Bhaarati Deviya Nene nene | Sri Purandara Dasa | Nisha Mammen

A Purandara dasa kruthi in Kannada, in the ragam Kharaharapriya in praise of Goddess Devi 😊🌹
#indianmusic #nishamammen #practice #carnaticmusic #music #kannada #purandaradasaru #princeramavarma

[@beeesure]

Superb. Very soothing

[@krisvas47]

Enjoyed listening to the divine song, beautiful rendition.....🎉🎉🎉

[@padmavathimv9385]

Beautiful song and Vibrant singing Nisha.👏🏻👏🏻👏🏻

[@swarajyam_d4119]

🎉congratulations 👏 Nisha.. beautiful rendition...❤

[@savithrirajeevan]

Beautiful ❤

[@mysuruvasudevacharya]

Superb Rendition Bharathi deviya nene nene Ragam Karaharapriya Adi Talam Purandaradasru Krithi👋👌👋

[@mysuruvasudevacharya]

bharathi deviya nene nene | niruta mukutigidu mane mane || pa || Do pray to bharati devi This is indeed the abode for lasting devotion marutanardhangi sucharita komalangi | sarasaksha krupangi apangi | 1 | wife of mAruta, of good behaviour, very delicate Has eyes like a lotus petal, is very generou kinkini kini pada pankaja nupura | kankana kundalankruta deha | 2 | Wears various ornaments sankara suravandita charana | kinkiri puranda vithalana karuna | 3 | she is worshipped by Shiva and other Gods, and is blessed by purandaravithala

[@gopakumark5291]

Superb❤

[@swapnarajendrakumar7101]

❤❤

[@Hansini2813]

Superb. 👏👏👌

[@mysuruvasudevacharya]

This Krithi is on Anjana Devi is the mother of the monkey hero Hanuman, who played a pivotal role in the fabled Hindu epic ‘The Ramayana’. Legend states that Anjana Devi was an ‘Apsara’ in an earlier avatar and was born as a vanara princess on earth. She was subsequently married to Kesari, a vanara chief. It is believed that the essence of Lord Shiva was transferred into Anjana’s womb by ‘Vayu’ the wind God. Anjana thus gave birth to Sri Hanuman, a divine incarnation of Lord Shiva who descended to earth in this form to help Lord Shri Rama in his search for Devi Sita.

[@mysuruvasudevacharya]

Karaharapriya 22nd Mela -The luxurious pastures of this raga - Kodipalai Pann in ancient Tamizh music; the regal Kharaharapriya in Carnatic music - are evergreen and have stood the test of time for centuries. A sampoorna (complete with all seven notes) raga, this scale takes Sadja, Chatusruti Rishabha, Sadharana Gandhara, Suddha Madhyama, Pancama, Chatusruti Dhaivata, and Kaisikhi Nishada. This raga has symmetrical tetrachords in its scale. The harmonies that are possible in this raga are many and priceless, like the RG-DN or GRS-NDP prayoga. Saint Thyagaraja has composed several masterpieces in this raga, some slow, some fast, some yearning for Rama, some discerning the truths of worldly maya. We have “Chakkaniraja”, “Mitri bhagyame”, “Nadachi nadachi”, “Pakkala nilabadi”, “Kori sevimpa” (one of the Kovur pancharatnas) and many more, each one of them testimony to Kharaharapriya’s divine power. Dikshitar and Shyama Sastri have not composed in this raga. Papanasam Sivan’s “Appan avatharitha”, “Senthil andavan” and “Janakipathe” are immortal, and one cannot forget”Navasiddhi Petralum” of Neelakanta Sivan. “Pachai nirame” from “Alaipayuthey” by A R Rahman is largely based on this raga and brings out the romantic, meandering, and relaxing facets of this scale. Recently “Sadhikkatha kangalil” from the film “180”, composed by Sharreth, is a delightful Kharaharapriya. I loved listening to this piece; the typical Keralite percussive instruments giving a traditional flavour to the soft love song.

[@savithrirajeevan]

Beautiful ❤