mic, I'd like something with a bit more air for recording things like acoustic instruments. Something I'd never really want to upgrade from.

[@producerbenford]

My U87i, AKG C414 XLii, SM57, SM7B, and Ref C. But for indoor video Senn MKH 50

[@FransvandenBergeMuziekschuur]

Very very welcome lesson. Everybody should watch this. My addition: I am still a big big fan of the AKG rocket on kick drum. It sounds freaking amazing on kick.

[@Producelikeapro]

Thanks ever so much! Glad you enjoyed it

[@jordan17bliss]

Still using original D12 on kick..sometimes add a 421 and blend them together. I also use both on bass but with a large diaphragm mic and then blend. Still using 414s on Overheads.

[@thecapsicumkid4740]

I do love the SM57. I also love the M201 a lot. I currently have a pair of lauten audio LA120s, which are fantastic! The low pass feature is a game changer!

[@Producelikeapro]

That's wonderful! Thanks for sharing!

[@danepaulstewart8464]

I’ve been recording drums for almost 40 years, and that new Lauten snare mic is MONSTER!

[@Producelikeapro]

That’s wonderful to hear!!

[@arbi4039]

I own a lauten audio clarion. Might not be as good as atlantic, i honestly wouldnt know. But i frickin love it. Edit: i want to add some more detail as to why i love it. This mic has 3 polar patterns which all tend to change the tonality of the mic. So basically 3 mics in 1. It also barely needs de-essing. Sometimes i actually dont need to use any. (It could also just be the figure 8 pattern which is darker than the other two patterns). I also noticed that, while a pop filter is definitely still a good choice, you could get away with not using a pop filter. It also sounds very warm and crispy. I like the way this mic sounds when you say the letter 'F'. Its rather smooth. The +10 and -10 db gain switch is also nice for when you have very soft or really loud singers. And if you want more out of your preamp. The box it comes with is hella nice that thing looks beautiful in my room 🤩 I dropped the mic a couple of times by accident, and its sturdy. It can take a damn hit. But i dont recommend dropping your mic hahaha downsides: the low lows i would describe them as boomy. For some reason i dont like that. Its almost like the pultec eq trick for bass is embedded into this mic. Which is a sound i dont like on vocals. But i feel would be great for kickdrums. Also the mic sounds very open which sometimes brings some problems for me when getting the vocals to fit in the music. Its almost like its stereo in mono. Its weird haha. Just doesnt always suit the music i make. But that might just be my problem in terms of mixing skills. Another downside is the shockmount. Seems a bit useless to me. The bands are super tight (forgive me if im wrong i have zero knowledge of what a good shockmount should be, i just figure it should be a bit loser and have room to move). But you need it to attach it to the mic stand. And it comes in the package.

[@Producelikeapro]

Thanks ever so much for sharing

[@davidchevalier4813]

By "42" I presume you refer to the answer to the Ultimate Question of Life, The Universe, and Everything? That being said, I think for the purposes of audio production the numbers "57", "87", and "121" are equally applicable here! =)

[@Producelikeapro]

Haha yes! 42 is the meaning of life after all!

[@reneaceves8820]

I'm not totally sold on the U-87, especially for a reedy voice like mine, because it seems to add thinness and too much presence. I have a Mojave M-300 tube mic which is warmer, with tons of clarity. I also like the Beyerdynamic 160 ribbon mic and M-88 dynamic.

[@Producelikeapro]

Sounds like you've solved it with a Mojave!

[@shane2973]

I have an older 87 and I know what you are saying. Personally i have found that if i am able to soften the top a tad, tends to make me sound a tad Harsh in my upper register (Kind of a Chris Cornell Belt-er at times)I tracked it with a shelford channel and I actually used a Stam 1176 rev D with his tube engaged along with an LA2A from AudioScape and I was able to really smooth that out. After a little work I have to admit the 887 sounded REALLY Good! Modern polish with that Neumann mid vibe...just an observation/experience

[@BassByTheBay]

​@@shane2973If you sound anything like Cornell, it probably doesn't matter which mic you use. 😊

[@HarvinderSingh-yy8th]

Both bereydynamic 160 and M- 88 lack one or the other balance. Pl. watch PODCASTAGE review by Bandrew.

