Bonporti: Complete Sonatas for 2 Violins and B.C.

The definitive collection of Bonporti’s chamber music, including many first-ever recordings. Labirinti Armonici is an Italian-based early-music ensemble with a string of Brilliant Classics albums to its credit, focusing on the neglected music of the north-Italian composer Francesco Antonio Bonporti (1672-1749). A priest like his contemporary Vivaldi, he focused his creative energies on music for the church and for chamber ensemble, and it is this impressive catalogue of work that Labirinti Armonici has documented.
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Bonporti has by and large been heard only in excerpted, fragmentary form on collections of Italian-Baroquecomposers, but Labirinti Armonici reveal the true breadth of his creative personality. There are four surviving collections of stylish sonatas for two violins and continuo, published as Opp. 1, 2, 4 and 6. Labirinti Armonici take an imaginative approach to the continuo part, enriching the skeletal figured-bass line with cello, harpsichord and organ in various combinations according to the mood and character of each specific sonata.
Having most likely studied the violin with Arcangelo Corelli, Bonporti shares with this master of Baroque-violin style a graceful approach to melody which prizes cantabile above virtuoso flourishes, though a thorough understanding of Baroque ornamentation is needed to make the melodies rise and fall with the harmonic intensity intended by the composer. Bonporti tends to make bolder harmonic excursions than Corelli, and in itself this is likely to make a more striking appeal to modern ears.
Tracklist: Pinned in the comment section!
Composer: Francesco Antonio Bonporti
Artists: Labirinti Armonici - Ensemble
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Tracklist: Composer: Francesco Antonio Bonporti Artists: Labirinti Armonici - Ensemble 00:00:00 Sonata No. 1 in D Major, Op. 1: I. Adagio 00:01:30 Sonata No. 1 in D Major, Op. 1: II. Allegro 00:03:48 Sonata No. 1 in D Major, Op. 1: III. Grave 00:05:07 Sonata No. 1 in D Major, Op. 1: IV. Lento allegro 00:07:18 Sonata No. 2 in B-Flat Major, Op. 1: I. Adagio 00:08:25 Sonata No. 2 in B-Flat Major, Op. 1: II. Alla breve 00:09:46 Sonata No. 2 in B-Flat Major, Op. 1: III. Grave 00:11:26 Sonata No. 2 in B-Flat Major, Op. 1: IV. Allegro 00:13:44 Sonata No. 3 in G Minor, Op. 1: I. Largo 00:15:28 Sonata No. 3 in G Minor, Op. 1: II. Allegro 00:17:55 Sonata No. 3 in G Minor, Op. 1: III. Grave 00:19:14 Sonata No. 3 in G Minor, Op. 1: IV. Con spirito 00:21:14 