CASABLANCA (1942) - Movie Review

Ian and Don celebrate 80 years of CASABLANCA!
Michael Curtiz's iconic romance drops audiences right into the middle of World War II, where a brooding loner named Rick (Humphrey Bogart) runs a cafe in the middle of the titular Moroccan city. Policed by the French, and on the verge of domination by German forces, Rick's Cafe Americain becomes a port for European refugees trying to make their way to America.
When an old flame named Ilsa (Ingrid Bergman) re-enters his life, looking for safe passage with a revolutionary-on-the-run (Paul Henreid), Rick finds himself at the center of a conflict involving stolen papers of transit, vicious political machinery, and the remnants of a broken heart.
In this affectionate and spoiler-filled conversation, Don explains why CASABLANCA is his absolute favorite film; Ian marvels at a movie he hasn't watched in nearly three decades; and both guys talk about why the film could not--and should never, ever, under ANY circumstances--be remade today!
CASABLANCA will be available on 4K UHD Blu-ray from Warner Bros on November 8, 2022.
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[@jnagarya519]

Peter Lorre as "Ugarte" pulls one in with an amazing performance. And his dialogue with "Rick" is often hilarious.

[@user-by7gb1ze9n]

Here is a blurb to help today’s younger viewers better understand this movie: “Casablanca is in French Morocco. When France surrendered in WW2, it was divided in half. The Northern half under the direct control of the Germans the other half "nominally" independent under the French in Vichy. French Morocco was also under the control of the Vichy government and thus was technically independent so that the Germans had to operate with French consent. It was all a formality, of course, as the French consent was usually rubber stamped.” As for the timing of this movie, Germany had quickly defeated France and on June 14, 1940, the German troops entered and occupied Paris. This movie Casablanca is set a year and a half later on December 1, 1941. This was a week before America is attacked at Pearl Harbo and entered the war against Japan and Germany. I first saw this during WW2 and believe the reason that it became such an instant classic was that the theme and story truly hit a nerve with the audience members back then. Everyone there identified with the story because, in 1942, the war in Europe and the Pacific was going full blast with the outcome of both was still in doubt. Suddenly husbands and wives, young men and their lovers were being forcibly separated by the war and the draft. If your immediate family was not affected, then many of your neighbors had people either at war, killed or wounded. An element of this film that made it so suspenseful was the love triangle between Rick, Ilsa and Victor. Normally in a Hollywood movie two of the people, the leading man and the girl are obviously meant to end up together. The third character is always shown with some flaw or attitude that makes them an unsuitable mate. In Casablanca, all three leading characters are shown to be equally heroic and desirable choices. Thus making it more difficult for the theater audience to decide who should end up flying off together and who should be the one left behind. Writing a suitable script ending that would satisfy both the Hays Office (the U.S. film studio Self-censorship Organization) and the theater audience must have been very difficult. Cortiz got an Oscar for directing this picture. The flowing movement of the Camera, with its closeups and tracking, and the constant motion of the Actors are like a carefully rehearsed Ballet. Notice how the Actors and the movie Extras are always moving around and how the scenes smoothly flow from one event to another with few cuts and fadeouts. Watch how the movie literally starts with a ‘Bang’ and the Camera keeps you glued to the screen leading up to the Flashback with Rick and Ilsa. The first 10 or 15 minutes seems like one long shot. It is rarely mentioned, but the Editing of the movie was excellent. It was a good thing this was filmed in black and white. It allowed dramatic lighting, contrasting darks and shadows to help portray the ‘Film Noir’ moody effect. Filming in color during the 1940s was harder due to the extra heat generated from the lighting required. Because of the bulker cameras, the added lighting, the triple amount of film, and the expense of producing dye transfer projection prints, Technicolor demanded higher film budgets. In 1942, this movie was well received by the Black Community. It was praised by being one of the first films that portrayed a black man not as a stereotype but as an important character in the story.

[@everymoviehasalesson]

Thank you so much for letting me gush!

[@jnagarya519]

The Warner Bros. "Making-of" on the disc is a must-see, perhaps even before watching the film.

[@jnagarya519]

Curtiz said that when he read a script he SAW ACTION. "Casablanca" keeps moving.

[@jnagarya519]

1938's "Adventures of Robin Hood" -- splendid -- set the standard for all subsequent Robin Hoods. Also see "Yankee Doodle Dandy" with the amazing James Cagney.

