CAGED System Exercises for Minor 7 and Minor (maj7) Arpeggios!

[@madscientistsclub9868]

Always terrific information; especially helpful for the Berkley grads! ;-)

[@marbinmusic]

Hehe! Glad you dig

[@TheCandoheavy]

Very interesting lesson,your approach is very nice . Thank you for this great lesson.

[@ClaudioBrogliato]

You promised and delivered! As I was mentioning in the CAGED video the 5 minor seventh arpeggio shapes are really the 5 boxes of minor pentatonic without the fourth. Your way of teaching though makes it easier to spot the chord tones within the boxes.

[@wakingupfrom]

What uppp we met in Maine outside java joes cafe

[@Uglyducklingrecords]

nice , nice , nice , hells to the yeah man. thanks....

[@marbinmusic]

You bet thanks

[@markinthemix6055]

I’m new to the channel. I bought your Jeff Beck book and l’m really enjoying it. Loving the YT videos for the most part. I will be a bit transparent here. You lose me on some of the concepts and theory. Any chance you could add some beginning to intermediate theory and harmony content? To me it sounds like a great project for 2025 but may be boring and mundane to you. Thoughts? 🤔

[@marbinmusic]

Our patreon has it all

[@elmarto1716]

Do you offer private lessons ?

[@marbinmusic]

I do. Hit me up at [e-mail]

[@godinflt555]

As someone who had learned 3-note per string, I don’t see a difference. I see triads but within the scope of the alternate mode within the scale that I am playing. Shapes are important, but I see them in a different functionality than the CAGED system. As I move around the fretboard, I see triads as a function of the mode I’m in. This is just how I learned the fretboard. I still love your lessons and playing, but I learned differently. Perhaps “wrong”, but it works.

[@marbinmusic]

This way is not the only way but there is a connectivity that it offers in a jazz context that is going to be hard to beat when thinking of chord changes

[@razeshbudhathoki]

Hlo