Sonata No. 4 in B Minor, Op. 1: I. Grave 00:23:28 Sonata No. 4 in B Minor, Op. 1: II. Allegro 00:24:42 Sonata No. 4 in B Minor, Op. 1: III. Andante 00:25:40 Sonata No. 4 in B Minor, Op. 1: IV. Spiritoso 00:27:42 Sonata No. 5 in D Minor, Op. 1: I. Andante 00:28:52 Sonata No. 5 in D Minor, Op. 1: II. Vivace 00:30:41 Sonata No. 5 in D Minor, Op. 1: III. Grave 00:32:26 Sonata No. 5 in D Minor, Op. 1: IV. Allegro e presto 00:34:16 Sonata No. 5 in D Minor, Op. 1: V. Alla breve 00:34:43 Sonata No. 6 in F Major, Op. 1: I. Largo 00:36:04 Sonata No. 6 in F Major, Op. 1: II. Allegro 00:37:10 Sonata No. 6 in F Major, Op. 1: III. Adagio 00:37:51 Sonata No. 6 in F Major, Op. 1: IV. Presto e allegro 00:39:05 Sonata No. 7 in E Major, Op. 1: I. Allegro 00:40:08 Sonata No. 7 in E Major, Op. 1: II. Allegro e puntato 00:41:39 Sonata No. 7 in E Major, Op. 1: III. Grave 00:42:36 Sonata No. 7 in E Major, Op. 1: IV. Prestissimo 00:43:59 Sonata No. 8 in A Minor, Op. 1: I. Adagio 00:45:49 Sonata No. 8 in A Minor, Op. 1: II. Vivace 00:47:14 Sonata No. 8 in A Minor, Op. 1: III. Largo 00:48:31 Sonata No. 8 in A Minor, Op. 1: IV. Presto presto e unito 00:50:08 Sonata No. 9 in C Major, Op. 1: I. Vivace 00:51:02 Sonata No. 9 in C Major, Op. 1: II. Allegro 00:52:21 Sonata No. 9 in C Major, Op. 1: III. Adagio assai 00:54:43 Sonata No. 9 in C Major, Op. 1: IV. Presto 00:55:47 Sonata No. 10 in A Major, Op. 1: I. Spiccato 00:56:32 Sonata No. 10 in A Major, Op. 1: II. Tempo giusto 00:57:44 Sonata No. 10 in A Major, Op. 1: III. Adagio e spiccato 00:59:39 Sonata No. 10 in A Major, Op. 1: IV. Presto Part 2 01:00:37 Sonata No. 8 in C Major, Op. 2: I. Preludio 01:01:57 Sonata No. 8 in C Major, Op. 2: II. Allemanda 01:03:16 Sonata No. 8 in C Major, Op. 2: III. Adagio 01:04:07 Sonata No. 8 in C Major, Op. 2: IV. Gavotta 01:05:18 Sonata No. 6 in A Minor, Op. 2: I. Preludio 01:06:34 Sonata No. 6 in A Minor, Op. 2: II. Corrente 01:08:03 Sonata No. 6 in A Minor, Op. 2: III. Sarabanda 01:09:32 Sonata No. 6 in A Minor, Op. 2: IV. Gavotta 01:10:47 Sonata No. 3 in F Major, Op. 2: I. Preludio. Allemanda 01:13:35 Sonata No. 3 in F Major, Op. 2: II. Corrente 01:15:20 Sonata No. 3 in F Major, Op. 2: III. Grave 01:16:19 Sonata No. 3 in F Major, Op. 2: IV. Giga 01:17:47 Sonata No. 9 in B-Flat Major, Op. 2: I. Preludio 01:18:50 Sonata No. 9 in B-Flat Major, Op. 2: II. Allemanda 01:20:32 Sonata No. 9 in B-Flat Major, Op. 2: III. Sarabanda 01:21:50 Sonata No. 9 in B-Flat Major, Op. 2: IV. Giga 01:23:41 Sonata No. 2 in E Minor, Op. 2: I. Preludio 01:25:20 Sonata No. 2 in E Minor, Op. 2: II. Allemanda 01:27:06 