Joyce DiDonato Master Classes 2022: Mozart’s “Deh, vieni, non tardar” from “Le nozze di Figaro”

Renowned mezzo-soprano Joyce DiDonato presents a series of master classes focusing on opera arias. Here Ms. DiDonato coaches Soprano Anchal Indu Dhir with pianist Justina Lee on Mozart’s “Deh, vieni, non tardar” from “Le nozze di Figaro.”
To watch more videos from Carnegie Hall’s Workshops and Master Classes, visit carnegiehall.org/workshops
Multi-Grammy Award-winning mezzo-soprano Joyce DiDonato returns with her annual series of master classes for young, rising opera singers. This impactful program combines highly personalized private instruction with public master classes, providing students with a one-of-a-kind training and performance opportunity-and audiences with an excellent opportunity to experience a new generation of singers at Carnegie Hall. Hear what these exceptional artists are capable of under the leadership of “a model of singing in which all components of the art form-technique, sound, color nuance, diction-come together in service to expression and eloquence” (The New York Times).
Joyce DiDonato appears courtesy of Warner Classics
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Carnegie Hall’s mission is to present extraordinary music and musicians on the three stages of this legendary hall, to bring the transformative power of music to the widest possible audience, to provide visionary education programs, and to foster the future of music through the cultivation of new works, artists, and audiences.
Learn more at carnegiehall.org.
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[@christinec.6685]

I love that Joyce coaches an "on the breath all the time" clear vowel approach. This young lady has a voice.

[@beatewester4777]

Great work 🤩🤩🤩It feels like she is an amazing teacher. She is a goal for every singing student 🥰 Thanks for sharing 😘The young lady is a singer with a nice voice, not to forget to mention 😃

[@SingYourselfWell]

Joyce is the best. It was amazing experiencing her masterclass in person this fall. She's so in tune with each singer and what they need. Thank you for posting this!

[@jamesghani]

For me, Lucia Popp breathing this beautiful aria to life is one of the most astonishing moments in the entire recorded operatic repertoire. It is the measure of this song, and all others are found wanting, student or maestro.

[@francisdenis8804]

You are totally right !

[@SingYourselfWell]

Ha, funny, at 10:56 Joyce wanted to say "it's connecting to the second chakra," but she stopped herself and said "to your bottom half."

[@brankobulovic167]

to me, it looks like instead of teaching the singer to put in a bit more voice (more timbre, rather than being unnecessarily shrilly - i.e. to sing ) she is teaching her to be more nasal