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Obviously not all players use traditional grip and not all players are drumline choppers, but I feel that ALL players would benefit from adding ‘Sterling’ to their practice routine since it’s jam-packed with goodness. And for those who want to add another layer of complexity to the piece, I’ve offered a few suggestions that I think lend themselves well to matched grip.
If you’re up for an added challenge once you can play Sterling as written at tempo, start by becoming proficient playing the original version starting with either hand. Then...
At 0:16 starts a string of eight sextuplets. As originally written, each sextuplet starts with the right hand. I added a diddle to the end of the fourth sextuplet, which turns the lead hand around. Another diddle on the end of the final sextuplet brings the lead hand back where it started.
At 0:36 starts two measures of hand-to-hand 16th’s. I added a diddle to the end of the first measure to turn the lead hand around. Another diddle added to the end of last group of 16th’s turns the lead hand back around. Not challenging, but consistent with alternating the lead hand when possible - something I personally like to do whenever possible.
Finally, at 0:48 begins a string of eight single-stroke fives. Again, these are originally written so that each group of five starts with the right hand. In my adaptation I change the lead hand at the start of the fifth group of fives and turn the lead hand back around at the start of the flam taps.
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