Sonata No. 2 in E Minor, Op. 2: III. Corrente 01:28:43 Sonata No. 2 in E Minor, Op. 2: IV. Gavotta 01:30:15 Sonata No. 7 in B Minor, Op. 2: I. Preludio 01:31:41 Sonata No. 7 in B Minor, Op. 2: II. Allemanda 01:34:11 Sonata No. 7 in B Minor, Op. 2: III. Adagio 01:34:59 Sonata No. 7 in B Minor, Op. 2: IV. Giga 01:37:00 Sonata No .5 in E Major, Op. 2: I. Preludio 01:38:28 Sonata No .5 in E Major, Op. 2: II. Allemanda 01:40:27 Sonata No .5 in E Major, Op. 2: III. Sarabanda 01:41:48 Sonata No .5 in E Major, Op. 2: IV. Giga 01:43:38 Sonata No. 4 in A Major, Op. 2: I. Preludio 01:44:29 Sonata No. 4 in A Major, Op. 2: II. Allemanda 01:46:02 Sonata No. 4 in A Major, Op. 2: III. Corrente 01:47:37 Sonata No. 4 in A Major, Op. 2: IV. Gavotta 01:48:24 Sonata No. 1 in D Major, Op. 2: I. Preludio 01:49:35 Sonata No. 1 in D Major, Op. 2: II. Allemanda 01:51:48 Sonata No. 1 in D Major, Op. 2: III. Staccato e adagio 01:53:13 Sonata No. 1 in D Major, Op. 2: IV. Giga 01:55:05 Sonata No. 10 in G Major, Op. 2: I. Ciaccona Part 3 01:58:32 Sonata No. 1 in G Minor, Op. 4: I. Preludio. Largo 02:00:58 Sonata No. 1 in G Minor, Op. 4: II. Allemanda. Allegro 02:02:40 Sonata No. 1 in G Minor, Op. 4: III. Sarabanda 02:04:24 Sonata No. 1 in G Minor, Op. 4: IV. Corrente. Presto 02:06:11 Sonata No. 2 in B Minor, Op. 4: I. Preludio. Andante 02:08:39 Sonata No. 2 in B Minor, Op. 4: II. Allemanda. Allegro 02:10:20 Sonata No. 2 in B Minor, Op. 4: III. Sarabanda. Largo 02:11:58 Sonata No. 2 in B Minor, Op. 4: IV. Giga 02:13:22 Sonata No. 3 in A Minor, Op. 4: I. Preludio. Anadante 02:15:00 Sonata No. 3 in A Minor, Op. 4: II. Corrente. Allegro 02:16:27 Sonata No. 3 in A Minor, Op. 4: III. Staccato. Adagio assai 02:17:54 Sonata No. 3 in A Minor, Op. 4: IV. Gavotta. Presto 02:19:07 Sonata No. 4 in B-Flat Major, Op. 4: I. Allemanda. Presto vivace 02:20:42 Sonata No. 4 in B-Flat Major, Op. 4: II. Andante 02:21:50 Sonata No. 4 in B-Flat Major, Op. 4: III. Sarabanda 02:23:18 Sonata No. 4 in B-Flat Major, Op. 4: IV. Giga 02:24:43 Sonata No. 5 in E Major, Op. 4: I. Preludio. Adagio 02:26:16 Sonata No. 5 in E Major, Op. 4: II. Allemanda. Allegro 02:28:30 Sonata No. 5 in E Major, Op. 4: III. Gavotta. Presto 02:30:05 Sonata No. 6 in A Major, Op. 4: I. Preludio. Largo 02:32:32 Sonata No. 6 in A Major, Op. 4: II. Corrente 02:34:27 Sonata No. 6 in A Major, Op. 4: III. Grave 02:35:15 Sonata No. 6 in A Major, Op. 4: IV. Giga 02:36:53 Sonata No. 7 in D Major, Op. 4: I. Preludio. Largo 02:38:20 Sonata No. 7 in D Major, Op. 4: II. Corrente 02:39:52 Sonata No. 7 in D Major, Op. 4: III. Sarabanda. Adagio 