Bryan Coleman @ NAB 2020 | Maxon Cinema 4D

[@boblolo3977]

Holy Mc aughly, That's what I call a demo reel. Hats of Mister Coleman.

[@mikkelmelby]

that was the last drop. REDSHIFT HERE I COMEEE

[@TheSiimur]

I LOVE THESE TYPE OF TUTS / BREAKDOWNS! DONT STOP

[@philcoffman]

This was a fantastic watch Bryan, thank you for taking the time to go through one of your shots in such explanatory detail. I'm still relatively new to 3D, experimenting in C4D and Octane, and I learned so much from this video. I'm excited to run off and play with some of these techniques myself!

[@arleksey]

great result with very simple techniques, thank you for the sharing!

[@mikepindara8478]

Honestly one of my favorite pieces you have on your portfolio. And getting to see you walk through it step by step confirms a TON of experiments I've done to try any figure it out. The hardware render of the nulls was definitely not something I thought I would see today though. Always learning!

[@KelaniDuvero]

incredible work! seriously. i've started with motion graphic design 10 years ago and i stopped a couple of years ago because i was busy with my studies ...but seriously... stuff like this makes me really want to start all over again and i think i will do that. doing mographics again. anyway, this is just really really well done. amazing.

[@bryancoleman6817]

Thats very kind of you and thank you for watching. Let me know if I can be of assistance on your journey back in to mograph.

[@rbsn3d]

That whole C4D-stuff is quite nice but holy moly...look at at this title sequence "Surface Explorations"! What a beauty!!

[@LoganPinney]

your work gives me goosebumps man! Epic stuff! Thanks for sharing your workflow!

[@tomroohan]

This was great. Followed along using houdini. The area light idea to create beams was really cool. instead of say using a solid tube that runs through geometry.

[@manishnamdeodir]

great presentation, its nice to see the red giant with c4d

[@StrongzGame]

holy sh!t i just learned a bunch of things already 15mins into this video! dope for real thank you

[@thisisalanskiy]

Key takeaway: using a custom area light as a laser beam. Thumbs up for that and thanks for the amazing lesson :)

[@haozhouzeng9254]

This presentation and workflow is amazing!

[@nurahnurki1801]

Nice work on the demo reel. Phenomenal.

[@jamesburton4854]

Excellent, really enjoyed that thanks Bryan.

[@Filtergrade]

Fascinating

[@hamzaaaa123]

just wow !! enjoyed every sec

[@scottdintelman7359]

wow...thank you!

[@LoganPinney]

and thank you for sharing this on the SoM alumni board Scott - as a new user to redshift (1month) this is fantastic teaching (especially for a scifi world building fan :P)

[@zubindaboo1953]

Excellent.

[@saemranian]

So Awesome, Full off Nice Tricks Thanks for sharing

[@galichandrey]

It's amazing! Thank you, Bryan! :)

[@jnsxuhhr7885]

Nice work

[@raneemFX]

Nice and Clear Presentation 👌

[@heliosmediafilms]

are you kidding? thats really great work man

[@raasukk4419]

Super interesting techniques!

[@sagarshrestha9328]

thanks

[@o0oHowlo0o]

47:38 it's way quicker and easier to just pick whip to the 'position' left of the values instead of writing an expression

[@莱郭]

Good tutorial, thank you

[@casplant]

3:22 When you're fully into the movie, and your girlfriend walks in...

[@zachloera3590]

hahahahah

[@bryancoleman6817]

haha. that's pretty good.

[@kiron6753]

@@bryancoleman6817 hey bryan! love this piece and i wanted to ask a quick question. what is the benefit of using lights for the scan vs rendering that out in after effects and applying it as an emission texture? and why not use cineware/export camera tags/object tags for the tracking in after effects? Im interested in these workflow questions since I have to make a few of these types of renders - thanks for any help!

[@bryancoleman6817]

@@kiron6753 there are so many different ways to achieve similar results. It's all up to how comfortable you are with a particular work flow. There are no "right way" to do something in 3D. Its up to the user. I'd love to see your technique.

[@kiron6753]

@@bryancoleman6817 agreed - just wondering if you knew something i didnt! my thought was to do all the 2D motion work in after effects and render out a few separate layers which you could then apply to the emission node of the material. and in terms of the tracking, im sure you know this but you can open c4d files in AE (in the comp with the c4d render) and it imports the camera/lights and anything with an external compositing tag which means you dont have to worry about tracking anything manually - would be a good timesaver i think!

[@gugy68]

Damn man, your tech knowledge is impressive. I'm a fellow motion designer and you humbled me.

[@check99999999999]

So cool

[@aggipettiundhamama6217]

Awesome

[@ariaperdana24]

Even those simple operations for creating the displacement maps, After Effects is lagging. Crazy.

[@mjfilmic]

good stuff!

[@mfrancisco_850]

hehe he loves that trapcode form and plexus

[@hafanpt8287]

❤❤

[@petrholusa5855]

I like that super fast respond on redshift.What GPU is there? :P I am not saying my RTX 2070 SUPER is slow but on presentation that's different.

[@bryancoleman6817]

Two 2080ti's Petr. Conveniently fast.

