Vienna Philharmonic Bass Master Class with Ödön Rácz: Mozart’s Symphony No. 40 in G Minor Pt. 2

The Vienna Philharmonic Orchestra’s principal bassist Ödön Rácz coaches bassist Markus Lang on an excerpt from Mozart’s Symphony No. 40 in G Minor, K. 550. To watch more master class videos, visit • Vienna Philharmonic Ba...
To complement their performances at Carnegie Hall, select members of the Vienna Philharmonic Orchestra led master classes on March 1, 2019. Participating young artists-alumni of Carnegie Hall’s National Youth Orchestra of the United States of America (NYO-USA) and NYO2-had the opportunity to perform and work with these world-renowned musicians in a one-on-one setting in Carnegie Hall’s Resnick Education Wing. To learn more about workshops and master classes at Carnegie Hall, visit carnegiehall.org/workshops.

[@philwong2268]

Love the sound of the double bass!

[@PEACE-nu4wj]

Me too💖

[@jamesjamerson1537]

In a nutshell, be musical. Don't just be a bass player.

[@StexRioloDj]

3:55

[@janubbelohdehenningsen4190]

Ob auf Deutsch oder English, einfach fantastisch! Besten dank, keep on playing!

[@hansk7816]

Perfect ~Next💯

[@PEACE-nu4wj]

Amazing teacher, and he has a feel for the music, the way he uses the vibrato. I can't play double bass, but I play fretless bass

[@maximebertrand5626]

I feel exactly the oposite of phrasing... the apoggiature feel part of tension, this is why it's more important... Violins get sometimes a different way of bowing to do this.

[@gregoryf4186]

Violins do down-up, down-up, up-down for the opening phrase, which is what I do

[@lanvi914]

thank you

[@jip8793]

What a good teacher

[@MsBossio]

Fantastic Profesor

[@zsoltdombovari]

Ever time perfect!... next!

[@cplbass]

Good lesson!!

[@howard5992]

The woman acting as an occasional translator is very stylish.