[@trickfall8752]

I love the Beyerdynamic M88.

[@Producelikeapro]

Amazing mic

[@sven490]

Love it,too

[@32herz]

Hey take a look of Weissklang mics, I just got myself a V17 and was super impressed with it.

[@Producelikeapro]

Thanks ever so much for sharing

[@Drfresh1402]

I’ve been wanting a Lewit mic. Now I know the first one I want to get.

[@Producelikeapro]

Marvellous!

[@larrysentelle1244]

No U87 (yet) We have an AKG 414 TLII, an NT-1A which we rarely use. A Blue Baby Bottle for LDC's presently. That being said, we record a lot of aggressive vocalists so, a SM7B with an SE DYNAMITE into a 1073 w/eq handles the lion's share of our vocal recordings. We do have a nice collection of vintage dynamic mics. Some of our favorites are Sennheiser E609 original all black version (pair) which are nice on guitar cabs, toms. Re-10's, Re-15, and the PL-10 which is great on floor tom or an 18" floor used as a kick drum. Hard to find, great to have. Assorted esoteric dynamic mic Of course 57's, Telefunken M-80. Definitely want to move on a Royer R-10 pair (soon). The Mojave 201 pair is an excellent, and versatile suggestion! Thank you, Warren for your sage advice!

[@allankeenmusic]

My matched pair of AKG 414s go everywhere with me, in a blind test against 4 other microphones I could pick them out. My other favourites are the old Neumann KM84 (now the the 184,) Beyerdynamic M88 on a Kick, SM57 and of course, the U87. The Lauten Snare MIc is now on my wishlist and I will checkout the Atlantis too. Great video discussion.

[@timball8429]

Thanks for the tips, Wazza. I’ve got a Mojave 301 FET and it’s fab. Also the R10 is incredible on EGs and overheads. Love the pair I have.

[@Producelikeapro]

Amazing! Thanks for sharing!

[@pickerpelletier1]

Agreed, I have a 301FET as well, wonderful mic!

[@JoshTolbertUrbana]

I'm glad you mentioned the AT2020. I bought one to use as a desk mic for work before I ever started doing studio stuff...Now I've got a pair of them, and they work surprisingly well for acoustic guitar. I've had great luck with them in a lot of the same places I'd use an SM57. Now I want to try out an AT4050 just to have a multi-pattern mic on hand.

[@agork]

My first LDC was a AT4040, and it has been my most used mic for vocals and more ever since along side the legendary SM57

[@ramspencer5492]

Yes the Atlantis is a spectacular microphone! Great mic for Uber$2000. I would love to try that Lewitt with the time and FET circuit as well... From what I can tell on KZbin, it sounds amazing For under $500, my 1st choice is the Roswell Mini K67x (with the transformer). It doesn't sound like an under $1,000 microphone at all! My second choice is the SE Electronics SE4400 (not the SE4400A!). Great on everything.... Best condenser mic I've ever seen for below $100 is the BaiFei Li C414 (also available on Amazon now as the ProAr 414. Sometimes on sale for as little as $62! I was incredulous.... But after a couple of really good channels gushed about it... I had to try one. It's the first good cheap condenser mic I've ever used! It's absolutely usable... And I like the sound of it. It's has nice mids... It's pretty balanced.... No cheap sounding top end. No exaggerated highs.... It doesn't really sound like an expensive microphone. But it doesn't sound like a sub $200 microphone! I own I own a really good microphone and some other decent ones... And I've used a couple very expensive microphones. It really sounds okay. So if someone is on a very tight budget. It's a good one.

[@kylew706]

M160’s are fricken great. One of my all time fav mics and they’re not too expensive either!

