Raag Kedar

Subject: Music (Hindustani Classical)
Courses: Raag Ranjan

[@kamleshkumardiwan]

विरह श्रृंगार और भक्ति राग केदार की बंदिश में प्रमुख रूप से हैं ...... बहुत सुंदर संदेश दिया है अभ्यंकर जी ने सादर अभिनंदन शुभकामनाएं बधाई

[@shlokgholap4062]

राग केदार बंदिश ताल - रूपक "ऊन ही सो मेरो" ऊन ही सो मेरो चित लाग्यो एरी मेतो देखत भयी बावरे बिन उन मोहे कलना परत है जब से देखी मूरत मधुर आये

[@Aman-et3rq]

कलना परत है, इसका क्या अर्थ होता है?

[@hansadhwaniswarsadhana9011]

Thanks for details,,

[@hansadhwaniswarsadhana9011]

@@Aman-et3rq,, Kal Matlab chain or peace,,,,,naa parat Matlab nahi padataa,,, means I am not at peace without you,,,

[@pragatikumari9457]

Thank you 😊 so much

[@s.venkatrao5893]

Is rag ko itni achhi tarah prastut kia hai kya kahu bas sunta hi rah gaya 🙏

[@prashantsankhe]

Excellent rendition by Abhyankarji 🙏🏼 Excellent discussion and explanation of the Raga Kedar… Mukundji has a very beautiful voice… Brilliant programme!

[@kamleshkumardiwan]

बेबस में कर्म कीजिए सरकार मदीना .... हमको मन की शक्ति देना मन विजय करें दूसरों की जय से पहले खुद की जय करें ....... बहुत अच्छा गाया है बधाई

[@rajinderpalsaini]

Sanjeev abhyankar is the greatest magician of sound.

[@preranamusic]

प्रणाम गुरु जी। आपको साक्षात सुनने का अवसर प्राप्त हुआ था। ये मेरी खुशनसीबी है। अत्यंत सुंदर

[@IshaanNigamOfficial]

Pandit ji rendered this raag so beautifully in his sweet voice. Pranam to him and thank you for organizing such sessions.

[@anandsodhani3048]

these are real Marathi Manus who are pride of Maharashtra not the lousy politicians who are doing best to finish this legacy

[@aspmusic5904]

Only one word comes to mind for this episode (summing up the hosting, co-hosting, tabla, and of course Sanjeevji) -- just *class* .

[@kamleshkumardiwan]

जाने दें मोहे तोरी पिहरवा का मानूं ......पैंया पड़ू तोरे...... बहुत सुंदर गायन अभ्यंकर जी सादर अभिनन्दन

[@kamleshkumardiwan]

उनई में मेरो चित लागो ये री मैं देखत भई बाबरी ....... राग केदार पर आधारित बंदिश को बहुत मधुर आवाज मनमोहक अंदाज में प्रस्तुत किया है संजू अभ्यंकर जी ने अभिनंदन शुभकामनाएं बधाई राग शिक्षण के लिए पटल को धन्यवाद आभार धन्यवाद

[@chandrashekharaher6986]

खूप सुंदर..माहिती सांगणारा प्रोग्राम..पंडित संजीव अभ्यंकर जी आणी मुकुंद जी बेस्ट..

[@sawtantardevarif5561]

What a sweet voice of Sanjay ji I hv seen him when he was young playing tanpura with Pandit Jasraj Sharma ji Great performance

[@parvateesamvepa6303]

पंडित संजीव अभयंकर जी को अनेक नमस्कार। मधुमय आवाज। महान वैदुष्य। बहुत ही ललित,सुरमयी आलाप, फूल जैसा कोमल गमक,मीनड, सुमधुर भावना,सब महत्वपूर्ण हैं।ला जवाब हैं। He is wonderful. Very very effecient as a teacher of music...giving so many similies in the explanation. Great guruji. His students are very fortunate. My heart felt thanks to the chanel. The interviewing members are doing a great job.. Dr. Nandita Data ji.....is an excellent interview er. It is a very beautiful way of interviewing... Lecture demminstration on film songs based on classical ragas is wonderful. Very educative. My regards to one and all.

[@divinesreeram]

Great explanation of raag with real time examples and obviously what a wonderful rendition.

