Bop Scales Over Cherokee

[@MicahStott]

Mikko, you’re the best! Thanks for all the great content.

[@animaalien]

Thank you for the monster etude!

[@Mikkokosmos]

Glad you like it 😀👍

[@animaalien]

I have the three volumes of How to play Bebop by David Baker. Slowly working my way through volume one. But not recently, since I have been stuck on page 4 and 5 of Triad Pairs for Jazz by Gary Campbell (the overview of triad pairs within conventional seven-tone diatonic scales)

[@Mikkokosmos]

Thats a great book 🤓

[@guitarhans]

Awesome.

[@WBUSCH49]

IT ID hreat your inspiration.!

[@philjudd3473]

This sounds great...I have battled with that book for year to make sense of it...great to hear how you used the lines to get music happening... 😃..(why do these smiley's look like jabba the hutt?)

[@Mikkokosmos]

😆

[@Ian-ee1wg]

Great as always!

[@williamdillard8330]

I like it bro.👍👌🔥

[@winstonsmith8240]

Still thinking of buying one of those guitars. Will it make me play like you? 😉

[@Mikkokosmos]

Yes that comes with the purchase 😃

[@williamstanford7994]

The third book of David Baker is all chord voicings for piano.

[@jeppejeppenej]

No its not. Its exercises to incorporate licks into standards.

[@Shrimpilla]

Hahahaahha youre wrong hahahaa

[@sethkanor7760]

great lesson, as always. how do I pay you here for just the one PDF?

[@Mikkokosmos]

Email me on here. You can use paypal 👍

[@brunobernard987]

Another great lesson ! Thx Mikko. How can I contact you by email?

[@brianguerrahernandez]

Would you clarify how that is a g phrygian "dominant?" In G phrygian, the notes would be G-Ab-Bb-C-D-Eb-F-G, but clearly you have B-natural instead and there is no Bb. The F and F# are accounted for because of the bebop scale structure, but how do you call it Phrygian if it is missing the Bb?

[@Mikkokosmos]

The phrygian sound is defined by the b2 not the b3. G phrygian = G Ab Bb C D Eb F Raise the Bb to a B natural and you get a Phygian Dominant scale. Add the F# and you get a bop scalr 😎

[@Osnosis]

@@Mikkokosmos and then you create 7th arpeggios (formulae) from that scale, including the natural 7. Gets really great when you are fluent with say b2 Dom 7 or IIImaj7.

[@salvadorgarcia8661]

As always a great lesson and very didactic. I would like to be able to buy the pdfs to be able to practice, tell me what I have to pay you and I will send it by pay pal. Thank you so much teacher.

[@Mikkokosmos]

It's a "pay what you can" policy here 😎 a couple of bucks? Or you can join me on Patreon for as little as one dollar per lesson video 😎

[@johnrothfield6126]

Regarding phrasing, same goes for American fiddling. I guess the African Americans had fiddles in the really early days and no sax.

[@diegomaugeri4038]

So... it's not a coincidence that it sounds like Donna Lee, right?..

[@johnrothfield6126]

Sure sounds like old time fiddling where the off notes are open strings

[@johnrothfield6126]

Triplets how are they different than Irish or baroque? Probably not.

[@bishalghimirey2993]

I am losing money, please stop showing books i want to buy all of them now hehehe....

[@Mikkokosmos]

Welcome to my world 🙄