[@malimal9191]

‘Casablanca’ is renowned and is justly acknowledged as one of the most romantic films of all time but it is much more than the tale of a love triangle. Of course, it shows that the power of love can affect the human psyche, as demonstrated by Rick’s metamorphosis. This film has so many levels to it that it takes many viewings to appreciate them. The main theme is not romance but self-sacrifice as the film’s message to the world at war is to give up the personal agenda for the common cause. It reminds wartime audiences, many of whom have loved ones fighting abroad, that their situation is the same as that of Rick, Ilsa and Victor. The screenplay is so intelligently written. It is a masterpiece of complexity, containing subliminal political opinions and messages all carried along on a thrilling plot with brilliant one-liners and memorable quotes, comedic elements together with contemporary, social commentaries. Basically, the film is politically motivated because it is a plea to America to join the war. Please note that the action takes place in pre-Pearl Harbour, December, 1941. This is the the first non-musical movie to use music almost as an another protagonist, (which Tarantino does now). For example, ‘As Time Goes By’ is a valuable recurring theme and, in Paris, Rick and Ilsa dance to ‘Perfidia’ which means untrustworthiness. Michael Curtiz’s direction is multi-faceted: Documentary, Film Noir, German Expressionism, Flashback etc. He is the master of creating the plot via seamlessly connecting a series of rapid-fire vignettes. There is subtle direction and cinematography. For example, Ilsa wears black and white clothes and is cast in shadows and in a mirror which symbolise the ambiguity of her role. POINTS OF INTEREST AND NOTES FOR SUBSEQUENT VIEWINGS. Rick’s initial selfishness, (I stick my neck out for nobody’), is a metaphor for USA indifference. It must be remembered that the events and politics are hard to comprehend and put into perspective for current audiences than for those living through WW2. The script can be considered as a 'State of the Union' address, both for home and foreign policies, in which there are references to Civil Rights, as embodied in Sam and, of course, the debate about America’s involvement in the conflict. Each character represents a country e.g. Two Japanese plotting; the Italian on the tail of the German; American indifference; French collaborators; the British robbed by foreign policy. Even the Balkans are mentioned via the Bulgarian couple. Quite evidently, Rick’s actions symbolise the USA in its change in policy from isolationism to participation and ‘….the beginning of a beautiful friendship…’ is the USA and Europe joining forces to fight Nazism. The ‘La Marseillaise’ scene is the pivotal moment in which both Ilsa and Rick realise that saving Victor is more important than their own personal relationship. It also comes in just as Rick and Victor are about to argue over Ilsa but both drop the issue when they hear the music. This scene is rousing now but imagine how it must have felt for audiences right in the middle of the war when Germany seemed invincible and modern viewers need to put it in perspective in terms of world events full of Nazi domination. The facial close-ups used throughout the film speak a thousand words: but particularly note Ilsa during ‘La Marseillaise’ when her expressions show her admiration of Victor’s power and her realisation that this must be preserved at all costs. In any case... there is so much alcohol!!!! POINTS TO WATCH ‘It’s December, 1941 in Casablanca: what time is it in New York?... I bet they are asleep all over America’. PEARL HARBOUR ‘Even Nazis can’t kill that fast’ CONCENTRATION CAMPS ‘I don’t buy or sell human beings..’ CIVIL RIGHTS The Bulgarian couple keep appearing as symbols of hope and determination. In the bar room fight over Yvonne, Rick attacks the German only and not the Frenchman. Captain Renault dumps the bottle of Vichy water to represent his rejection of the Nazi- collaborating French Government which was located in Vichy. Just one example of the excellent and complex scriptwriting occurs immediately after the roulette scene. The girl thanks Rick for letting her husband win and Rick replies, ‘He’s just a lucky guy’, which, on the face of it, refers to the gambling, but, in Rick’s mind, means that the husband is ‘lucky’ because his partner truly loves him.

[@jnagarya519]

I grew up seeing this and tons of other movies on TV. Wasn't all that impressed. Did have the DVD -- comprehensive. And the blu-ray. But I didn't focus until the 4K and it blew my socks off. Grand and simple at the same time.

[@user-by7gb1ze9n]

In 1942, this movie was well received by the Black Community. It was praised by being one of the first films that portrayed a black man not as a stereotype but as an important character in the story.