Joyce DiDonato Master Class January 2016: Mozart’s “In diesen heil’gen Hallen” from Die Zauberflöte

[@The6zero4]

DiDonato is artist and crafts(man), so richly intuitive and in her own words, authentic. She said Sarastro’s aria can melt hearts. It melted mine.

[@cyrilmf2570]

Wow, speechless, i love this capacity to make every singer connect to sincerity, be, that is a gift. Thanks Joyce for being so direct and so subtle and to the point.

[@pianoprogress]

wise, deep, most inspiring. i am watching her masterclasses for hours and i feel i am in a such good company.

[@jlb9368]

The words that came out of her about classical singing should be carved in stone for singers to live by.

[@cyrilmf2570]

I love the humanity from the singer and how the fact to look at this lady helps him to share with simplicity

[@Mrskittykat554]

I love Joyce's speaking voice so calm and inviting

[@peneloperandall-davis8853]

Priceless, inspired , aspirational advice to young singers . So much respect for this...

[@BiahCrazy]

This is the most adorable thing, love you Joyce

[@michaelewens6441]

12:07 LISTEN TO JOYCE'S DEFINITION OF OPERA AND THIS WILL TELL YOU WHY SHE IS SO GOOD. Even in recital she lives the roles

[@keithhulks7049]

every time i hear this aria it moves me to tears

[@afrothiti234]

Soooooo good!

[@KrebSDani]

Incredible voice

[@marie-clairebreton6674]

You are so right...it's all from the heart...the rest is ego and we need to stay out of it. I am discovering your master class and you are so great and funny and real...We want more and more ....

[@KurtReinhardKunze]

Phänomenal!!!

[@terryoltremare]

aww so lovely him

[@DavidBrowningBYD]

Biggest lessons: Do the work. Do the work. Do the work. Take the right actions and let go of the results. People come to the theater to connect, not to escape.

[@klaivchiu]

4:36 that moment when Joyce commands without even looking

[@frankiewally1891]

I love this man .he speaks beautifully and so sings...beautiful voice...

[@lindacowles756]

12:42 Made me think of a line in the play "Amadeus" Salieri: Could one catch a realer moment?

[@jeffodonnell7371]

He is beautiful !!! The voice is nice too. Lol

[@lindacowles756]

23:52 "the voice of enlightenment" I believe that this opera IS about enlightenment and came out of the Age of Enlightenment, so her comment is very fitting.

[@nadedetv7691]

😘👏💐

[@mehitabel1290]

A million cheers for Mr Scheider for his response to those impertinent herdy-schmerdy questions about whether he has kids..Nah! Cos you don't need to be a breeder to understand tenderness...

[@peronicoli5170]

È bravissimo！Secondo me il voce di basso può come il tenore, sempre usa la maschera

[@anthony1washington103]

This is awkward :/ but adorable at the same time!

[@annamariabakosi6482]

Az áhítat...még hiányzott az elején... Ezt nehéz kifejezni: Isten - az örök szeretet/béke szent, túlvilági hangja - ahogyan szól a főpapon keresztül...lágyan, megértően, lehelletfínoman...sugallva: "Én nem avatkozom be...de ez a világ a nem ismeri a bosszút"

[@dongiovanni8899]

Leider klingt wie Bariton als Baß. Es fehlt das legato basso profundo für Sarastro. Vielleicht besser für Papageno in einer Opernbesetzung. Manchmal die Aussprache mit dem italienischen und deutschen vermischt.

[@annamariabakosi6482]

Icipicit még csiszolni kell, nagyon picit még szögletesek a hangváltások...nem elég hajlékonyak a váltások...de csak nagyon kis csiszolás kell már...

[@andreoberle22]

*

[@bodiloto]

questo ragazzo purtroppo non ha orecchio per sentire che canta male,malissimo .

[@Tkimba2]

A me sembra l unico che avesse un po' di voce.... La di donato cerca di castrarlo, giustamente... Vuole che tutti cantino male come lei

[@josemiguel95]

The bass was a little rude. When Joyce DiDonato carried the chair, he should have acted like a gentleman. He was supposed to get the chair for her.

[@lionsmaine1238]

Don't infantilize her, she's a strong, capable woman!

[@Mrskittykat554]

Yea I think she can carry a 2 pound chair

[@polochinchinlin9111]

@@Mrskittykat554 puras estupideces...