02:41:18 Sonata No. 7 in D Major, Op. 4: IV. Gavotta 02:42:55 Sonata No. 8 in E Minor, Op. 4: I. Preludio. Andante 02:45:41 Sonata No. 8 in E Minor, Op. 4: II. Allemanda. Allegro 02:47:06 Sonata No. 8 in E Minor, Op. 4: III. Grave 02:48:06 Sonata No. 8 in E Minor, Op. 4: IV. Giga 02:49:28 Sonata No. 9 in F Major, Op. 4: I. Preludio. Largo 02:51:06 Sonata No. 9 in F Major, Op. 4: II. Allemanda. Presto 02:52:35 Sonata No. 9 in F Major, Op. 4: III. Adagio 02:53:16 Sonata No. 9 in F Major, Op. 4: IV. Giga 02:55:04 Sonata No. 10 in C Major, Op. 4: I. Preludio. Adagio 02:57:11 Sonata No. 10 in C Major, Op. 4: II. Allemanda. Allegro 02:59:10 Sonata No. 10 in C Major, Op. 4: III. Sarabanda. Largo 03:00:55 Sonata No. 10 in C Major, Op. 4: IV. Corrente Part 4 03:02:43 Sonata No. 1 in B Minor, Op. 6: I. Preludio 03:04:39 Sonata No. 1 in B Minor, Op. 6: II. Corrente. Allegro 03:06:45 Sonata No. 1 in B Minor, Op. 6: III. Giga 03:08:15 Sonata No. 2 in D Major, Op. 6: I. Preludio. Andante 03:09:36 Sonata No. 2 in D Major, Op. 6: II. Allemanda 03:11:15 Sonata No. 2 in D Major, Op. 6: III. Gavotta. Prestissimo 03:12:56 Sonata No. 3 in F-Sharp Minor, Op. 6: I. Allemanda 03:15:46 Sonata No. 3 in F-Sharp Minor, Op. 6: II. Sarabanda. Andante 03:19:07 Sonata No. 3 in F-Sharp Minor, Op. 6: III. Giga 03:20:32 Sonata No. 4 in A Major, Op. 6: I. Preludio. Largo 03:22:13 Sonata No. 4 in A Major, Op. 6: II. Allemanda. Allegro 03:23:49 Sonata No. 4 in A Major, Op. 6: III. Corrente 03:26:09 Sonata No. 5 in E Major, Op. 6: I. Preludio 03:27:16 Sonata No. 5 in E Major, Op. 6: II. Allemanda. Presto 03:28:57 Sonata No. 5 in E Major, Op. 6: III. Giga. Presto 03:30:37 Sonata No. 6 in B-Flat Major, Op. 6: I. Preludio. Largo 03:33:12 Sonata No. 6 in B-Flat Major, Op. 6: II. Allemanda. Allegro 03:35:11 Sonata No. 6 in B-Flat Major, Op. 6: III. Sarabanda. Largo 03:37:44 Sonata No. 7 in G Minor, Op. 6: I. Preludio. Adagio 03:40:02 Sonata No. 7 in G Minor, Op. 6: II. Allemanda. Allegro 03:41:34 Sonata No. 7 in G Minor, Op. 6: III. Giga. Presto 03:43:13 Sonata No. 8 in C Major, Op. 6: I. Preludio 03:44:50 Sonata No. 8 in C Major, Op. 6: II. Allemanda. Presto 03:46:38 Sonata No. 8 in C Major, Op. 6: III. Gavotta. Presto 03:48:29 Sonata No. 9 in E Minor, Op. 6: I. Allemanda. Comodo 03:50:26 Sonata No. 9 in E Minor, Op. 6: II. Sarabanda. Largo 03:52:20 Sonata No. 9 in E Minor, Op. 6: III. Giga. Presto 03:53:34 Sonata No. 10 in F Major, Op. 6: I. Preludio. Vivace 03:54:24 Sonata No. 10 in F Major, Op. 6: II. Corrente. Allegro 03:56:06 Sonata No. 10 in F Major, Op. 6: III. Giga. Presto