[@の萌晓晓]

我不明白为什么C4D是单核计算，现在是多核时代的C4D或单核，无论是一个大场景或模拟专用卡

[@markbailey5834]

Hi Bryan - I think pretty much, like everone else, not only is your work fantastic and inspirational for someone like me who is just starting out in MoGraph but this is a great tutorial too. I do have a Q though and it's quite simple. I'm on C4D, on an iMac Pro. I use Corona renderer because main renderers (Octane etc) don't work On Mac well because of the issue with GPUs. However you look like you'r running Redshift on a Mac. Do you run an external GPU? I'd like to use a more main stream renderer as this would make me more adaptable in the work place and there are some things missing in Corona that is annoying. Any advise would be great and thanks again for this tut.

[@bryancoleman6817]

Hey Mark, I used a PC for this presentation. You can rent them for cheap to test them out which I'd recommend. I also have an imac with an eGPU which works well. I don't know anything about Corona, but I've used Arnold (cpu vs gpu), Redshift, and Octane for all of my work.

[@amandines.1100]

Devil's mind. So clever and smart way of thinking it.

[@v1nigra3]

Yikes this dude has a PORTFOLIO!

[@edh615]

why no one talks about the light?? its clearly wrong, at those scales light falls off and light brightness is much higher so the shadows are totally dark

[@yobooboy5591]

Because it's the moon you absolute muppet! Shadows in the moon are perfectly black for human eye.

[@mehranbiabani9148]

I hope one day I can do my imagination to real like u master

[@GrischaTheissen]

Quick question: You are using the same displacement texture in the beginning but duplicating the texture node. Would this use more gpu ram compared to just one texture node? All your adjustments are made in the nodes after.

[@bryancoleman6817]

You could do that yes. Its easy to forget to keep it simple sometimes.

[@GrischaTheissen]

@@bryancoleman6817 For sure! Stunning work btw!

[@smyrkphace]

Ah, the old bucket mode switcheroo. So many hours lost wondering WHY ISNT THIS WORKING?!

[@bryancoleman6817]

So many hours....

[@Igor4ik85]

Парень, ты просто молодец. У тебя есть канал на youtube?

[@Ghost_COD_000]

So roony Coleman's brother is a motion Designer...

[@ronnykhalil]

you da man, BC!

[@bryancoleman6817]

hohohooo!!!

[@ilyesbouabdelli9163]

guys does anyone know which software does he uses to play videos ?? i'm looking for it for long time ago !!

[@1467545632]

Hi. Thank you for your tutorial. Its great! But I have a older version of RedShift and dont have spread option in area light. How can I do this beams without this option? Thanks for the answer!

[@stemfourvisual]

Try just using physical geometry to "shutter" the light ( ie 2 cubes with a small gap between them, which allows the light to pass through ). Not exactly the same effect but comparable.

[@badjano]

wouldn´t it be better to make a 2d video of the animation and use it as a texture on area light to project the animation on to the surface of the moon?

[@yobooboy5591]

No.

[@GroveTV]

Guys what kind of GPU you using? :D

[@bryancoleman6817]

two 2080TI's

[@yobooboy5591]

S3 Trio

[@actsims]

Can we do it in Blender??? I mean to some extent..

[@dot4636]

I'm trying that right now, but there are some problems with the area lights, because blender doesn't have a spread setting for those

[@aggipettiundhamama6217]

Ihave restarted my system for more than 20times😅🙏

[@katerclickbait887]

I'm new to Cinema4d, can you guys tell me if this project can be done without REDSHIFT? I'm using the student Version of C4D. I don't rly unserdtand what Redshift does, why is a different renderer always used in so many tutorials? (Like Octane for example) Why can't I just use the regular C4D renderer? Thanks in advance :)

[@TheArtofme]

Kater Clickbait GPU renderers like octane and redshift are quicker and look more realistic. It just depends on what you’re doing though. Usual work flow is to Start with native c4d and then move onto redshift,octane, Arnold etc .

[@yobooboy5591]

No they don't look more realistic. They are just faster and they are also limited compared to CPU based renderers. You can only dream about Arnold or Maxwell realism using Redshift. But it's good enough for most cases and it's extremely fast.

[@HOTA200]

روعة!

[@jibocado9393]

damn, ive been only using blender for about 5 months seriously now, and i want to recreate something like this, is it possible that I use blender and follow along this video??? looking for a friend

[@thefeymesaleng]

absolutely can

[@yobooboy5591]

...but should you?

[@VictorFigueiredo]

How can i make this scanner light in Octane? Can't find any option to reduce the angle....

[@bryancoleman6817]

make two planes. place them really close together to block the light and to create a sharp edge. play around with that and you should get it.

[@hushguard]

I've recreated it with a texture projection in the area light (simple rectangle). It needed some tweaks to get the sharp line. See here: kzbin.info/www/bejne/aXq5dIt_qq13m9E. Thanks for the great tutorial Bryan!

[@asetone]

you obviously love lines...

[@asetone]

more seriously how did you get to work with almost only the studios i would want to work with ? lines ? ;)

[@bryancoleman6817]

@@asetone lines. only lines. lots of lines.

[@ytscar]

2:21

[@actsims]

🙄😲👌👌👌