[@kamleshkumardiwan]

राग दारी संगीत में लय पर बहुत अच्छी बात कही है संजू अभ्यंकर जी ने अभिनंदन

[@seetahariharan4089]

Sanjeev ji nmukundji 's rendition of female song was so exhilarating! So melidious

[@preranamusic]

Jo interview le Rahi hain unki Aawaz bilkul Sridevi ji se mil Rahi hai। Bahut madhur

[@vishtrinity]

Mukund Phansalkarji has such a beautiful voice,,so much bhaav in his voice.!!

[@sudhakarsindphalkar950]

C

[@seetahariharan4089]

Yes...very soft n soothing..

[@NaushadAli-ft4cb]

Ati sunder. Superb performance and presentation. please take the classical music to it's greatness.

[@3tutulz]

Thank for the channel and its organisers. Their imagination and hard work speaks a lot.

[@priyankabendre6183]

खूप च सुंदर खूप च मार्गदर्शक आणि खूप उपयुक्त युट्युब चॅनेल मनःपूर्वक धन्यवाद

[@sangeetajere6323]

I found this channel very informative 👍 wonderful performance 👌

[@rajeshjoshi2806]

अरे पंडित जी कितना मधुर आपको प्यार और प्रणाम दोनों

[@gopalnair6861]

Abhyankar ji is a legendary singer

[@gopinathan9368]

ഈ രാഗത്തിൽ ദേവരാജൻ മാസ്റ്റർ . മലയാളത്തിൽ കംപോസ് ചെയ്ത ഒരുപ്രസിദ്ധ മായ ഗാനമുണ്ട് അതാണ്.. ചക്രവര്തിനി നിനക്ക്. ഞാനെന്റെ ശില്പ ഗോപുരം തുറന്നു എന്നത്

[@jifritarana8241]

ഞാനുമുണ്ടിവിടെ

[@vishnushanbhogue7882]

a lot of Hindustani ragas used in Malayalam film songs ..similarly Kalamandalam Hyderali s sucess is he used Hindustani ragas in kathakali songs probably for the first time ..

[@seetahariharan4089]

Nyanum undu

[@Snair269]

"അലയുമെൻ പ്രിയതര മോഹങ്ങൾ " എന്ന ഗാനവും കേദാർ രാഗമാണ്. ചിത്രം : സമുദായം 1995. ദേവരാജൻ മാസ്റ്റർ.

[@vimalkantdave1060]

मनोहर प्रस्तुति । अच्छा संयोजन। शिक्षण का सुंदर प्रयास ।

[@sanjubilolikar]

Great work Vivek Apte ji We love U❤❤❤😍😍😍😍🦋🦋🦋🦋🦋

[@gurubharanduraivel1636]

Mesmerizing voice, taking us to another world, God bless you

[@dharmaraja41]

Wonderful artists!! Thanks for presentation!

[@harikishansharma3028]

दरशन दो घनशयाम मोरी अँखिया प्यासी रे

[@balkaranmahabir8557]

Hi its 115am in tnt west Indies n listing to u guyz. Hmm it one of d smoothest flowing aakaar ive heard. Gr8 r u guyz. Thanx men. Well done !!!

[@siddharthbhattacharya9084]

What an explanation and analogy. So so beautifully explained.

[@shreesharoy]

My favourite Sanjeev abhyankar ji🙏🙏🙏

[@pranavkurundkar9511]

What a great performance❤️❤️❤️❤️

[@manivelsahayam1317]

Two very important and essential elements have been overlooked in most of your videos.They are: elaborate and comprehensive raag vistaars and swar sangathees(note cominations or clusters of notes). There is a need to eplain how to take a note in a raag and then combine with other notes to orm a musical phrase in that particular raag for example the note ni in raag yaman-you can combine these notes with ni-mdn- dnrs-nrs-nrg-nrgrs-nrgmp-nrgmdns. Here we can see the note ni being combined with other relevant notes to form phrases. This kind of information would be very useful to all and would be very helpfful in the composition process. Anyway a good effort by Humanities to provide raga information.

[@hansadhwaniswarsadhana9011]

I am a huge fan of sanjiv ji since college days,,,wen i started learning music..

[@sword013]

What a knowledgable person !

[@disztan]

So sweet raaga

[@VAIBHAVSINGHMUSIC]

Lovely this helps us so much... School ki prayer yaad agayi.. Hamko man ki shakti dena. Oh just reached to 15th minute 😂

[@paralikarsv]

Excellent , very much understand about raag kedar ,

[@soumenbayen8042]

Thank you very much for this preparation.

[@guruprasadmusicsinger5397]

wonderfull pt ji,raag kedara perfarmence

[@mathurbhanushali6912]

मन भावन मन को शांत करनेवाला धन्यवाद

[@asifhasnain6852]

Lovely! He has a great deal of maturity. Very polished performance. Thank you for posting.