[@steveegallo3384]

Excellent as Always, "BC"......BRAVO from Mexico!

[@ilbiancofiore]

Beautiful new find. I'd never heard of him. Thank you, BC, your selections never fail to educate and delight.

[@user-qk4is3mz2e]

That music is wonderful. It transports one's spirit to a different time and place...

[@andreaETbernagozzi]

This. Is. Awesome. Thanks to everyone at Brilliant Classics for uploading such a musical wonder, again.

[@ruthbahri1831]

so great to hear baroque music that we haven't heard hundreds of times before. thanks!!

[@gerardbegni2806]

For me, Bonporti was just a name that I read in books about baroque music; I hardly remembered it. Here, I discover a gifted and original composer. Thank you for having posted this record.

[@djperry211]

I wonder how many Baroque era composers who came slightly later - Bach, Handel, Vivaldi - might claim to have been influenced by Bonporti. Or rather, who might hide their influencers?

[@bird401]

They probably hid them. Influencers are bad for beer sales.

[@lucianocharloz8875]

Me sorprende la cantidad de compositores barrocos, gracias a este canal🎵

[@daniellobos6674]

Beautiful music..!

[@Renshen1957]

J S Bach’s influences are well known Corelli, Albinoni, Vivaldi, A. & B. Marcelo., for String Italian composers. Frescobaldi, (subjects) Palestrina, and Pergolsi for ParodyVocal works. And to my knowledge, no manuscript, autographs (in J S Bach’s hand) or his sons or students of Bonporti. Handel usually unashamedly plagiarized a variety of composers even his friend Telemann, and as well as a number of Italians…Mattheson even published a thinly veiled accusation of plagiarism, but no Bonporti. In both Composers I mentioned, no evidence of direct or indirect influence. As to any subterfuge, the Baroque period composers made no bones about who or what they borrowed. Or for that matter, for personal use list the composers, such as. Couperin, Stoezel, etc. Other than J S Bach’s Teacher Georg Boehm, and J S Bach, A M Bach didn’t have presence of mind, nor did C P E Bach to write the name of the composer when their handwriting is involved. That fountain of error, Wikipedia, claims Bonporti influenced J S Bach’s inventions, which previously were called Preambulum in WF Bach’s Notebooklet. Besides the title, Bonporti work published in 1712, is a Violin solo over a simple figured Bass accompaniment, in several movements, with triple stopped and other characteristics of violin writing.This contrasts with Bach’s single movement pieces in imitative counterpoint. Encyclopedia Britanica’s Attica mentions the connection and attribution of the Tittle with the word “may”…as J S Bach doesn’t start compiling his son’s notebook until 1720, makes the Invention and Sinfonia as first separate collection after his Cantor appointment, which appears in his students works 1725…the opposite side of the coin “may not” is more likely. Four of Bonporti’s found their way into the Bachgesellschaft edition of Bach’s music, however works by Purcell, and other composers likewise found their way and are in the Anhang list which I do not know, although no one gives a reason for the mistaken attribution. In short it’s not like Bonporti pieces had been copied into Anna M. Bach’s 1725 Notebook similar to the two minuets from Petzold’s G major Suite.

[@Renshen1957]

😂

[@fransmeersman2334]

Very entertaining, beautiful and irresistible music with an outstanding performance. Thank you very much B.C.!

[@alenkapintar8660]

Never heard before. Music is so perfect. As all your playlists.

[@user-bs4fy1gu7v]

С удовольствием слушаю).Думал многих музыкантов знаю.Вonporti не знал до этого дня

[@iahelcathartesaura3887]

Thank you! I am elated and I never heard of this before!! Thank you Labirinti Armonici!

[@pierrebonne5943]

d'une beauté incroyable Merci B.C.

[@conovan5081]

This is a certified Brilliant Classic

[@RosCharron]

Thanks for these beautiful recordings! Mush appreciate this BC

[@MsLeenite]

Beautiful, elegant music! Thank you for sharing this with us.

[@rosmoferreira1581]

Simplesmente fantástico 🙏

[@katiabarcenas8002]

¡¡¡ Maravillosa música!!! ❤❤❤

[@gustavoadolfosanchezhurtad1412]

wow, so beautiful

[@justforever96]

Hey not bad. I just wanted some nice background noise but this is really good. KZbin really is amazing for this stuff.

[@paulinemckelvey9001]

Be careful, this kind of music is addictive. In a really good way.👂

[@hannawagenknecht6378]

Von einer Schönheit finde ich ,ist diese Musik,die wohl tut😊❤

[@Thesimonemachado]

35:40 lovely

[@wendynoble6545]

I'm really enjoying this!

[@rosannamasini2075]

❤❤ delizioso

[@shin-i-chikozima]

Hats.off to Comfort and gracefulness of These wonderful music

[@user-fj2dp7ef6c]

Fantastic tunes ❤

[@LucidProgramming]

This is totally new for me, but he apparently influence Bach, and I can certainly hear the connection!

[@blakkauldronmusic5280]

Bravo 👏🏻

[@roxan110]

Francesco Antonio Bonporti (baptisé le 11 juin 1672 à Trente ; mort le 19 décembre 1749 à Padoue) est un prêtre, violoniste et compositeur de musique baroque de la fin du XVIIe et de la première moitié du xviiie siècle. Biographie Cette section est vide, insuffisamment détaillée ou incomplète. Votre aide est la bienvenue ! Comment faire ? Après des études de théologie et de philosophie au séminaire jésuite de la ville de Trente (Italie), puis à Innsbruck (Autriche), et enfin à Rome, Francesco Antonio Bonporti prend des leçons de violon chez Arcangelo Corelli dans cette même ville. Il retourne dans sa ville natale en 1695 en tant que prêtre et commence à publier ses premières œuvres. Il prend sa retraite en 1740 et se retire à Padoue où il meurt neuf ans plus tard. Il est enterré dans la basilique Saint-Antoine, à Padoue. Il a influencé Jean-Sébastien Bach dans la conception de ses Invenzioni (littéralement : Inventions), pour clavier, petites compositions polyphoniques d'écriture libre. Bach a consacré beaucoup de temps à copier les œuvres des auteurs qu'il appréciait. C'est ainsi qu'on lui a attribué à tort certaines œuvres, dont quelques Invenzioni écrites par Bonporti.