[@Producelikeapro]

Love the M160

[@smuel89]

I love beyerdynamic mc 930 for acoustic guitar but overall really versatile for pencil condensor mics for around 1200 for a pair

[@johntomanio3374]

Warren, I've heard your singing voice on a couple of your vocal recordings, where your voice was beautifully pure and crystal clear. A voice that many a singer would envy! But you want to sing with more "grit." Don't you realize your speaking voice is full of grit? Listen to yourself talk. You have a ton of grit at your disposal. If you can talk with grit, you can sing with grit. I suggest you woodshed your singing, by singing (and recording) 12-18 passes of a song until your voice begins to get hoarse and your internal vocal police are too tired to edit you as you sing.You must choose a song that makes you feel the pain, the angst. Choose a key where the highest notes of the melody cause you to strain just a bit. Also, that Chandler REDD mic can bring out the grit and angst more than any mic that I've found (with a U-67 and a Peluso P-67 coming in a close second) These things work for my wimpy pure voice, Warren! Also, I allow myself one beer, just one, to help me loosen up so I stop singing so pretty and just belt it out!

[@RadicalRumin]

Have you guys tried the Sanken condenser mics? I own a CU-41, it's a dual capsule mic. It's a wonderful mic! I use it for voice over. My favourite thing about it is its off-axis response, it's incredibly well controlled and it allows me to move all over the booth when recording without having to worry that it affects the recording. They're also built like tanks. Titanium capsules, super resistant to erosion and corrosion. Full metal body, great shockmount. They're gonna last. Do try them!

[@sachii.k1802]

Roswell Delphos 2 such a smooth microphone and underated in my opinion 😏

[@wado1942]

Nuemann also tends to generate a reality distortion field. I worked with a guitarist/singer who owned one and wanted to use it on EVERYTHING. I suggested we audition it against other mics I had on-hand, explaining about masking. He reluctantly agreed. I recorded 3-4 mics to tape and played them back, switching and forth without telling him which was which till he said "I like..." On bass, he liked my Cascade Victor ribbon; voice, sE Z3300; acoustic guitar, Samson CO2; steel guitar, SM57. He NEVER preferred his mic a blind listening test but insisted I use it on his guitar anyway, after realizing he had picked a $60 mic over his expensive Nuemann.

[@MrPipmeister]

Typical Warren… ask for 5… get 15!!! That’s value for you 🫠

[@Producelikeapro]

haha!

[@WanderingRobotStudio]

Love my U87s and R-10s.

[@henshousestudios7122]

I have a pair of 040 match and love them, but the Lautens 120 are amazing. And also have a D112, but my Lewitt 640 REX keep it now in the locker…

[@Producelikeapro]

Thanks ever so much for sharing!

[@anthonywallace3830]

I recently purchased the Hohm HRP1, which has quickly become a firm favourite. Handmade ribbon mic from Melbourne. Would love to hear your thoughts on it when you get your hands on one.

[@dj-h8735]

Thank You Warren. You reinforced my beliefs as a music producer and creator. I do not own a U87 (yet). But what I do use are the 2035 (pair), Lewitt 040 (Matched Pair), Lewitt LCT 254 (a bunch of them) my favorite mic, and Lewitt LCT 540 Pure (Pair). Also all the standard Shure SM 57's, SM 58's, SM7b's, as well as the RE20's. Been wanting the Royer R10's for a while now. I've been a huge Lewitt fan for 6 or 7 years now. I love what they do for any acoustic instrument, including the voice. I found that using them with outboard gear(Mic Pre's, Compressors) that they let the color of the gear come through without fighting with the color of the mic's(because there isn't any at all).