[@manikdas8829]

Very nice presentation by panditji. My regards.

[@abhishekrajopadhye717]

Excellent explanation by pt.sanjev abhyankar

[@girish3011]

Sanjivji has nicely explained the concept of raag timing.

[@AKASHSONIiitdelhi]

Beautiful abhyankar ji

[@CuminPepper]

Absolutely phenomenal presentation by Pt. Sanjeev Abhyankar ji. However, there is a feeling of tickling superficialness about his Jaane de mori - compared to his Guruji and I think it is because of his approach to the voice treatment. The older generation had a tinge of real world authenticity which is lacking in stage version smoothness of the next generation. Kala Ramnath being an exception due to violin and her treatment of the instrument.

[@singhgurmit636]

Really a great presentation of raag Kedar. Thanks very much.

[@pratibhakarkera2547]

So magical

[@narayanabhandary3797]

Nice to come across and listen.,.... best wishes too.

[@rajeshjoshi4558]

Sanjeevji aap Hamesha Rulate ho. Aapki jay ho

[@lalitsursangeet1632]

Jai ho........Bahut sundar.....

[@sahilroyal8939]

Love rupak tal 7 beats

[@preranamusic]

Aye watan mere watan from the movie Razi is also based on this raag

[@nrao8977]

Thank you very much for posting these videos. Unless already posted, any plans to include Rag Saraswati and Bhairavi? Thx.

[@arjuntanwer.]

Bahot hi shandar aap ne bahot hi jankari di hai

[@pramodkumarlandage2767]

Very nice for music lovers and learners.

[@AshokMusicalsOfficeal]

राग को समझाने का तरीका बहुत सुंदर है नमस्कार

[@nandi4crc]

This is Bhagwan Shivji’s raga. One of the sweetest ragas!

[@DC-zi6se]

That is Raag Bhairav. Bhairav is an adi raga.

[@sawtantardevarif5561]

This is Lord Krishna's raag

[@digambarkango2298]

Sunder Apratim Melodious Voice.. Also detailed Information about Kedar Raga. Thanks. 🌹🌹🌹🌹💐💐💐💐👌👌🙏🙏🙏🙏

[@prerakdesai9423]

Raag Bhairav is the favorite raag of Shivji. Raag Kedar is the favorite Raag of Lord Krishna.

[@nurullahnafibd]

​@@sawtantardevarif5561 but Kedar means shiv.

[@user-bq1th5wq6e]

मेरे ज्ञानके अनुसार कोमल निषाद इस्तेमाल करनेसे वो चॉंदनी केदार होता है.

[@gaurangvin9833]

Thank you, Panditji !!!!

[@rabby1kashmir]

keep it up-Superb

[@gopalkrishnamutalik4639]

Very melodeous rendering

[@gaurangvin9833]

How sweet !!!!!!!!!!!!!!

[@balamurli5207]

Is rag kedar closer to hamir kalyani some one pls explain

[@kookie_7233]

Great Job Guruji 🌹🌹

[@milmac5052]

🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼

[@mukundpuranik1020]

Kedar, Tilak Kamot & Bageshree are very close to each other. How does one know from light songs?

[@Mottuji]

No sir....yeh sabhi...bahut hi alag alag nature ke raag hain ...inmein zameen aasmaan ka fark hai

[@DivineBansuri]

Challan and Key Phrases

[@bhumanandamaharaj8177]

वाह! गुरुजींची आठवण करून दिलीत. छान माहिती दिलीत आभार व्यक्त करतो. मला वाटतं की ताल विभिन्न ताल यांची माहिती ज्ञान दिलं गेलं पाहिजे त्याशिवाय संगीत अधुरे आहे जसं की रूपक ताल, झपतल,dipchandi वगैरे वागे

[@musicianbookbug1540]

Beautiful rendition, a request if possible do a session on raag Kaushi Kanada. As it is a complex raag, the discussion will be a great help for students to understand it.

[@sudhabhat9396]

Very informative.Beautiful rendition

[@purnanandshastri2762]

Kya baat hai.