[@luizfernandolessa1889]

Interessante. Acho que, se Bonporti escreveu, ele deveria receber o crédito, pois sua música é bela. Saudações do Brasil. 🇧🇷

[@markbell9973]

Ahhhh.... "Ce qui n'est pas claire n'est pas français." Après coup jai dû m'empêchér de dire: 'ce qui n'est pas beau n'est pas français.' Pourquoi? Je suis Ricain, qui tend éternellement à l'excès. Je me contente donc à vous remercier de me faire sentir une fois de plua une sorte de frisson face au potentiel du français d'être le véhicule le plus beau du monde pour traduire la pensée en parole et en langue. Ce coup de foudre m'a atteint à l'âge de 19 ans. Depuis lors j'ai jamais lâché la patate. Et si: c'est au Québec que j'ai fait deux années d'apprentissage de votre langue. Expérience qui changea puissamment la course de ma vie. Il ne me reste qu'à dire Vive la France!; Vive le Québec libre. [Rédigé et "remis 20 fois sur le métier" entre 11h30 et Minuit.30 MST aux É-U. Tout en écoutant ce prêtre et cette musique, justemment, révélatrice.]

[@MrLoknar]

@@markbell9973 Un États-unien qui proclame "Vive le Québec libre", on aura tout vu! Votre français est excellent, félicitations pour vos efforts :)

[@marsicmar5749]

No conocíamos a este compositor. es sencillamente fantástico...!!!

[@Ottavio_Farnese]

Monumental video, thanks

[@faemag]

First time hearing what a masterpiece 😎🔥 thanks B.C

[@philnewberry8072]

New to me. Wonderful! Thank you for sharing.

[@BrilliantClassics]

Glad you enjoyed it!

[@user-gp7iq9xy5x]

thank you❤❤❤

[@zazadari4693]

დიდებულია , გადასარევი მუსიკაა👍👍👍

[@jangiertsen750]

Ypperlig ❤

[@enotrius]

Vivaldi è stato senza dubbio il protagonista musicale dell'epoca ma, in fondo, il contemporaneo Bonporti non era da meno.

[@slendrmusic]

Underrated

[@philippecirse4872]

plus maintenant

[@rosannamasini2075]

❤❤❤

[@arafhenus]

Me hizo acordar a Arcangelo Corelli.

[@nikolafedarchuk5844]

❤

[@sebastiaororigues3636]

👍👍👍

[@philippecirse4872]

Chants parfaits pour lire les formes subjectives des nuages et suivre d'un œil attendri les rainures des tiges des arbres; apprécier l'écriture complexe des branches imbriquées, goûter les couleurs de la décomposition de la lumière en gouttelettes d'eau dans un jardin, ressentir fortement le sol humide de la forêt ancestrale pour percevoir les traces des animaux du passé profond 🧙‍♂🧚🦚

[@roberthill799]

I don’t believe in an afterlife but I do have a profound hope that there is an infinite and abominably painful circle of hell reserved for those who are responsible for these loud and moronic ads being placed between movements.

[@K-2Himalaya-sb7fe]

Barroco

[@user-je7sx2hn2g]

17-18век,Италия:никто не хочет работать-все пишут музыку!

[@johndillon6330]

What does B.C. stand for? ...two violins and B.C.

[@BrilliantClassics]

B.C. stands for basso continuo, simply for the accompaniment instruments. They provided the harmonic structure of the music by supplying a bassline and a chord progression. It's mostly used in Baroque music.

[@roberthill799]

Whoops! I was obviously wrong. Thank you.

[@aufbrechen]

it is a bit simple!!! but also nice....

[@user-oz1op9ks1v]

신경쓰지 말고삽시다ㅡ

[@mustuploadtoo7543]

beethoven

[@chinija71]

?

[@anunluckyguy7586]

not even close

[@Bobby-58]

Comparing appels with pears.

[@Brooder85]

Very Vivaldian. ❤

[@gianbattistamalvestiti5734]

Più Corelliano....

[@Brooder85]

​@@gianbattistamalvestiti5734 nah

[@pascualodoghertycarame40]

Muy de acuerdo, la influencia de Arcangelo Corelli es evidente​@@gianbattistamalvestiti5734

[@stefanodeluca-jl2si]

non conoscevo questo autore, chissà se J.S.Bach avrà copiato qualcosa anche da lui. Grazie