[@michaeltablet8577]

Thank you so very much! My top 5 music stores. 1. Sweetwater. 2. Sweetwater 3 Sweetwater 4 Sweetwater 5. Sweetwater

[@Producelikeapro]

Hahaha thanks ever so much for sharing

[@tedbahas]

I love all of the differing opinions on this topic. Like speakers choosing a mic can be super subjective. This is especially true for large diaphragm condensers for vocals. Specialty mics are little easier but there are a lot of different valid opinions. I have been a Neumann Sennheiser representative for a very long time and I am somewhat of a microphone geek by proxy. I am happy to see Sweetwater sponsoring videos like this. I think it’s invaluable to helping folks navigate the huge amount of microphone options. Great video! Hope to see more of this kind of content.

[@billesposito2112]

Hello ,I agree. I was just noticing yesterday listening to some older projects and at the time was using a Sennheiser MK4 for my vocals. I think I paid 450$ for it and now I using a Mojave MA-300 which is 1400$ . But my vocals seem to grab hold of me and move me a bit more listening to them using the MK4. I think it just works with my voice a little better. Since then I sold it as I upgraded everything from my Windows PC to Mac M1 a focusrite interface to an Apollo and the free Cakewalk DAW to Pro Tools , Luna and Studio One. Also just added an ISA One pre which made a monumental improvement. My point being is, if my vocals sounded like they did with less recording skills and cheaper gear what would that MK4 sound like on my voice now? 🤔

[@jasonzerafa8784]

The WA-84 premium stereo package with the Omni capsules was a game changer for me in expanding the mic locker at an affordable price point.

[@Producelikeapro]

That’s wonderful! Thanks ever so much for sharing

[@macxpert3588]

Very interesting selection of mikes. Some of my personal favourites are AKG D202-E1, D12, D112, D330-BT, 451/CK1/CK3 & 414. Electrovoice RE20 & PL77B. Warm Audio CXCX12 & WA47 and the Sure SM57. I would love some U87s but can't afford them yet. On my list are Lewitt, Austrian Audio and now a Royer R10.

[@parasiteunit]

I stumbled across one that was highly flawed, but did have a brilliant feature. The Marantz MPM1000 USB mic - it was really made as a podcast mic, so touting it as a studio mic was a touch of misdirection (from how it seemed at the time) and coping with surprising or quick SPL wasn't it's Forte. However! If you got it positioned right behind a good pop shield and at the "right" distance.... it picked up nuances and vocal intonation REALLY well.

[@---pp7tq]

I saw one comparison of that mic vs the old version of Novox NC1, and in the end the latter had better sounding vocals in the mix, but both are still considered as pretty much an entry level mics, although getting the job done. Can't remember how bad is with self noise in them.

[@patrickfouhy9102]

I've got a pair of R-10 mics in my locker and I love them. I actually think I'll be getting more because I use them so much. Drum overheads, room mics, they are great on the reso side of the kick. I've used them for vocals, guitar etc.

[@Producelikeapro]

That's amazing! Thanks ever so much for sharing!

[@SteveFalearos]

Great video as usual and love that you snuck in the Douglas Adams reference at the end. We all need to know the meaning of life.😊

[@jeffbridges6110]

I like Nady DM70 on rack toms and snare. DM80 on Floor toms. Sennheiser E602 ii is my absolute favorite kick mic. SM58 or AT 2020 on vox , DM70 or SM57 on GTR Cabs. Beheringer c-2's for cymbals , Any cheap dynamic mic for room(s)

[@Producelikeapro]

Thanks for sharing about the Nady!

[@jeffbridges6110]

I just prefer them over 57's. tighter cardioid (less cymbal bleed) pattern and dirt cheap. But they sound good. Better for drums but can be used on gtr cabs and other sound sources.@@Producelikeapro

[@GrexKhusan]

For me the best mic is Lewitt 441 flex. It's the only one I got :) And about Chandler.. the REDD is pricey, but how about Chandler TG?

[@Producelikeapro]

Great choice!!

[@Producelikeapro]

The TG is fantastic

[@kos.studio9304]

I love my r10 for acoustic guitar recording…great job as always sir.Warren 👍

[@Producelikeapro]

It's amazing mic indeed!

