Buildings Looks Pt 3

[@jhonastete]

After 3 years I'm still coming back to this building looks series

[@ConsecratedFilm]

These are very very helpful. Thank you!

[@nikhilds1978]

This is really awesome. The secret you reviled at the end about having created a print stock was really great. I am really enjoying your videos. Thank you for such videos with inside professional knowledge as beginner colorists like me do not have access to such information.

[@vinhdo1609]

Literally now, i know why my color grading so freaking sucks. because i have done too much to everything. when i see your video i thought why he just did so little. but eventually, it had come a long way , now i understand. thank u

[@Aziz-kw6ct]

You inspire me in each video. Thx for such content.

[@topicruben]

That was amazing! Thanks a million

[@rafabernabeu4611]

I'm a filmmaker student and your channel is just great. Thank you for all your videos, I've learned a lot more here than in my classes

[@fixmyscrew1]

Loved this series! Just one question, for a full project like a film/short film would you recommend doing this on group level instead of timeline level? Also I noticed you didn’t balance the image before applying this look, is that because log signal is already balanced, like would that just depend on how well it was shot?

[@Graham0693]

Hey Cullen, I noticed in this episode you were doing a lot less flitting between different 'hero shots' while you were manipulating the hue and saturation of certain colours. I feel like this contradicts some points from earlier episodes of always striving to maintain a good project balance rather than an individual clip balance. Surely the fact that you are still working in the timeline nodes means you will have unknown impacts and consequences to the rest of your clips? I'd love to know how you combat this! Thanks G

[@Graham0693]

@@CullenKelly Fair enough. I was testing it out on some of my own footage and was definitely noticing that I was having to be careful or steer clear of certain colours such as reddy/pinks as it started to mess with skin tones... Is there any other colours or situations you try to stay away from if it starts to break realism?

[@ST7GOLDTRIDENT]

Thank you.

[@mrfroopy]

I am curious with the global palette look why you don't use sepe rarate nodes for each primary family, in order to speed up changes if you need to later.. ? Meaning say a red , green and blue node?

[@RichsBrainless]

Hi Cullen, what i dont get is why do u set ur nodes before the S-Curve... the log curve before the s curve is way more compressed, so to me its harder to apply looks on different areas. And you also have less saturation, so that the curves, which work based no color, cannot work precisely. Whats the benefit? Dont get it :) Best Regards!

[@RichsBrainless]

@@CullenKelly ah okay i got that idea of adjusting as broad as possible for organic results. Thank you... Ill try to adapt that concept on my node Pipeline. Very interesting.. Appreciate! :)

[@fotoeikenburg]

Great in depth tutorials. However, in this episode the underlying music is really disturbing and doesn’t add any value to the great job you accomplished. If I may suggest: Leave the music in the library when tutoring. :p-)

[@fotoeikenburg]

Great! Keep up the spirit, ​ @Cullen Kelly