[@kssubramanian4793]

What an explanation giving example of a face and a mole

[@seetahariharan4089]

😁

[@ishitajijotiya1268]

<a href="#" class="seekto" data-time="80">1:20</a> aroh avroh <a href="#" class="seekto" data-time="177">2:57</a> Vadi - ma Samvadi - sa Raag me komal ni ka prayog - <a href="#" class="seekto" data-time="240">4:00</a> Slight use of komal ni

[@abhijitmukherjee2248]

Pl tell me anyone what is the besic different in between rag keder and kamodi

[@TaraTalkTime]

🙏🌻🙏

[@sunilbhagat885]

सुंदर!🙏

[@Nirumalik]

Waaaaaaaaaaaaa hat's off to u

[@anshumansingh3909]

This is pure bliss to listen velvet soft voice of Abhayankar ji. Very nice accompanying on harmonium and tabla, Very nice anchoring too. Why programs like this discontinued, It must be resumed as soon as possible

[@mandarparkhi3708]

very good discussion and music

[@aslamali6395]

❤️❤️❤️❤️❤️❤️

[@kjaan]

Who is the guy in glasses? He has beautiful voice.

[@cupabj]

He is Mukund Phansalkar.

[@seetahariharan4089]

He is a sa re ga ma winner...I remember watching him many yrs ago

[@nathanl3160]

does he sound like manna de?

[@whoisbhauji]

his kanha ja sounds better than Lata's version i say!

[@balamurli5207]

How to differentiate between kedar and hamir kalyan

[@sanjaykrishnav858]

Kedar in carnatic is called hamir kalyan

[@saraswatibadamikar6994]

🙏🎶 very beautiful

[@rashmisrivastava5813]

Biutifull

[@utkarshjoshi593]

🙏🙏🙏

[@basweshwarmaharajyerte8117]

तबला और हार्मोनियम का साथ सुपर

[@pankajawallipadmanabhan736]

Beautiful explanation

[@aggg6338]

Every time one thing is left asaude Her ek rag me kaunse swar varjya hai aroj me ya awarohme ye batana bahot jaruri hai Ap jo aroj awaroh gake batate hai usame jisko ragdarika purn gyan hai wahi samaj jata hai ki kya varjy hai aur kya nahi Ham jaise navsikhiyeke liye ye samaj Lena muskil hai

[@SonalDiwanjiMusicInstitute]

Thanks a lot for sharing

[@vijaykulkarni4054]

Bindi on chehra👌👌🙏

[@aanantharajaram8568]

excellent !

[@user-zv6tb9ng5w]

Very. Nice

[@ContinentalYogaReach]

Wah.

[@wilsondutta9447]

Beutifu sir

[@gopalnair6861]

Be kas pe karam kijiye from the movie Anarkali( 1953) falls under this rag?

[@brijeshbopardikar]

Yes ..u r right...even Humko man ki Shakti dena is based on kedar

[@brijeshbopardikar]

But bekas pe Karam kijiye is from Mughal e aajam

[@dhaval1122]

<a href="#" class="seekto" data-time="360">6:00</a> bandish - Mero chit lagyo <a href="#" class="seekto" data-time="1105">18:25</a>: Jaane de mohe tori piharwa naa manu

[@jknath-tn1xk]

Anjana Excellent performance

[@pramila3959]

Nowaday his not performing and showing his 5alent. Why?

[@shekharparanjpe7227]

I distinctly remember interview of Pt. Bhimsen Joshi around 1981 on दूरदर्शन a Marathi interview. When he was asked that Pt. Ravi Shankar has once said that there is nothing like times of presenting rag. Any rag can be played any time. That time Pt. Bhimsenji had said , "He (Ravi) is international artist. He is entitled to say any thing. Dr. shekhar Paranjpe.

[@padmakarkodavatiganti857]

Shekhar Paranjpe ,I agree with Pt Ravishankar and that’s why such an old system like the Carnatic Music system doesn’t follow this concept and this aspect cannot be a differentiating factor

[@bsridhar3806]

Just imagine how many ragas will disappear from public platform. Most concerts are held in the evening or night. Pressures on time means concerts cannot go on for hours. Some seasons are more likely to attract audience than others. With careers, work shifts, calendar restrictions, and such, it is not very pragmatic to stick to age old restrictions as to when ragas can be performed.

[@seetahariharan4089]

All these are theories... the music loving common man with all his other commitments jyst likes to listen to good music n dnjoy it

[@VithalNadkarni]

The great Ustad Bade Ghulam Ali Khan is reported to have done extensive research on these aspects and reached the same conclusion as Pandit Ravi Shankar.

[@anurag684]

Well See you can ofcourse sing any raag at any time but it's effect will be reduced. For example listen to lalit in early morning and in afternoon you yourself will feel less attached.