[@christopherkiyui8071]

Sir Warren. He deserves a knighthood indeed.❤

[@JohnnyAllan-vj7sj]

My go-to mic is a dynamic ribbon condenser

[@mwdollar]

B&K (DPA) 4011. Ed Cherney uses it on snare and Chuck Ainley uses them on overheads. I've seen Sting use them on acoustics before. Super accurate, fast, and can handle high SPL. Also, a big U87 fan would love a U67 someday. The 421 and the U87 are my desert island mics.

[@Rissna]

On acoustic guitars - Tierra Audio’s New Twenties. That’s a good one! 👍🏼

[@Producelikeapro]

Yes, that’s a very cool mic!

[@DanHealymusic]

Just bought an Atlantis. Can’t wait to test it out! ❤

[@Producelikeapro]

Marvellous!! Let us know what you think

[@DanHealymusic]

@@Producelikeapro will do warren! 🙏❤️

[@Producelikeapro]

Marvellous!@@DanHealymusic

[@Producelikeapro]

Marvellous!

[@driftworksound6156]

The 5 mics in my locker with which I feel like I would be happy to handle any project: Beyerdynamic M160, Soyuz 017FET and 013FET (pair), Stager SR-3, Pearlman TM-1. Honorable mention: DPA Kick mic and 57 (though I could put an M160 anywhere I would put a 57)

[@TheTonylopezband]

Awesomeness reviews I like AKG p200/p100. 👍 old classic with that old retro poormans special sound also rode nt1a good on vocals another pm special, Golden Age Project FC3 poorman multi use mic on guitar as you say sure sm57 I have cloned pyle pdmic78 and behringer clones with transformer in it similar 😉 Behringer B1 multiuse,that's it 😉

[@quietstudio]

They’re all great and as you were leading to have their places and range of uses. Some of us have it all so to speak and with that said; Perhaps a sleeper beyond it’s fantastic large format ribbon “sound” might be the spectrum of applications for the AEA R88

[@thehigherupz2259]

I was using the telefunken tf 39 for 3 years and it is OUTSTANDING!! I recently bought a Lewitt 640 TS and I am trying it out but I also have interest in the ATLANTIS… would you say I made a good choice with the 640? My genres are RNB, POP & HIPHOP… or should I go for the Atlantis. Help me gauge ! Thank you

[@PurpleMusicProductions]

This was a nice video. I am a huge fan of Neumann and the U87 is on my list to get very soon. I have the TLM 102 and it is a workhorse, but I acquired it when I first got started.

[@Producelikeapro]

Thanks for sharing!

[@CM-cb2km]

I like the AKG C535 EB. Never sounds bad.

[@stevenrayphoto1280]

Love your videos! When will you review the Neve 1073 SPX???

[@Zazquatch1]

A great allround microphone is the SHURE KSM37

[@Producelikeapro]

I used a pair of those on room Mics with Jory Kramer! Sounded wonderful

[@operasinger2126]

Thanks for making video!

[@Producelikeapro]

You’re very welcome

[@JochenVogel]

Warren, You're conscious about Your voice, I get it. But Your singing sounds just fine. I was actually quite surprised at how much I like it. Keep singing.

[@Producelikeapro]

You're very kind!

[@JochenVogel]

Thank You, but I'm not trying to be kind. I believe to know how You feel and it took me years (decades, really) to arrive at being comfortable with my voice and its varying capabilities. And I've seen gifted singers close up because of their insecurities. I just want people to their hearts' content (and to mine, of course). Keep singing and keep sharing Your take on Your craft. It's much appreciated here. @@Producelikeapro

[@meanmr.mustard]

On Podcastage is also a great mic test/insight in the Lauten Audio Atlantic to be found... A shame it has quite a resonating ringing sound when being tapped or bumped on - can't remember if it was an issue with a guitar amp recording? When interested, just watch the video. Warren also has a (Sweetwater) mic video on this and other mics, with a female singer/guitarist at the end using the different mics. Nice one 👍.

[@NoQualmsTheArtist]

Don't tap the mic then 😏

[@tarkett8529]

AKG 414, sennheiser 421, SM57, SM 7 , Beyer M88 doubt there’s much you couldn’t get a great recording out of with a couple of each. Edit and except the 414’s they’re all relatively affordable.

[@ashleydines144]

Akg 414s are fire

[@Joey-rp5vg]

Some great mics there and reasonably priced and some ridiculously cheap but brilliant. Thanks very much for the video

[@Producelikeapro]

Thanks ever so much Joey!

[@ethemastermindbeats2436]

Some fine mics mentioned but the title is a bit misleading as to who the audience is... The U-87 costs more than most "home studios" entire setup combined if you calculate without factoring in acoustic treatment.

[@unclefish]

I'd like to throw in a Neuman KM184, my preferred mic for acoustic guitar.

[@Producelikeapro]

Thanks ever so much for sharing

[@wolframwagner9999]

My top picks (of mikes I can actually afford): Condensors: Behringer B5, Prodipe A1. Dynamic: AKG D5, Sennheiser E 935, Beyerdynamic M 201. Dream: Schoeps Coletta series. As is probably obvious, I love The versatile, neutral models

[@Producelikeapro]

Hi Wolf! Thanks for your list! What influenced you to buy more expensive dynamic mics than the Shure sm57? The 935 and M201 are both great, however it would prudent to save the money from those towards a better condenser.

[@wolframwagner9999]

I had found two cheap old and used m201. I use them sometimes as super cardioid for recordings and additionally like their ruggedness compares to condensor models. At work I prefer to lend dynamic mics to inexperienced users because they cant do things wrong with phantom power and dropping them ist less problematic.😅

[@wolframwagner9999]

BTW the M201 of Beyerdynamic is about half the price of the SM 7b, I think.

[@wolframwagner9999]

I misread, you mentioned the 57, Not the 7...

[@wolframwagner9999]

I prefer the M201 to the 57 because it has the mid boost removed and therefore it is almost as linear as a condensor.

[@RainDogAcousticLive]

Would you record with a ear trumpet microphone? Curious to hear your opinion on those microphones...

[@marksteinemann4063]

I use the Lewitt 040 and 140 for Live Drums in a Punk Trio I mix at their concerts. Being a Liveguy I really love the accessebility of thes mics. Cause in the live set mics get dropped spat on, and generally abused, I am happy i get this quality and have it replaced in an affordable price range if necessary.

[@superiorjamtracks2189]

A Shure SM-81 can be quite useful. I feel like the Lauten Clairon beats anything under 1400.00 for vocals and acoustic guitar.

[@Producelikeapro]

Thanks ever so much!

[@ajschot]

All great mics, love Schoeps MK4, MK21, Sennheiser MKH8020, 8040, and Austrian Audio CC8. But 5 is really difficult so i also would like to add some more 😉 Austrian Audio OC818, JZ V67, TLM170, B&K 4006 and i also live the JZ v11 and Schoeps MK2

[@jimp.7286]

The 57 never dies. LOL. I'm always embarrassed to tell people I use one on acoustic guitar. Now I don't feel so bad. They just make getting the sound quick and fit in a busy mix easy. Sometimes boost around 1.2k like you said - to get it to pop a bit more. Good for untreated rooms. As for the lewit vs 87 and the 87 being a little slower in the high-end transients? A bit softer? Hope I got that right, a transient plug-in softens faster mics real quick. Pros will say, just do it with a comp - but a transient plug just sounds different to me somehow. More like the mic behavior itself rather than a filter over it. Hope that made sense. Cheers. Another good one. 👍

[@Producelikeapro]

The Lewitt performs very well indeed in the transients! The U87 is softer and 'prettier' the Lewitt is far more accurate and really does sound like the piano. The question is, if that's what you want then I highly recommend it!

[@jimp.7286]

👍@@Producelikeapro

[@CrushingAxes]

Shure SM57 is pure love! U87 is great! Never tried a Lewitt or Lewitt but from what I heard both are amazing! Very nice video !

[@Producelikeapro]

Thanks ever so much!

[@ZeBubba]

Mic for guitar cab? Sennheiser e906 is a true (Shure 57) killer for me. Love the ability to hang one off the top of the cab as well.

[@BOKHTARIMUSIC]

LEWITT 640 or NEUMANN TLM 103 ??

[@Producelikeapro]

I love the 640TS

[@BOKHTARIMUSIC]

@@Producelikeapro thanks 🙏

[@joejurneke9576]

Well done Warren! Great shopping list

[@Producelikeapro]

Glad you enjoyed it

[@BillGraper]

I've been using an AT2020 for over 4 years. I'm surprised it didn't make the list. It has a crystal clear sound. I had a Shure mic years ago (can't remember the model) and it had way too much mid-tone. I never used it. It sounded horrible. I'm happy with my AT2020.

[@Producelikeapro]

I love Audio Technica, it always surprises me how they are unable to catch a break in the US, they are very popular in the UK and Europe! I have been trying for years to demo their gear! I’m thinking just to buy a full set and then demo them regardless

[@pablopicasso7343]

Love my Luke Audio AL-Y56 with its 3 capsules, especially the A3-capsule (47-ish). It sound so warm, full and naturally for all kind of voices (and acoustic Guitar). Since the A1-capsule (C12) is a little bit to brite for my taste, I get a Austrian Audio OC16 which I love also. Nice clear, crisp sound.

[@murraywebster1228]

You really must test the sE RNR1, SIMPLY AMAZING!!!

[@FurtiveSkeptical]

Still loving my AT 3035 workhorse, (AT 2025 was a passable but pale comparison imo), my 30+ yr old SM57 of course, and a somewhat lumpy old Sennheiser MD 421 I try if the 57 isnt instant magic on a guitar cab. Had a nice set of matched pencil condenser mics Rode NT-5's But sold them almost 20 yrs ago. Probably pick up a set of Lewitts soon, great mics great price. A few different SM betas for different vocal profiles to try against and a Shure Super 55 I like a lot (although not terribly versatile) and of course a couple SM 58's and a nice Sennheiser e945 and e935 that are pretty good in many instances. Not even close to a professional quality studio for the record. Just for my own material, not for revenue. Love your channel.✌

[@jpdenk]

Very interesting video! Have you ever looked at the SE Electronics X1 S? I’d love to get your opinion of that one, an excellent mic, IMO.

[@sgfdancecompany]

What about the Flea mic recreation of many classics? The are fantastic

[@Producelikeapro]

Thanks ever so much for sharing

[@alshk6763]

Thanks for the great tips Warren! Lewitt is definitely on my short list. Any opinion on Soyuz and Peluso mics? I also sometimes wonder who makes up the real market is for such rare and spendy beasts like Sony c800g, or the Brauner mics...

[@Sarsour_]

Love this content!

[@Producelikeapro]

Thanks ever so much

[@unicentertainmentworld]

What about chandler tg2 vs neve?

[@Producelikeapro]

Great idea!

[@tonyadams6985]

I have two 640ts, an Atlantis, a U87. I bought the first two due to your videos largely, and a AEA KU5A after one of your videos. They’re all great! I’m lucky enough to have bought my 414’s, 451 and few others in the mid 90’s with an advance. I’m a little addicted to microphone accumulation.. Next on my list will be a AEA R88A. It’s getting as bad as my guitar gas…

[@Producelikeapro]

That’s amazing! I love those Mics and yes, the KU5A is amazing!

[@brunoafonso8006]

Hey friend, if you could only stay with one of these mics, which would you pick?

[@tonyadams6985]

@@brunoafonso8006 The U87, but that is because it is already a benchmark microphone of which most people regard as a classic well made microphone, but I wouldn’t be disappointed if I was left only with the Atlantis or a 414.